(14th-16th centuries): Five works |
|
(16th Century) Greensleeves |
|
(17th Century): The Nightingale |
|
(arr. Ank van Campen) Cantica CM, Rex caeli |
|
(arr. Bach) Mass in C, BWV Anh 25 |
|
(arr. Constant) Songs: A little path; I live at the Source of the Yangtze River |
|
(arr. Diaz) Merengue |
|
(Bamberg ms): Motet “Belle Ysabellot.“ |
|
(Eighteenth Century English) Drink to me only with thine eyes |
|
(English): Robin Is to the Greenwood Gone. Howme again, market is done. I Can not Keepe my Wyfe at Howme |
|
(Italian): Aria del Gran Duca. Bianco fiore. La Trombeta |
|
(Montpellier ms): Motet “O Virgo pia.“ |
|
(Musick's Handmaid): The Grange; Gerard's Mistress |
|
(orch. Pine) Medley of Scots Tunes |
|
(Robertsbridge Codex): Estemples |
|
0 Death, rock me asleep |
|
11 works |
|
14 songs |
|
14 vocal works |
|
15 Short Ballets |
|
18th-Century Sonata de Sabará |
|
2 Estampies. 3 Irish Folk Tunes. Saltarello. 3 Playford Tunes |
|
2 Renaissance Lute Pieces |
|
2 songs |
|
2 Songs |
|
20 Pieces by |
|
21 selections |
|
22 pieces |
|
3 fanfares |
|
3 Hymns. 8 Antiphons |
|
3 Notre Dame motets. Ave maris stella |
|
3 pieces |
|
3 Works |
|
39 Selections for Hunting Horns |
|
4 Frottole. 3 Renaissance Dances (from Intabolature nova). 4 Frottole |
|
4 Planctus (Codex Las Huelgas) |
|
5 Sinfonias |
|
5 works |
|
6 Lute Pieces of the Renaissance |
|
6 Sephardic songs |
|
78 Arias, songs, and duets by |
|
A declarer mon affection |
|
A Devision for a trible violi to play with a virginali. Paul's Steeple |
|
A Division on a Ground. Readings Ground |
|
A Ground. Can shee excuse. Pakington's Pownde |
|
A i'entrada del temps ciar |
|
A i'entrada del temps ciar; 7 other songs |
|
A Loyal Song |
|
A Poor Soul Sat Sighing; The Dark Is My Delight; O Let Us Howle; Come Live With Me and Be My Love; What Is’t Ye Lack? |
|
Absolve quaesumus Domine |
|
Acht Tänze für die Hausorgel |
|
Ack Vermeland, du sköna. Alit under himmelens faste. (All sung in Swedish) |
|
Ack, Värmeland du sköna |
|
Acres of Clams. Louisa Polka. Col. Kirkland's March |
|
Adagio and Allegro for 8 Kettledrums, 5 Cellos, and Bass |
|
Adagio and Allegro for Eight Timpani, Five Celfos, and Double Bass |
|
Additional works by |
|
Adeste Fideles |
|
Adieu vous di. Ist mi bescheert. Och life gesel. Au debot de no rue. Gloria. O crux gloriosa. En ties en latin en romans. Renouveler mi feist. Ho ho ho |
|
Adieu vous di. Lantech Judith et Rachel. Le mont Aon de Thrace |
|
Adoramus te. Deus tuorum militum. Dantur officia. Christe redemptor omnium conserva. Imperatrix/O Maria. Juste judex. Ave maris stella. Messe de Barcelona. Apt MS 16b: Mass movements |
|
Adore Te, Devote (Hymn, Mode V) . . . Salve Regina (Antiphon, Simple Tone, Mode V) (Monks Choir of the St. Pierre de Solesmes Abbey) |
|
Adoro te devote |
|
Agincourt Carole. Susanna van Soldt Notebook. Verses on the Veni Creator |
|
Agincourt Song; Greensleeves (arr. Howarth) |
|
Ah! The Sighs that Came from My Heart. You Don’t Have to Ride Jim Crow |
|
Ah, my dear son |
|
Ah, my dear Son. Afraid, alas |
|
Aileen Aroon’ (arr. Cunningham) |
|
Alknomook, or the Death Song of the Cherokee Indians. When Brazen Trumpets from Afar (Col. Simond's March). Kennebec March |
|
All in a garden green. The Three Ravens. Packington 's Pound. The Wind and the Rain. Wilson's Wilde. Fortune my foe. Jouissance. Watkin's Ale. Heven and Erth. Good fellows must go learn to dance (Sellinger's Round) |
|
Alleluia Christo iubilemus. Stella maris nuncuparis. Spiritus et alme / Gaude virgo salutata. Ave rosa mundi. Kyrie Cuthberte prece. Credo, OH 74 |
|
Alleluia V. Laus honor. Firmetur manus tua. Postquam factus homo. Doxa en ipsistis theo. Allelujah: Rex in aeternum. Prome casta. O redemptor. Miserere domine. Christus vincit |
|
Allemanda in D. Allemanda in A. Allemanda in A. Sonata a Violin Solo in A |
|
Allemande and Corrente in G |
|
Alma redemptoris mater |
|
Alma, che sì gentile. Che fai qui, core? Ecce quomodo moritur |
|
Almain. Fansie. New Almaine. Pavan. Fantasia. Fantasia. Pavan, Ann Markhams. Almaine, Victoria's. Miserere a 3 |
|
Almain; Irish Dance; The Lord's Masque; Almain; Coranto; Miserere; The King's Morisck |
|
Alman. Allemanda. Chi passa per questa strada? The Passing Measures Pavan and Galliard |
|
Alman. Daunce. Córranlo |
|
Almand |
|
Almand à 6 |
|
Almán |
|
Alone, alone, alone |
|
Alt-Italienisches Liebeslied |
|
Alta Trinita beata |
|
Amable. Babau |
|
Amarilli mijn schone. Gagliarda gamba e le forze d’Hercole |
|
Amazing Grace (arr. Anthony Furnivall) |
|
Amazing Grace. Greensleeves. Let Us Break Bread Together |
|
Amazing Grace. Let Us Break Bread Together |
|
Amazing Grace. Sometimes I feel like a motherless child |
|
An Italian Ground |
|
Andiam Mio Tesoro |
|
Angelus ad virginem |
|
Angelus ad Virginem |
|
Angelus ad Virginem, Carol |
|
Anne Cromwell's Virginal Book: 4 pieces: Elisabeth Rogers' Virginal Book: 7 pieces |
|
Anne Cromwell's Virginal book: The Building of St. Paul's. Frogges Galliard. The New Nightingale. The Milk Maid |
|
Anonymous works of the ars antiqua |
|
Ar Bleizi-mor. O tu gui servas. Chançonnete/A la cheminée/Veritatem. Ich was ein chint so wolgetan. Na coire ar na sleibhtibh. Fuwëles in he frith. Bryd oné breré. Aquila altera (Codex Faenza). En ma forest |
|
Aria del Gran Duca |
|
Aria di Camera: Six excerpts |
|
Aria: Weint nicht um meinen Tod. Aria: Nun is alles überwunden (attr. Drese) |
|
Arias and songs by |
|
Arias, duets, trios, and songs by |
|
Arias, songs, and duets by |
|
Arias: So oft ich meine Tobacks-Pfeife, BWV 515a; Willst du dein Herz mir schenken, BWV 518; Gedenke doch, meine Geist, zurücke, BWV 509; Bist du bei mir, BWV 508. March in E♭, BWV Anh. 127. Musette in D, BWV Anh. 126. Menuet in D minor, BWV Anh. 132 |
|
Arrangements of |
|
Arrangements of works by |
|
Ask me no more. I long for thy virginitie. Sweet Besse. I kissed her while she blushed. Hench me Malie Gray. She's rare and good. Buggle Bowe |
|
At the River |
|
Ave Maria |
|
Ave maris stella |
|
Ay, luna que reluces |
|
Balade |
|
Ballet |
|
Ballet des Baccanales |
|
Ballet du Roy pour sonner après |
|
Ballo del Granduca |
|
Ballo Divertissements (2) for Clarinet and Three Basset Horns |
|
Ballo polacho. Gagliarda polacha. Es sind doch selig alle die. Jungfrau von schön gestalt. Tantz des Graffen von Manßfeldt/Proportio. Allemandt à Globe. Toys |
|
Bandura. Dvyenadtsat’ razboinikov (12 Bandits). Proshchai radost’ (Farewell, joy) |
|
Barbara Allan (arr. Cardin) |
|
Barcarolle |
|
Barukh habba. Shira hadasha. Eikha. Aleikhem eda k'dosha. Al heikhali ev'ke. Eikha tzon haharega. G'rushim. Ev'ke v'al shod z'vulai. Heikhal adonai. Bore ad ana. Shirat hayyam. A'hot k'tanna. Aseret haddibb'rot. Haftarat vayikra. Et cha'arei ratzon. Haftarat t'tzave. Mizmor I'David. Mizmor Shir I'Yom Hashabbat “Tov I'hodot.“ Haskivenu. Kaddish. Parashat emor |
|
Bassa Danza |
|
Bassedance 1 (“Ta bonne grace“). Bassedance 5 (“Hellas amy“). Bassedance 7. Branle simple Branle de Bourgolgne 23. Gailarde 15. Pavane 11 (“La Bataille“). Pavane 13 (“La Gaiette“). Pavane 14. Tordion 2. Tordion 6. Tordion 8 |
|
Batailla famossa |
|
Batalha de VI Tom |
|
Batalla |
|
Batalla famosa |
|
Batalla famossa |
|
Batalla Famossa |
|
Battle in the Sixth Tone. Song for Echo Cornet |
|
Be thou my vision. O, God of loveliness. Breathe on me. O Sanctissima. Children of the Heavenly Father. Thy holy wings |
|
Bele Doette. Nineteen other songs |
|
Belle lsabellos |
|
Benedicta filia. Pulchra es et decora. Ave maris stella. Magnificat anima mea Dominum. Deus in adiutoriumJ Maria Virgo assumpta est. In odorem unguentorum |
|
Berner Redoutentänze. Danses Bernoises: (Excerpts) |
|
Bicinium. Silver Trumpet. Six Sonatas of the Lisbon Court for Trumpet Corps |
|
Bien soiez venu. In mynen zin |
|
Birds of the Forest |
|
Boccuccia d’uno persic’ aperture. Madonna tu mi fai lo scorrucciato. Tu sai che la cornacchia. Che sia malditta l’acqua. La morte di marito. Oi ricculina. Vurria ca fosse ciaola |
|
Bon jour, saison. Greensleeves |
|
Bonny Kathern Loggy. Emperor of the Moon. The Witty Western Lasse. Nobody’s Jig-Black and Grey-Where Will Our Goodman Lie-Maiden Lane. Drive the Cold Winter Away. When Daphne from Fair Phoebus Did Fly. Mr. Lane’s Maggot |
|
Boulangeries |
|
Branle Gal |
|
Brian Boru's March. Irish Lullaby. Joy to the Person of My Love. Maid from the Parish of Penderyn. All Through the Night. David of the White Rock |
|
Brittanica for Brass |
|
Bruyns Medelyn. Aria di Fiorenza |
|
Byzantine Alleluia of the Roman Rite |
|
Byzantine Chant |
|
Byzantine Chant on Psalm 140 |
|
Byzantine Chant on Psalm 140 (arr. Kopatchinskaja) |
|
C'est un amant |
|
Ca' the Yowes. The Spanish Lady |
|
Caballero de aventuras. Señora, después. Quien tanto veros desea. Dónde estás? Al villano se la dan. Suelen las fuerzas de amor |
|
Caca “O Virgo Splendens.“ |
|
Calabaça. Ay Santa Maria. Passamezzo. Tres Morillas. Dentro en le vergei. La Gamba. Nina y vina. A la mia. Dios te salve. Ya somos del todo libre. Dindirin dindirin |
|
Calata |
|
Callinoe. Green Sleeves. A toy. Corn Yairds. Love is strange. Canaries. Upon la mi re |
|
Can Shee; Frog's Galliard; Can She Excuse; Pavlon Solus cum sola; Dowland's A imay ne |
|
Cancionero de Palacio; Romance; Al rebuelo de una garça; Cancionero de Sablonara |
|
Canción |
|
Canción Niña y Viña. Canción de la Virgen que Parió |
|
Cannetella |
|
Cantabant sancti. Beata Agnes. Amo Christum. Agnes beata virginis. Laetabunde celebremus. Stans beata Agnes |
|
Cantata: Miro del mio bel sole |
|
Cantatas, madrigals, and instrumentals by |
|
Cantate Domino canticum novum |
|
Cantate “Per combater“ |
|
Cantate: Per combater |
|
Cants d'Auvèrnha. The Tenth Muse. Love in Vigo. Seguidillas boleras |
|
Canzona à 4 |
|
Canzone |
|
Caramela real: Thirteen Sonatas |
|
Carmina Burana |
|
Carmina burana: Excerpts |
|
Carmina francigenum liber hic predulcia claudit: In hoffenung thu ich leben. Ach schayden bitter; In suser wonne guthe; O lib wie süß dein anfanck ist (two versions); Aus far ich hin; Le serviteur infortuné |
|
Carmina: No 1; No. 2; in F |
|
Chanson du papillon |
|
Chanson nouvelle de tous le cris de Paris |
|
Chant |
|
Chant de Christe sur la Croix |
|
Charamela real—Sonatas: No. 6; No. 29; No. 36; No. 44 |
|
Chevalier. Gälte de la Tor. Fantasie on a Fourteenth-Century Air. Greensleeves. Siciliana |
|
Chiaccona a 4 in C |
|
Ching-A-Ring Chaw. The Boatmen’s Dance. Simple Gifts |
|
Choruses and arrangements by |
|
Christ ist erstanden. Freu dich, du werthe Christenheit |
|
Christe qui lux es. Inventor rutili. Jube domine/In principio. Lectio ysaye prophete/Surge illuminare. Medie noctis tempus est. O lux beata trinitas. Quinqué prudentes virgines. Vidi civitatem |
|
Ciacona' |
|
Cloris Sighed |
|
Come Hunters Young and Old |
|
Come Love let's walk. Walking I chanc'd into Shade. The Scottish Huntsuppe. Joy to the Person of my Love. Music from The Scots Musical Museum: |
|
Come, let us pray. Hymn to the Virgin (19th C.J. Hymn to the Virgin (Greek, n.d.) |
|
Come, tread the paths. In terrors trapp'd |
|
Concede nobis Domine. Salve maris stella. DUFAY Ave regina caelorum III: |
|
Concert for Two Violins |
|
Concerto (Suite) in D |
|
Concerto all'organo principale |
|
Concerto Grosso in F for 2 Oboes, Strings, and Continuo |
|
Concerto Grosso in F for Two Oboes and Strings |
|
Concerto Grosso in F for Two Oboes, Strings, and Continuo (No. 4 from the first edition of Handel's Op. 3) |
|
Concerto in E. Concerto in E♭ |
|
Concerto in G Minor for Harpsichord and Strings |
|
Concertos for Flute, Strings, and Continuo: inG; in D. Concerto à Cinque in F |
|
Concertos in G; in D; in a; in d; in g |
|
Concertos: in G; in D; in a; in d; in g |
|
Conde Claros |
|
Confitemini Domino. Dixit Dominus |
|
Corde natus ex parentis. There is no Rose. O little town of Bethlehem. Infant Holy |
|
Courante |
|
Credo, OH 90 |
|
Cries, Ballads, Catches, Dances by |
|
Cuatro piezas de clarines in D, for Trumpet and Organ. Tiento de batalla 8. tono, for Organ. Canción para la cometa con eleco in D, for Cornett and Organ. Batalla famosa in C, for Organ |
|
Cuatro piezas de clarines. Tiento de batalla 8° tono. Canción para la corneta con el eco. Batalla famossa |
|
Cuchilleros. Marizápalos |
|
Cunctipotens genitor |
|
Da pacem, Domine |
|
Da pacem, Domine (orig. & arr. Hennings) |
|
Dance |
|
Dance and Contradance for Lute (arranged for Vibraphone) |
|
Dance suite (ca. 1600). Toggenberger Tänze (ca. 1850) |
|
Dance; Sacred ende |
|
Dances and instrumentai works |
|
Dances and Songs by |
|
Dances by |
|
Danish Hunting Song |
|
Danket dem Herrn. Piae Cantiones |
|
Danny Boy |
|
Dans mon jardin à l’ombre. La fille au roi Louis |
|
Danse royale (13th century);Suite of Country Dances (18th century) |
|
Danse Réale; Agniau dous; Au Renouviau; L'Aucèu en gabioio; Ductia; Noun pourrie' ana plus mau; Calabaza; Danse d'e'tudiants; Lei graci dei meissounie' |
|
Daphne |
|
Dark eyes. Why is this heart beating so hard? |
|
De cuer je souspire. Lai de la Pastourelle |
|
De Lamentatione Ieremiae Prophetae. Lamed |
|
De los álamos vengo |
|
De tu vista celoso |
|
Deep River |
|
Deo gratias, Anglia. Saint Thomas honour we. Benedicite Deo. O blessed Lord |
|
Der Leb, der Hersch und der Kohn. Die koschere Mischpoche' |
|
Der Winter will hin weichen (vocal). Der Winter will hin weichen (instrumental). Der Katzenpfote. El mois de Mai—De se debent— Kyrie. Der Sommer. Der Sonnen Glanz. Der Wald hat sich entlaubet. Entlaubet is der Walde (four arrangements). Pase et medio. La Spagna. Saltarello. Cancionero de Upsala: E la don, verges Maria; Si la noche; No so yo; Verbum caro; Yo me soy; Gózate, virgen sagrada; Alta reyna; Rey Aquien. Cantigas de Santa Maria: Par Deus; Nas mentes senpre teer; Rosa das rosas |
|
Descendi in hortuum meum |
|
Descendi in Hortuum Meum |
|
Desilde al cavallero |
|
Det gamle trae |
|
Deus in Adjutorium |
|
Deus in nomine tuo salvum me tac |
|
Die Bankelsangerlieder: Sonata (Berlin Brass Quintet.) |
|
Died for Love. Corn Rigs Are Bonnie. A Ground. Greensleves. Baloo Baleerie. O, mirk, mirk is this midnight hour |
|
Dime, Robadora. Die Katzenpfote. Ignacio es tan bella. Mon coeur se recomande a vous |
|
Din, dan volerán |
|
Dinah (arr. unknown) |
|
Dindirindin. Nuevas te traygo, Carillo. Los hombres con gran plazer |
|
Divisions on an Italian Ground from Robert Carr's "The Delightful Companion." Greensleeves to a ground from "The Division Flute." |
|
Divisions on an Italian Ground. Green Sleeves to a Ground |
|
Domine quinque talenta. Euge serve bone. Nisi Dominus. Fidelis servus. Dixit Dominus. Beatus ille servus. Laudate pueri. Serve bone. Laudate Dominum omnes gentes. Lectio brevis. Ascendit Deus injubilatione. Ave maris stella. Jesu corona virginum. Justum deduxit. Antiphon and Magnificat. Benedicamus Domino. Salve Regina |
|
Domine, ne in furore tuo |
|
Donnez l’aumosne. Par malle bouche. Helas mon cueur tu m’occiras |
|
Down by the Old Mill Stream. Come Dearest, the Daylight Is Gone |
|
Dresden Concertos: No. 1 in g; No. 2 in G; No. 3 in D; No. 5 in a; No. 6 in D; No. 7 in D |
|
Drink to Me Only |
|
Drink to Me Only with Thine Eyes |
|
Drive the Cold Winter Away. Howell’s Delight |
|
Du Friedenfürst, Herr Jesu Christ |
|
Du, du liegst mir im Herzen |
|
Dum sacrum mysterium |
|
Dum transisset sabbatum |
|
Durme |
|
Dąbrowski’s Mazurka |
|
Early Hungarian Dances From the 18th-19th Centuries |
|
Ecce ego. Desiderium animae |
|
Een meysken eens voerbij passeerde. Soleta sö jo aci |
|
Ei, ukhnyem (Song of the Volga boatmen) |
|
Eight Works |
|
Eighteen Russian popular songs by |
|
El cant dels ocells |
|
El Condor pasa (Andean). Londonderry Air. Loving Eyes (Gypsy). Romance (Spanish?) |
|
El moro de Antequera. Levantose el Conde Nino. El Rey de Francia. Por alii paso un cavaìlero. Por que llorax bianca niňa. La guirnalda de rosas. Nani, nani. El Rey que tanto madruga. Las estrellas de los cielos. En la santa Helena. A la una yo nací. Improvisation. Paxarico tu te llamas. Yo era niňa de casa alta. Longe di mi tu estarás. Hermoza muchachica. Axerico de quinze aňos. Improvisation on Axerico |
|
El Noi de la Mare |
|
El Puerto (arr. Henry). Las Montanas (arr. Henry). El Carnavalito (arr. Zal-divar) |
|
El Testamente de Amelia |
|
El Testamento d'Amalia. El Noyé de la Mare. Canco del Hadra |
|
El vito. La partida. Solearas. The Boys of Blue Hill. The Lass of Pattie’s Mill. La rossignol. The Flatt Pavan. Danza mora |
|
El vito. La partida. Solearas. The Boys of Blue Hill. The Lass of Pattie’s Mill. Le rossignol. The Flatt Pavan. Danza mora |
|
Elisabeth Rogers's Virginal Book: Almaygne and Corrant |
|
Elman interview with Marvin Miller |
|
En atendant |
|
En me revenant. Chacogne |
|
En yndig og frydefuld sommartid. Hvor skoven dog er frisk og stor |
|
English Dance. Saltarello. Four chansons published by Pierre Attaingnant |
|
Entrada. Variations on the Gayta |
|
Era di maggio. Zorzl. Pan de miglio caldo. La pastorella si leva per tempo. Pavana El bisson. Gagliarda La Rocha el fuso |
|
Erbarm dich mein, o Herre Gott |
|
Es ist g'nug |
|
Es ist genug |
|
Es ist g’nug |
|
Espanioletas |
|
Espaňoleta |
|
Estampie |
|
Estampie (c. 1175);Packington'sPound |
|
Estampie. Intabulatura Nova |
|
Estampie. Sumer is icumen in. English Dance. Trotto. Maria muoter. Glogauer Liederbuch: Quodlibet, O rosa bella; Ich sachz eyns mols. Cancionero musical de plalcio: Dindirin; Pase el agoa |
|
Estampies Royales: Nos. 2-8 |
|
Eya. martyr Stephane |
|
Fables of La Fontaine |
|
Fahlu-ortens frids-fägnad |
|
Fandango |
|
Fanfare |
|
Fanfare, Departure for the Chase |
|
Fantaisie militaire |
|
Fantasia a 5 |
|
Fantasia a 7 |
|
Fantasia in |
|
Fantasia in D. Sonatas: in a; d |
|
Fantasia in G |
|
Fantasia. Fantasia. Passemezo del Giorgio. Spagna detta Lamire, quarto modo. Spagna detta Lamire, secondo modo. Fantasia. Balletto. Gagliarda. Gagliarda |
|
Fantasie |
|
Fantasie. Matachins. Robin is to the greenwood gone |
|
Fantasie; Ave Marls Stella |
|
Farfalletta. Girometta. Interviews with Tito Schipa and Gianna Pederzini |
|
Fauxbourdons |
|
Fem psalmer ur Den svenska psalmboken. Wacra sol. På dig jag hoppas, Herre kär |
|
Fenesta che lucive |
|
Feneste che lucive |
|
Feneste che lucive. La Palum-mella. Te voglio bene assaje |
|
Fireman's Polka. Sumpter Light Guard March. Bonnie Eiolse Quick Step |
|
Five Duets for C-Clarinets |
|
Five Polish Dances |
|
Five Russian Folk Songs |
|
Flos regalis virginalis. O Maria, stella maris. Quern trina polIuit. Dou way Robyn/Sancta Mater. Veni creator spiritus |
|
Flowers of the Forest. German Waltz. The Downfall of Paris |
|
Flute Sonatas: in F; in B♭. Suonata per spinetta divetta per S. I. in a. Suonata in D. Sinfonia in C. Sonata for Solo Flute: Adagio |
|
Folies d’Espagne |
|
Folies d’Espagne. Pestr´y zbornik: Suite |
|
Folk Dance |
|
Folk music from the region of Sic |
|
Folk song and sacred works by |
|
Forbidden Games |
|
Fortell oss alt du husker |
|
Fortune my foe |
|
Four Cantigas de Santa Maria. Pavane de Spaigne. Three Spanish Songs. Le Joli tetin. Saltarello. Estemple. Walslngham |
|
Four Horn Calls |
|
Four Improvisations by the Orchestra |
|
Four Renaissance Pieces |
|
Fourteen works |
|
Foyse gastambo e esparança. Dipuis vienes delhaldea. Na fomte esta Lianor. Quiem viese aquel dia |
|
Frank Sinatra Medley |
|
French Suite in G Minor |
|
Froda dig, du Kristi Brud. Lullaby. Il est né le divin enfant. Den SignadeDag. Zither Carol (air. Malcolm Sargent) |
|
from Parthenia In-Violata |
|
Frost: Bite; Digital Display; Moon Dance; Time Capsule; Spacing |
|
Fugue in D. Bátanla |
|
Fuyugeshiki |
|
Gabrielem Archangelum. Isabella |
|
Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge |
|
Gallino Costúrame; Le Rossignol; Watkins Ale; The King's Morisco |
|
Gamba Sonata in d |
|
Gaude, Gaude, Gaude Maria. There is no Rose of Swych Vertu. Angelus ad Virginem. Alma Redemptoris Mater |
|
Gaudeamus omnes. Alleluia Anna mater exima. Luce lucens in aaeterna. Difussa est gratia in labiis tuis. Lucis huius festa. Salve regina “Annaberg ms.” Alleluia Sancta Dei genetrix |
|
Gaudete |
|
Gaudete Christus est natus. Ave Maria |
|
GaUiarde Bassamd |
|
Gedenka, Herr, wie es uns gehet, BWV 217. Lobt ihn mit Herz und Munde, BWV 220. Wer suchet die Pracht, were wünscht den Glanz, BWV 221 |
|
Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) |
|
Gedeonis area |
|
Gemma florens/Hec est dies gloriosa. Magni patris/Ovent Cyprus |
|
Give rest, O Christ, “Kiev Melody.“ |
|
Glanes de Woronince, No. 1. S. 249. No. 1 |
|
Gloomy Sunday |
|
Glorification in Honor of Tsar Peter Alexeyevich . . ., (“Solemn Petrine Songbook“); Yevdokiya Lopukhina Made a Nun; Capture of Derbent; Russian Eagle |
|
Go my flock, go get you hence. Ce penser qui sans fin tirannise ma vie. Pasaba amor, su arco desarmado. An Italian ground. Johnny, Cock thy Beaver. O bella piu che la stella Diana. Paul’s Steeple. Vuestros ojos tienen d’amor no se que |
|
Go, my flock, go get you hence; O dear life, when shall it be?; Ce penser qui sans fin tirannise ma vie; Passava Amor su arco desarmado; Sta notte mi sognava; Vuestros ojos tienen d'Amor; O bella più |
|
Go, my flock. 0 dear life. Passava Amor. Sta notte mi sognava. Vuestros ojos. O bella piu |
|
God Save the King |
|
God Save the Queen |
|
God Save the Queen (arr. Leppard) |
|
Goe from my window. The shepheards' Joy |
|
Gott, sei mir gnädig nach deiner Güte |
|
Gray’s Inn Maske. The Flying Horse |
|
Great day |
|
Greensleeves |
|
Greensleeves (arr. Peters) |
|
Greensleeves to a ground |
|
Greensleeves to a Ground |
|
Greensleeves, Quern Pastores (Lord, the Wind and Sea Obey Thee) |
|
Greensleeves. Ophelia's Song. The Cobbler. Song on the death ofDesdemona |
|
Greensleeves. Romance from Forbidden Games |
|
Greensleeves. Watkln's Ale. Bonny Sweet Boy. Packington's Pound. Sweet Youth Go Bruise Thy Pillow. Kemp's Jig. Wilson's Wild. Robinson's May |
|
Gregorian chant |
|
Gregorian chant, music of |
|
Gregorian Offertories |
|
Grief, keep within. Drop not, mine eyes. Have all our passions |
|
Grimstock |
|
Guillaume, Antoine, Pierre. Quand reviendra-t-il le temps, bergère |
|
Hadiakat haner. Maoz tsour |
|
Halleluja! Gelobet seystu Jesu Christ à 15 |
|
Hanacpachap cussicuinin |
|
Hanacpachap cussicuinin. Dulce Jesús mío |
|
Hanaq pachap kusikuyin. Qhapaq eterno Dios |
|
Handel’s Forest Music. Der arme Irische Junge (arr. Cunningham) |
|
Hatikva |
|
Have You Seen but a Whyte Lillie Grow? |
|
Have you seen but a whyte lily grow |
|
Have You Seen but a Whyte Lily Grow? |
|
Have you seen but the white lily grow |
|
Have Yourself a Merry Little Christmas |
|
He Was a Sailor; |
|
Heartease. The King’s moriso |
|
Helas, l’avoy je desservy. Tant est mignonne. J’ay pris amours. Escu d’ennui. Henri Phlippet. J’ay des semblans. Ravi d’amours, despourveu de bon sens. Tousdit vous voit |
|
Here lies a woman |
|
Heretical Angels |
|
Herr Jesu Christ, du höchstes Gut |
|
Heth sold. Jamque. Jon come kisse me now. All in a garden green |
|
Himno |
|
Holy Manna |
|
Hora mai che fora son’. Quando reguardo el nostro viver rio. Ben venga maggio. Ora mai sono in età. Che fai qui core |
|
Horn Concerto in E♭. Horn Concerto in E (attr. Graun) |
|
Hosianna Filio David à 6 |
|
How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady |
|
Hudl mitn shtrudf*“ |
|
Hunc diem testis. Je suis trestout. Gloria. toe MPALOE. Pour léaulté maintenir. Credo. Qui n'a le cuerrainpli. Tijssoezas |
|
Hungarian Dances from Nagyszombat: Suites in C, D, and F. Dances from Trencin. Three Verbunkos from Pest. Hungarian Dances from Pannonhalma, Fantasy and Fast. Hungarian Dances from Pozsony Manuscripts |
|
Hungarian Dances I. Dances from the Vietorisz Manuscript. Dances from Hans Neusiedler. Dances from the Lőcsei Manuscript. Hungarian Dances II |
|
Hungarian Grenadier's March |
|
Hymn Selection |
|
Hymn to St. Wenceslaus. Mayenzeit. Noci milá. Saltarello. Rotulum et Tropus. Die Megflein sinnd von Flandern. Bruder Cunrads Tantzmaass |
|
Hymns and Songs by |
|
Hymns by |
|
HYMNS PERFORMED BY TROMBONE CHOIR: Herrund Ältster deiner Kreuzgemeine. Jesus Makes My Heart Rejoice |
|
Hymns. Freuen wir uns. Join We All with One Accord. Zeige mir dein Angesicht. Heiliger Herre Gott. Lob Gott getrost mit Singen. Herz und Herz vereint zusammen. Kommt, danket dem Helden |
|
Härling är Jorden. Bred dina vida vingar |
|
I Met You |
|
I met you |
|
I Serve a Worthy Lady. Brian Boru's March. Two Catalan Songs |
|
I Smile To See How You Devise |
|
I want to go home |
|
I Will Arise. Foundation. Hark, I Hear the Harps Eternal |
|
I'm Getting Sentimental Over You |
|
Ich armes brüderiein |
|
Ich Sachs eins mals |
|
Ich spring an diesem ringe. Se hyn mein hercz. Der gestreift! Dantz/Gassenhauer. Der wallt hat sich entlaubet. Ich sachs eins mais. Eislein, liebes Eislein. Huhner Gschrei |
|
Improvisations |
|
Improvisations et Musiques traditionelles |
|
Improvised Jazz Interludes |
|
In a garden so green. Joy to the person. O Death rock me asleep |
|
In a Garden so Green; Joy to the Person |
|
In dulci jubilo |
|
In monte Oliveti. Tristis est anima mea. Ecce vidimus |
|
In te Domine speravi |
|
In the Flesh Thou Didst Fall Asleep |
|
Incipit Oratio Ieremiae Prophetae |
|
Innocents. Gentle Jesus, meek and mild |
|
Intrada |
|
Intrada, for corno di posta, 2 corni da caccia, 4 oboes, and bassoon. Concerto for 2 Oboes d’Amore, 2 Horns, and Bassoon in D. Concerto for Trumpet, 3 Oboes, and 2 Bassoons in E♭ |
|
Introductory Verse. Short Responsory |
|
Inträda 5 in D. Inträda 14 in D. Inträda 1 in D |
|
Inträdas |
|
Inviolata. Obsecro te. Benedicta es |
|
Ipse praeibit ante ilium. Joannes est nomen eius. Ex utero senectutis. Iste puer magnus. Inter natos mulierum. Ingresso Zacharia. Benedicamus Domino. Deo gratias |
|
Irish Dance |
|
Irish March |
|
Isabeau s’y promène. Greensleeves |
|
Istampita “Aquila Altera.“ |
|
Italian and French (lances |
|
Italiana. Galliarda. Passamezzo moderno. La Cardinalle |
|
Je veux mon doux sauvaur. En fin mon ame |
|
Jenny And Mania |
|
Jesus viser seg for displene |
|
Jure plaudont omnia (Köln Songbook). In Natali Domini. Christum wir wir sollen loben schon. En natus est Emanuel |
|
Kangwon. Yi Gu Ren. Sugungga (Songs of the Sea Palace). Si Ziang Gi. Gutgeori. The Bell Rings Deep Blue |
|
Kemp's Jig. Packington's Pound. Watkin's Ale |
|
Keyboard Sonata in E |
|
Keyboard works by |
|
Kharjas |
|
Kiddush |
|
Kol haneshama |
|
Kontakion of the Dead |
|
Kristallen den fina. Värmlandsvisan. Jag vet en dejIig rosa |
|
Kyrie - Christus - Kyrie |
|
L'homme armé |
|
L'on dit q'amors |
|
La bella noeva. La canzone del guarracino |
|
La caduta di Icaro |
|
La canzone della formica |
|
La caña |
|
La Fürstenberg |
|
La Nit Nadal. El noi de la mare |
|
La Parabole du mauvais riche |
|
La Rossignol. Drewries accordes |
|
La Spagna (arrangements by Francisco de la Torre, Guglielmo Ebreo da Pesaro, and Heinrich Isaac). Two Gallìardes. Pavane. Basse dance “Au pres de vous.“ Three Bransles gay. Bransle simple. L'Homme armé |
|
La Spagna (two versions). La Guercia |
|
Labonanocte. La gambetta. The Maypole |
|
Lacryme e voi sospiri |
|
Laetabundus. There is no rose |
|
Lai du chèvrefeuille. Lucente stella. Belicha. Mes cuers est emprisonnés. Nota. In pro. Non perch'i speri, donna. Chominciamento di gioia |
|
Lai et Retrouenge |
|
Lamento del castrato |
|
Lamento di Tristan. Ductia |
|
Lamento di Tristano |
|
Lamento di Tristano. Philipot da |
|
Lamento di Tristano/La rotta. Greensleeves |
|
Lamma bada yatathanna. Morena me yaman. La mañana de San Juan. Guárdame las vacas |
|
Lauda Jerusalem. Confitebor tibi Domine. In deliquio amoris |
|
Lay Me Low. Peace Unto Zion |
|
Le jaul ne et blanc. Dolent depart |
|
Le Mont Aon de Thrace. Febus mundo Oriens. Tres dous compains. Altissonis aptatis. Inter densas |
|
Lectio secunda. Primae vesperae. Lectio tertia. Eia pastores |
|
Lepus intra sata quiescit. Dances from the Apponyi and Linus Manuscripts. Virgo formosa. Dances from the Collection of Anna Keczer Szirmay. Messlas iam venit |
|
Les Gentils Airs: Les Sauvages (arr. Rameau); La Furstemberg (arr. Corrette); Tambourin (arr. Rameau) |
|
Les Missions |
|
Libera me, Domine |
|
Libera me, Domine. In paradisum |
|
Liberty Song. Parody Upon a Well-known Liberty Song |
|
Lieto ti prendo e poi (Aria del Tasso). Depon Clorinda le sue spoglie inteste. Intento Erminia fra l’ombrose piante |
|
Linzer Tanz. Tanz. Tanz |
|
Linzer Tänze. Alt Wiener Tanz |
|
Linzer-Tanz |
|
Little Bells Dance. Brat-Lenerl Dance |
|
Llibre Vermell |
|
Lost is my liberty. Migaonne allons |
|
Lost is my liberty. Mignonne allons |
|
Loud: Speaking Papa; We Men Must Wear a Mustache; Do Something; Who are you with?; She Came without a Wedding Ring; The Five Fifteen; Crazy Words; They Always Pick on Me; Poop Papa; One of the Finest; Billy; Heaven Will Protect the Working Girl; Tarara Boom De Aye; Whosis; Some Little Bug; Bumble Bee |
|
Lute works by |
|
L’Amour de moy (arr. Quilter) |
|
L’homme armé. Santa Maria sempr. Os seus ajuda. Sumer Is Icumen In |
|
Ma belle si ton ame. Estendi! parmy ces fleurs. La voicy la voila |
|
Ma belle, si ton ame. Vous me juries |
|
Madonna tu me fai lo scorucciato. Villanella ch'ali' acqua vai. Voccuccia de no pierseco apreturo |
|
Magnificat |
|
Magnificat cum rotulis à 18 |
|
Magnificat in C |
|
Mail Symms; Preludium VI |
|
Mall Symes. Duncomes galiarde for S lutes. Packing-toune galiard. Dargesson. A galliard for 2 lutes after Laveche |
|
Mandatum antiphons |
|
Manuscript pieces. Excerpts from the Buxheimer Orgelbuch. Líber Fratrum Cruciferorum Leodiensium (1617) |
|
Marce Marcum imitaris |
|
Marching with the Grenadiers |
|
Maria gikk til Kilden |
|
Maria gr til Graven |
|
Maria og englene |
|
Maria troster displene |
|
Maria zart (twice) |
|
Maria zart. Magnificat quinti toni |
|
Marias syn |
|
Marizápalos bajó una tarde |
|
Marizápalos. Vuestra bellezza señora. La ausençia. Vuestros ojos tienen d’Amor. O más que Venus. El baxel está en la playa |
|
Masque Dances |
|
Mass of Barcelona. Ma Tredol rosignol |
|
Mass Propers |
|
Matais de incêndios |
|
Medee fu en amer veritable. Ha, fortune. A mon pouir |
|
Media vita. Pange melos lacrimosum. Misereris. Bonum est confiteri. Kyrie Qui passurus. Dirigatur. O homo considera. Dí, por qué mueres. Dios te salve |
|
Medieval Dances. Medieval Chants. Various Folk Dances |
|
Mela jsem chlapce (Czech Folk Song) |
|
Melech al kol. Shofar Sounding. Kol nidre. Kaddish |
|
Melech rachaman |
|
Melo registo de dois contrabaixos del.“ Tom. Obra de 3° Tom |
|
Messe de Toulouse |
|
Messe de Tournai |
|
Messe de Tournai. 9 Motets from England. 4 Laude from Cortona |
|
Messe de Tournai: Kyrie |
|
Messe von Barcelona |
|
Mestmacher Manuscript: Excerpts |
|
Meyo registro de 3 Tom |
|
Meyo Registro de 3 tom. Meyo Registro de 2 tom. Bataiha de 6 tom |
|
Minuet |
|
Miri it is while sumer Hast. Dance: Miri it is. Edi beo thu hevene-queene. Estampie: Edi beo thu. Ar ne kuth ich sorghe non. Ductia. Brid one brere. Estampie. O sponsa Dei electa. Beata viscera. Sanctus. Alleluya psallat. Ductia. Sancta mater graciae (two versions). Dance. Omnis caro peccaverat. Dance: Omnis caro. Ductia. Sumer is icumen in |
|
Misa flamenca |
|
Miserere |
|
Miserere My Maker |
|
Missa Caput |
|
Missa Horrenda subdenda rotarum machinamento. Magnificat. Horrenda subdenda. Dilexisti justitiam |
|
Missa in C, BWV An h 25 |
|
Missa luba |
|
Missa orbis factor: Kyrie; Gloria; Sanctus; Agnus Dei |
|
Missa Sine nomine |
|
Missa sine nomine |
|
Missa Tournai. Missa Barcelona |
|
Missa Veterem hominem. Jesu, fili virginis. Deleo super te. Gaude Maria virgo. Deus creator omnium. Jesu salvator. A solis ortus. Salvator mundi. Christe qui lux es. To many a well. Sancta Maria virgo. Mater ora filium. Ave maris stella. Pange lingua |
|
Monsieur le Comte d'Artois. Chanson sur le Tiers-Étet. La Prise de la Bastille. Poursuite et Retour de la Famille Ci-Devant Royale. La Souveraineté Dévolue au Peuple. La Carmagnole. Chanson sur la Mort de Louis XVI. Chanson de l'Armée de Charette. La Liberté des Nègres, il Pleut, Bergère |
|
Morena me llaman; Avrix mi galanica; Ríu, ríu, chiu; Tres Morillas; Sagaleja del Casar; Calabaça, no sé, buen amor; Tu madre cuando te parió; Yo me soy la morenica; Baila, nena |
|
Movements from the Klagenfurt Manuscript |
|
Mr. Drewry’s accorde. Le rossignol |
|
Music by |
|
Music of |
|
Music Of |
|
My Lady Carey's Dompe |
|
My Lady Careys Dompe |
|
My Lady careys Dompe |
|
My Lady Carrie's Dompe. All the Pretty Little Horses |
|
My Lady Wynkfylds Rownde |
|
My Lady. L'Amour de moy |
|
My Ladye Careys Dompe |
|
My op'ning eyes, Z. D72 |
|
My Sweet Little Darling. 0 Lord, Turn Not Away Thy Face. Born Is the Babe. Cloris Sigh'd |
|
Nara Shomo Buddhist Chant |
|
Ne avertas faciem tuam a puero tuo. Benedictus qui venit |
|
New Ballad of the Marigold |
|
nine works |
|
Ninna Nanna |
|
Ninna-Nanna |
|
Nisi Dominus |
|
No me le recuerde el aire. Derrita el Sol las atrevidas alas |
|
Nobody Knows |
|
Nobody’s Jig/Mr. Lane’s Maggott/Black and grey. Stingo. Virgin Queen/Bobbing Joe. Daphne. Paul’s Steeple. Prince Rupert March/Prins Robbert Masco. Sheperd’s Holiday. Confess his tune. An Italian Rant. Stanes Morris. A Health to Betty. A Mask No. 6. Drive the cold winter away/The Beggar Boy. A Division on a ground. Woodycock. Wallom green. Bravade/Argiers. A piece without title. Hey to the camp/Schottisch Tanz. Rights of Man. Pavan dan vers |
|
Nochenka (Oh, sweet night) |
|
Noches brujas |
|
Noches, noches. Los bilbilicos. Con que la lavare. Une jeune fillette. Danza. Una matica de ruda |
|
Noli me tangere |
|
Non lasciarmi, o bella speme |
|
Nos esprits libres |
|
Novel Amor. Raimon de Miraval: Seih que non vol |
|
Nuasi hananem rama. Tata guasu. Exaltate Regem regum. Betu pico |
|
Nun sei wilkommen, Herre Christ |
|
Nuttmlgs and Ginger. Howells Delight. Unto the Prophet Jonas I Read. Singers Jig. Grlmstock. Pavane Quadro and Gaillard. Watkìns Ale |
|
Näckens Polska |
|
O Angelorum panis suavissime |
|
O death rock me asleep. Come tread the paths. My little sweet darling. Born is the Babe. Complain with tears. Fie, fie, my fate. In paradise |
|
O death, rock me asleep |
|
O divina virgo. Salve virgo pia. Regina sovrana. Oi mi lasso |
|
O Du lieber Augustin |
|
O gloriosa |
|
O Holy Martyrs |
|
O kum, shoyn shtiler ovnt (arr. Zuckerman) |
|
O kum,shoyn shtiler ovnt |
|
O leggiadri occhi belli |
|
O Lusty May. This Day Daws. Begone Sweit Night. Oh My Heart. Madame d’amours. Consort Piece XX. Absent I am. My Heartly Service. Hey Trolly Lolly Lo! Be Peace, Ye Make Me Spill My Ale. The Duke of Somersette’s Dompe. I Love Unloved. Up I Arose in Verno Tempore. Puzzle Canon VI. And I Were a Maiden. England Be Glad |
|
O lux beata caelitum. Ave Maria |
|
O pulcherrima. Incomprehensibilia firme |
|
O Santissima (with Hugo Kreisler) |
|
O tristu fatale die |
|
O virgo splendens. Salve Regina. Tres doulx compains |
|
O waerde mont. Maugré danger pompera Magdalene. Se j’ayme mon amy. Tous nobles cueurs, venez voir Magdalena |
|
Obervellacher Orgelbüchlein |
|
Oboe Concerto in g; |
|
Obra de segundo tono |
|
Occelino. La Martinella. La barca del mio amore. Pavana. La rocha el fuso |
|
Ochi chornyje (Dark eyes) |
|
Oh Mother, the Handsome Man Tortures Me |
|
Old Irish Song and Dance |
|
Old Prussian Zapfenstreich No. 2 |
|
One More River. The Lady's Birthday (arr. Warlock). Spoken: In Good Company (Boniface Oinophilus). An Observation on Beer Drinkers (Aristotle). Eight Kinds of Drunkenness (Thomas Nzshe). Prosdoci-mus de Beldamandis (Peter Warlock). The Drunken Wizard (Bruce Blunt). Excerpts from The Knight of the Burning Pestle (Beaumont and Fletcher). Wine v. Women (anon, from Pills to Purge Melancholy, 1780). Mother's Ruin (Peter Warlock). Drunken Song in the Saurian Mode (Peter Warlock) |
|
Or sus, vous dormes trop. Istampita ghaetta |
|
Organ Book (18th Century): Mass in the Eighth Mode. Suites In A; in C; in F; in G Minor; in D Minor; in D; in A. Elévation. Plein ¡eu. Oh dites-nous Marie |
|
Orlof, Vrauwe, Ic Moet Gaen |
|
Other selections by |
|
Ou beau chastel. Ce que ma bouche (instrumental) |
|
Our Delight; Autumn Leaves; Robbins Nest; Jordu; Confirmation; A Child Is Born; Lady Bird |
|
Over the hills. Kathren Oggie. In a garden so green. My heartly service. Scotch Cap. The fíowres of the forest. Kilt they coat, Magge. Cañareis. I will not go to bed till I suld die. Jockey loves his Moggy dearly. Come my children dere. Prince Edward's Pavan. Like as the dull solsequium. The Scots Marche. Support your servand. O lusty May. Doun in yon Bank. Joy to the person of mylme |
|
Pack-ington's Pound. Joy to the person of my love |
|
Packington’s Pound |
|
Pakington's Pownde. Grimstock. Greensleeves. Goe from my window. Kemp's Jigge/The Parlement. A Downe. Chi passa. Four Scots Tunes. Corne Yards. Gypsies Lilt |
|
Pakington's Pownde. Grimstock. Greensleeves. Goe from my window. Kemps's JiggelThe Parlement. A Downe. Chi passa. Four Scots Tunes. Corne Yards. Gypsies Lilt |
|
Paklngton's Pownde |
|
Pange lingua. O homo considera. O homo de pulvere. Filiae Jerusalem |
|
Parade for the Regiment Gens d'Armes (based on a melody from Doktor und Apotheker by Dittersdorf). Parade for the Regiment Gens d'Armes (based on a melody from Die Entführung aus dem Serail by Mozart). Fackeltanz |
|
Parade March in E♭ for Four Trumpets and Timpani. March in B♭ for the Regiment of General von Mollendorf |
|
Parlate per me. Pian piano mio core. Partitevi da me. Occhi belli. E’ di ragion |
|
Partita di follia |
|
Partita in D♭ |
|
Partita Pastoralis in G |
|
Partitas: No. 3 in b♭; No. 21 in G |
|
Partite de follia |
|
Pase el agua. Vuestros ojos tienen d'amor |
|
Passamezzo Pavan and Galliard |
|
Passava Amor su arco desarmado. Go, my flock, go get you hence. O bella più che le stelle. Ce penser qui sans fin tirannise ma vie. O dear life, when shall it be? Vous que le Bonheur rappelle. Sta notte mi sognava. Vuestros ojos tienen d’Amor. Se di farmi morire |
|
Pass’e mezzo antico primo e secondo |
|
Pastorale di Natale. Piva in a |
|
Pastorçico, non te aduermas. En belén están mis amores. Ay luna que reluces |
|
Patoureau m'ayme tu bien ? Des maux si déplorables. Nos esprits libres et contents. Quoi? Tu fagnois Amour. Oui prestera la parole. Hola, hola Charon. Qu'avons nous commis contre les dieux. Mes yeux ou sont vos pleurs |
|
Pauls steeple. Division on a ground. Toilets ground |
|
Paul’s Steeple |
|
Pavan and Galliard. Gagliarda “Cathaccio.“ Gagliarda “Lodesana“, |
|
Peace. Love is Little. Heavenly Display. Lay Me Low. Benediction |
|
Peggy Sue was the Pretiest lass in aw the town, Stir her up and hold her ganging. John come kiss me now (arr. Cardin) |
|
Persikon |
|
Peter og Maria |
|
Peters sjalusi |
|
Phoenix Polka |
|
Pieces by |
|
Pieces for 1–2 Descant Instruments and Basso continuo. Piece for Solo Flute. Piece for Solo Keyboard |
|
Pierrot im Mondenschein. Trimouzet |
|
Planctus cigne |
|
Plus oultre |
|
Polish Dances |
|
Polonaise. 4 Menuets. Musette |
|
Posa sopra d’un faggio |
|
Pour vous servir. Puis que l'aloe ne fine. Jour a jour la vie. Combien que j'aye. Marticius qui fu. Renouveler me feist. Fist on dame. Il me convient guerpir. Le ior. En la maison Dedalus. Combien que j'aye. La grant biauté. En esperant. Ay las! quant je pans |
|
Praeludium legatura. Praeludium |
|
Praeludium, Fugue, and Allegro-Adagio in c |
|
Praemii dilatio. Flos in monte cernitur. Deus misertus hominis. Domine, Dominus noster |
|
Prince Eugen's March. Southwark Grenadiers' March. The Lord Mayor's Swan-Hopping Trumpet Tune. Trumpet Tune |
|
Promat chorus. Annus novus in gaudio. Fulget dies celebris |
|
Propers of Holy Thursday |
|
Prošeta se Jovka Kumanovka |
|
Psalm 136 |
|
Psalm settings: Nos. 112, 126, 141, 59, 83, 143, 47, 91, 118, 23, 27, 80, 111 |
|
Psalms Nos. 5 (two versions); 24, 65, 66, 100 (two versions); 116 (two versions) |
|
Pucelete/Je languis/Domino. On parole/À Paris/Frése nouvele. Volez vous que je vous chant. La septième estampie Real. La douçours del tens novel. Dance: La douçours. En ung vergier. Chanter voel par grant amour. Quant voi la flor nuovele. L'autre jour par un matin. Amor potest. Dance: Je chevauchoie l'autrier |
|
Puer natus est. Salvator Mundi. Veni, veni Emmanuel |
|
Puis qu'autrement ne puis avoir. Soit tart, tempre, matin ou soir. Le ior. Avrai je ja de ma dame confort? Sanctus. Je vueil vivre au plaisir d'amours |
|
Puszta Klänge |
|
Quand Jesus mourait au Calvaire |
|
Quartet in E♭ |
|
Quatro Piezas de Clarines. Canción para la Cometa con el Eco |
|
Quatro Piezas de Clarines. Canción paret la. Cometa con el Eco |
|
Quiet Harp Song. The Gentle Lute. Sleep, My Baby |
|
Quintet for 2 Clarinets, 2 Horns, and Bassoon |
|
Quomodo sedet sola. Cogitavit Dominus. Misericordiae Domini |
|
Radim Themu. Passomesz |
|
Randers March |
|
Rejoice in the Lord |
|
Rejoice in the Lord alway |
|
Renaissance Revels |
|
Resonemus Laudibus. Away in a Manger |
|
Responsorii pastorale. Jesu redemptor omnium. Messa pastorale. Lectio prima. Magnificat |
|
Ricercada |
|
Ricercada. Five balli from “Intavolatura nova . . .“(Gardano, Venica, 1551) |
|
Ricercar |
|
Ricercare No. 34 |
|
Ricercata. Currentes |
|
Rinzetsu. Tsuru-No-Sugomori. Okayasuginuta |
|
Risposta a dispetto della donna’ |
|
Riu, riu, chiù. Recercar. Donna vagh'e leggiadra. Folias |
|
Robin Adair |
|
Robin Is to the Greenwood Gone. Hownw Again. Market is Done. I Can not Keepe my Wyfe at Howme |
|
Robin is to the greenwoode gone. Heaven and earth. Nutmeg and ginger. A lesson. A gaillard |
|
Romance |
|
Romance (“Forbidden Games“) |
|
Romance (“Jeux Interdits“) (arr. Yepes). Er Vito (arr. de Azpiazu). Greensleeves (arr. Cutting) |
|
Romance d'Amour |
|
Romance “Jeux Interdits.“ |
|
Romanesca. Gaillard. Ground. My Lord of Deliem s Lamentation. Conde Clams. Prelude |
|
Rorate caeli |
|
Roslin Castle |
|
Rossignol. Drewríe's Accordes |
|
Rossignol. Goddesses. La Bounette. Masquing Ayre: The nobleman. Antimasque: The Second Witch’s Dance. French King’s Masque. The Indian Weed Is Withered Quite |
|
Royal Thai Anthem |
|
Ruede la Vola. Discurso de ecos. Diferencias sobre la gayta |
|
Ruga Mishra Piloo |
|
Saeta |
|
Saetaantigua (Montserrat Figueras, soprano) |
|
Saghe belleze et bionde treccie |
|
Sakura, Sakura (Lily Laskine, harp) |
|
Saltarello |
|
Saltarello, Baxela un tratto. Calata. Se mai per maraveglia. Saltarello, El marchese di Saluzzo. Pavana, La Cornetta |
|
Saltarello. Es fur ein Pawr. Vesme y abrácame. Dizen a mi. Falalalan. La quinte estampie reale. Es gieng guot Troscher. Basse danse “Mon Désir. “ Al Vol. Vitrum nostram gloriosum. Piae Cantiones: Eleven Pieces |
|
Salve Regina |
|
Salve regina |
|
Samson dux fortissime. A deserto veniens. Liber generationis. Omnis caro peccaverat. Syon egredere nunc de cubilibus |
|
San Pascual Bailón |
|
Sarabande Italienne |
|
Schlaf wohl |
|
Se brief retour. Quant me souvient. Douce biaute. J’ai mon cuer mis |
|
Se mai per maraveglia |
|
Seguii' amor. Mi parto. Che fai qua figlia. L'innerivo quando fiocca“ |
|
Sei tu l'amore |
|
Selections by |
|
Selvaggia e Dameta |
|
Senhora del mundo. Isabel, perdiste la tu faxa. Tres moriallas m'enamoran. Parti ledo por te ver. Já dei fim a meus cuidados. Quien te traxo el cavallero? Mira Nero. Tu, gitana, que adivinas. Paseábase el rey moro. Yo sonhaba que me abiava. Más vale trocar. Sospirastes, Baldovinos. Con amores, mi madre. Paguen mis ojos. Claros y frescos rios. O gelosia de amanti. Prado verde y florido. La mariana de San Juan. Tres moricas m'enamoran. Sobre Baca estaba el rey. Con mi dolor y tormento. A la villa voy. Como està sola mi vida |
|
Settings of La Folia by |
|
Sextet in E♭ |
|
Señora Doña María. El verso. Dulce Jesús mio |
|
Shenandoah |
|
Shenandoah. The Erie Canal. The Nightingale. The Lass from the Low Countree |
|
Si la noce. Besame y abraçame. Mojica |
|
Siciliana |
|
Siciliana (arr. Respighi) |
|
Simple Gifts |
|
Sinfonia in D |
|
Sinfonia in D for Two Trumpets and Organ. Sonata in C for Five Trumpets and Organ |
|
Six pieces |
|
Six Pieces |
|
Six Pieces f rom The Bird Fancyer's Delight [piccolo) |
|
Six vocal works |
|
six works |
|
Six works |
|
Slovakian Folksong |
|
So treiben wir den Winter aus |
|
Someday My Prince Will Come; Liza; Button Up; February Moment; Maiden Voyage; La Fiesta |
|
Sonata a Flauto Solo e Basso |
|
Sonata a quattro Organi |
|
Sonata Chiquitana |
|
Sonata con duobus violinis |
|
Sonata for Solo Trombone and Bass |
|
Sonata forViolin and Continuo |
|
Sonata from Die Bänkelsängerlieder. Ich sågade; Als ich anschau das fröhlich Gsicht (Anon.); Carmen in la (Senfl); Greiner zanner (Finck) |
|
Sonata from “B'ànkelsàngerlieder.“ |
|
Sonata in B-Flat |
|
Sonata in B♭ |
|
Sonata in c |
|
Sonata in D “con concertino“ |
|
Sonata in d. Sonata in C. Sonata in F |
|
Sonata in D.William |
|
Sonata in G |
|
Sonata Jucunda |
|
Sonata No. 5 |
|
Sonata prima in C. Sonata VII in g. Sonata IV in G |
|
Sonata Quinta |
|
Sonata à 2 Viole da gamba |
|
Sonatas by |
|
Sonatas for the “Caramela rear': No. 51 and No. 52, for 12 Trumpets inTwo Choirs andTimpani; No. 54, for 24 Trumpets in Four Choirs and Timpani. HOFFMEISTER (attr.): Variazioni per flauto solo su arie e temi di Haydn e Mozart "Il Flauto magico" |
|
Sonatas Nos. 5, 6, 52 for Natural Trumpet from the Charamela Real |
|
Sonatas: No. 9; No. 18 |
|
Sonatas: Vìn E Minor; VIII In D; IX in F. Divertimento in B Minor |
|
Sonatina In D |
|
Sonatina per arciliuto francese del sig. N. N. Napoletano |
|
Sonatine |
|
Song from the Crimea |
|
Songs and arias by |
|
Songs and Ballads by |
|
Songs and dances by |
|
Songs and dances from Hungarian collections (arranged by András Kecskés). The Hare; Dances from the Apponyi and Linus manuscripts; Beauteous virgin; Dances from the collection of Anna Keczer Szirmay; The true Messiah Came |
|
Songs and instrumentals by |
|
Songs by |
|
Songs for Shakespeare's plays |
|
Songs from the Cancionero de la Colombina and the Cancionero de Palacio |
|
Songs of |
|
Songs, Ballads, Catches Ayres by |
|
Soundscape ‘The King’ |
|
Spanish Romance |
|
Spanish Song |
|
Spatter the Dew |
|
Stabat Mater |
|
Stella splendens in monte. Ut queant laxis |
|
Stenka Rasin. Dubinushka (The little oak cudgel) |
|
Suite |
|
Suite in D for Trumpet and Orchestra. M, |
|
Suite in d, “The Princess” |
|
Suite in E♭ |
|
Suite in F |
|
Suite in Three Movements for Alto Recorder; Capriccio for Alto Recorder |
|
Sumer is Icumen In, Nowel Syng We, Dormi, O Bel Bambin |
|
Summer is a cummin in [sic]. Greensfeeves. Londonderry Air |
|
Sussànna. Jhonstounis delyi |
|
Světit Mesiats. Katinka. Ne odna v pole dorogenika. I Have to Meet You. Polno te rebiata. Kamarinskaya. Smolensky Gusatchok. Ne brani menia radnaya |
|
Sweet England's pride is gone. Monson's Galliard. Souch's March |
|
Sweet was the song the Virgin sung. Farewell the bliss |
|
Swing Low, Sweet Chariot. Sometimes I Feel Like a Motherless Child |
|
Swiss Folk Song |
|
Symphonia de nativitate. Concerto in B Minor for Viola d'amore and Orchestra (arr. by Jerzy Dobrzánski) |
|
Symphony in C Major |
|
Sá qui turo zente pleta |
|
Te lucis ante terminum (12 settings) |
|
Te voglio bene assaje |
|
Tea Mountain Maiden (Flute concerto); Song of Home; Shepherd's Love Song (Flute concerto); Bamboo; Eternal Spring (String Ensemble) |
|
Ten works |
|
Tento a 4 |
|
Tentée alora ruzenenta. Le forze d'Her-cole. Gentil madonna. El bisson. La traditora. La cara cosa. La gamba |
|
Terezín Song |
|
That Was My Joy |
|
The All-American Hometown Band. America. Amazing Grace. My Country, ‘Tis of Thee. Battle Hymn of the Republic |
|
The Bag-pipe tuning |
|
the Bag-pipe tuning |
|
The Bard of the Armagh. Believe me, ifall those endearing young charms. Danny Boy. The Garden Where the Praties Grow. Norah O'Neale. BALL and |
|
The Battle of Stonington |
|
The Battle. Corant, “de la Durette” |
|
The Bitter Sweet; The Happy Life; I Smile To See How You Devise |
|
The Bonnie Blue Flag. Garry Owen. The Girl I Left Behind Me |
|
The Brown Haired Maiden. Bagpipes. Lancashire Pipes |
|
The cobbler's jig. Budro |
|
The Duke of Somersettes Dompe. Me Lady Careys Dompe. Fantasy. Sellinger's Round. A Dump. Chi passa per 'sta strada. A Downe. A Canzonetta. Conde claros |
|
The Feast of Fools |
|
The foggy, foggy dew |
|
The Grange. Gerard's Mistress |
|
The Irishman |
|
The Italian Ground |
|
The Judgment of Paris |
|
The Judgment of Paris: Minuet |
|
The Keeper. The Oak and the Ash. Early One Morning. The Jolly Miller. I will give my love an apple. The British Grenadiers. Arr |
|
The King's Morisco. Mon coeur se recommande à vous. Le Rossignol. Drewrie's Accordes |
|
The Klagenfurt Manuscript (c. 1685) |
|
The last of the Queenes Maskes |
|
The Marines’ Hymn (arr. Bennett) |
|
The Mass of St. Hubert |
|
The National Anthem. Three English Folk Songs |
|
The Nightingale |
|
The Nightingale. Mock nightingale |
|
The Noble Man. Allmayne and Corant |
|
The Passion According to St. Luke |
|
The Play of Daniel |
|
The Plays of St. Nicholas |
|
The Prince's Masque. The Shepheard. The Queen's Masque. The Norwich Minuet |
|
The Princess’s Suite |
|
The Quadran Pavan. Turkeyloney. The Earl of Essex Measures. Tinternell. The Old Almain. The Queen’s Alman. The Black Almain |
|
The Sally Gardens |
|
The Scottish gig |
|
The Soisequium. Melancholie, grit deput of Despair. Come, my Childrene. Before the Greeks durst enterprise. Evin dead, behold I breath! In throu the windows. Quhat mighty motione. Remember rightly, vhen ye reid. About ane bank |
|
The Solemn Pavin. Those Eyes |
|
The Sweet Wood |
|
The Three Ravens. Waly, waly. King Henry. Kemp's jigg. Go from my window. I will give my love an apple. Barbara Allen. Lord Rendali |
|
The Trowmpettus. Hugh Ashton's Maske. In Nomine. The Queen's Masque. Perre |
|
The Water of Tyne |
|
The Water of Tyne (folksong) |
|
The western wynde. My lady Careys dompe. My Layd Wynkfylds rownde. O blessed lord, how may this be. Wher be ye my love? Westron wynde. Sursum corda. Kyrie |
|
The year’s at the spring |
|
There Is No Rose |
|
There is no rose |
|
Thirteen Motets |
|
Thirteenth Century. Cumulous Sanctus |
|
This day dawes |
|
This merry pleasant spring |
|
This Merry Pleasant Spring. The French King's Masque. O Death, Rock Me Asleep. The Willow Song. I Must Complain. Nothing on Earth. Miserere, My Maker. Cupid is Venus' Only Joy |
|
Three 16th-century Dances |
|
Three Catalan Folksongs |
|
Three Dances for Harpsichord |
|
Three Early Scottish Motets. Kinloch his Fantasie |
|
Three Hungarian Folksongs. Sag' mir immer wieder—Csardas |
|
Three South Ostrobothnian Folksongs. Six Karelian Folksongs. Four Finnish Folksongs |
|
Three South Ostrobothnlan Folksongs. Six Karelian Folksongs. Four Finnish Folksongs |
|
Three Swiss Folk Songs: Anneli, wo bisch geschter gsi? S'Vreneli vom Guggisberg; Im Aargäu sind zwöi Liebi |
|
Three Variations on Psalm 23 |
|
Tiento Ueno del 3“ tono |
|
Timbila Music from Mozambique |
|
To Be or Not to Be. The Merry Cuckold. The French King's Masque. The Battle of Harlaw. Cupid's Dance. The Scolding Wife. The Pleasant Widow. The Mock Widow. Old Tom O Bedlam. Mad Tom O'Bedlam |
|
Toccata arpeggiata |
|
Toccata in C minor |
|
Tom of Bedlam. John come kiss me now. 3 Corants |
|
Tono 2 |
|
TONOS by |
|
Torgau March. St. Petersburg March |
|
Traditional songs of Spain |
|
Tres morillas m’enamoran |
|
Tria sunt munera |
|
Trie First Nowell. The Truth from Above. Sussex Carol |
|
Trio in D for 2 Viola d’amore and Continuo. Trio in A for 2 Viola d’amore and Continuo |
|
Trio Sonata |
|
Tritomba |
|
Tsmindao Ghmerto |
|
Twelve varied pieces typical of Viennese wine cellars |
|
Two Dances (Venice, 1551) |
|
Two Fifteenth-century Fanfares |
|
Two Instrumental Pieces |
|
Uaa on nun kaunis. Ot sä rlemuisa. Enkel! talvaan. Ol, kaanaanmaa |
|
Uashenka (1911). Song of the Volga Boatmen (Oct. 1922). Down the Petersky. Nochenka (1930) |
|
Uhomme armé |
|
Un Az Der Rebe Zi ngt. Rozhinkes Mit Mandlen. Partizaner-libe. Chassidisch. Bachuri Le'an Tisa. Tavo-u El Ha'arets. A Geneyve. Sha Shtil. Der Rebe Elimelekh. Dortn, Dortn. Tumbalalayka. Du Zolst Nit Geyn. Troyer Past Nisht Unzer Poniin. Eliahu Hanavi. Nit Ayer Mazl. Vorne, Yome. Di Mezinke. S'Brent. Hala Yarden. A Gib Zhe Khaver. S'Dremlen Feygl. Tsum Besern Morgn. Shtil Di Nakht. Yiddishe Brigades. Zog Nit Keynmol |
|
Una hija tiene el rey. Una matica de ruda. Si la noche se hace oscura. Pastorcico non te aduermas |
|
Une fillette de quinze ans. Nos esprits libres et contents |
|
Ung lion say. Aquila altera. Deh tristo topinello. Or sus vous dormés trop |
|
Ungarischer nach Bihari |
|
Until We Meet Again |
|
Unzer Tanz. Tanz. Tanz |
|
Upphaf borlaksWa. Mariukvædi |
|
Uppon La Mi Re |
|
Utility Polka. The Ring |
|
Utyos (The cliff). V tyomnom lesye (In the dark forest) |
|
Vana Bergamesca. Madre, non mi far monaca. Follia del mondo. Spagnoletto dishonorato |
|
Variations on the Romanesca |
|
various tarantellas |
|
Vast Steppe. In the Dark Forest. In the Depth of the Wild Taiga. A Bright Moon Shines. Monotonously rings the Little Bell. While Going Down the Volga. A Hundred Year-Old Linden-Tree. Veniki. Alone I Came Out on the Road. Whitened the Lonely Sail. Yesterday, My Lass, I Went to the Banquet. You, My Garden. The Evening Bells |
|
Vdol’ po pityerskoi (Along the Peterskaya road) |
|
Veni Creator Spiritus. Nicholai presulis. Pange lingua. Ave tu plena. Ave maris stella |
|
Veni Creator Spiritus. O Maria virginei. Isaías cecinit |
|
Veni Creator. Veni Spiritus. Beata nobis |
|
Veni mater gracie/Dou way Robin |
|
Venite a laudare. Cristo e nato. Laude novella sia cantate. Oi me, lasso, è freddo lo mio core. Altissima luce. Sia laudato San Francesco |
|
Verbum bonum et suave. O salutaris Hostia. Sub tuum praesidium. Gregorian Mass Propers |
|
Veris ad imperia. Ave, nobilis, venerabilis. Glorieuse deu amie. Flos in monte cernitur. Flos de spina rumpitur/REGNAT. Fons preclusus. Benedicamus domino. Tu decus es. Novum ver oirtur. Illuxit lux. Flos de spina procreatur. Veri floris sub figura. Candida virginitas. Stirps Jesse. Salve, virgo virginum. Ave rosa novella. Nobili precinitur. A la clarté qui tout enlumina. O lilium convallium. O Maria, stella maris |
|
Verse in G Minor |
|
Versetti delio Stabat |
|
Vetus abit littera. Deus misertus hominis. Veni creator spiritus. Haec dies. Stirps Jesse. Mundus vergens. Procurans odium |
|
VI Sonate: Sonata sesta in a |
|
Vieni sui mar |
|
Vieni sul Mar |
|
Vieni sul mar. Fenesta che lucive |
|
Vieni sul mar. Santa Lucia |
|
Viol da gamba Sonata in d |
|
Viola da Gamba Solo in d |
|
Viola da gamba Sonatas: in a; in e; in G |
|
Violin Solo |
|
Violin Sonata in A, BWV Anh. II 153 |
|
Violin Sonata in c |
|
Violin Sonata in G |
|
Virga Jesse floruit |
|
Visitatio sepulchri. Exsultet |
|
Volez vous que je vous chant. Quant voi la flor nouvele |
|
Voluntaries in D Minor; for the Trumpet Stop |
|
Von Luzzern auf Weggis zu |
|
Vésame y abrácame. Inca flute tune. Turulu neglo. Hanacpachap |
|
Waka wanha wäinämöinen |
|
Watkin's Ale |
|
Watkin’s Ale |
|
Welcome to Our Music Feast |
|
When Daphne |
|
When Daphne from fair Phoebus did fly |
|
When love is kind |
|
When that I Was but a Little Tiny Boy |
|
Who shall have my fayre ladye? Iff I had wytt' for to endyght. Up Y Arose. And I war a maydn |
|
Why Aske You. Muscain |
|
Wir sind von Kopf bis Fuss auf Wagner eingestellt (We are totally obsessed with Wagner) |
|
Wondrous Love, Motherless Child. Crux fidelis. Pange lingua. Lament of Rachel. Misereris omnium, Domine |
|
Works |
|
Works by |
|
Works for solo viol by |
|
Works from the codices of Faenza, Robertsbridge, Buxheim, Las Huelgas, Florence, and Perugia by |
|
Works of |
|
Yankee Doodle |
|
Yankee Doodle (Arranged with Variations) |
|
Yo soy la laocura. Vuestros ojo |
|
Zion’s Walls |
|
Zorongo. Les tres hojas. El café de chinitas. Anda, jaleo. Los cuatro muleros. Los reyes de la baraja. Romance de Don Boiso. Los pelegrinatos. La tarara |
|
¡stampita “Aquila Altera.“ Bassa Danza |
|
¡stampita “Tre fontane.“ |
|
¿Qué me aconsejas, Amor? Aunque maten tristezas. Esto es amor, quien lo probó lo sabe. Atiende, mariposa. Tres versillos |
|
