Alternative Readings( 2 versions) |
|
Alternative Readings. Oxford in 1817, I. Botany Bay. Blessed Be I. Blessed Be III. Wisdom. Salomé I. Salomé II. June. An der Mond |
|
Australian Sea Shanty, Set 2: No. 1; No. 2 |
|
Catana, for Nine Instruments. String Trio. Contretänze, for Six Instruments |
|
Civilisation. Contrapunctus XIX. Clarinetten Liederkreis. Mad Men in the Sand. Six Sexy Minuets Three Trios |
|
Civilisation. Contrapunctus XIX. Clarinetten-Liederkreis. Mad Men in the Sand. Six sexy minuets three trios |
|
Dum transisset Sabbatum. Dum transisset Sabbatum – double. Videt miraculum. Videt miraculum – double. Commentary on “Wie schön leuchtet der Morgenstern”. Cantata: Herr Christ, der einge Gottessohn |
|
English Country Tunes: Midsummer Morn; I'll give my love a garland; Come beat the drums. Mac |
|
ERIK SATIE, like anyone else |
|
Folklore II. 3 Dukes Went A-Riding. My Love Is a Like a Red Red Rose |
|
Gershwin Arrangements. More Gershwin |
|
How Dear to Me. Willow Willow. Vieux Noël, op. 59/2 |
|
Kritik der Urteilskraft. Unknown Ground. A propos de Nice |
|
Mississippi Hornpipes. Setjentens fridag. Amphithéâre des Sciences Mortes. Jive. Molly House |
|
North American Spirituals |
|
Plain Harmony I. Plain Harmony II. Plain Harmony III. Nobody’s Jig. Sehnsucht. Multiple Forms of Constraint |
|
Plebs angelica – alternativo |
|
Same as We. Beuk o’ Newcassel Sangs |
|
Stabant autem iuxta crucem |
|
Terekkeme. Lylyly Ii. Svatovac |
|
The History of Photography in Sound |
|
Works for String Quartet |
|