1st Pavan and Galliard |
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3 Motets |
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6th Pavan and Galliard. A Voluntary |
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A Fancie, for my Ladye Neveli, bK 25 |
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A Fancie, MB25 |
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A Fancy |
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A Feigned Friend |
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A Horne Pipe, BK 39 |
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A Pavion, BK 23a |
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A voluntarie, MB 27 |
|
Ah silly soul. Browning. If women could be faire. In nomine of 5 parts: No. 5 |
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Ah, silly soul; When I was otherwise; All is as a sea; O dear life |
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Air and Variations (“Carman's Whistle“) |
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Air and Variations on “The Carman's Whistle,“ for Piano |
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Alack, when I look back |
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Alleluia |
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Alleluia, Alleluia |
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An Alman, BK 117. A Galliarde Gygge, BK 18. Paven, BK 73a. Galiard, BK 73b |
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An Almane, BK 89. Pavin, BK 76. A Galliard, BK 77 |
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Anglican Music. Catholic Music |
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Arise Lord into thy rest. Ne irascaris, Domine. Civitas sancti tui. Tristitia et anxietas. Turn our captivity. Quomodo cantabimus? Vigilate |
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Ave verum |
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Ave verum corpus |
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Ave verum Corpus |
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Ave verum corpus. Afflicti pro peccatis nostris. Tristitia et anxietas. Ave Maria. Circumdederunt me. Emendemus in melius. Cogitavit Dominus |
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Ave verum corpus. Civitas sancti tui. Haec dies |
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Ave verum corpus. Haec dies. Memento salutis auctor. Miserere mei |
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Ave verum corpus. Infelix ego. Vigilate. Tristitia et anxietas. Ne irascaris Domine. Prevent us, O Lord. The Great Service. O Lord, make Thy servant Elizabeth. O God, the proud are risen against me. Sing joyfully unto God our strength |
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Ave verum corpus; Lullaby, my sweet little baby |
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Beata es |
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Beata viscera |
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Browning / The leaves be green |
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Browning a5 |
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Calleano custure me. The Earl of Salisbury—Pavan and Galliard |
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Callino casturame |
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Callino Casturame, BK 35 |
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Callino Casturame, MB 35 |
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Callino Casturame. Praeludium to the Fancie |
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Cantate Domino. Recordare Domine. Exsurge Domine. Salve Regina. Haec dies (all 1591) |
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Cantiones sacrae |
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Cantiones Sacrae (1575) |
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Cantiones Sacrae (1589) |
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Cantiones Sacrae (1589): Cantiones Sacrae (1589): excerpts |
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Cantiones sacrae (1589): excerpts. Gradualia—Purification |
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Cantiones Sacrae 1575 |
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Cantiones Sacrae 1591 |
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Cantiones Sacrae 1591: excerpts |
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Cantiones Sacrae, 1575, 1589, 1591: Excerpts |
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Cantiones Sacrae: 13 Motets |
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Cattino Costurante. The Earl of Salisbury—Pavan and Galttard |
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CD 1: Lord Willoughby’s Welcome Home (Rowland), BK 7 |
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CD 5: O Mistris myne, I must, BK 83 |
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CD 6: Qui passe, for my Ladye Neveli, BK 19 |
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CD 7: Preludium, BK 1. Pavana Sir William Petre, BK 3a Galiardo, BK 3b. The Marche before the Battell, BK 93 |
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Christe qui lux es et dies |
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Christe qui lux es. Domine quis habitabit. Quomodo cantabimus. Cogitavit |
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Christe qui lux es. Miserere mihi. Nunc dimittis |
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Christe qui lux es. O lux beata Trinitas. Laetentur cæli |
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Cibavit eos |
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Circumdederunt me dolores mortis. Audivis vocem de cælo |
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Civitas sancii tui |
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Clarifica me Pater, MB 48; MB 49 |
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Cogitavit Dominus |
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Colinno Costúrame. A/mand. Miserere. John Come Kiss Me Now. Gallardas Passamezzo. La Volta |
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Come to me grief. Retire my soul. Come help, O God. Prevent us, 0 Lord. Cibavit eos. Ave verum corpus. Confirma hoc, Deus. Justorum animae |
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Come to me grief. Retire my soul. Come help, O God. Prevent us, O Lord. Cibavit eos. Ave verum corpus. Confirma hoc, Deus. Justorum animae |
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Come to me, grief. Come, woeful Orpheus |
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Come woeful Orpheus |
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Complete Consort Music |
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Consort Music |
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Consort Songs. Fantasia a 6 (II) |
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Descendit de caelis. Tu es pastor ovium. Miserere mei. Circumdederunt me. Quodcumque ligaveris. Recordare Domine. Exsurge quare obdormis. Laetania. Nunc scio vere. Constitues eos. Tu es Petrus. Levemus corda. Hodie Simon Petrus. Solve iubente Domino. Haec dicit Dominus |
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Domine ante te omne desiderium. Circumspice Jerusalem. Te ante lucis terminům. Petrus beatus. Christe qui lux es. Reges Tharsis et insulae. Domine Deus omnipotens. Sacris solemnis. Benigne fac Domine. Super (lumina Babylonis. Quomodo cantabimus |
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Domine ante te omne desiderium. Circumspice Jerusalem. Te ante lucis terminům. Petrus beatus. Christe qui lux es. Reges Tharsis et insulae. Domine Deus omnipotens. Sacris solemnis. Benigne fac Domine. Super flu-mina Babylonis. Quomodo cantabimus |
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Domine ante te. Circumspice. Te lucis ante terminům. Petrus beatus. Christe qui lux es. Reges Tharsis. Domine Deus omnipotens. Sacriis solemniis. Benigne fac. Quomodo cantabimus |
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Domine secundum actum meum. Emendemus in melius. Ye sacred muses. Ne irascaris Domine |
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Earie of Oxford's Marche |
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Earl of Oxford's March. Carman's Whistle. The Queenes Almain. Lullaby |
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Earl of Oxford’s March |
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Earl of Salisbury's Pavane (arr. Bram Wiggins) |
|
Early Latin Church Music |
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Ecce Advenit |
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Ecce advenit |
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Emendemus in melius. Libera me. Peccantem me quotidie. Aspecie Domine. Attonite portas. O lux beata Trinitas. Laudate pueri. Memento homo. Siderum rector |
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English Dances |
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Fantasia |
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Fantasia 3. Fantázia à 4 |
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Fantasia a 4 |
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Fantasia a 6. Pavan and Galliard: Kinbourough Good. The Queen’s Alman/Hugh Ashton’s Ground. Pavan and Galliard a 6 |
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Fantasia in a, BK13 |
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Fantasia in C |
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Fantasia In C. The Carman's Whistle. Pavan and Galliard in F. The Woods so Wild. Fantasia in G. The Queen's Alman. Pavan and Galliard in G. The Bells. Walsingham. All in a Garden Green. Lavolta. Pavan and Galliard In G Minor. Ut re mi fa sol la |
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Fantasia mixolydisch |
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Fantasia No. 52 in A Minor |
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Fantasia à 4 No. 5 |
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Fantasia “The Leaves Be Green.“ |
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Fantasia, BK 13 |
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Fantasia, BK 62. Sing joyfully. Exalt thyself, O God |
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Fantasia, MB 25 |
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Fantasia, MB 46 |
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Fantasia, MB 62 |
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Fantasia, MB62 |
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Fantasia: “The Leeves be Green.“ |
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Fantasias a6: Nos. 2-3. Fantasia a5, Two parts in the one in the 4th above. In nomines a5: Nos. 2-5 |
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Fantasias for Harpsichord (complete) |
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Fantasias, MB 13, 25, 62, 63 |
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Fantasias: a 5; a 6 (II and I) |
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Fantasias: in d; in a |
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Fantasias: MB 13; MB 25; MB 63; MB 46 |
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Fantasies in Six Parts: No. 2; No. 3. Pavan and Galiard in Six Parts. Browning in Five Parts. Fantasia in Four Parts: No. 1. La Volta (Curent). Pavana Bray. Fantasias in Three Parts: No. 1; No. 2; No. 3 |
|
Fantasy |
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Fantasy in D Minor. Pavana “Lachrimae. “ Pavan and Galliard “Ph. Tregian. “ My Lady Nevell's Grounde |
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Fantasy, “The Leaves Be Green.“ |
|
Fantazia op de Fuga van M. Jan Pieters |
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Farewell, False Love. Come to me grief for ever. O Lord, how vain |
|
Five Easter Mass Propers |
|
For My Ladye Nevell (selections) |
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Fortune. La Volta. The Bells. John come kisse me now |
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Fortune. Rowland (Lord Willoughby's March). Jig. Pavan of Five Parts. Gallino Castrarne. The Fitzwilliam Suite. The Bells |
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Galiard, MB 16A |
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Galiard, MB 16B |
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Galiardas Passamezzo |
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Galiardo (Sr. Wm. Petre). Preludium. Galiardo Mrs. Mary Brownlow |
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Galiardo Secundo (The Earle of Salisbury) |
|
Galliard |
|
Galliard, MB 77 |
|
Gallino Casturame, BK 35. A Lesson of Voluntarie, two parts in one in the 4th above, BK 26 |
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Gaudeamus omnes. Beati mundo corde. Justorum animae. Non vos relinquam. Beata es. Visita, quaesumus, Domine. Salve, sancta Parens. Confirma hoc, Deus. Senex puerum portabat. Tribulationes civitatum |
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Gipsies Round |
|
Gloria tibi trinitas, MB 50 |
|
Go from my window, MB 79 |
|
Gradualia (1605): Excerpts |
|
Gradualia (1605): Gradualia (1605): excerpts |
|
Gradualia 1605: excerpts |
|
Gradualia, Volume 1: The Marian Masses |
|
Ground, MB43 |
|
Grounds: MB 86; MB 42 |
|
Haec dies |
|
Haec Dies |
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Haec dies. Angelus Domini. Mane vobiscum. Post dies octo. Christus resurgens |
|
Haec dies. This day Christ was born |
|
Harding’s Galliard, MB 55 |
|
Highe Ashton’s Ground |
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Hugh Ashton’s Grownde, BK 20 |
|
Hugh Aston’s Ground |
|
If my complaints, MB 118 |
|
If women could be fair |
|
In fields abroad; Gallarda |
|
In nomine |
|
In Nomine a 4 |
|
In nomine I. In nomine II. Christe qui lux I. Christe qui lux II. Christe qui lux III. Fantasia à 4. Christe redemptor. Sermone blando. Miserere |
|
In Nomine V a 5. BULL?: The Bull Masque. Fantasia |
|
In Nomine à 5. Miserere à 4. Browning à 5, “The leaves be green” |
|
In nomine, MB 51 |
|
In nominee: No. 1; No. 2 |
|
In resurrectione tua. Aspice Domine. Vide Domine. Domine tu jurasti. Vigilate. Domine secundum mul-titudinem. Tristitia et anxietas. Ne irascaris. O quam gloriosum |
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Infelix ego |
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Is love a boy? This sweet and merry month |
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Jhon come kiss me now. Fantasia. Sellinger's Round. DOWLAND (set Byrd): Pavana Lachrimae |
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John come kiss me now, MB 81 |
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John Come Kisse |
|
Justorum animae |
|
Justorum animae. Ad Dominum cum tribularer |
|
Keyboard Works |
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Keyboard works by |
|
La verginella |
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La Verginella. Pavan in C. In fields abroad. In Nomine No. 2. When I was otherwise. Browning. I thought that love. In Nomine No. 4. Though Amaryllis. Fantasia of Five Parts. Susanna fair. In Nomine No. 5. Out of the Orient. Prelude and Ground |
|
La Volta |
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La volta |
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La Volta Alleman |
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La Volta L. Morley, BK 90. Pavana, BK 4a. Galiarda, BK 4b. Gypseis Round, BK 80. Pavana, BK 52a Galliarda, BK 52b. Galliard, BK 53 |
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La Volta, BGK 91 |
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La Volta, BK 91. Quadran Paven, BK 70a. Quadran Galliard, BK 70b. A Grounde, BK 9 If my complaints, or Pyper’s Galliard, BK 118 |
|
La Volta. Galliardas Passamezzo. Wolseys Wilde. The Battle. CRAFT [?]: Ground |
|
La Volta. Pavan, The Earl of Salisbury |
|
Lachrymae pavan, MB 54 |
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Lachrymae Pavan, MB 54 |
|
Lady Montegle’s Paven, BK 75. A pavion, BK 72a. The Galliard to it, BK 72b. Praeludium to the Fancie, BK 12 (5 versions). Fantasia, BK 13 |
|
Laetentur coeli |
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Laud/bus in Sanctis. Domine, salva nos. Domine, non sum dignus. Cunctis diebus. Haec dicit Dominus. Haec dies. Miserere mei, Deus. Tribulatio próxima est. Circumdederunt me. Fac cum servo tuo. Ex-surge, Domine |
|
Laudate pueri. O lux beata trinitas. Tribue Domine (all 1575) |
|
Laudibus in Sanctis |
|
Laudibus in sanctis. Domine praestolamur. Haec dies. Infelix ego |
|
Laudibus in sanctis. Miserere mei. Ave verum corpus. Tribue Domine |
|
Lullaby |
|
Madrigals by |
|
Magnificat. Nunc dimittis. Ave verum corpus. Prevent us, O Lord. Praise our God, all ye Gentiles. O clap your hands. Save me, O God. When Israel came out of Egypt. Hear my prayer. Teach me, O Lord. Bow thine ear. Sing joyfully |
|
Mass for 3 Voices. Mass for 4 Voices. Mass for 5 Voices |
|
Mass for 3 Voices. Mass for 4 Voices. Mass for 5 Voices. Fantasia in d. Voluntary. Fantasiain C |
|
Mass for 4 Voices |
|
Mass for 4 Voices. Mass for 3 Voices. Mass for 5 Voices |
|
Mass for 4 Voices. Queen's Goodnight. Pavan and Galliard a 6 |
|
Mass for 4 Voices: Gloria |
|
Mass for 4 Voices: Kyrie |
|
Mass for 5 Voices |
|
Mass for Five Voices |
|
Mass for Five Voices, with the Gradualia (1607) Propers for the Feast of All Saints. Diliges Dominum. Ad Dominum cum trlbularer |
|
Mass for Five Voices, with the Gradualia (1607) Propers for the Feast of All Saints. Laudibus in Sanctis. Laudate pueri Dominum. Laudate Dominum |
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Mass for Five Voices. Emendemus in melius. Infelix ego. Ave Maria. Christe qui lux es |
|
Mass for Five Voices. Infelix ego |
|
Mass for Five Voices. Magnificat and Nunc dimittis. Ave verum corpus |
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Mass for Five Voices. Mass for Four Voices. Mass for Three Voices |
|
Mass for Five Voices. Mass for Three Voices. Mass for Four Voices |
|
Mass for Five Voices. Propers for the Feast of Corpus Christi |
|
Mass for Four Voices |
|
Mass for Four Voices, with Propers for the Feast of Corpus Christi. Pange lingua gloriosi. Ave verum corpus. O salutaris Hostia |
|
Mass for Four Voices. Ave verum Corpus. MUSIC FOR EVENSONG |
|
Mass for Four Voices. Choral Music |
|
Mass for Four Voices. Corpus Christi Mass Propers (from Gradualia). Four Organ Pieces |
|
Mass for Four Voices. Mass for Five Voices |
|
Mass for Four Voices. Mass for Five Voices. Infelix ego |
|
Mass for Four Voices. Motets |
|
Mass for Four Voices. Proper for the Feast of Ss. Peter and Paul |
|
Mass for Four Voices. Propers for the Feast of Ss. Peter and Paul. Quomodo cantabimus. Tu es pastor ovium. Quodcumque ligaveris. Hodie Simon Petrus |
|
Mass for Four Voices. Retire, my soul, consider thine estate. Gaudeamus omnes in Domino. Proper veritatem. Assumpta est Maria. Assumpta est Maria. Optimam partem. Turn our captivity, O Lord. Praise our Lord, all ye Gentiles. Laudate Dominum omnes gentes. Tribue Domine |
|
Mass for Three Voices. Propers for the Third Mass and Office of Christmas |
|
Mass in 5 Parts |
|
Mass in Five Parts |
|
Mass movements. Motets |
|
Mass Propers for Easter |
|
Masses for 3, 4, and 5 Voices |
|
Masses for 4, 3, and 5 Voices. Lamentation of Jeremiah. Christe qui lux es et dies/Precamur. Laetentur coeli. Ave verum corpus |
|
Masses for Five, Four, and Three Voices. Ave verum corpus |
|
Masses for Five, Four, and Three Voices. Ave verum corpus. Defecit in dolore. Infelix ego |
|
Masses for Three, Four, Five Voices |
|
Masses: a 3; a 4; a 5 |
|
Masses: for 3 Voices; for 4 Voices; for 5 Voices. Fantasias: in d; in C |
|
Miserere (I), MB 66 |
|
Miserere (II), MB 67 |
|
Miserere I and II, BK 66 and 67 |
|
Miserere mei |
|
Miserere, MB 67 |
|
Missa in tempore paschali |
|
Monsieur’s Alman I, II, and III, BK 87, 88, and 44 |
|
Monsieur’s Alman, MB 44 |
|
Motets |
|
Motets and Anthems |
|
Music by |
|
Music for Holy Week and Easter |
|
Music for Voice and Viols |
|
Music of |
|
Music Of |
|
My Lady Nevell’s Booke: Pavan 7 |
|
My Ladye Nevells Booke |
|
My Ladye Nevells Booke: Selections |
|
My Ladye Nevells Booke: Third Pavian; Galliarde to the Third Pavian |
|
My Ladye Nevells Grownde; The Battell; The Seconde Pavian; The Galliarde to the Seconde Pavian; The Fifte Pavian; The Galliarde to the Fifte Pavian; The Seventh Pavian; The Eighte Pavian; A Voluntarie “For my Ladye Nevell”; Lord Willobies Welcome Home; The Carmans Whistle; Sellingers Rownde; A Fancie; A Voluntairie; Fanatasia Mr Byrd |
|
My Ladye Nevell’s Grownde, BK 57 A Voluntarie, for my Ladye Neveli, BK 61 |
|
My Lord of Oxenford's Maske |
|
My Lord of Oxenford's masque |
|
My Lord ofOxenford's Made |
|
Ne irascaris. O quam gloriosum. Tribulationes. In resurrectione tua. Laetentur caeli (all 1589) |
|
Nowel's Galliard. La Volta. The Woods So Wild |
|
O come let us sing |
|
O Lord how vain are all our frail delights. Though Amaryllis dance in green |
|
O Lord make thy servant Elizabeth |
|
O Lord, make thy servant Elizabeth our Queen. Haec dies. Attend mine humble prayer |
|
O Lord, make thy servant Elizabeth. Nunc dimittis. Ave verum corpus. Laudibus in sanctis. Praise our Lord, all ye Gentiles. The Queen’s Alman. Quomodo cantabimus |
|
O magnum mysterium |
|
O mistress mind |
|
O mistress mine. The Galliard for the Victory. Ut re mi fa sol la. Walsingham. Fortune |
|
O quam gloriosum est regnum, MB 48 |
|
O quam suavis. Cibavit eos. Oculi omnium |
|
O sacrum convivium. Other works |
|
Parana's delight; Galiarda |
|
Pavan and Gailiard, MB16 |
|
Pavan and Galliard Sir William Petre, MB 3 |
|
Pavan and Galliard The Earl of Salisbury, MB 15 |
|
Pavan and Galliard, MB 52 |
|
Pavan and Gilliarda, for harpsichord |
|
Pavan, MB 23A |
|
Pavan, MB 9 |
|
Pavan. Galliard |
|
Pavana and Gallarda. Fantasia |
|
Pavana Lachrymae |
|
Pavana Lachrymae, BK 54 |
|
Pavana Lachrymae. Will yow walke the woods so wylde. The Bells. La Volta |
|
Pavana Lachrymæ, MB54 |
|
Pavana The Earle of Salisbury. Galiardo (The Earle of Salisbury) |
|
Pavana. Galiarda |
|
Pavane and Gigue |
|
Pavanes and Galliards |
|
Pavanes and Galliards, Variations and Grounds |
|
Pavans and Galliards |
|
Pavans and Galliards 1-10. Pavan and Gaillard in C. “Lachrymae“ Pavan and “Harding's“ Galliard. “Echo“ Pavan and Galliard. Prelude and “Tregian“ Pavan and Galliard. “The Earl of Salisbury“ Pavan and Two Galliards. “Mary Brownlow“ Galliard. Galliard. “Quadran“ Pavan and Galliard |
|
Pescodd Time – The Hunt’s Up. Lady Monteagle’s Pavan |
|
Pieces from the Fitzwilliam Virginal Book |
|
Plorans plorabit Passio secundum Johannem. Holy Saturday Vespers |
|
Praeludium and Fantasia. The Barley Breake. The Tennthe Pavan and Galliard to the Tennthe Pavan. The Woods So Wild. The Bells |
|
Praeludium to the Fancie, BK 12 |
|
Praeludium, MB 1 |
|
Praise our Lord all ye Gentiles |
|
Praise our Lord. Have mercy upon me. Make ye joy to God. Come to me grief. Christ rising again. From Virgin's womb. Ye sacred Muses. Turne our captivitie. Lulla, lullaby. Who made thee, Hob. Come wofull Orpheus. Though Amarillis dance |
|
Prelude and Fantasia a 5. La Virginella. My Sweet Little Darling. Fantasia a 3. What pleasure have great princes. Though Amaryllis dance in green. In Nomine a 5. Blessed is he that fears the Lord. O Lord, how long wilt thou forget. Fantasia a 6. The man is blesst that God doth fear. Why do I use my paper, ink, and pen? |
|
Prelude in a (Musica Britannica, Vol. 27, No. 12). Fantasia in a (Musica Britannica, Vol. 27, No. 13). Ground, MB9 |
|
Prelude in a. Fantasia in a |
|
Prelude, MB 12 |
|
Prelude, MB1 |
|
Prelude, MB24 |
|
Prelude. Pavane. Galliard |
|
Prelude; Miserere; Fantasia |
|
Preludium. Pavana Sr. Wm. Petre |
|
Propers for Epiphany (1607) |
|
Propers for Epiphany a4 |
|
Propers for the Nativity. Hodie Christus natus est. O admirabile commercium. O magnum mysterium |
|
Psalmes, Sonets & songs of sadnes and pietie |
|
Psalmes, Sonets, and Songs of Sadness and Pietie, 1588 |
|
Psalmes, Songs and Sonnets |
|
Psalmes, songs and sonnets (1611) |
|
Psalms and Anthems |
|
Puer natus est nobis. Vox in Rama |
|
Quem terra pontus aethera |
|
Qui passe for my ladye Neveli. A Voluntarie |
|
Quis est homo? Tribulatio proxima est. Apparebit in finem. Salve sancta parens. Alleluia Ave Maria. Alleluia Virga Jesse. Beata est virgo. Beata viscera. Regina caeli. Salve regina. Fac cum servo tuo. Ecce quam bonum. In manus tuas. Unam petii. Visita quaesumus. Domine exaudi orationem meam inclina. Laudibus in sanctis |
|
Quis me statím. Wretched Albinus. Rejoice unto the Lord. Fair Britain Isle. Triumph with pleasant melody. Lullaby. Ye Sacred Muses |
|
Rejoice unto the Lord. Ah silly Soul. An aged dame. O dear life. Come to me. Who likes to love. O that most rare breast. All as a sea. Ye sacred Muses. Constant Penelope. O God that guides. Lullaby. How vain the toils |
|
Rejoice unto the Lord. In fields abroad. Fair Britain Isle. Though I be brown. O Lord how vain |
|
Rorate caeli. Tollite hostias. Ave Maria. Ecce virgo |
|
Rowland |
|
Sacred Music |
|
Second Ground. Tregian’s Ground. The Battle |
|
Selections by |
|
Sellenger’s Round |
|
Sellinger's Round. Walsingham. Rowland, or Lord Willoughby's Welcome Home. The Bells. Pavan. A Fartele. Ut re mi fa sol la. The Carman's Whistle. Clarifies me, Pater. Fantasia |
|
Sellinger’s Round |
|
Sellinger’s Rownde |
|
Sellinger’s Rownde, BK 84 Parson’s In nomine, BK 51 |
|
Senex peurum portabat à 4. Senex puerum portabat à 5. Magnificat. Missa à 5 |
|
Sermone blando |
|
Siderum rector. Domine non sum dignus. Sermone blando. Fantasia à 3 |
|
Sing Joyfully |
|
Sing joyfully. Turn our captivity. Praise our Lord, all ye Gentiles. Emendemus in melius. Siderum Rector. Plorans plorabit. Visita quaesumus Domine. Attonite portas. Laudibus in Sanctis. Gaudeamus omnes. Ave verum corpus. Veni Sánete Spiritus. Christus resurgens. Solve jubente Deo. O magnum misterium. Non vos relinquam. O quam suavis. Justorum animae |
|
Songs and Ensemble Music |
|
Songs of Sundrie Natures |
|
Suite |
|
Suite: Earle of Oxford's Marche; Wolsey's Wilde; La Volta; Mayden's Songe; Jhon, Come Kisse Me Now |
|
Surge, illuminare. Ave verum corpus. Ego sum panis vivus. Justorum animae. Non vos reliquam. Emendemus in melium. Senex puerum. Sing joyfully |
|
Susanna Fair. My mistress had a little dog. Though Amaryllis dance in green |
|
Terra tremuit |
|
The Battel! (arr. Howarth) |
|
The Battell |
|
The Battell, BK 94 |
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The Bells |
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The bells, BK 38 |
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The Bells, BK 38 The French Coranto, BK 21a. The Second French Coranto, BK 21b. The Third French Coranto, BK 21c |
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The Bells, MB 38 |
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The Bells. O Mistress Mine. The Second Ground |
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The Carmans Whistle |
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The Carman’s Whistle |
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The Carman’s Whistle, BK 36 |
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The Carman’s Whistle. Hughe Ashton’s Ground. The Mayden’s Songe. Will yow Walke the Woods soe Wylde. All in a Garden Greene |
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The Complete Keyboard Music |
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The Complete Music for Keyboard |
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The Earl of Oxfords Marche |
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The Earl of Oxford’s March. Irish March. Sellinger’s Round. Carman’s Whistle. The Queen’s Alman. Alman in G. Pavan and Galliard No. 2 in c |
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The Earl of Oxford’s March. Ut, re, mi, fa, sol, la. Ut, mi, re. Walsingham. Sellinger’s Round |
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The Earle of Oxford's March |
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The firste pavián, BK 29a |
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The Flute and the Drum. The Woods So Wild. The Maiden’s Song. John Come Kiss Me Now. Pavane and Galliard, “The Earl of Salisbury.” Second Galliard |
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The Fourth Pavane and Galliard. Qui Passe. The Battel!. Sellinger's Round. Monsieur's Alman. Hugh Ashton's Ground. A Gailiard's Gigge. The Second Ground. The Fifth Pavane and Galliard. The Carman's Whistle. A Voluntary |
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The Galliard for the Victorie, BK 95 All in a garden greene, BK 56 |
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The Galliard, BK 23b. Pavana Bray, BK 59a Galiarda, BK 59b |
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The galliarde, BK 29b. The second pavián, BK 71a The galliarde, BK 71b. The third pavián, BK 14a The galliard, BK 14b. The fourth pavián, BK 30a. The galliarde, BK 30b The fifte pavián, BK 31a. The galliarde, BK 31b. Pavana the vi, Kinbrugh Good, BK 32a. The galliarde, BK 32b. The seventh pavián, Canon 2 parts in 1, BK 74. The eighte pavián, BK 17 The nynth pavián, the Passinge mesures, BK 2a. The galliarde, BK 2b |
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The Ghost, BK 78. A Pavyn, BK 16a. A Galliard, BK 16b. Paven, BK 100a. Galiard, BK 100b |
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The Great Service |
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The Great Service. Lift up your heads. O clap your hands. O Lord make thy servant. Sing joyfully |
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The Great Service. O God the proud are risen |
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The Great Service. O Lord make thy servant Elizabeth. Prevent us O Lord. How long shall mine enemies? Out of the deep. Christ rising again. Sing joyfully. 2 Voluntaries |
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The Great Service. O Lord, make thy servant Elizabeth. O God, the proud are risen. Sing joyfully unto God. Masses for Five, Four, and Three Voices. Ave verum corpus. Infelix ego |
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The Great Service. Three Anthems |
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The leaves be greene |
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The Maiden’s Song. The Quadran Pavan. The Quadran Galliard. Pavan 8 |
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The nynth pavian and galliarde, the Passinge mesures. Ut, re, mi, fa, sol, la |
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The Passinge Mesures |
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The Queen's Alman. Fantasia. The Bells |
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The Queen's Alman. Lord Willobies welcome home (Rowland). Pavan: Bray. Galiarda: Bray. Wolsey's Wilde. The Carman's Whistle |
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The Queenes Alman. The Bells |
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The Queen’s Alman, BK 10 |
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The queen’s alman, MB 10 |
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The Second Ground, BK 42 |
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The Second Ground. Prelude in a |
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The Woods so Wild. Pavana, FWVB 165. Qui Passe. Pavana Lachrimae. The Bells. Lord willobies welcome home. Miserere. Gaillard, FWVB 164. A fancie. Monsieurs Alman. Pavana, FWVB 254. Gallarda, FWVB 255. Walsingham. Alman. My ladye nevéis grownde. A Gigg. The passinge mesures. The gaillarde to the same |
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This sweet and merry month |
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This sweet and merry month of May |
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This Sweet and Merry Month of May |
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Thou poet’s friend. Wretched Albinus. With lilies This sweet and merry month of May. O Lord, make thy servant, Elizabeth. All as a sea. Come to me, grief, for ever. Blessed is he that fears the Lord. Why do I use my paper, ink, and pen. Ah silly soul. Rejoice unto the Lord. Ye sacred Muses. Fantasias: à 5, The Leaves be Greene; à 5, Two Parts in One in the Fourth Above; à 6, No. 1; à 4, No. 1 |
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Though Amaryllis dance in green |
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Though Amaryllis dance. Lullaby, my sweet baby |
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Three Dances |
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Three French Corantos. Ground, MB 9 |
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Tregian's Ground |
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Tribue, Domine |
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Tribue, domine |
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Tristitia et anxietas (prima pars). Come to me grief forever. Lullaby, my sweet little baby |
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Tristitia et anxietas. Quomodo cantabimus |
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Tristitia et anxietas. Vigilate. Tribulationes civittum. Vide Domine. Ne irascaris. Quomodo cantabimus |
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Ut re mi fa sol la, MB 64 |
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Ut re mi fa sol la, MB64 |
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Ut, mi, re |
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Verse, MB 28 |
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Vigilate |
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Vigilate. Crowned with flowers. Tenth Pavian. O quam gloriosum. Rejoice unto the Lord. Deus venerunt. Rowland. Why do I use. Quomodo cantabimus. Walsingham. The noble famous Queen. Domine tu jurasti. Queen’s alman. Laudibus in Sanctis |
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Vigilate. Crowned with flowers. Tenth Pavian. O quam gloriosum. Rejoice unto the Lord. Deus venerunt. Rowland. Why do I use. Quomodo cantabimus. Walsingham. The noble famous Queen. Domine tujurasti. Queen’s alman. Laudibus in Sanctis |
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Vigilate. Miserere mei. Ne irascaris, Domine |
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Vigilate. Tristitia. Ne irascaris. Prevent us. O Lord, make thy servant Elizabeth. Magnificat. Mass for Four Voices |
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Virginals and Consorts |
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Voluntaries, MB 26 and 27 |
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Voluntary a 3 |
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Walsingham |
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Watkin's Ale. Lavolta—Lady Morely. Rowland or Lord Willoughby's Welcome Home. The Carman's Whistle |
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Watkin's Ale. Lavolta—Lady Morely. Rowland or Lord Willougtiby's Welcome Home. The Carmans Whistle |
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Watkin's Ale; Lavolta Lady Morley; Rowland or Lord Willoughby's Welcome Home; The Carman's Whistle |
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Weeping full sore. In fields abroad |
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Who made thee Hob |
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Will you walke the woods so wylde, BK 85 |
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Wilson’s Wild |
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Wolsey's Wilde |
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Wolseys wilde |
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Wolseys Wilde |
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Works by |
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Works of |
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Ye Sacred Muses |
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Ye sacred muses |
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