"The Rival Queens": Opera Arias and Duets |
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(8) Trio Sonatas |
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(arr. Babeli) Rinaldo: Ouverture; Lascia ch'io pianga; Sulla ruota di fortuna; Vò far guerra. Joseph: Sinfonia. La terra è liberata: Felicissima quest'alma & ¿ |
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(arr. Barbirolli) Clarinet Concerto |
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(arr. Beecham) Amaryllis Suite: Sarabande |
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(arr. Burmester) Menuett.“ |
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(arr. Halvorsen for violin and viola) Passacaglia |
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(arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day |
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(arr. Parkening); Sarabande and Variations. Samson: Minuet in D |
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(arr. Würtzler) Concerto in B♭ |
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(ed. Robert Austin Boudreau) Water Music: Suite |
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(trans. Kell) Excerpts from: Recorder Sonata in F; Violin Sonata in F; Oboe Sonata in f. |
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(transcribed SMITH) Concerto in D Minor for Harp and Orchestra, Op. 7, No. 4 |
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11 Sonatas |
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12 Concerti Grossi, Op. 6 |
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12 Concerti grossi, Op. 6 |
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12 Concerti grossi, op. 6 |
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12 Organ Concertos |
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16 Concertos for Organ, Orchestra, and Continuo |
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3 Airs for 3 and 4 Horns |
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4 Concertos. 6 (sic) Concerti Grossi |
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6 Concerti Grossi, Op. 3 |
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6 Concerti grossi, op. 3 |
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6 Concerti Grossi, Op. 3. 12 Concerti Grossi, Op. 6. Ballet Music, from “Alcina, “ “Ariodante, “ and “II Pastor Fido. “Music for the Royal Fireworks. The Water Music. Overture to “Bernice. “ Entrance of the Queen of Sheba, from “Solomon. “ The 3 Oboe Concertos (including a variant second movement for No. 2). The 16 Concertos for Organ, Orchestra, and Continuo, Sonata, from “Il trionfo del tempo e del disinganno“ |
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6 Concerti, Op. 3; 12 Concerti Grossi, Op. 6 |
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7 Concerti Grossi, Op. 3 |
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7 Sonatas for Flute and Continuo, op. 1 |
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8 Great Suites, HWV 426–433 |
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8 Harpsichord Suites, HWV 426–433 |
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8 Overtures (arr. hpd) |
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8 Pieces for Violin and Cello |
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8 Sonatas for Flute and Harpsichord |
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8 “Great” Suites. Suites: in c; in e. Chaconne in G |
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9 Arias for Soprano, Flute and Continuo: Meine Seele hört im Sehen |
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9 German Arias, HWV 202-10 |
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9 German Arias, HWV 202-210 |
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9 German Arias, HWV 202–10 |
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9 German Arias. Trio Sonatas: in F, op. 2/4; in b, op. 2/1 |
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A Grand Instrumental Procession. Let thy hand be strengthened. Zadok the Priest. The King shall rejoice. My heart is inditing |
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A Grand Instrumental Procession. March |
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A Royal Firework |
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A Song for St. Cecilia's Day. Cecilia, volgi un sguardo |
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A Song for St. Cecilia’s Day |
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A Song of Victory over the Rebels by his Royal Highness the Duke of Cumberland, HWV 228.9 |
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Ach, Herr, mich armen Sünder. Triumph, ihr Christen seid erfreut |
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Aci, Galatea e Polifemo |
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Aci, Galatea e Polifemo HWV 72: Qui l’autel da piñata. Teseo HWV 9: Overture, Morirò, ma vendicata |
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Aci, Galatea e Polifemo, HWV 72: Precipitoso nel mar che freme |
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Aci, Galatea e Polifemo. Sonatas for Recorder and Continuo: in F, Op. 1, No. 11; in C, Op. 1, No. 7; in G (transposed to F) |
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Aci, Galatea e Polifemo: Qui l’augel |
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Aci, Galatea e Polifemo: Sorge il di |
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Aci, Galatea, e Polifemo, HWV 72 |
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Aci, Galathea e Polifemo |
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Acis and Galatea |
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Acis and Galatea (1718) |
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Acis and Galatea. Look down, Harmonious Saint |
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Acis and Galatea. Sarei troppo felice |
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Acis and Galatea: As When the Dove |
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Acis and Galatea: As when the dove |
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Acis and Galatea: As when the dove laments her love. Rodelinda: Scacciata del suo nido; Dove sei, amato bene; Vivi tiranno |
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Acis and Galatea: As when the dove. Giulio Cesare: Piangerò. Joshua: Oh, had I Jubal's lyre. L'Allegro ed il Penseroso: Sweet bird. Messiah: Rejoice greatly. Solomon: Ev'-y sight these eyes behold; Will the sun forget to streak. Alcina: Ah, mio cor; Tornami a vagheggiar |
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Acis and Galatea: As when the dove. Judas Maccabeus: So shall the lute and harp awake. Giulio Cesare: V'adoro pupille. Sit nomen Domini. Laudate puer i: |
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Acis and Galatea: As When the Dove. Messiah: Rejoice Greatly; How Beautiful Are the Feet; I Know That My Redeemer Liveth; If God Be for Us. Samson: Let the Bright Seraphim. Judas Maccabaeus: From Mighty Kings. Joshua: O Had I Jubal's Lyre |
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Acis and Galatea: Happy We! |
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Acis and Galatea: Happy We! Faramondo: Cara, tu mi accendi |
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Acis and Galatea: Heart, the Seat of Soft Delight |
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Acis and Galatea: Hush, Ye Pretty Warbling Quire |
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Acis and Galatea: I rage, I melt, I burn! ...O ruddier than the cherry |
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Acis and Galatea: Love sounds th'alarm. Solomon: Sacred raptures cheer my breast |
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Acis and Galatea: O Ruddier than the Cherry |
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Acis and Galatea: O ruddier than the cherry |
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Acis and Galatea: O Ruddier Than the Cherry. Alexander's Feast: Revenge, Timotheus Cries |
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Acis and Galatea: O Ruddier Than the Cherry. Samson: Honor and Arms. Messiah: Why Do the Nations? Ezio: Droop Not, Young Lover |
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Acis and Galatea: Ye Verdant plains... Hush, Ye Pretty Warbling Quire, 'Tis Done: Thus I Exert My Pow'r Divine.. . Heart, the Seat of Soft Delight. (Conducted by Adrian Boult) Alcina: Tornami a vagheggiar; Ah! Ruggiero crudel... Ombre pallide. (Conducted by Anthony Lewis |
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Acis und Galatea |
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Acts and Galatea |
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Acts: and Galatea |
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Adagio. Largo |
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Admeto |
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Admeto, HWV 22: Overture |
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Admeto, Re di Tessaglia |
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Admeto, re di Tessaglia |
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Admeto, re di Tessaglia: Gelosia, spietata Aletto |
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Admeto: Amor, guai nuova fiamma . . . La tigre arde di sdegno |
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Admeto: Introduzione |
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Admeto: Io son qual fenice |
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Admeto: Là dove gli occhi |
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Admeto: Orride larve . . . Chiudetevi, miei lumi |
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Admeto: Overture |
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Admeto: Sinfonia |
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Aggripina: Se giunge un disperto |
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Agrippina |
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Agrippina condotta a morire, HWV 110 |
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Agrippina Condotta a morire, HWV 110 |
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Agrippina, HWV6: Overture |
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Agrippina: Bel piacer |
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Agrippina: Bel piacere |
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Agrippina: Ogni vento,ch’al porto lo spinga |
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Agrippina: Ogni vento; Pensieri, voi mi tormentate. Radamisto: Ombra cara; Qual nave. Muzio Scevola: Dimmi, crudele Amore. Ottone: Vieni, o figlio. Giulio Cesare: Svegliatevi nel core; Cara speme; L'angue offeso; L'aure che spira; La giustizia. Arianna: Mirami altero in volto; Qual leon |
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Agrippina: Otton, Otton … Voi, che udite il mio lamento |
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Agrippina: Otton, qual portentoso fulmine ... Voi che udite |
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Agrippina: Overture |
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Agrippina: Pensieri; Se guinge un dispetto. Radamisto: Passacaille. Concerto Grosso, Op. 3/4: Overture; Andante; Allegro; Minuet |
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Agrippina: Pur ritorno a rimirarvi; Vieni, o cara |
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Agrippina: Sinfonia |
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Agrippina: Vaghe fonti |
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Agrippina: Voi che udite il mio lamento |
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Ah! Che troppo ineguali |
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Ah! Che troppo ineguali!, HWV 230. Concerto Grosso in F, op. 6 No. 2/HWV 320 |
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Ah! crudel nel pianto mio … Per trofei di mia constenna |
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Ah! Crudel, nel piano mio, HWV 78 |
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Ah, che pur troppo é vero, HWV 77 |
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Ah, mio cor, schernito sei. Piangerò la sorte mia |
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Ahi, nelle sorte umane |
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Ahi, nelle sorte umane, HWV 179; Wo, di voi non vo' fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all'alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son Intento, HWV 178; Sono liete, fortunate |
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Ahi, nelle sorte umane. Amor gioje mi porge. Caro autor di mia doglia. Nò, di voi non vo’ fidardi. Quando in calme ride il mare. Quel fior che all’alba ride. Và, và speme infida pur. Quel fior che all’alba ride. Se tu non lasci amore |
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Air and Hornpipe |
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Air and Variations in E, HWV 430 |
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Air con variazioni “The Harmonious Blacksmith,” HWV 430 |
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Air from Water Music; Largo from Xerxes |
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Air in b, HWV 471 |
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Air in F, HWV 411 |
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Air in g, HWV 457 |
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Air with Five Variations |
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Air with Variations (“The Harmonious Blacksmith“; arr. Harvey). Concerto Grosso, Op. 3, No. 4 (arr. Mowat) |
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Alceste: Act I, Grand Entree. Agrippina: Sinfonia. Il pastor fido: Overture. Saul: Act I, Sinfonia; Act II, Sinfonia (Wedding Symphony“). Teseo: Overture. Samson: Act I, Sinfonia |
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Alceste: Enjoy the sweet Elysian grove |
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Alcina |
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Alcina Suite |
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Alcina, HWV 34: Ah, mio cor; Tornami a vagheggiar |
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Alcina, HWV 34: Mi restano le lagrime |
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Alcina: Act III Sinfonia; Sta nell'lrcana; Mi lusingha il dolce affetto; Entrée des songes agréables; Verdi prati. Solomon: Sinfonia; Arrival of the Queen of Sheba; May peace in Salem ever dwell. . . Will the sun forget to streak. Ariodante: Act II Sinfonia; Scherza infida; Dopo notte. Hercules: Act II Sinfonia; Dissembling, false, perfidious Hercules!. . . Cease, ruler of the day; Where shall I fly |
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Alcina: Act III Sinfonia; Verdi prati; Mi lusinga il dolce affetto |
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Alcina: Ah Ruggiero crudel; Ombre pallide; Si, son quella; Ah! mio cor |
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Alcina: Ah! Mio cor! |
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Alcina: Ah! Mio cor! Hercules: Where Shall I Fly? Agrippina: Pensieri, voi mi tormentate |
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Alcina: Ah! Ruggiero . . . Ombre pallide |
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Alcina: Ah, mio cor |
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Alcina: Ballet Music |
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Alcina: Ballet Music. Ariodante: Ballet Music. Il Pastor Fido: Ballet Music |
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Alcina: Chi m'insegna il caro padre? Barbara, io ben lo so |
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Alcina: Chi m’insegna il caro padre?; Barbara! io ben lo so |
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Alcina: Credete al mio dolore |
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Alcina: Di', cor mio |
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Alcina: Di, cor mio, quanto t'amai; Ma quando tornerai |
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Alcina: Excerpts |
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Alcina: Excerpts. Ariodante: Ballet music. Il pastor fido: Ballet Music. Messiah. Messiah: For unto us a child is born; Hallelujah. Acis and Galatea. Look down harmonious saint |
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Alcina: Gavotte-Sarabande; Menuet-Gavotte |
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Alcina: Overture |
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Alcina: Overture; Ballet Music |
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Alcina: Overture; E gelosia; Mi lusinga il dolce affetto; Sta nell'ircana; Verdi prati. Semele: Iris, hence away. Lucrezia: O numi eterni... Già superbo |
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Alcina: Overture; Pensa a chi geme |
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Alcina: Sarabande |
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Alcina: Sta nell’Ircana |
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Alcina: Sta nell’ircana |
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Alcina: Sta nell’Ircana pietrosa tana |
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Alcina: Stra nell’Ircana |
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Alcina: Suite |
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Alcina: Suite. Radamisto and Julius Cäsar: arias |
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Alcina: Tomami a vagheggiar |
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Alcina: Tornami a vagheggiar |
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Alcina: Tornami a vagheggiar; Ah! mio cor, schernito sei! Rinaldo: Lascia ch’io pianga |
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Alcina: Tornami a vagheggiar; Si, son quella!; Mi restano le lagrime |
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Alcina: Two scenes |
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Alcina: Un momento di contento |
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Alcina: Verdi Prati |
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Alcina: Verdi prati |
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Alcina: Verdi prati, selve amene |
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Alessandro |
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Alessandro Severo |
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Alessandro Severo: Overture. Ariodante: Neghittosi or voi che fate. Alcina: Credete al mio dolore; Tornami a vagheggiar. Alexander's Feast: War, he sung, is toil and trouble. L'Allegro ed Il Penseroso: Sweet Bird. Saul: Capricious Man. Hornpipe (1740). March in D, HWV 345 |
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Alessandro Severo: Overture. Fugue in g. Sonata in g, op. 2/5 & 6. Organ Concerto in F, op. 4/5 |
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Alessandro: Alla sua gabbia d’oro |
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Alessandro: Brilla nell’alma |
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Alessandro: Lusinghe più care. Eternal Source of Light Divine. Let the Bright Seraphim |
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Alexander Balus |
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Alexander Balus: Fury with red sparkling eyes; O Mithra |
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Alexander Balus: Fury, with red-sparking Eyes |
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Alexander Balus: Hark, hark, he strikes the golden lyre |
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Alexander Balus: Shall Cleopatra ever smile again? . . . O take me from this hateful light |
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Alexander's Feast |
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Alexander's Feast. Concerto Grosso in C (“Alexander's Feast“) |
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Alexander's Feast. Concerto in 8b for Harp, Strings, and Continuo, op. 4, no. 6. Concerto in G Minor for Organ, Strings, and Continuo, op. 4, no. J |
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Alexander's Feast: Concerto Grosso in C. Music for the Royal Fireworks. Concerto in B♭ for Organ and Orchestra, op. 7, no. 1. Concerto in B♭ for Harp and Orchestra, op. 4, no. 6 |
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Alexander's Feast: Revenge, Timotheus Cries |
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Alexanderi’s Feast: Revenge, revenge, Timotheus cries . . . Behold a ghastly band |
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Alexander’s Feast |
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Alexander’s Feast, HWV 75: Softly sweet in Lydian measures |
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Alexander’s Feast. Harp Concerto in B♭, op. 4/6 |
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Alexander’s Feast: Chant du guerre |
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Alexander’s Feast: Give the vengeance due; The princes applaud. Samson: Thus when the sun from’s wat’ry bed; Total eclipse! Messiah: Comfort ye; Ev’ry valley |
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Alexander’s Feast: Give the vengeance due….The princes applaud with a furious joy |
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Alexander’s Feast: Revenge, Timotheus cries |
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Alexander’s Feast: The many rend the skies |
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Alia Hornpipe. Air |
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Alia Hornpipe. Air. Air in F |
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Allegro from Water Music Suite No. 1 |
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Allegro in c, HWV 408 |
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Allegro in G for solo violin, HWV 407 |
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Allegro, il Penseroso ed il Moderato: Lass mich wandern |
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Alleluia |
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Allessandro: Lusinge ... più care. Sosarme: Rend'il sereno al ciglio |
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Allor ch’io dissi addio, HWV 80 |
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Almira |
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Almira HWV 1: Geloso tormento, Vedrai s’a tup dispetto |
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Almira Suite. Oboe Sonata in c, HWV 366. Double Concerto for Oboe and Bassoon, HWV deest. Trio Sonata in B♭, HWV 388 |
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Almira, Königen von Castilien |
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Almira: Sarabande and Chaconne (trans. Liszt) |
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Almira: Second Overture; Verdrai s'a tuo dispetto. Rodrigo: Perché viva il caro sposo. Rinaldo: Vo' far guerra. Siila: Overture. Amadigi di Gaula: Ah! spietato; Desterò dall'empia Dite. Giulio Cesare: V'adoro, pupille. Tamerlano: Overture; Cor di padre. Rodelinda: Ombre, piante. Scipione: Overture; March; Scoglio d'immota fronte |
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Almira: Suite |
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Alpestre monte, HWV 81 |
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Amadigi di Gaula |
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Amadigi di Gaula HWV 11: Sinfonia; T’amai, quant’il mio cor |
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Amadigi di Gaula, HWV 11 |
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Amadigi di Gaula, HWV 11: Desterò dall’emia dite |
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Amadigi di Gaula, HWV 11: Overture; Ah mio cor; Desteró dall’empia dite |
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Amadigi di Gaula. Minkowski/Stutzmann, J |
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Amadigi di Gaula: Ah, spietato |
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Amadigi di Gaula: Desterò dall’empia Dite |
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Amadigi di Gaula: Destro dall' empia dite. Cantata No. 19: Alle voci del bronzo guerriero |
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Amadigi di Gaula: Pena tiranna |
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Amadigi di Gaula: Sussurrate, onde vezzose |
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Amadigi gi Gaula: Pena tiranna |
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Amadigi: D’un sventurato amante . . . Pena tiranna |
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Amadigi: Pena tiranna. Giulio Cesare: Va tacito e nascosto; Al lampo dell' armi. Rinaldo: Venti turbini; Or la tromba & Battaglia; Cara sposa. Serse: Overture—Grave e Allegro. Giustino: Zeffiretto, che scorre nel prato; Se parla nel mio cor. Ottone: Tanti affanni. Alclna: Verdi prati |
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Amadigi: Sento la gioia |
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Amarilli vezzosa, HWV 82 |
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Aminta e Fillide |
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Amor gioje mi porge |
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Amore uccellatore, HWV 176/175 |
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An Occasional Oratorio, HWV 62 |
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An Occasional Oratorio, HWV 62: Instrumental Suite |
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And the glory of the Lord. Hallelujah Chorus. Worthy is the lamb |
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Andante |
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Andante in a, HWV 412 |
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Andante in d, HWV 409 |
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Andante in G, HWV 487 |
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Apollo and Dafne. Concerto in G minor for Oboe, Strings and Continuo |
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Apollo e Dafne |
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Apollo e Dafne, HWV 122 |
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Apollo e Dafne. Concerto in G minor for Oboe, Strings, and Continuo |
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Apollo e Dafne. Crudel tiranno Amor |
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Apollo e Dafne. Il Trionfo del Tempo e del Disinganno: Overture |
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Apollo e Dafne: Come rosa in su la spina |
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Apollo e Dafne: Felicissima quest’alma |
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Arcadian Duets |
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Arcadian Duets |
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Aria |
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Aria from Xerxes |
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Aria in F, HWV 410 |
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Aria in F, HWV 410; Aria in F, HWV 411 |
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Aria Tacerò, pur che fedele. Cantata Ho fuggito amore |
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Ariadne: Ariadne's Recitativo and Aria. Flavio: Flavio's Aria |
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Ariane in Crete: Quel crudele di me. Amadis: 0, spietato. Flavius: Chi può mirare. Admefe: Cangio d'aspetto |
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Arianna in Creta, HVW 32 |
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Arianna in Creta, HWV 32: Bell’idol amato |
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Arianna in Creta: Salda quercia in erta balza |
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Arianna in Creta: Son quai stanco pellegrino |
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Arianna: Mirami altero in volto |
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Arianna: Sdegnata sei; O patria . . . Sol ristoro . . . Salda quercia; Qual leon; Ove son . . . Qui ti sfido |
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Arias |
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Arias duets by |
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Arias and Duets |
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Arias and duets by |
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Arias and duets from: Allesandro. Admeto, Re di Tessaglia. Riccardo Primo, Re d’Inghilterra. Siroe, Re di Persia. Tolomeo, Re di Egitto |
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Arias and ensembles by |
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Arias and Instrumental Numbers from Orlando, Almira, Serse, Il Pastor Fido, Partenope, Giulio Cesare, Ariodante, Rinaldo, Alcina, Teseo |
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Arias and orchestral music by |
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Arias and Overtures from Admeto; Alessandro; Giulio Cesare; Ottone; Rodelinda; Scipione; Siroe; Tamerlano; Tolomeo, Re di Egitto |
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Arias and Overtures from Deborah; Samson; Alexander Balus; Susanna; Belshazzar; Joseph and his Brethren; Saul; Jephtha |
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Arias and scenes by |
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Arias and scenes from: Giulio Cesare, Rodelinda, Tolomeo, Riccardo Primo, Orlando, and Flavio |
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Arias and Sinfonias |
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Arias and songs by |
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Arias and Songs from Operas and Oratorios |
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Arias by |
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Arias for Cuzzoni |
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Arias for Durastanti |
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Arias for Montagnana |
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Arias for Senesino |
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Arias from |
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Arias from Admeto, Alessandro, Berenice, Muzio Scevola, Ottone, Pirro e Demetrio, Rinaldo, Teseo. Marches: in G; in D; in F. Aria for Winds in F. Hornpipe in C |
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Arias from Aminta e Fillide, HWV 83; Clori, Tirsi e Fileno, HWV 96; La Resurrezione, HWV 47; Il trionfo del Tempo e del Disinganno, HWV 46a |
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Arias from Teseo, Alcina, Lotario, Siroe, Atalanta, Amadigi di Gaula, Giulio Cesare |
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Arias from: Agrippina; Amadigi |
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Arias from: Giulio Cesare |
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Arias from: Hercules |
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Arias from: Jephtha |
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Arias from: Ottone |
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Arias from: Radamisto. Alcina. Hercules. Guilo Cesare in Egitto. Ariodante |
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Arias from: Rodelinda |
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Arias from: Samson |
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Arias from: Serse |
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Arias from: Theodora |
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Arias, duets, quartet, and songs by |
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Arias, scenes, and instrumental music from Admeto, Serse, Giulio Cesare, Radamisto, Rodelinda, Alcina, and Alexander’s Feast |
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Arias, songs, and duets by |
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Arias, songs, duets, and trios by |
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Arie e Duetti d'Amore |
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Ariodante |
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Ariodante, HWV 33: Volate amori |
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Ariodante: Ballet suite |
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Ariodante: Con l’ali di constanza; Qui d’amor nel suo linguaggio |
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Ariodante: E vivo ancora |
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Ariodante: E vivo ancora . . . Scherza infida |
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Ariodante: E vivo ancora? Theodora: As with rosy steps |
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Ariodante: E vivo ancore. Theodora: As with rosy steps the morn |
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Ariodante: Es breiten sich die Schwingen |
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Ariodante: Il mil crudel martoro |
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Ariodante: Overture; Ballet Music |
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Ariodante: Qui d’amor; Con l’ali di costanza; Scherza infida; Dopo notte |
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Ariodante: Scherza infida |
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Ariodante: Scherza infida in grembo al drudo |
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Ariodante: Scherza, infida; Dopo notte |
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Ariodante: Sinfonia (Larghetto); Ballo; Rondeau |
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Ariodante: Volate, amori; Neghittosi, or voi che fate? Giulio Cesare: Piangerò la sorte mia |
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Arioso. Lascia ch'io pianga |
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Armida abbandonata … Ah! crudel, e pur ten vei |
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Armida abbandonata, HWV 105 |
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Armida abbandonata. Ah! che pur troppo e vero. Tra le fiamme. From Serse: Fronde tenere e belle . . . Ombra mai fu. Overture in D. Prelude in d. Violin Concerto in B♭ (Sonata No. 5). Chaconne in B♭ |
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Armida abbandonata.' |
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Armida abbandonata: Dietro l’orme fuggaci |
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Arminio |
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Arminio, HWV 36: Ritorna nel core |
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Arminio: Quella fiamma |
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Arminio: Vado a morir |
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Arresta il passo (Aminta e Fillide), HWV 83 |
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Arresta il passo, “Aminta e Fillide” |
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Arrianna in Creta: Son quai stanco. Berenice, regina d’Egitto: Chi t’intende. Deidamia: M’hai resa infelice; Overture |
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Arrival of the Queen of Sheba |
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Arrival of the Queen of Sheba (from Solomon); Organ Concerto in F, Op. 4, No. 4; Overture to Berenice |
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As pants the hart |
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Atalanta |
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Atalanta, HWV 35: Overture |
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Atalanta: Care selve |
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Atalanta: Care selve (McCormack). Jeptha: Waft her angels (Hyde). Judas Maccabeus: Sound an alarm (Williams). Semele: O Sleep. Why do'st thou leave me? (McCormack). Xerxes: Va godendo vezzoso e bello (Anselmi); Ombra mai fu (Caruso) |
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Atalanta: Care selve. Agrippina: Bel piacere. Giulio Cesare in Egitto: Piangerò la sorte mia |
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Atalanta: Care selve; Non sarà poco; M’allontano, sdegnose pupille |
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Atalanta: Come My Beloved. Semele: Oh, Sleep! Why Dost Thou Leave Me? |
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Atalanta: Overture |
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Athalia |
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Athalia, HWV 152: When storms the proud; Ah, canst thou but prove me |
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Athalia: My vengeance |
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Athalia: Overture |
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Athalia: Softest Sounds |
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Athalia: The mighty pow’r |
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Athalia: Through the land |
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Atlanta: Overture; Judas Maccabaeus: With honour let desert be crowned |
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Aure soavi e liete, HWV 84 |
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Aure soavi, e liete, HWV 84 |
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Ballet Music |
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Ballet Music. Alcina; Terpischore; Il Pastor Fido |
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Baroque Suite |
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Bass arias from: Rinaldo, Acis and Galatea, Acis, Galatea and Polifemo, L’Allegro, il Penseroso ed il Moderato, La Resurrezione, Deborah, Belshazzar, Orlando, Theodora, Muzio Scerola, Agrippina, Roccardo Primo, Apollo e Dafne, Alexander’s Feast, Semele |
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Beatta guerra amorosa, HWV 102a |
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Bellissima Cleopatra … Caro! Bella! |
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Belshazzar |
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Belshazzar, HWV 161: Opprest with never-ceasing grief |
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Belshazzar, HWV 61: Overture; Great Victor |
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Belshazzar: Destructive War; Oh sacred oracles of Truth. Semele: Despair no more shall wound me; Your tuneful voice. Theodora: The raptured soul; Deeds of kindness; Kind Heaven; Sweet rose and lily. Saul: Brave Jonathan; O Lord, whose mercies numberless. Joshua: Up the dreadful steep ascending; Dull delay. Messiah: He was despised |
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Belshazzar: Let festal joy |
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Belshazzar: O sacred Oracles of Truth |
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Belshazzar: Recall, o king, thy rash command |
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Belshazzar: O sacred Oracles of Truth |
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Berenice, Regina d’Egitto: Che sarà quando amante accarezza |
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Berenice, regina d’Egitto: Chi t’intende? Deidamia: Overture; M’hai resa infelice |
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Berenice, Regina d’Egitto: Se il mio amor fu il tuo delitto |
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Berenice: Minuet |
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Berenice: Minuet. Harpsichord Suite in D Minor: Sarabande. Solomon: Arrival Of the Queen Of Sheba |
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Berenice: Minuet. Messiah: Pastoral Symphony. Xerxes: Largo |
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Berenice: Overture |
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Berenice: Overture. Solomon: Entrance of the Queen of Sheba |
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Berenice: Se il mio amor |
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Berenice: Si, tra i ceppi |
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Berenice: Si, tra I ceppi |
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Berenice: Si, tra I ceppi e le ritorte |
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Berenice: Su, Megera; Si, tra i ceppi |
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Birthday Ode for Queen Anne. Te Deum in D. Wedding Anthem for HRH Prince Frederick |
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Birthday Ode. Zadok the Priest. Dixit Dominus. Israel in Egypt: The Lord Shall Reign |
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Bourrée |
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Bramo aver mille vite (from “Ariodante”) |
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Brockes Passion: Brich Brüllen der Abgrund. Il trionfo del tempo e del disinganno: Urne vol. La resurrezione: Così la tortorella. Alexander’s Feast: Give the vengeance due … The princes applaud with a furious joy. Alcina: Suite |
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Brockes Passion: Sünder Schaut mit Furcht und Zagen. The Triumph of Time and Truth: Guardian Angels. Neun Deutsche Arien: No. 6, Meine Seele hört im sehen |
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Brockes-Passion |
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Brookes Passion |
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Cantata Spagnuola a voce Sola e Chitara |
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Cantata “La Lucrezia.“ |
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Cantata, Mi palpita il cor: Ho tanti affanni in petto. Messiah: How beautiful are the feet; He that dwelleth in heaven . . . Thou shalt break them. Alexander Balus: O take me; Calm thou my soul. . . Convey me to some peaceful shore |
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Cantata: Mi palpita il cor |
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Cantata: Mi palpita U cor |
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Cantatas |
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Cantatas and Arias |
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Cantatas and Sonatas |
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Cantatas and Trio Sonatas |
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Cantatas' : Lungi da me pensier tiranno, for Alto and Continuo. Siete rose ruggiadose, for Alto and Continuo; Udite il mio consiglio, for Soprano and Continuo; Carco sempre di gloria, for Alto and Continuo . Sonatas for Oboe and Continuo: in F, op. 1, no. 5; in C Minor, op. 1, no. 8 |
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Cantatas'' : Pensieri notturni di filli, HWV134; Agrippina condotta a morire, HWV110. Trio Sonatas: In B♭, op. 2, no. 3, HWV 388; in G Minor, op. 2, no. 5, HWV 390a; In C Minor, op. 2, no. 1, HWV 386a |
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Cantatas: Agrippina condotta a morire, HWV 110 |
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Cantatas: Delirio amoroso; Nel dolce dell' oblio |
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Cantatas: La Lucrezia; Armida abbandonata; Agrippina condotta a morire |
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Cantatas: Notte placida e cheta, HWV 142; Qualor l’egre pupille, HWV 152; Ne’ tuoi lumi, HWV 133; Armide abbandonatta, HWV 105 |
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Cantatas: Notte placida e cheta; Ero e Leandro; Il duello amoroso |
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Cantatas: So Pleasing the Pain Is |
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Cantatas: Tra le flamme. Notte placida e cheta |
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Cantatas: Un’alma innamorata, HWV 173; Chi rapi la pace al core?, HWV 90; La Lucrezia, HWV 145 |
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Cantata—Vedendo amor |
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Cantate e Duetti |
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Capriccio in g, HWV 483 |
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Cara Selve, aure grate, HWV 88 |
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Carco sempre di Gloria, HWV 87 |
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Care selve |
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Care selve, aure grate, HWV 68 |
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Care selve, aure grate, HWV 88 |
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Carmelite Vespers (1707) |
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Caro autor di mia doglia |
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Catone in Utica: Quando pliomba |
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Cello Sonata No. 3 in F |
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Chaconne and Variations, HWV 435 |
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Chaconne con variazoni |
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Chaconne in C (originally for harpsichord). Rinaldo: Aria. Pastorale |
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Chaconne in G |
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Chaconne in G (orch. Nicholson) |
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Chaconne in G (Version V), HWV 435 |
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Chaconne in G for Harpsichord and Orchestra. Concerto Movement in D for Organ and Orchestra |
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Chaconne in G Minor |
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Chaconne in G, G. 229 |
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Chaconne in G, HWV 425 |
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Chaconne in G, HWV 435 |
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Chaconne In G, HWV 435 |
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Chaconne in G, HWV 435 (trans. d’Albert) |
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Chaconne in G, HWV 435. Harpsichord Suites: in F, HWV 427; in f, HWV 433 |
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Chaconne in G, HWV 435. Suites: for Harpsichord: in D minor, HWV 436; in E minor, HWV 438; in B♭, HWV 434; in G, HWV 441 |
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Chaconne in G, HWV 435. Suites: in D minor, HWV 436; in E minor, HWV 438; in E♭, HWV 434; in G, HWV 441 |
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Chaconne in G, HWV 435a |
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Chaconne in g, HWV 486 |
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Chaconne in G. Suite No. 7 in G minor |
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Chaconne No. 2 in G, HWV 435 |
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Chaconne with Twenty-one Variations in G |
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Chaconnes in G: HWV 430/Anh; HWV 435 |
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Chaconnes: in G, HWV 442; in F, HWV 485 |
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Chamber Duets |
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Chanclos Anthems: Nos. 7, My Song shall be alway; No. 8, O Come, let us sing unto the Lord; No. 9, O Praise the Lord with one consent |
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Chandes Anthems, Volume 4 |
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Chandos Anthem No. 2. Messiah: Pastoral Symphony. Water Music: Suite |
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Chandos Anthem No. 2: Overture in D Minor |
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Chandos Anthem No. 9: excerpt |
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Chandos Anthems, Nos. 1, 2, 3 |
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Chandos Anthems, Volume 2 |
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Chandos Anthems: No. 1, Be Joyful in the Lord; No. 4, O sing unto the Lord a new Song; No. 6, As pants the Hart for cooling streams |
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Chandos Anthems: No. 4, O Sing unto the Lord; No. 5, I will magnify thee, O God; No. 6, As pants the hart |
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Chandos Anthems: No. 6, As Pants the Hart; No. 4, O Sing Unto the Lord a New Song;No. 11, Let God Arise |
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Chandos Anthems: Nos. 5, I will magnify Thee; No. 2, In the Lord put I my trust |
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Chandos Anthems: O be joyful in the Lord, HWV 247; O sing unto the Lord, HWV 249; As pants the hart, HWV 251 |
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Chi rapì la pace al core? HWV 90 |
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Chirapì pace al core?, HWV 90 |
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Choral works by |
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Choruses |
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Choruses and arrangements by |
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Ciaconnas: in G, HWV 435; in G, HWV 442 |
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Clori, mia bella Clori |
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Clori, mia bella Clori, HWV 92 |
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Clori, mia bella Clori, HWV 92. Armida abbandonata, HWV 105. Delirio amoroso, HWV 99 |
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Clori, mia bella Clori, HWV 92; Clori, vezzosa Clori, HWV 95; Lungi n’andò Fileno, HWV 128; Pensieri notturni di Filli (Nel dolce dell’oblio); HWV 134; Sans y penser, HWV 155 |
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Clori, Tirsi e Fileno |
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Clorl, Tirsi, e Fileno: Va col canto; Barbaro; Amo Tirsi. Theodore: Angels, ever bright and fair; With darkness deep; Oh! that I on wings could rise. Ottone: Vieni, o figlio. Arianna: Mirami altero In volto. Susanna: Bending to the throne; Guilt trembling spoke my doom. Messiah: He was despised, fíadamisto: Qual nave. Agrippina: Ogni vento |
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Coelestis dum spirai aura. Laudate pueri, HWV 236 |
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Coelestis dum spirat aura, HWV 231 |
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Come, se ti vedrò, cara, partir potrò, HWV 482/5 |
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Comfort ye my people; Ev'ry valley shall be exalted; And the glory of the Lord; But who may abide the day of his coming; Behold a virgin shall conceive; O thou that teilest good tidings; For unto us a child is born; Rejoice greatly, 0 daughter of Zion; Why do the nations so furiously rage together? Let us break their bonds asunder; Hallelujah; I know that my redeemer liveth; Behold I tell you a mystery; The trumpet shall sound; Worthy is the Lamb that was slain |
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Comfort Ye My People; Ev'ry Valley Shall Be Exalted; And the Glory of the Lord; But Who May Abide the Day of His Coming; Behold, a Virgin Shall Conceive; O Thou That Teilest Good Tidings; For unto Us a Child Is Born; Rejoice Greatly, O Daughter ofZion; Why Do the Nations So Furiously Rage Together? Let Us Break Their Bonds Asunder; Hallelujah! I Know That My Redeemer Liveth; Behold I Tell You a Mystery; The Trumpet Shall Sound; Worthy Is the Lamb That Was Slain |
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Comfort Ye. Ev'ry Valley. And the Glory of the Lord. For Unto Us. Rejoice Greatly. Behold the Lamb. All We Like Sheep. Why Do the Nations? He That Dwelleth. Thou Shalt Break Them. Hallelujah! I Know That My Redeemer. Behold, I Tell You. The Trumpet Shall Sound. Worthy Is the Lamb. Amen |
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Comfort Ye; Ev'ry Valley; And the Glory. But Who May Abide; And He Shall Purify; Behold, A Virgin; O Thou; For Unto Us; And Lo. And the Angel; And Suddenly; Glory to God; Rejoice Greatly; He Shall Feed; Come Unto Him; Why Do the Nations; He That Dwelleth; Thou Shalt Break; Hallelujah; I Know; Amen |
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Comfort Ye; Ev'ry Valley; And the Glory; For Unto Us; Pifa; There Were Shepherds; And Lo; And the Angel; And Suddenly; Glory to God; He Was Despised; Hallelujah; I Know; Behold, I Tell; The Trumpet; Worthy Is/Amen |
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Complete Cantatas, Volume 1 |
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Complete Cantatas, Volume 3 |
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Complete Cantatas, Volume 4 |
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Complete Cantatas, Volumes 1 and 2 |
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Complete Instrumental Chamber Music, Volume 3 |
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Complete Recorder Sonatas |
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Complete Sonatas for Recorder and Organ |
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Complete Sonatas for Wind Instrument and Basso Continuo |
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Complete Wind Sonatas |
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Complete Works for Violin and Continuo |
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Comus |
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Concert! Grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in Bb; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerti a 2 cori (arr. Raml): in F, HWV 333; F, HWV 335b; F, HWV 334. music for 2 horns and organ: Air in F, HWV 410 |
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Concerti a due cori, HMV 332–334 |
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Concerti a due cori, HWV 332–334 |
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Concerti a due cori: in B♭, HWV 332; F, HWV 333; F, HWV 334 |
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Concerti a due cori: in F, HWV 334; in B♭, HWV 332; in F, HWV 333 |
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Concerti a Due Cori: No. 1 in B-Flat; No. 2 in F;No. 3 in F |
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Concerti a Due Cori: No. 1 in B♭; No. 2 in F; No. 3 in F |
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Concerti a due cori: No. 2; No. 1 ; No. 3 |
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Concerti for Organ and Orchestra Nos. 1-12, Op. 4 & 7 |
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Concerti Grossi(7), Op. 3 (includes NOS. 4a and 4b). Concerto No. 3 in G Minor for Oboe and Strings |
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Concerti grossi, op 3: No 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in d; No. 6 in D |
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Concerti Grossi, Op. 3 |
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Concerti Grossi, op. 3 |
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Concerti Grossi, Op. 3 (Nos. 1, 2, 3, 4a, 4b, 5, and 6). Concerto No. 3 in G Minor for Oboe, Strings, and Continuo |
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Concerti Grossi, Op. 3(Nos. 1, 2, 3, 4a, 5, and 6) |
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Concerti grossi, op. 3. Concerti grossi, op. 6. Concerti grossi, op. 6/1, 4, 6. Oboe Concertos 1–3 |
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Concerti Grossi, Op. 3. Concerto No. 3 in G minor for Oboe, Strings, and Continuo |
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Concerti grossi, op. 3/1–6 |
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Concerti Grossi, Op. 3: No. 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4a in F; No. 5 in D minor; No. 6 in D Major/minor |
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Concerti grossi, op. 6 |
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Concerti Grossi, op. 6 |
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Concerti Grossi, Op. 6 |
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Concerti Grossi, op. 6, Nos. 5 and 10 |
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Concerti Grossi, Op. 6. No. 1 in G; No. 2 in F; No. 3 in D minor; No. 11 in A |
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Concerti Grossi, Op. 6. No. 1 in G; No. 2 in F; No. 3 in E minor; No. 4 in A minor |
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Concerti grossi, op. 6. Violin Sonatas, op. 1:“ No. 3 in A, HWV 361; No, 10 in g, HWV 368 (spurious); No. 12 in F, HWV 370 (spurious); No. 13 in D, HWV 371; No. 14 in A, HWV 372 (spurious); No. 15 in E, HWV 373 (spurious). Water Music' Organ Concertos: op. 4, HWV.289-294; op. 7, HWV 306-311 ; No. 13 in F, HWV 295, “The Cuckoo and the Nightingale.“ No. 14 in A, HWV 296a; No. 15 in d (after Telemann), HWV 304. Concerto a due cori in B♭, HWV 332; Sonata a 5 (Concerto) in B♭, HWV 288. Music for the Royal Fireworks. Marches: from Atalanta, Joshua, and Occasional Oratorio |
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Concerti grossi, op. 6/1–12 |
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Concerti grossi, op. 6: No. 10 in d; No. 11 in A; No. 12 in b. Concerto grosso in C, "Alexander’s Feast" |
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Concerti grossi, op. 6: No. 1 in G, HWV 319; No. 6 in g, HWV 324; No. 10 in d, HWV 328; No. 12 in b, HWV 330 |
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Concerti grossi, op. 6: No. 1 in G; No. 10 in d |
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Concerti Grossi, op. 6: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor |
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Concerti grossi, op. 6: No. 1 in G; No. 2 in F; No. 3 in e; No. 4 in a; No. 5 in D; No. 6 in g; No. 7 in & ,; No. 8 in c; No. 9 in F; No. 10 in d; No. 11 in A; No. 12 in b |
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Concerti Grossi, op. 6: No. 1 in G; No. 2 in F; No. 6 in G Minor; No. 7 in B♭; No. 10 in D |
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Concerti Grossi, op. 6: No. 5 in D; No. 6 in G Minor; No. 7 in B♭; No. 8 in C Minor |
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Concerti Grossi, Op. 6: No. 5 in D; No. 6 in G minor; No. 7 in E♭; No. 8 in C minor |
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Concerti grossi, op. 6: No. 5 in D; No. 6 in g; No. 10 in d; No. 12 in b |
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Concerti Grossi, Op. 6: No. 6 in G minor; No. 4 in A minor; No. 2 in F; No. 1 in G |
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Concerti grossi, op. 6: No. 7 in B♭; No. 8 in c; No. 9 in F; No. 10 in d; No. 11 in A; No. 12 in b |
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Concerti Grossi, Op. 6: No. 9 in F; No. 10 in D minor; No. 11 in A; No. 12 in B minor |
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Concerti Grossi, op. 6: No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerti Grossi, op. 6: Nos. 1, 5, 6, 8, 10, 11 |
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Concerti grossi, op. 6: Nos. 1–12 |
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Concerti grossi: in B♭, op. 3/2; in B♭, op. 6/7 |
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Concerti grossi: in B♭, op. 6/7, HWV 325; in c, op. 6/8, HWV 326; in F, op. 6/9, HWV 327; in d, op. 6/10, HWV 328; in A, op. 6/11, HWV 329; in b, op. 6/12, HWV 330 |
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Concerti grossi: in F, op. 3/4, HWV 315; in G, op. 6/1, HWV 319 |
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Concerti Grossi: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G; No. 4 in F; No. 5 in G Minor; No. 6 in D |
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Concerti Grossi: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G; No. 4a in F; No. 4♭ in F; No. 5 in D Minor; No. 6 in D Major/D Minor |
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Concerti Grossi: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G; No. 4ain F; No. 4b in F; No. 5 in D Minor; No. 6 in D |
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Concerti Grossi: No. 1 in B♭, HWV 312; No. 2 in B♭, HWV 313; No. 3 in G, HWV 314; No. 4 in F, HWV 315; No. 5 in D minor, HWV 316; No. 6 in D, HWV 31 7 |
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Concerti grossi: No. 1 in B♭; No. 2 in B♭; No. 3 in A; No. Ab in F; No. 5 in D minor, No. 6 in D |
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Concerti Grossi: No. 1 in B♭; No. 2 in B♭; No. 3 In G; No. 4 In F; No. 4a in F; No. 5 In D Minor; No. 6 In D |
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Concerti Grossi: No. 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in D Minor; No. 6 in D |
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Concerti Grossi: No. 1 in B♭; No. 2 in d; No. 3 in G; No. 4a in F; No. 4b in F; No. 5 in D minor; No. 6 in D |
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Concerti Grossi: No. 1 in G, HWV. 319; No. 2 in F, HWV. 320; No. 3 in E Minor, HWV321; No. 4 in A Minor, HWV. 322; No. 5 in D, HWV. 323; No. 6 in G Minor, HWV. 324; No. 7 in B♭, HWV. 325; No. 8 in C Minor, HWV. 326; No. 9 in F, HWV. 327; No. 10 in D Minor, HWV. 328; No. 11 in A, HWV. 329; No. 12 in B Minor, HWV. 330 |
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Concerti Grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor |
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Concerti Grossi: No. 1 in G; No. 2 in F; No. 3 in E minor; No. 4 in A minor; No. 5 in D; No. 6 in G minor; No. 7 in ; No. 8 in C minor; No. 9 in F; No. 10 in D minor; No. 11 in A; No. 12 in B minor |
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Concerti Grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in B-Flat; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerti grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in B♭; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerti Grossi: No. 1 in G; No. 2 in F; No. 3 in E minor; No. 4 in A minor; No. 5 in D; No. 6 in G minor; No. 7 in B♭; No. 8 in C minor; No. 9 in F; No. 10 in D minor; No. 11 in A; No. 12 in B minor |
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Concerti Grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in B♭; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerti Grossi: No. 11 in B♭; No. 2 in B♭; No. 3 In G; No. 4a in F; No. 5 in D Minor; No. 6 in D |
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Concerti grossi: No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 6 in G Minor; No. 10inD Minor: movements 1-2, 4-5; No. 12 in B Minor |
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Concerti grossi: No. 6 in g; No. 7 in B♭; No. 8 in c; No. 9 in F |
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Concerto (Allegro) in G, HWV 487 |
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Concerto a 4 in d |
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Concerto a 5, HWV 249/255 |
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Concerto a due cori in B♭ for Two Orchestras and Continuo, HWV. 332 |
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Concerto a due cori in F. Concerto Grosso in g, op. 6/6 |
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Concerto a quatro in d, HWV deest |
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Concerto a Quattro in d |
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Concerto a Quattro in D Minor for Flute, Violin, Cello Obbligato, and Continuo. Concerto a Quattro in D for Oboe, Violin, Cello Obbligato, and Continuo. Trio Sonatas for Oboe, Violin, and Continuo: No. 2inD Minor; No. 5 in G. Trio Sonata in E Minor for Flute, Violin, and Continuo, Op. 5, no. 3. Sonata in G for Flute and Continuo, Op. 1, No. 5. Sonata in G Minor for Viola da Gamba and Continuo, Op. 1, No. 6. Sonata in C for Viola da Gamba and Continuo |
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Concerto a Quattro in D minor for Flute, Violin, Cello, and Continuo. Concerto a Quattro in D for Oboe, Violin, Cello, and Continuo. Trio Sonatas for Oboe, Violin, and Continuo: No. 2 in D; No. 5 in G. Trio Sonata in E minor for Flute, Violin, and Continuo, Op. 5, no. 3. Sonatas: in G for Flute and Continuo, Op. 1, no. 5; in G minor for Viola da Gamba and Continuo, Op. 1, no. 6; in C for Viola da Gamba and Continuo |
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Concerto a quattro in d. Trio Sonata in d, HWV 386b |
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Concerto a quattro in d. Viola da Gamba Sonata in g, HWV 364b |
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Concerto for 2 Horns in F, HWV 331 |
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Concerto for Harp and Lute, HWV 294 |
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Concerto for Harp and Orchestra, Op. 4/6: Allegro; Concerto Grosso, Op. 6/12: Allegro; Water Music: Allegro |
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Concerto for Harp and Orchestra, Op. 4/6: First Movement. Passacaglia |
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Concerto for Harp and Strings, op. 4/6 |
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Concerto for Keyboard and Orchestra in B-Flat, Op. 4, no. 6. Air and Variations in B-Flat |
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Concerto for Organ and Orchestra, op. 5: Siciliano; Presto. Sonata in F, op. 1, no. 12: Allegro |
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Concerto Grossi, Op. 3 |
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Concerto Grossi, op. 6/5, 10 |
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Concerto Grossi: No. 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in D Minor; No. 6 in D. Allegro |
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Concerto Grossi: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in B-Flat; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Concerto Grosso in A Minor, op. 6, no. 4 |
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Concerto Grosso in A, op. 6, no. 11 |
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Concerto Grosso in A, op. 6/11 |
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Concerto grosso in a, op. 6/4 |
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Concerto Grosso in a, op. 6/4 |
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Concerto Grosso in B Minor, Op. 6, No. 12 |
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Concerto Grosso in B Minor, op. 6, no. 12 |
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Concerto Grosso in B minor, Op. 6, No. 12: Allegro |
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Concerto grosso in b, op. 6/12 |
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Concerto Grosso in B♭ |
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Concerto grosso in B♭, op. 6/7 |
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Concerto Grosso in C minor, Op. 6, No. 8 |
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Concerto Grosso in C minor, Op. 6, No. 8: (Extracts only) (conducted by Fritz Lehmann) |
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Concerto grosso in C, HWV 318 |
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Concerto Grosso in C, HWV318(“Alexander's Feast“). Sonata à Cinque in B♭ for Violin, Strings, and Continuo, HWV 288. Concertos for Oboe, Strings, and Continuo: No. 1 in B♭, HWV 301; No. 2 in tí, HWV 302a; No. 3 in G minor, HWV 287 |
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Concerto Grosso in D Minor, op. 6, no. 10 |
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Concerto Grosso in D, op 6/5 |
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Concerto grosso in d, op. 3/5 |
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Concerto Grosso in D, Op. 6, No. 5 |
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Concerto Grosso in D, op. 6, no. 5: Movements 2, 5. Concerto Grosso in D Minor, op. 6, no. 10: Movements 2, 6" |
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Concerto Grosso in D, op. 6, No. o |
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Concerto grosso in D, op. 6/5 |
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Concerto Grosso in E Minor, op. 6, no. 3 |
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Concerto grosso in F, HWV 315 |
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Concerto grosso in F, op. 3, no. 4 |
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Concerto Grosso in F, op. 6/2 |
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Concerto Grosso in G Minor, op. 6, no. 6 |
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Concerto Grosso in G Minor, op. 6, no. 6, HWV 324 |
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Concerto grosso in G Minor, op. 6, no. 6. II duello amoroso, HWV82 |
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Concerto grosso in G, HWV 314 |
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Concerto grosso in G, op. 3/3 |
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Concerto Grosso in G, Op. 6, No. 1 |
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Concerto Grosso in G, Op. 6, No. 1. Solomon: Arrival of the Queen of Sheba |
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Concerto Grosso in g, op. 6/6 |
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Concerto grosso in g, op. 6/6 |
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Concerto grosso in g, op. 6/6: III |
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Concerto grosso in O, op. 6, no. 5. Concerto grosso in F, op. 3, no. 4a. Silete venti, HWV 242 |
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Concerto Grosso, Op 6/5, 10 |
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Concerto Grosso, op. 3, no. 4; Watermusic: Bourée; Hornpipe |
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Concerto Grosso, op. 3, no. 1 |
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Concerto Grosso, Op. 3, No. 1 [Adeney, Taylor, Lord, Dobson] ; Oboe Concerto No. 3 in G Minor [Lord] ; Organ Concerto in D Minor, Op. 7, No. 4 [Malcolm] |
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Concerto grosso, op. 3/1: Adagio |
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Concerto Grosso, op. 3/2 |
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Concerto Grosso, Op. 6, No. 11 |
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Concerto Grosso, Op. 6, No. 12: Larghetto |
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Concerto Grosso, Op. 6, No. 5: Larghetto e staccato; Allegro. Concerto Grosso, Op. 6, No. 4: Allegro. Xerxes: Frondi tenere, Ombra mai fu. Saul: No. 20, Symphony. Concerto Grosso, Op. 6, No. 8. Andante |
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Concerto grosso, op. 6/10 |
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Concerto grosso, op. 6/3: Adagio; op. 6/1: Andante variato |
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Concerto Grosso, op. 6/5: Allegro |
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Concerto grosso, op. 6/6 |
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Concerto grosso, op. 6/8: Adagio |
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Concerto Grosso, op.3/2: Largo |
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Concerto grosso, op/ 6/3 |
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Concerto grosso, “Alexander’s Feast” |
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Concerto Grossos, op. 6/2, 3, 4, 6, 10, 12 |
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Concerto in A |
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Concerto in B Minor for Viola and Orchestra. Trio Sonata in E, op. 2, no. 9: Adagio |
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Concerto in B-Flat for Alto Recorder, Strings, and Continuo, Op. 4, no. 6. Concertos for Oboe and Strings: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G Minor. Concerto in D Minor for Trumpet and Orchestra |
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Concerto in B-Flat for Harp (Organ) and Orchestra, Op. 4, No. 6 |
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Concerto in B-Flat for Harp and Orchestra, Op. 4, No. 6 |
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Concerto in B-Flat for Harp and Orchestra, Op. 4/6: Andante allegro. Suite from Water Music: Allegro; Andante espressivo; Allegro decìso |
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Concerto in B♭ for 2 Lutes, Strings, and Recorders |
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Concerto in B♭ for Harp and Lute, op. 4, no. 6. Concerto in F for Harp, Strings, and Continuo, op. 4, no. 5. HARP MUSIC OF FRANCE AND SPAIN |
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Concerto in B♭ for Harp and Orchestra |
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Concerto in B♭ for Harp and Orchestra, op. 4, no. 6 |
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Concerto in B♭ for Harp and Orchestra. II pastor fido: Suite in G |
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Concerto in B♭ for Harp and Strings, Op. 4, no. 6 |
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Concerto in B♭ for Harp and Strings, op. 4, no. 6 |
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Concerto in B♭ for Harp, Strings, and Continuo, Op. 4, No. 6. Concerto Grosso in G for Flute, Violin, Strings, and Continuo, Op. 3, No. 3. Concerto a Due Cori No. 1 in B♭ (No. 27). Concerto in G minor for Oboe, Strings, and Continuo (No. 10) |
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Concerto in B♭ for Harpsichord and Orchestra, op. 4, no. 6 |
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Concerto in B♭ for Harpsichord and Orchestra, op. 4, no. 6 (rec. 1949) |
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Concerto in B♭ for Recorder, Strings, and Continuo, Op. 4, no. 6 |
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Concerto in B♭, op. 4/6 |
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Concerto in D for 2 Trumpets and Orchestra, HWV 335a |
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Concerto in D for Flute and String Orchestra. Concerto in B♭ for Two Violins, Cello, and String Orchestra. Il pianto di Maria al sepolcro di Cristo—Sacred Cantata for Female Voice and String Orchestra |
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Concerto in D for Trumpet and Orchestra. Sonata in B♭ for Violin and Orchestra. Concertos for Oboe and Orchestra: No. 1 in B♭; No. 2 in B♭; No. 3 in G minor |
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Concerto in D for Two Violins, Two Horns, Strings, and Contìnuo |
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Concerto in D Minor |
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Concerto in D Minor for Organ and Orchestra, op. 7, no. 4 |
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Concerto in D minor for Trumpet, Strings, and Continue |
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Concerto in d, HWV 309 (arr. Guilmant) |
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Concerto in E-Flat for Trumpet and Orchestra |
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Concerto in F for Alto Recorder, Strings, and Continuo |
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Concerto in F for Harp and Orchestra, Op. 4, No. 5 |
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Concerto in F for Harp, HWV 293 |
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Concerto in F for Harp, Strings, and Continuo |
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Concerto in F for Organ and Orchestra, Op. 4, No. 5 |
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Concerto in F for Organ Solo, HWV 305b. Pieces for a Musical Clock, HWV 600, 598, 597, 589, 603, 587, 604, 599. Fugue in E. Six Fugues or Voluntarys for the Organ or Harpsichord, HWV 605-610. Organ Concertos. No. 3 in D, HWV 297; No. 4 in G, HWV 298; No. 5 in D, HWV 299; No. 6 in G Minor, HWV 300 |
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Concerto in F for Recorder and Orchestra, Op. 4, no. 5. Sonatas for Recorder and Continuo: in G Minor, Op. 1, no. 2; in A Minor, Op. 1, no. 4; in C, Op. 1, no. 7 |
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Concerto in F for Recorder and Orchestra, Op. 4, No. 5. Sonatas for Recorder and Continuo: in G minor, Op. 1, No. 2; in A minor, Op. 1, No. 4; in C, Op. 1, No. 7 |
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Concerto in F for Treble Recorder, Strings, and Continuo |
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Concerto in F for Treble Recorder, Strings, and Contìnuo |
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Concerto in F for Two Horns, Strings, and Continuo |
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Concerto in F Minor for Trombone and Harpsichord |
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Concerto in F minor for Tuba (originally Oboe) and Orchestra |
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Concerto in F, op. 4, no. 5, HWV 293 |
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Concerto in G for Soprano Recorder, Strings, and Continuo. Concerto in F for Recorder, Strings, and Continuo |
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Concerto in G minor |
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Concerto in G minor for Oboe, Strings, and Continuo |
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Concerto in G Minor for Oboe, Strings, and Continuo |
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Concerto in G Minor for Oboe, Strings, and Continuo, HWV287 |
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Concerto No. 1 in B-Flat; Concerto No. 2 in B-Flat; Concerto No. 3 in G; Suite in D |
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Concerto No. 13 in F: Adagio. André |
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Concerto No. 2 in B♭, op. 4 |
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Concerto No. 3 in g |
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Concerto No. 3 in G Minor for Oboe and Strings |
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Concerto à Cembalo solo con Viola da gamba o braccio |
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Concerto, op. 3/2, HWV 302b (fragment). Berenice: Overture, Menuet, and Gigue. Solomon: Arrival of the Queen of Sheba (2 versions). Recorder Concertos: in F (after Organ Concerto, op. 4/5, HWV 293); in G (after Concerto grosso, op. 3/3, HWV 314). Organ Concertos 1–16. Il trionfo del tempo e del disinganno |
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Concerto: The Cuckoo and the Nightingale |
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Concertos for 2 Choirs, HWV 332–334 |
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Concertos for Clavier and Orchestra: in B-Flat, Op. 4, no, 2;inF, Op. 4, no. 4; in F, Op. 4, no, 5; in B-Flat, Op. 4, no. 6 |
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Concertos for Oboe, Strings, and Continuo. No. 1 in B♭, HWV 301; No. 2 in B♭, HWV302a; No. 3 in G Minor, HWV 287. Sonatas for Oboe and Continuo: In F Minor, HWV 363a; in G Minor, op. 1, no. 6, HWV 364a; in B♭, HWV 357; in C Minor, op. 8, no. 1, HWV 366. Sonata in G Minor for Oboe, Two Violins, and Contìnuo, HWV 404 |
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Concertos for Oboe, Strings, and Continuo: in B♭, HWV 301; in G minor, HWV 287; in B♭. HWV 302a. Concerto Grosso in G, Op. 3, No. 3, HWV 314. Sonatas for Oboe and Continuo: in F, Op. 1, No. 5, HWV 363a; in C minor, Op. 1, No. 8, HWV 366; in B♭, HWV 357 C'Fitzwilliam“) |
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Concertos for Oboe, Strings, and Continuo: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G Minor; Concerto Grosso in G, Op. 3, No. 3; Sonata a 5 in B-Flat for Violin, Strings, and Continuo |
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Concertos for Oboe, Strings, and Continuo: No. 1 in B♭; No. 2 in B?; No. 3 in G minor. Overtures: Occasional Oratorio; Giustino. Sonata del Overtura to II trionfo del Tempo |
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Concertos for Oboe, Strings, and Continuo: No. 1 in B♭; No. 3 in G Minor |
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Concertos for Oboe, Strings, and Continuo: No. 1 in d; No. 2 in d No. 3 in G minor |
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Concertos for Oboe, Strings, and Continuo: No. 3 in G Minor, No. 2 in B♭; No. 1 in B♭. Air and Rondo for Oboe and Orchestra (arr. Rothwell). Suite in G Minor for Two Oboes and Strings (arr. Camden). Otho (Ottone): Overture |
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Concertos for Organ and Orchestra, Op. 4: No. 1 in G minor; No. 2 in B♭; No. 3 in G minor; No. 4 in F |
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Concertos for Organ and Orchestra, Op. 7, No. 1 in B-Flat; No. 15 in G Minor; No. 6 in B-Flat; No. 2 in A; No. 4 in D Minor, No. 3 in B-Flat |
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Concertos for Organ and Orchestra: in B-Flat, Op. 7, no. 3; No. 13 in F |
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Concertos for Organ and Strings, Opp. 4 and 7 |
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Concertos for Organ and Strings: in F, Op. 4, no. 4; in G Minor, Op. 4, no. 1 ; in E♭, Op. 7, no. 3; in F, Op. 4, no. 5 |
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Concertos for Organ and Strings: No. 5 in F, Op. 4, No. 5, No. 6 in B♭, Op. 4, No. 6; No. 7 in B♭, Op. 7, No. 1 ; No. 11 in A, Op. 7, No. 5 |
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Concertos for Organ and Strings: No. 6 in B♭, Op. 4, No. 6, No. 8 in A, Op. 7, No. 2, No. 10 in D minor, Op. 7, No. 4; No. 16 in F |
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Concertos for Organ and Strings: No. 6 in B♭, Op. 4, No. 6, No. 8 in A, Op. 7, No. 2; No. 10 in D minor, Op. 7, No. 4; No. 16 in F |
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Concertos for Organ, Op. 4, Nos. 1 -6; Op. 7, Nos. 1 -6; Arnold edition, Nos. 1 and 2; Second set, Nos. 1 and 2 |
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Concertos for Organ, Orchestra, ana Continuo: in F, op. 4, No. 5; in B♭, op. 7, no. 1; No. 13 in F ("The Cuckoo and the Nightingale"); in B♭, op. 4, no. 2; in F, op. 4, no. 4 |
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Concertos for Organ, Orchestra, and Continuo: in F, Op. 4, No. 4; in G minor, Op. 4, No. 1; in S♭, Op. 7, No. 3; in F, Op. 4, No. 5 |
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Concertos for Organ, Orchestra, and Continuo: in F, Op. 4, No. 5; in B♭, Op. 4, No. 6; in G minor, Op. 7, No. 5; in S♭, Op. 7, No. 6 |
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Concertos for Organ, Orchestra, and Continuo: in G minor, Op. 4, No. 1; in B♭, Op. 7, No. 1; in B. Op. 4, No. 2; in A, Op. 7, No. 2 |
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Concertos for Organ, Orchestra, and Continuo: in G minor, Op. 4, No. 3; in B. Op. 7, No. 3; in F, Op. 4, No. 4; in D minor, Op. 7, No. 4 |
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Concertos for Organ, Orchestra, and Continuo: in G Minor, op. 7, no. 5; in Bb, op. 7, no. 6; No. 13 in F (“The Cuckoo and the Nightingale“); No. 14 in A; No. 15 in D Minor |
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Concertos for Organ, Orchestra, and Continuo: No. 13 in F (“The Cuckoo and the Nightingale“): in B“, Op. 4, No. 2; in F, Op. 4, No. 4; in F, Op. 4, No. 5; in B. Op. 7, No. 1 |
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Concertos for Organ, Strings, and Continuo: in B♭, Op. 4, No. 2; in F, Op. 4, No. 4, in F, Op. 4, No. 5; in D minor, Op. 7, No. 4 |
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Concertos for Organ, Strings, and Continuo: in B♭, op. 4, no. 6; In G Minor, op. 7, no. 5; in B♭, op. 4, no. 2; in F, op. 4, no. 4; in D Minor, op. 7, no. 4; in A, op. 7, no. 2 |
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Concertos for Organ, Strings, and Continuo: in F (“The Cuckoo and the Nightingale'); in B♭, Op. 7, No. 1; in G minor, Op. 4, No. 1; in F, Op. 4, No. 4 |
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Concertos Grosso, op. 6, Nos. 5 and 10 |
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Concertos Grosso, op. 6/5, 6/10 |
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Concertos, Op. 4: No. 1 in G minor; No. 2 in B♭; No. 3 in G minor; No. 4 in F; No. 5 in F; No. 6 in B♭. Concertos, Op. 7: No. 1 in B♭; No. 2 in A; No. 3 in B♭; No. 4 in D minor; No. 5 in G minor; No. 6 in B♭ |
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Concertos, op. 4: No. 1 in G Minor; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in F; No. 6 in B♭. Concertos, op. 7: No. 1 in B♭; No. 2 in A; No. 3 in B♭; No. 4 in D Minor; No. 5 in G Minor; No. 6 in B♭ |
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Concertos: in F for Organ, Two Oboes, Strings, and Continuo; in D minor for Flute, Violin, Cello, and Continuo; in G minor for Oboe, Strings, and Continuo. Concerto Grosso in F, Op. 3, No. 3b. Concerti Grossi, Op. 6: No. 8 in C minor; No. 9 in F; No. 10 in D minor; No. 11 in A; No. 12 in B minor |
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Concertos: in F, HWV 293; in B♭, HWV 294 |
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Concertos: in G; in D minor. Three Airs. Suite in F. Sonata in C |
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Concertos: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G; No. 4 in F; No. 5 in D Minor; No. 6 in D |
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Concertos: No. 1 in G minor; No. 2 in B; No. 3 in G minor; No. 4 in F; No. 5 in F; No. 6 in B♭ |
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Coronation Anthems |
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Coronation Anthems. Judas Maccabaeus: See, the conquering hero comes |
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Coronation Anthems. Organ Concerto in F, op. 4/4 |
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Coronation Anthems. Organ Concerto, op. 4/4 |
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Coronation Anthems: Let thy hand be strengthened; Zadok the Priest, The King shall rejoice; My heart is inditing |
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Coronation Anthems: Nos. 1–4 |
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Coronation Anthems: Zadok the priest, HWV 258; Let thy hand be strengthened, HWV 259; The King shall rejoice, HWV 260; My heart is inditing, HWV 261 |
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Coronation Anthems: Zadok the Priest, HWV 258; Let thy hand be strengthened, HWV 259; The King Shall Rejoice, HWV 260; My Heart is Inditing, HWV 261 |
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Coronation Anthems: Zadok the Priest; Let thy hand be strengthened; The King shall rejoice; My heart is inditing. Ode for the Birthday of Queen Anne |
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Coronation Anthems: Zadok the Priest; Let thy hand be strengthened; The King shall rejoice; My heart is inditing.' Silete ventř |
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Coronation Anthems: Zadok the Priest; My Heart Is Inditing; The King Shall Rejoice; Let They Hand Be Strengthened |
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Courante. Sarabande/Air. Harmonious Blacksmith |
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Courante. Sarbande/Air. Harmonious Blacksmith |
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Crudel tiranno Amor, HWV 97 |
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Cuopre tal volta il cielo |
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Cuopre tal volta il cielo, HWV 98 |
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Cuopre tal volta in cielo, HWV 98 |
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Cuopre tal volta, HWV 98 |
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Da quel giorno fatale (Delirio amoroso); HWV 99 |
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Dalla guerra amorosa, HWV 102 |
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Dalla guerra amorosa, HWV 102a |
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Dalla guerra amorosa. Orlando: Sorge infausta una procella |
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Dances for Trombone Quartet |
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Dank sei dir, Herr! Rinaldo: Lascia ch'io pianga |
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Dank sei Dir, Herr. Concerto in G Minor for Organ and Orchestra, op. 4, no. 3: Adagio; Allegro (arr. Feuermann) |
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Dank sei dir, Herr. Rinaldo: Lascia ch'io pianga |
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Daphne: Suites in B♭, g, HWV 352-53 |
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Das zitternde Glänzen der spielenden Wellen. Künft’get Zeiten eitler Kummer. Meine Seele hört im Sehen. Süsser Blumen Ambraflocken. Die ihr aus dunkeln Grüften. In den angenehmen Büschen. Flammende Rose. Singe, Seele, Gott zum Preise. Süsse Stille, sanfte Quelle |
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Das zitternde Glänzen, HWV 203 |
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Deborah |
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Deborah, HVW 51 |
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Deborah, HWV 51: Overture |
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Deborah: All Danger disdaining; In the Battle |
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Deidamia |
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Deidamia, HWV 42: Due gell’alme innamorate |
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Del bell’idolo mio, HWV 104 |
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Delirio amoroso, HWV 99. Nel dolce del'oblio, HWV 134 |
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Delirio Amoroso, HWV 99: Introduzione |
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Delirio amoroso. Aci, Galatea e Polifemo: Qui I'augel da pianta in pianta. Mi palpita il cor |
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Delirio amoroso. Aci, Galatea e Polifemo: Qui l’augel da pianta in pianta |
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Delirio amoroso: "Da quel giorno fatale," HWV 99 |
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Der Messias (Messiah) |
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Dettingen Te Deum |
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Dettingen Te Deum (arr. Mendelssohn) |
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Dettingen Te Deum, HWV 283 |
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Dettingen Te Deum. Dettingen Anthem |
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Dettingen Te Deum: Dignare Domine |
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Dettingen Te Deum: Vouchsafe, O Lord |
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Dettinger Te Deum |
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Diana cacciatrice, HWV 79. Alpestre monte, HWV 81. Tu fedel? Tu costante?, HWV 171. Olinto pastore arcade alle glorie del Tebro, HWV 143 |
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Die ihr aus dunkeln Grüften, HWV 207 |
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Die ihr aus dunklen Grüften, HWV 207 |
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Die Macht der Musik |
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Dietro l’orme fugaci: Armida abbandonata |
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Ditemi, o piante, HWV 107 |
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Dixit Dominus |
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Dixit Dominus in g, HWV 232 |
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Dixit Dominus, HWV 232 |
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Dixit Dominus, RV 232 |
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Dixit Dominus. Concerto Grosso in G minor, Op. 6, No. 6 |
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Dixit Dominus. Nisi Dominus. Salve Regina |
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Dixit dominus: Tecum principium |
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Dixit Dominus; Zadok the Priest |
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Dolce mio ben, HWV 108 |
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Dolce pur d’amor l’affanno |
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Dolce pur l’affano, HWV 109 |
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Dotter Sion, Froda dig |
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Dove sei from Rodelinda |
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Dramatic Solo Cantatas, etc |
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Duets and Cantatas |
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Duets with Continuo |
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Duets, Arias, and Overtures |
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Duets: Poro: Caro amico amplesso! Perfidi! ite di Poro ... Se mai più sarò geloso; Macedoni guerrieri ... Se mai turbo il tuo riposo; Sinfonia to Act III;: Lode agli-Dei ... Se mai turbo il tuo riposo. Rinaldo: Scherzano sul tuo volto. Rodelinda: Non ti bastò, consorte ... to t'abbraccio. Siila: Mio diletto, che pensi? ... Sol per te, bell'idol mio. Sosarme: Per le porte del tormento. Faramondo: Del destin non mi lagno ... Caro, tu m'accendi. Atalanta: Amarilli? ... Amarilli? Oh Dei! che vuoi? Muzio Scevola: Vivo senz'alma, o bella. Orlando: Finché prendi. Serse: Gran pena è gelosia! Admeto: Alma mia, dolce ristoro. Flavio: Ricordati, mio ben. Teseo: Addio, mio caro bene |
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Duetti e Cantate da Camera |
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Duetto XV: Quel flor. Cantata 36: Nell' Africane. Duetto XVI. No, di voi. Cantata 37: Nella stagion. Duetto X: Tacete. Trio 1: Se tu non lasci amore |
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Dunque sarà pur vero |
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E pur così in un giorno … Piangerò la sorte mia. Troppo crudele siete. Voi che mie fide nacelle … Forzai l’ingresso … Da tempeste il legno infranto |
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Ecce concipies |
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English Arias |
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Ensemble. Music for the Royal Fireworks. Belshazzar: Martial Symphony. Floridante: Two Marches. Rinaldo: Grande March. Hercules: March in D. Judas Maccabaeus: Chorus & March. Water Music: Suite in D (excerpts) |
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Eracle |
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Ero e Leandro, HWV 150. Water Music: Suite No. 1 in F, HWV 348 |
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Esther |
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Esther (1732) |
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Esther (first version) |
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Esther, HWV 50: Praise the Lord |
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Esther, HWV 50a: Turn not, O Queen; How art thou fall’n |
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Esther: Choruses from the 1732 version |
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Esther: Overture |
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Esther: Overture, HWV 50 |
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Esther: Praise the Lord with cheerful noise; Tune your harps to cheerful strains |
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Esther: Shall we of servitude complain? Turn not, o Queen |
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Esther: Tune your harps to cheerful strains |
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Eternal Source of Light |
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Eternal Source of Light Divine |
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Eternal source of Light Divine. Messiah: How beautiful are the feet; Thou art gone up on high |
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Eternal Source of Light Divine. Te Deum in D ("Queen Caroline"). Wedding Anthem ("Sing Unto God") |
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Excerpts from Giulio Cesare, Serse, and Alcina |
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Excerpts from operas by |
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Excerpts of works by |
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Ezio |
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Ezio: Caro padre |
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Ezio: Pensa a serbarmi, oh cara |
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Ezio: Se povero il ruscello |
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Ezio: Se un bell'ardire; Nasce al bosco; Già risonar. Sosarme: Fra l'ombre; Sento il cor; Tiene Giove. Esther: Pluck root and branch; Turn not, O Queen; How art thou fall'n. Acis and Galatea: Ferito son d'Amore. Tolomeo: Piangi pur. Orlando: Lascia amor; Sorge infausta. Deborah: Awake the ardour; Swift inundation; Tears, such as tender fathers shed. Athaliah: Ah, canst thou but prove me! |
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Famous Orchestral Works |
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Fantasia in A, HWV 406 |
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Fantasie in C |
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Faramondo |
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Faramondo: Se ben mi lusinga; Virtù che rende. Acis and Galatea: Shepherd, what art thou pursuing? Joshua: Oh, who can tell? Siroe: Vedesti mai sul prato. Berenice: Nò, che servire altrui; Traditore. Semele: Where’er you walk |
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Faramondo: Se ben mi lusinga; Voglio che sia |
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Fernando |
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Fifa |
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Figli del mesto cor |
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Figli del mesto cor, HWV 112 |
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Figlio d’alte speranze, BWV 113 |
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Figlio d’alte speranze, HWV 113 |
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Fireworks Concertos, HWV335 a and b. Concerto Grosso in 3b, op. 3, no. 1. Rinaldo: Overture. Solomon: Arrival of the Queen of Sheba. Ariodante: Ballet Music. Alcina: Overture and Dream Music. Messiah: Overture and Pastoral Symphony. Serse: Ombra mai fu (Largo). Acis and Galatea: Overture. Saul: Dead March. Giulio Cesare: Sinfonia (Act III). Scipione: March |
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Fireworks Music; Concerti a due cori Nos. 2-3 |
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Five Toccatas for Organ |
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Flammende Rose, Zierde der Erden, HWV 209 |
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Flavio |
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Flavio, re de' longobardi: Bel contento già gode quest'alma. Rodelinda, regina de' longobardi: Pompe vane di morte!. . . Dove sei, amato bene? Giulio Cesare in Egitto: Dall'ondoso periglio . . . Aure, deh, per pietà; Al lampo dell'armi. Rinaldo: Cara sposa |
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Flavio, re de’ Longobardi: Rompo i lacci, e frango i dardi |
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Flavio, re di Longobardi: Bel content; Privarmi ancora; Rompo i lacci; Son pur felice al fine |
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Flavio: Amor, nel mio penar; Rompo i lacci |
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Flavio: Da te parto |
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Flavio: Overture; Sirti, scogli, tempestre (Christina Högman, soprano; René Jacobs conducting) |
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Floridante |
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Floridante: Alma Mia |
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Floridante: Alma mia |
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Floridante: Excerpts |
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Floridante: Ma pria vedrò le stelle |
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Flute Sonata in b, HWV 367b |
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Flute Sonata in b, HWV 376 |
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Flute Sonata in e, HWV 359b |
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Flute Sonatas: in a; in G; in e |
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Flute Sonatas: in e, HWV 359b; in G, HWV 363b; in b, HWV 367b; in D, HWV 378; in e, HWV 379 |
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Flute Sonatas: op. 1: No. 1b in E Minor; No. 5 in G; No. 9 in B Minor. Sonata in D. Oboe Sonatas: op. 1: No. 6 in G Minor; No. 8 in C Minor. Sonatas: in Bb (“Fitzwilliam'); in F |
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Flute Sonatas: Opus 1: No. 1A; No. 1B; No. 5, No. 9; “Halle“ Sonatas: No. I; No. 2; No. 3. Concerto à quattro in D Minor for Flute, Violin, Cello, and Continuo. Triosonata in G for Oboe, Violin, and Continuo. Triosonata in B Minor for Flute, Violin, and Continuo, Op. 2, no. 1B. Triosonata in F for Recorded, Violin, and Continuo, Op. 2, no. 4 |
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For unto us a child is born |
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Foundling Hospital Anthem, HWV 268 |
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Four Concertos for Organ, Strings, and Continuo, from Op. 4: No. 1 in G minor; No. 2 in B♭; No. 3 in G minor; No. 4 in F |
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Four Coronation Anthems: Zadok the Priest; My Heart Is inditing; Let Thy Hand Be Strengthened; The King Shall Rejoice. Music for the Royal Fireworks |
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Four Tunes for Clay's Musical Clock |
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Fra pensieri quel pensiero |
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Fronda leggiera. Troppo cruda. A mirarvi. No, di voi. Conservate. Mi palpita il cor. Tanti strali. Se tu non lasci. Beato in ver. Langue, geme. Sono liete. Ah! che pur |
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Fuge |
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Fugue in a, HWV 609. Fugue a 4 in e |
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Fugue in a, HWV 609/5 |
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Fugue in B♭, HWV 607 |
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Fugue in B♭, HWV 607/3 |
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Fugue in g |
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Fugues: in g; in B♭; in c; in G. Voluntaries: in C; in g; in C |
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Funeral Anthem for Queen Caroline, HWV264 (“The ways ofZion do mourn“). Te Deum in D for Queen Caroline, HWV 280 |
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Funeral Anthem for Queen Caroline: The Ways of Zion do Mourn, HWV 264 |
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Gamba Sonata in g, HWV 364b |
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Gavotte und Passepied |
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Gavotte, Minuet, and Tambourin |
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German Arias: Meine Seele hört; Süsse Stille; Singe, Seele, Gott zum Preise/ Cantata fragment: Languia di bocca lusinghiera |
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Giove in Argo |
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Giudo Cesare: Vani sono I lamenti |
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Giulio Cesare |
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Giulio Cesare in Egitto |
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Giulio Cesare in Egitto, HWV 17: Overture; Se pietà; Da tempeste |
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Giulio Cesare in Egitto: Cara speme |
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Giulio Cesare in Egitto: Caro! Più amabile beltà |
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Giulio Cesare in Egitto: Da tempeste il legno infranto. Joshua: O had I Jubal’s Lyre. Teseo: M’adora l’idiol mio; Amarti si vorrei. Silla: Secondate, oh giusti Dei. Acis and Galatea: Overture; O fühltest du die Qualen…. Wie Täubchen klagt um den Gemahl (arr. Mozart). Messiah: How beautiful are the feet (arr. Mozart). Alexander’s Feast: Overture (arr. Mozart) |
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Giulio Cesare in Egitto: Da tempeste; V’adoro, pupille; Che sento? Oh Dio!... Se pietà di me non senti |
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Giulio Cesare in Egitto: Dall’ondoso periglio... Aure, deh, per pietà spirate |
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Giulio Cesare in Egitto: Excerpts |
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Giulio Cesare in Egitto: L’aure che spira |
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Giulio Cesare in Egitto: Tu la mia stella sei |
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Giulio Cesare in Egitto: Va tacito e nascosto; Al lampo dell’ armi; Dall’ ondoso periglio . . . Aure, deh, per pietà; Cara speme; L’angue offeso |
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Giulio Cesare in Egitto:Va tacito e nascosto |
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Giulio Cesare, HWV 17: Da tempeste; E pur cosí in un giorno—Piangeró la sorte mia |
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Giulio Cesare: Arias for Cleopatra |
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Giulio Cesare: Cara speme |
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Giulio Cesare: Cara speme questo core tu cominci a lusingar |
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Giulio Cesare: Che sento?—Se pietà di me |
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Giulio Cesare: Da tempesta. Piangerò la sorte mia |
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Giulio Cesare: Da tempeste |
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Giulio Cesare: Da tempeste il legno infranto; Che sento? 0 Dio!... Se pietà di me non sento |
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Giulio Cesare: Da tempeste il legno infranto; Che sento? O Dio!... Se pietà di me non sento |
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Giulio Cesare: Dall’ondoso periglio . . . Aure, deh! per pietà |
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Giulio Cesare: E pur cosi in un giorno . . . Piangerò la sorte mia; V'adoro pupille |
|
Giulio Cesare: Excerpts |
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Giulio Cesare: Non è si vage e bello |
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Giulio Cesare: Overture |
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Giulio Cesare: Piangerò la sorte mia |
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Giulio Cesare: Piangerò la SOrte mìa; V'adoro pupille |
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Giulio Cesare: Se pietà di me non senti |
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Giulio Cesare: Sinfonia |
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Giulio Cesare: Sinfonia; V’adoro pupille |
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Giulio Cesare: Son nata a lagrimar |
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Giulio Cesare: Svegliatevi nel core |
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Giulio Cesare: Svegliatevi nel core; Cara speme; L’angue offeso |
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Giulio Cesare: Tu la mia stella sei; Caro! Bella! (with Fischer-Dieskau) |
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Giulio Cesare: Tu la mia stella sei; Se pietà de me non senti; Piangerò la sorte mia; Da tempeste il legno infranto |
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Giulio Cesare: V'adoro, pupille, saette d'amore (with Richard Lewis, tenor; Goldsbrough Orchestra conducted by Arnold Goldsbrough (fake stereo) |
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Giulio Cesare: Va tacito |
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Giulio Cesare: Va tacito e nascosto |
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Giulio Cesare: Va tacito; Non è si vago. Rodelinda: Vivi, tiranno. Tolomeo: Che più si tarda ornai ... Stille amare. Riccardo Primo: Nube, che il Sole ... Si fugge il duol; Agitato da fiere tempeste. Orlando: Ah! Stigie Larve ... Vaghe pupille; Già per la man ... Già l'ebro mio ciglio; T'ubbidirò ... fammi combattere; E questa la Mercede ... Cielo! Flavio: Amor, nel mio penar |
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Giulio Cesare: Vadoro pupille |
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Giulio Cesare: Vani sono i lamenti ... Svegliatevi nel core. Ezio: Tergi l'ingiuste lagrime |
|
Giulio Cesare: V’adoro pupille. E pur cosi in un giorno. Piangerò la sorte mia |
|
Giulo Cesare: Excerpts |
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Giustino |
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Giù nei Tartarei regni, HWV 187 |
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Gloria |
|
Gloria in B♭ |
|
Gloria, HWM deest |
|
Gloria, HWV deest |
|
Gloria, HWV deest. Salve regina, HWV 241 |
|
Grand Concertos (Concerti grossi), op. 6, Vol. 1 |
|
Grand Concertos (Concerti grossi), op. 6: No. 1 in G; No. 2 in F; No. 3 in e; No. 4 in a. Concerto grosso in C, "Alexander’s Feast" |
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Grand Concertos (Concerti grossi), Vol. 3 |
|
Grand Concertos (Concerti grossi); op. 6: Vol. 2 |
|
Grande Chaconne in G, HWV 435 (arr. Scandinavian Gtr Duo) |
|
Greatest arias |
|
Haec est Regina virginum, HWV235. Ah! che troppo ineguali, HWV 230. Donna, che in ciel di tanta luce splendi, HWV 233 |
|
Halle Trio Sonatas: in B♭, HWV 380; in d, HWV 381; in E♭, HWV 382; in F, HWV 383; in G, HWV 384; in D, HWV 385 |
|
Hallelujah (from Messiah) |
|
Hallelujah Amen |
|
Hallelujah Chorus |
|
Harmonious Blacksmith from Suite in E |
|
Harmonious Blacksmith Variations. Concerto Grosso, op. 3: Largo |
|
Harp Concerto in B♭, op. 4/6. Organ Concerto in g/G, op. 4/1 |
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Harp Concerto, op. 4/6 |
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Harpsichord Sonata in G, HWV 579. Overture to Rodrigo HWV 5: Passacaille |
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Harpsichord Suite in d, HWV 438 |
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Harpsichord Suite No. 11: Sarabande |
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Harpsichord Suite No. 5, HWV 430 |
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Harpsichord Suite No. 7 in g |
|
Harpsichord Suites, HWV 426–33 |
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Harpsichord Suites, HWV 426–433 |
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Harpsichord Suites, HWV 426–433; Chaconne, HWV 235 |
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Harpsichord Suites: in c, HWV 444; in e, HWV 438 |
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Harpsichord Suites: in d, HWV 428; in A, HWV 454; in e, HWV 438; in C, HWV 443; in g, HWV 439; in G, HVW 441; in e, HVW 429; in E, HWV 430 |
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Harpsichord Suites: No. 1 in A, HWV 426; No. 6 in ft, HWV 431 ; No. 5 in E, HWV 430; No. 7 in g, HWV 432; No. 2 in F, HWV 427; No. 8 in f, HWV 433; No. 4 in e, HWV 429; No. 3 in d, HWV 428 |
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Harpsichord Suites: No. 3 in d, HWV 428; No. 5 in e, HWV 438; No. 7 in g, HWV 432; No. 8 in f, HWV 433 |
|
Harpsichord Suites: No. 3 in d; No. 13 in B♭; No. 11 in d; No. 14 in G; No. 15 in d; No. 8 in f |
|
Harpsichord Works |
|
Hercules |
|
Hercules, HWV 60 |
|
Hercules: Ah! think what ills |
|
Hercules: Cease, ruler of the day, to rise |
|
Hercules: Jealousy, infernal pest |
|
Hercules: O Hercules! . . . The world, when day’s career; Then I am lost! . . . Then in myrtle shades; Ye lying omens, hence! . . . Begone, my fears; When beauty’s sorrows; O glorious pattern of heroic deeds! . . . Resign thy club; Cease, ruler of the day; Joys of freedom |
|
Hercules: Where shall I fly? |
|
Hercules: Where shall I fly? Giulio Cesare in Egitto: E pur. . . Piangerò. Semele: Where'er you walk |
|
Heroes and Heroines |
|
Heroic Arias |
|
Hidden Handel |
|
Hornpipe |
|
Hornpipe Compos’d for the Concert at Vauxhall |
|
Hornpipe from Water Music; Largo from Xerxes |
|
Hornpipe in D, HWV 356 |
|
Hymns by |
|
I Know That My Redeemer Liveth |
|
I know that my redeemer liveth |
|
II trionfo del Tempo e della Verità |
|
Il duello amoroso |
|
Il Gelsomino, HWV 164a |
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Il Muzio Scevola: Fanfare in D. Fanfare in C. Concerto in D: Fanfare. Voluntary in D. Saul: Fanfare in C. Voluntary in C. Water Music: Fanfare |
|
Il pastor fido |
|
Il pastor fido, HWV 8: Overture |
|
Il pastor fido, HWV 8a: Suite |
|
Il pastor fido: Occhio belli |
|
Il Pastor fido: Overture and Suite |
|
Il pastor fido: Overture; Allegro |
|
Il pastor fido: Pour les Chausseurs I & II |
|
Il Pastor Fido: Suite |
|
Il penseroso: Sweet Bird |
|
Il penseroso: Sweet bird |
|
Il Penseroso: Sweet Bird |
|
Il Sassone |
|
Il trinfo del Tempo e del Disinganno, HWV 46a: “Tu del ciel ministro eletto” |
|
Il trionfo del Tempo e del Disinganno |
|
IL TRIONFO DEL TEMPO E DEL DISINGANNO (1707 version) |
|
Il trionfo del tempo e del disinganno (1707 version) |
|
Il trionfo del tempo e del disinganno, HWV 46a |
|
Il Trionfo del Tempo e del Disinganno, HWV 46a: Pure del Cielo ... Tu de Ciel ministro eletto |
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Il trionfo del Tempo e del Disinganno, HWV 46a: Un pensiero nemico |
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Il Trionfo del Tempo e del Disinganno: Lascia la spina |
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Il trionfo del tempo e del disinganno: Lascia la spina. Un pensiero nemico di pace. Come nembo che fugge col vento. Pure del cielo intelligenze eterne … Tu del ciel ministro eletto |
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Il trionfo del Tempo e del Disinganno: Pure del cielo |
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Il trionfo del Tempo e del Disinganno: Sonata in D |
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Il trionfo del tempo e del disinganno: Tu del ciel ministro eletto |
|
Il Trionfo del Tempo e del Disinganno: Un pensiero nemico |
|
Il trionfo del Tempo e del Disinganno: Un pensiero nemico. Come nembo che fugge. Lascia la spina. La Resurrezione: Disserratevi o porte d'Averno. Notte funesta... Ferma l'ali |
|
Il trionfo del Tempo e del Disinganno: Urne voi |
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Il trionfo del Tempo e del Disisnganno: Laschi la spina |
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Il trionfo del Tempo e della Verità, HWV 46b |
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Il trionfo del tempo, HWV 46a: Tu ciel ministro eletto |
|
Il trionfo del tempo: Lascia la spina |
|
Imeneo |
|
Imeneo (abridged) |
|
Imeneo, HWV 41 |
|
Imeneo: Minuet; Overture (Allegro); Almira: Ritornello; Sprich vor mir ein süsses Wort |
|
Imeneo: Overture |
|
Imeneo: Se potessero i sospir’ miei |
|
In den angenehmen Büschen, HWV 208 |
|
Israel In Egypt |
|
Israel in Egypt |
|
Israel in Egypt (abridged) |
|
Israel in Egypt (original version in 3 parts) |
|
Israel in Egypt (version in 3 parts) |
|
Israel in Egypt Coronation Anthems: Zadok the Priest; The King Shall Rejoice |
|
Israel in Egypt. Concerto in F for Organ and Strings, HWV 295 (“The Cuckoo and the Nightingale“) |
|
Israel in Egypt. The Ways of Zion Do Mourn |
|
Israel in Egypt: But as for his people; The Lord is a man of war; Moses and the Children of Israel. |
|
Israel in Egypt: Excerpts |
|
Israel in Egypt: The enemy said, I will pursue |
|
Israel in Egypt: The Lord Shall Reign … Sing Ye to the Lord |
|
Israel in Egypt: The people shall hear |
|
Israel in Egypt: Their land brought forth frogs. Thou shalt bring them in |
|
Israel in Ägypten (version in 2 parts) |
|
Italian Cantatas |
|
Italian Cantatas: No. 1 |
|
Italian Cantatas: No. 13 |
|
Italian Cantatas: Silete venti, HWV 242; Cecilia, volgi un sguardo, HWV 89 |
|
Italian Cantatas: Tu fedel? tu costante? Mi palpita il cor. Alpestre monte. Tra le fiamme |
|
Italian Duets |
|
Italian Duets: No. 12, “Tanti strali“; No. 13, “Beato in ver“; No. 18, “Langue, geme.“ Cantatas: No. 56, “Sento là che ristretto“; No. 47, “Parti l'idol mio.“ |
|
Italian Duetti and Cantatas |
|
Italian Solo Cantatas: Nel dolce dell'oblio; Un'alma innamorata; Figlio d'alte speranze; Armida Abbandonata |
|
Jephtha |
|
Jephtha (ed. Jane Glover). Concerto Grosso in C, “Alexander’s Feast”. Concerti a due cori Nos. 1–3. Zadok the Priest |
|
Jephtha, HWV 70 |
|
Jephtha, HWV 70: Sinfonia to act II; Sinfonia to act III |
|
Jephtha. Look Down, Harmonious Saint |
|
Jephtha: Deeper and deeper . . . Waft her, ängels |
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Jephtha: Heav’n smiles once more; His mighty arm; Waft her, angels |
|
Jephtha: Hide thou thy hated beams . . . Waft her, angels, through the skies |
|
Jephtha: Up the dreadful Steep ascending |
|
Jephtha: Waft her, Angels |
|
Jephtha: Waft her, angels, through the skies; His mighty arm, with sudden blow |
|
Jephtha: Ye sacred priests… Farewell, ye limpid springs and floods |
|
Jeptha |
|
Jeptha: Overture |
|
Jeptha: These labours past. Joshua: Oh peerless maid; Our limpid streams. Belshazzar: Great victor, at your feet I bow. Susanna: When thou art nigh; To my chaste Susanna's praise. Theodora: To thee, thou glorious son of worth; Streams of pleasure overflowing. Solomon: Welcome as the dawn of day; Ev'ry joy that wisdom knows. Eternal Source of Light Divine: Kind Health descends. Saul: O fairest of ten thousand fair; At persecution I can laugh. Deborah: Where do thy ardours raise me; Smiling freedom, lovely guest. Alexander Balus: Hail wedded love. Alexander's Feast: Let's imitate her notes above. Esther: Who calls my parting soul |
|
Johannes-Passion. Ach Herr, mich armen Sünder |
|
Joseph and his Brethren |
|
Joseph and His Brethren |
|
Joseph and his Brethren: Symphony; Be firm, my Soul |
|
Joshua |
|
Joshua (1748 Version) |
|
Joshua, HWV 64: See the raging flames; Shall I in Mamre’s fertile plain |
|
Joshua: Happy, o thrice happy we; Oh! had I Jubal’s lyre |
|
Joshua: O had I Jubal's lyre |
|
Joshua: O had I Jubal's lyre. Theodora: Angels ever bright and fair. Samson: Let the bright Seraphim (with Ernest Hall, trumpet obbligato) |
|
Joshua: O had I Jubal’s lyre |
|
Joshua: O hatt' ich Jubais Harfe (with Gerald Moore, piano (fake Stereo) |
|
Joshua: O hätt'ich Jubals Harf |
|
Joshua: O hått' ich Jubais Harf |
|
Joshua: Oh! Had I Jubal’s lyre |
|
Joshua: Oh! Had Jubal’s lyre |
|
Joshua: See the conquering hero comes |
|
Joy to the world |
|
Joy to the World |
|
Judas Maccabaeus |
|
Judas Maccabaeus, HWV 63: From this Dread Scene |
|
Judas Maccabaeus. Arias |
|
Judas Maccabaeus: Arm, arm ye brave |
|
Judas Maccabaeus: Fall’n is the foe |
|
Judas Maccabaeus: Hail the Conquering Hero. Royal Fireworks Music: Overture (arr. for trumpet and organ) |
|
Judas Maccabaeus: How vain is man (Warwick Braithwaite, cond; Philharmonia 0) |
|
Judas Maccabaeus: I feel, I feel the Deity within Arm, arm, ye brave! Dettingen Te Deum: Vouchsafe, O Lord |
|
Judas Maccabaeus: Overture |
|
Judas Maccabaeus: See, the Conquering Hero Comes |
|
Judas Maccabaeus: So rasch ist dein Siegflug; Falscher Weisheit Truggespinnste. Jephtha: Tugend sei meiner Seele Band; Tragt sie, Engel, sanft mit euch |
|
Judas Maccabaeus: So shall the lute and harp awake. Acis and Galatea: As when the dove laments her love |
|
Judas Maccabaeus: Sound an Alarm |
|
Judas Maccabaeus: Sound an Alarm. Messiah: Thou Shalt Break Them. Jephtha: Deeper and deeper. . . Waft her, Angels |
|
Judas Maccabaeus: Victory March. Sauf: Dead March. Water Music, Suite No. 2; Minuet. Atalanta: trom the Finale. Fireworks Music: Minuet |
|
Judas Maccabaeus: Victory March. Saul: Funeral March. Water Music: Menuet. Royal Fireworks Music: La Réjouissance. Atalanta: Sinfonia from the Finale |
|
Judas Maccabeus |
|
Judas Maccabeus: Excerpts. Te Deum in D, “Dettingen”: Dignare o Domine. Orlando: Sorge infausta una procella. Brockes-Passion: Chi sprezzando. Serse: Frondi tenere e belle…Ombra mai fù |
|
Judas Maccabeus: From mighty kings he took the spoils |
|
Judas Maccabeus: See, the Conqu ring Hero Comes |
|
Judas Maccabeus: See, the Conqu’ring Hero Comes |
|
Judas Maccabeus: Sing unto God |
|
Judas Maccabeus: Sound an alarm |
|
Judas Maccabeus: Sound an Alarm (Carroll); So Shall the Lute and Harp Awake (Bauch). Jephtha: Waft Her, Angels, to the Skies (Taylor, oboe). Semele: Where E'er You Walk (Hartman). Joshua: O Had I Jubal's Lyre (arr. Kapp; Brewer). Atalanta: Care Selve (arr. Kapp). L'Allegro: Or Let the Merry Bells Ring Round (arr. Kapp; Carroll); Arioso: Dank sei dir, Herr (Timm). Xerxes: Ombra mai lu (“Largo“; Carroll). Julius Caesar: Piangerò, Piangerò (Taylor, oboe d'amore). Dettingen Te Deum: Vouchsafe, o Lord (Hartman). Samson: Let the Bright Seraphim (Carroll and Soper) |
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Judas Maccabäus |
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Judas Maccabœus: Sound an alarm. Messiah: Thou Shalt break them. Jephtha: Deeper and deeper. . . Waft her, angels |
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Julius Caesar |
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Julius Caesar: Excerpts |
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Julius Caesar: Non è si vage e bello |
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Julius Caesar: “Ich lieb euch, ihr Augen” |
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Keyboard Concertos, op. 4 |
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Keyboard Suite in g: Pasacaglia |
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Keyboard Suite No. 1 in B♭, HWV 434: Minuet |
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Keyboard Suite No. 3 in d |
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Keyboard Suite No. 5 in E, HWV 430 |
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Keyboard Suite No. 5 in E, HWV 430: Air con variazioni, “The Harmonious Blacksmith |
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Keyboard Suite No. 5, HWV 430: Aria con variazioni (arr. tpt/pn) |
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Keyboard Suite No. 5: Allemande |
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Keyboard Suites, HWV 426–33 |
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Keyboard Suites, HWV 426–434; 436–441 |
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Keyboard Suites: in B♭, HWV 434; in d, HWV 436; in d, HWV 437; in e, HWV 438; in g, HWV 439; in B♭, HWV 440; in G, HWV 441 |
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Keyboard Suites: in B♭, HWV 434; in d, HWV 437; in E, HWV 430; in F, HWV 427 |
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Keyboard Suites: in d, HWV 428; in F, HWV 427; in f, HWV 433; in E, “Harmonious Blacksmith,” HWV 430; in g, HWV 432 |
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Keyboard Suites: in d, HWV 428; in g, HWV 432; in d, HWV 437; in G, HWV 441 |
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Keyboard Suites: No. 1 in A; No. 6 in F# minor; No. 7 in G minor; No. 10 in D minor; No. 11 in D minor |
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Keyboard Suites: No. 2 in F; No. 3 in D Minor; No. 5 in E. Chaconne in G |
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Keyboard Suites: No. 3 in d; No. 4 in d; No 7 in g; No. 8 in G |
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Keyboard Suites: No. 5 in E, HWV 430; No. 6 in f♯, HWV 431; No. 7 in g, HWV 432; No. 8 in f, HWV 433 |
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Keyboard works by |
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Künftger Zeiten eitler Kummer, HWV 202 |
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L'Allegro ed II Pensiero: Sweet Bird |
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L'Allegro ed il Penseroso: Sweet Bird |
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L'Allegro, II Penseroso, ed II Moderato |
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L'Allegro, il Penseroso ed il Moderato, HWV 55 |
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L'Allegro, il Penseroso ed il Moderato, HWV55 |
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L'Allegro, Il penseroso ed il moderato: Sweet Bird |
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L'Allegro, il Penseroso, ed il Moderato |
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LA FRANCESINA: Handel’s Nightingale |
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La Lucrezia |
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La Lucrezia, HWV 145 |
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La Lucrezia. Armida abbandonata. Agrippina condotta a morire |
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La Lucrezia: "O Numi eterni!" HWV 145 |
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La Lucrezia: 3 Arias |
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La Rejouissance (arr. Howarth) |
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La Resurrezione |
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La resurrezione |
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La Resurrezione (The Resurrection) |
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La Resurrezione: Augeletti, ruscelletti |
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La resurrezione: Così la tortorella; Caro figlio! Rodelinda: Fatto inferno . . . Pastorello d’un povero armento |
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La resurrezione: Disserratevi, O porte d’Averno |
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La Resurrezione: Disserratevi, o porte d’averno |
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La Resurrezione: Overture |
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La Réjouissance |
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La réjouissance |
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La Réjouissance (fromHoyal Fireworks Music) |
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Langue geme, HWV188. Tanti strali, HWV 197. Va, speme infida pur, HWV 199. Beato in ver chi può, HWV181. Fronda leggiera, HWV 186. Ahi, nelle sorti umane, HWV 179. Quel fior che all' alba ride, HWV 192. No, di voi non vo' fidarmi, HWV 189 |
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Larghetto |
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Largo |
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Largo from Xerxes |
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Largo. Larghetto |
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Lascia ch’io pianga |
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Lascia ch’io pianga, HWV 7 |
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Lass mich wandernd. Ch'io mai vi possa. He Was Despised |
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Laudate Pueri, HWV236 |
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Laudate pueri. Nisi Dominus. Salve Regina |
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Les grandes Suites pour Clavecin: No. 7 in A; No. 2 in F; No. 3 in D Minor; No. 4 in E Minor; No. 5 in E; No. 6 in F-Sharp Minor; No. 7 in G Minor; No. 8 in F Minor |
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Lesson in B-Flat, HWV 434. Sonata in G Minor, HWV 580. Sonatina in G Minor, HWV 583. Suite No. 5 in E, HWV 430. Prelude ondAUegro in A Minor, HWV 576. Fantasia in C, HWV 490. Suite No. 8 in G, HWV 441 |
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Lesson In B-Flat. Suite No. 7 in G Minor |
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Let God arise. My song shall be always. O praise the Lord with one consent |
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Let the Bright Seraphim. Let their Celestial Concerts |
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Let thy hand be strengthened |
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Let thy hand be strengthened, HWV 259 |
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Let Thy Hand be Strengthened, HWV 259 |
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Little Fugue in G. Air and Variations (“The Harmonious Blacksmith“). Chaconne in G |
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Look down harmonious saint, HWV 124 |
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Lotario |
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Lotario, HWV 26: Scherza in mar la navicella |
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Lotario: Overture |
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Lotario: Overture (Gavotta) |
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Lotario: Overture; Quanto più fien tenaci. . . Schema in mar |
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Lotario: Overture; Schema in mar. Partenopei lo ti levo. Ezio: Caro padre. Sosarme, re di Media: Dite pace; Vorrei, né pur saprei. Atalanta: Overture |
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Lotario: Overture; Scherza in mar |
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Love in Bath: Suite |
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Lucrezia |
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Lucrezia, HWV 145 |
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Lucrezia, HWV 145: Alla salma infedel porga la pena |
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Lucrezia. Arias from Rodelinda, Ariodante, Serse, Hercules, Atalanta, and Joshua |
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Lungi da me pensier tiranno |
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Lusignhe più Care |
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L’Allegro ed il Penseroso |
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L’Allegro, il Peneroso ed il Moderato |
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L’Allegro, il pensero so ed il moderato: As steals the morn upon the night |
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L’Allegro, il Penseroso e il Moderato: Sweet bird |
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L’Allegro, il Penseroso ed il Moderato |
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L’Allegro, il Penseroso ed il Moderato: First and chief . . . Sweet bird |
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L’Allegro, Il Penseroso ed Il Moderato: Sweet Bird |
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L’Allegro, Il Penseroso, ed Il Moderato, HWV 55 |
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L’Allegro, il Penseroso, ed il Moderato: As steals the morn |
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L’Allegro, il Penseroso, ed il Moderato: Or let the merry bells ring round |
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L’Allegro, il Pensiero ed il Moderato: As steals the morn |
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March |
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March by Mr. Handel |
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March in F, HWV 346, “March in Ptolemy” |
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Marcia in F, HWV 346. organ works: Entrée in g, HWV 453.II |
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Marian Cantatas and Arias |
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Marriner: The Decca Legacy |
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Meine Seele hört im Sehen |
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Meine Seele hört im Sehen, HWV 206 |
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Meine Seele hört in Sehen, HWV 207 |
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Menuet in d, HWV deest |
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Menuet in F, HWV 423 |
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Menuet in G Minor |
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Menuet in g, HWV 434/4 |
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Menuett in g |
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Messiah |
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Messiah (1750) |
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Messiah (1751) |
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Messiah (1753 version) |
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Messiah (2 versions) |
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Messiah (arr. Mozart) |
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Messiah (edited by John Tobin) |
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Messiah (original Dublin version) |
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Messiah Selections (Nos. 1-7, 12-17, 20, 21) |
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Messiah. (Foundling Hospital Version, 1754) |
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Messiah. Highlights |
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Messiah. Xerxes: Excerpts. Alcina: Excerpts |
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Messiah: And the Glory of the Lord; Glory to God in the Highest; Behold the Lamb of God; Surely He Hath Borne; All We, Like Sheep; Hallelujah Chorus; Amen Chorus |
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Messiah: Arias |
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Messiah: Arias & Choruses |
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Messiah: Behold, a virgin shall conceive... O thou that teilest good tidings to Zion; He was despised. Israel in Egypt: Their land brought forth frogs. Belshazzar: Oh sacred oracles of truth. L'allegro, ilpenseroso ed il moderato: May at last my weary age |
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Messiah: But who may abide the day of His coming. How beautiful are the feet |
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Messiah: Choruses |
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Messiah: Come unto Him All Ye That Labour (Dora Labette, soprano, with Sir Thomas Beecham and Orchestra) |
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Messiah: Comfort ye ... Every valley |
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Messiah: Comfort Ye; Ev'ry Valley; He Was Cut Off; Thou Shalt Break Them. Jephtha: Virtue My Soul; His Mighty Arm; Open Thy Marble Jaws; Hide Though Thy Hated Beams . . . Waft Her, Angels; Forever Blessed |
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Messiah: Excerpts |
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Messiah: Excerpts (Nos. 3, 4, 8, 9, 12, 14-17, 20, 21, 31, 32, 40, 42, 44, 47-51) |
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Messiah: Fifa |
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Messiah: Halleluiah!; For unto Us a Child is Born. Xerxes: Holy Art Thou (Largo). Saul: How Excellent Thy Name. Judas Maccabeus: Halleluiah, Amen; See the Conq'ring Hero Comes; Sing unto God. Israel in Egypt: But as for His People; Sing Ye to the Lord; Sing unto God. Samson: Awake the Trumpet's Lofty Sound; Let Their Celestial Concerts All Unite. Saul: Welcome, Welcome Mighty King/David, His Ten Thousands Slew. Zadok the Priest (Coronation Anthem No. 1) |
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Messiah: Hallelujah |
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Messiah: Hallelujah (Mackerras/Ambrosian Singers/English CO) |
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Messiah: Hallelujah Chorus |
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Messiah: Hallelujah Chorus |
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Messiah: Hallelujah. Saul: Mourn, Israel, Mourn. Samson: Then round about the starry throne. Israel in Egypt: He sent a thick darkness; He smote all the firstborn of Egypt. Judas Macca-baeus: See, the conqu'rtng hero comes! |
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Messiah: Hallelujah. Xerxes: Ombra mai fu |
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Messiah: Hallelujah; For unto us a Child is born; Worthy is the Lamb that was slain—Amen |
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Messiah: He shall feed his flock |
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Messiah: He Shall feed his flock (in German) |
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Messiah: He shall feed His flock (in German) |
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Messiah: He was despised |
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Messiah: Highlights |
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Messiah: Highlights. Margart Marshall, soprano; Saul Quirke, treble; Catherine Robbin, mezzo-soprano; Charles Brett, countertenor; Anthony Rolfe Johnson, tenor; Robert Hale, bass |
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Messiah: I Know That My Redeemer Liveth |
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Messiah: Ich weiß, dass mein Erlöser lebet. Hallelujah |
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Messiah: If God be for us |
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Messiah: Larghetto |
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Messiah: O Thou That Teilest |
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Messiah: O Thou That Teilest Good Tidings toZion (Maureen Forrester, contralto; I Solisti di Zagreb conducted by Antonio Janigro) |
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Messiah: O Thou that Tellest Good Tidings to Zion |
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Messiah: O Thou that tellest good tidings to Zion; He was despised. Samson: Return, O God of Hosts. Judas Maccabaeus: Father of Heaven |
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Messiah: Overture |
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Messiah: Overture (arr. Walsh) |
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Messiah: Pastoral Symphony |
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Messiah: Rejoice greatly |
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Messiah: Rejoice Greatly |
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Messiah: Rejoice Greatly; Come unto Him |
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Messiah: Rejoice Greatly; He Shall Feed His Flock. Giulio Cesare: Piangerò la sorte mia. Atalanta: Care selve. Alexander's Feast: The Prince, Unable To Conceal His Pain; Softly Sweet in Lydian Measures. Rinaldo: Lascia ch'io pianga. Samson: Let the Bright Seraphim |
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Messiah: Rejoice greatly; I know that my Redeemer liveth |
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Messiah: Rejoice, Greatly, O Daughter of Zion; How Beautiful are the Feet |
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Messiah: Seven Choruses |
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Messiah: Suite |
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Messiah: The trumpet shall sound |
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Messiah: Thus saith the Lord |
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Messiah: Thus saith the Lord . . . But who may abide; Why do the nations; Behold, I tell you a mystery . . . The trumpet shall sound |
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Messiah: Thus saith the Lord...But who may abide; Why do the nations; The trumpet shall sound |
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Messiah: Thy rebuke….Behold and see; But thou didst not leave his soul in hell |
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Messiah: Two Arias |
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Messiah: Worthy Is the Lamb; Hallelujah Chorus |
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Messiah: “Hallelujah” (arr. Goossens) |
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Mi palpita il cor |
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Mi palpita il cor, HWV 132b |
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Mi palpita il cor. Il gelsomino |
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Mi palpita il cor. Siete rosa rugiadose. I will magnify thee. Yet can I hear that dulcet lay |
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Minuet in G |
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Minuet in g, G 242 |
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Minuet in g, HVW 434 |
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Minuet in g, HWV 434/4 (trans. Kempff) |
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Minuet, HWV 434 |
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Mira Lilla gentile (2 vers) |
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Mr. Handel's Water Piece. Atalanta: Overture |
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Musette; Larghetto |
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Music by |
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Music for Harpsichord |
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Music for Harpsichord, Vol. 2 |
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Music for Harpsichord, Vol. 3 |
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Music for Horns and Organ |
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Music for Organ |
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Music for Royal Occasions |
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Music for the Royal Fireworks |
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Music for the Royal Fireworks (complete) |
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Music for the Royal Fireworks (ed. Baines and Mackerras) |
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Music for the Royal Fireworks (original version without strings). Concertos: in F, HWV 331/316; D, HWV 335a. Passacaille, Gigue, and Menuet (arr. Pinnock from HWV 399) |
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Music for the Royal Fireworks, HWV 351 |
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Music for the Royal Fireworks, HWV351. Water Music, HWV 348-350 |
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Music for the Royal Fireworks. Ariodante: Overture. Concerto a Due Cori No. 2 in Bb |
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Music for the Royal Fireworks. Ariodante: Overture. Concerto a due cori No. 2 in F |
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Music for the Royal Fireworks. Concerti a due cori: No. 2 in F; No. 3 in F |
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Music for the Royal Fireworks. Concerti a Due Cori: No. 2 in F; No. 3 in F |
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Music for the Royal Fireworks. Concerti a Due Cori: Nos. 1–3 |
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Music for the Royal Fireworks. Concerti Grossi, Op. 3 |
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Music for the Royal Fireworks. Concerto a Due Cori No. 2 in F, HWV 333. Concerto in F, HWV 335b |
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Music for the Royal Fireworks. Concerto Grosso “Alexander's Feast“. Overture in D |
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Music for the Royal Fireworks. Concerto in F for Organ and Strings, op. 4, no. 4. Water Music: Suite No. 2 in D; Suite No. 3 in G |
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Music for the Royal Fireworks. Concerto No. 2 in F for 2 Wind Choirs and Strings. Concerto Grosso in C from “Alexander's Feast“ |
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Music for the Royal Fireworks. Concerto No. 3 in G minor for Oboe and Strings. Acis and Galatea: Sinfonia. Alexander's Feast: Overture |
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Music for the Royal Fireworks. Largo (arr. Byfield) |
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Music for the Royal Fireworks. March for Trumpet, Oboes, and Bassoons |
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Music for the Royal Fireworks. Marches from “Atlanta“ “Joshua,“ and “Occasional Oratorio.“ Concerto in B Flat for Violin and Strings. Concerto in B Flat for Double Woodwind Choir, Orchestra, and Organ |
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Music for the Royal Fireworks. Recorder Sonatas, op. 1: No. 2 in g; No. 4 in a; No. 7 in C; No. 11 in F |
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Music for the Royal Fireworks. Water Music |
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Music for the Royal Fireworks. Water Music: Suite in F |
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Music for the Royal Fireworks. Water Music: Suites 1-3 |
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Music for the Royal Fireworks: Overture. Suite in E Minor: (“THE Harmonious Blacksmith“) |
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Music for the Royal Fireworks: Suite |
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Music for the Royal Fireworks: Suite. Water Music: Suite |
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Music for the Royal Fireworks—Suite. Xerxes. Largo. Allegro. Bourrée. Solomon: The Arrival of the Queen of Sheba. Andante and Allegro. Let the Bright Seraphim |
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Music for the Vauxhall Gardens: HWV 63, 14, 42, 20, 74 |
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Music from: Belshazzar |
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Music from: Israel in Egypt |
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Music from: Judas Maccabaeus |
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Music from: Messiah |
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Music from: Solomon |
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Music of |
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Musick for the Royal Fireworks, HWV351. Solomon, HWV 67: Synfony (“The Arrival of the Queen of Sfteba“). Alexander's Feast, HWV 318: Concerto Grosso in C. Concerto in B♭ for Organ, Strings, and Continuo, HWV 294. Suite in D for Trumpet, Strings, and Continuo, HWV 341 (“Water Piece“) |
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Muzio Scaevola: Ah dolce nome! Rodelinda: Vivi, tiranno! Dove sei, amato bene |
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Muzio Scevola, HWV 13: Overture |
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Muzio Scevola: Con lui volate; Ah, dolce nome |
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Muzio Scevola: Spera, che tra le care gioie |
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Muzio Scevola: Sulla riva del Tebro in men d’un’ora…. Volate più dei venti |
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My heart is inditing |
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My heart is inditing, HWV 261 |
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My Heart is Inditing, HWV 261 |
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Nel dolce del'oblio |
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Nel Dolce del'Obllo |
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Nel dolce dell’ oblio |
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Nel dolce tempo. Vedendo Amor. Mi palpita il cor |
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Nell’africane selve, HWV 136a |
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Nell’Africane selve, HWV 136a, Spande ancor, HWV 165 |
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Neun Deutsche Arien |
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Neun deutsche Arien (for soprano, figured bass and obbligato): No. 5, Singe, Seele, Gott zum Preise; No. 4, SüsseStille, sanfte Quelle; No. 9, Flammende Rose, Zierde der Erden |
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Neun deutsche Arien, HWV 202–210 |
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Neun deutsche Arien. Acis and Galatea: Hush, Ye Pretty Warbling Quire. Nel dolce dell'oblio. Trio Sonata in C Minor |
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Nine German Arias |
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Nine German Arias for Soprano, Flute, and Continuo: Meine Seele hört im Sehen |
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Nine German Arias, HWV 202-210. Sonata in F for Violin and Continuo, Op. 1, No. 12, HWV 370 |
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Nine German Arias. Sonata for Violin and Continuo, Op. 1, No. 12 |
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Nine German Arias: Süsser Blumen Ambraflok-ken, HWV204; Singe, Steele, Gott zum Preise, HWV206; Süsse Stille, sante Quelle, HWV205; Meine Seele hört im Sehen, HWV207. Un'alma innamorata—Cantata |
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Nine German Artas. Sonata in A Minor, op. 1, no. 4 |
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Nisi Dominus, HWV 238: Sicut Sagittae |
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Nisi Dominus. Laudate pueri. I will magnify thee. O praise the Lord |
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Nisi Dominus. Stlete venti. Dixit Dominus |
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No di voi non vo' fidarmi' . Menzognere speranze' Vedendo amor. Troppo cruda, troppo fiera' . Figli del mesto cor. Lungi dal mio bel nume'. Tanti strali al sen mi scocchi' |
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No se emenderá jamás |
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Non sospirar, non piangere, HWV 141 |
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Nò, di voi non vo’ fidardi |
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O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise |
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O be joyful. In the Lord put I my trust. Have mercy upon me |
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O come chiare e belle. Clori, mia bella Clori. Amarilli vezzosa |
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O hätt ich Jubais Harf |
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O lucenti, o sereni occhi, HWV 144 |
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O ruddier than the cherry |
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O sing unto the Lord a new song, HWV 249b |
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O Sing unto the Lord a new Song, HWV 249b |
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O Sing unto the Lord. Saul: Overture: Allegro; Dead March |
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Oboe Concerto in g |
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Oboe Concerto in g, HWV 287 |
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Oboe Concerto in g. Trio Sonata in F |
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Oboe Concertos and Sonatas |
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Oboe Concertos: No. 1, HWV 302a; No. 2, HWV301; No. 3, HWV 287 |
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Oboe Concertos: No. 1; No. 2a; No. 3. Largo in F, HWV 302b |
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Oboe Sonata in C, HWV 365 |
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Oboe Sonatas in G Minor and B-Flat |
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Oboe Sonatas. Trio Sonatas |
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Oboe Sonatas: in c, op. 1/8; in B♭, HWV 357; in F, "op. 1/5." Trio Sonata in B♭, HWV 380/1 |
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Oboe Sonatas: in F; in c; in B♭; in g |
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Occasional Oratorio: Overture |
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Occasional Oratorio: Overture in D |
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Occasional Overture (Overture to the Occasional Oratorio) |
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Occasional Suite in D (arr. Pinnock from HWV 33 and 21) |
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Ode for St. Cecelia’s Day |
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Ode for St. Cecilia's Day |
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Ode for St. Cecilia's Day: The trumpet's loud clangor. Serse: Ombra mai fu. Semele: Where'er you walk. Acis and Galatea: O ruddier than the cherry. Joshua: Heroes when with glory burning. Alexander's Feast: Revenge, Timotheus cries. Jephtha: Waft her, angels. Samson: How willing my paternal love; Let the bright Seraphim |
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Ode for St. Cecilia’s Day |
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Ode for St. Cecilia’s Day: Sharp violins proclaim their jealous pangs |
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Ode for the Birthday of Queen Anne |
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Ode for the Birthday of Queen Anne, HWV 74 |
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Ode for the Birthday of Queen Anne; Anthem for the Foundling Hospital |
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Oh! Had I Jubal’s lyre |
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Ombra cara de mia sposa, HWV 482/3 |
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Ombra mai fu |
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OMBRA MAI FU |
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Ombra mai fu, HWV 40 |
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Ombra mai fu. Arrival of the Queen of Sheba |
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Op. 4: No. 1 in G minor (No. 1); No. 2 in B♭No. 2); No. 3 in G minor (No. 3); No. 4 in F (No. 4); No. 5 in F (No. 5); No. 6 in & (No. 6). Op. 7: No. 1 in B♭ (No. 7); No. 2 in A (No. 8); No. 3 in B♭ (No. 9); No. 4 in D mino r(No. 10); No. 5 in G minor (No. 11); No. 6 in B♭ (No. 12). Op. Posthumous: No. 13 in F (“The Cuckoo and the Nightingale“), No. 14 in A; No. 15 in D minor; No. 16 in F |
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Opera Arias |
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Opera Arias and Cantatas |
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Opera Arias and Overtures |
|
Opera Arias and Overtures, Vol. 2 |
|
Opera Arias and Overtures—2 |
|
Opera Arias, Vol. 1 |
|
Operatic Arias |
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Operatic arias and scenes by |
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Opus 1: Nos. 1b and 5 (German flute), Nos. 2, 4,7 and 11 (recorder), No. 8 (oboe); “Hallé“Sonatas Nos. 1 and 3 (German flute); Sonatas in B-flat and D minor (recorder); Sonata in B-flat (oboe); Five miscellaneous sonata movements |
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Opus 3: No. 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in D Minor; No. 6 in D. Opus 6: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D; No. 6 in G Minor; No. 7 in B♭; No. 8 in C Minor; No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
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Opus 4. No. 1 in G minor; No. 2 in B♭; No. 3 in G minor; No. 4 in F; No. 5 in F; No. 6 in B♭ |
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Opus 4: No. 1 in G minor (No. 1 ); No. 2 in d (No. 2); No. 3 in G minorilo. 3); No. 4 in F(No. 4); No. 5 in F (No. 5); No. 6 in D♭ (No. 6). Opus 7: No. 1 in B♭ (No. 7); No. 2 in A (No. 8); No. 3 in D♭ (No. 9); No. 4 in D minor (No. 10); No. 5 in G minor (No. 11 ); No. 6 in d (No. 12) |
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Oratorio Airs and Opera Arias |
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Oratorio Arias |
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Orchestral and Instrumental Works |
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Orchestral Works |
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Organ Concerto in A, op. 7/2 |
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Organ concerto in Bk, op. 4/6 |
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Organ Concerto in B♭, op. 4/2 |
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Organ Concerto in D, from “Il Trionfa del Tempo e del Disinganno” |
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Organ Concerto in d: Adagio |
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Organ Concerto in g, op. 4/1 |
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Organ Concerto No. 10 in D, op.7: Allegro. Water Music: Hornpipe |
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Organ Concerto No. 13 in F (“The Cuckoo and the Nightingale“): Allegro; Il Pastor Fido: Allegro (Royal Philharmonic conducted by Charles Groves); Aylesford Pieces (harpsichord): Excerpts |
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Organ Concerto No. 13. Coronation Anthem, “Zadok the Priest” |
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Organ Concerto No. 14 |
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Organ Concerto No. 4/4 in F, HWV 292 |
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Organ Concerto No. 4: Allegro. Concerto Grosso No. 1 : Aria |
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Organ Concerto, op. 4/1 |
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Organ Concertos |
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Organ Concertos in F, op. 4/4, HWV 292; in d, op. 7/4, HWV 309; in g, op. 1/4, HWV 289 Saeviat tellus inter rigors |
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Organ Concertos, HWV 306–311 |
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Organ Concertos, op. 4 |
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Organ Concertos, op. 4/1-5 |
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Organ Concertos, op. 4/1-6; op. 7/1-4 |
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Organ Concertos, op. 4: No. 4 in F; No. 2 in B♭; No. 3 in g; No. 6 in B♭. No. 5 in F; No. 1 in g |
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Organ Concertos, op. 7/1-6 |
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Organ Concertos, op. 7: No. 2 in a; No. 3 in Bb; No. 4 in d; No. 5 in g; No. 6 in Bb |
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Organ Concertos, opp. 4 and 7 |
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Organ Concertos: in B-Flat, Op. 4, No. 2; in F, Op. 4, No. 4; in D Minor, Op. 7, No. 4; No. 13 (second set) in F |
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Organ Concertos: in F, HWV 293; in B, HWV 290; in g, HWV 310; in B, HWV 308, “Hallelujah Concerto” |
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Organ Concertos: in F, HWV 295, “The Cuckoo and the Nightingale”; in A, HWV 196; in d, HWV 304; in g, HWV 310; Oboe Concerto in g, HWV 296; Chaconne in G, HWV 343b |
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Organ Concertos: In F, op. 4, no. 4; in D Minor, op. 7, no. 4; in B♭, op. 7, no. 1; in F, op. 4, no. 5; No. 13 in F |
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Organ Concertos: in g and B♭ |
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Organ Concertos: in g, HWV 310; in B♭, HWV 290; in F, HWV 295 |
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Organ Concertos: in g, op. 4, no. 1; in B♭, op. 4/2 |
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Organ Concertos: in g, op. 4/1 (HWV 289); in B♭, op. 4/2 (HWV 290) |
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Organ Concertos: No. 1 in g, op. 4/1 ; No. 2 in B♭, op. 4/2; No. 3 in g, op. 4/3; No. 4 in F, op. 4/4; No. 5 in F, op. 4/5; No. 6 in B♭,, op. 4/6; No. 7 in B♭, op. 7/1; No. 8 in A, op. 7/2; No. 9 in B♭, op. 7/3; No. 10 ín d, op. 7/4; No. 11 in g, op. 7/5; No. 12 in B♭, op. 7/6 |
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Organ Concertos: No. 1 in g; No. 2 in B♭, No. 3 in g; No. 4 in F |
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Organ Concertos: No. 1 in g; No. 2 in B♭; No. 3 in g; No. 4 in F; No. 5 in F; No. 6 in B♭; No. 13 in F, “The Cuckoo and the Nightingale”; No. 14 in A |
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Organ Concertos: No. 1 in g; No. 3 in g; No. 10 in d; No. 14 in A. Harp Concerto in B♭ |
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Organ Concertos: No. 13 in F, HWV 295, “The Cuckoo and the Nightingale” |
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Organ Concertos: No. 14 in A; No. 15 in d; No. 16 in F |
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Organ Concertos: No. 2 in B♭, HWV 290 |
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Organ Concertos: No. 3 in g, HWV 291 |
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Organ Concertos: No. 4 in F, HWV 292 |
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Organ Concertos: No. 5 in F, BWV 293 |
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Organ Concertos: No. 5 in F; No. 6 in B♭; No. 8 in A; No. 11 in g; No. 13 in F |
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Organ Concertos: No. 6 in B♭, HWV 294 |
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Organ Concertos: No. 7 in B♭; No. 8 in A; No. 9 in B♭; No. 10 in d; No. 11 in g; No. 12 in B♭; No. 15 in d; No. 16 in F |
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Organ Concertos: No. 7 in B♭; No. 9 in B♭; No. 10 in d; No. 12 in K |
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Organ Concertos: Nos. 1–6, op. 4/1–6 (HWV 289–294); No. 13 in F, HWV 295, “The Cuckoo and the Nightingale”; Nos. 7–12, op. 7/1–6 (HWV 306–311) |
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Organ Concertos: op. 4, op. 7 |
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Organ Concertos: op. 7/1–6; in F, “The Cuckoo and the Nightingale,” HWV 295 |
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Organ Works, Volume 1. Concerto in F. Fugue in E. Pieces for Musical Clock. Six Fugues |
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Organ Works, Volume 2. Concertos: No. 3 in D Minor; No. 4 in G; No. 5 in D; No. 6 in G Minor |
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Organ Works. Concertos: in F; in D minor; in G; in D; in G minor. Pieces for Musical Clock. Six Fugues |
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Original works arrangements of music by |
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Orlando |
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Orlando, HWV 31: Non potrà dirmi |
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Orlando: Ah stigie larve!... Vaghe pupille |
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Orlando: Ah! Stigie larve! Ariodante: Dopo notte, atra e funesta |
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Orlando: Arias |
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Orlando: Fammi com-battere; E questa la mercede . . . Cielo! Se tu il consenti; Imagini funeste . . . Non fu gia men forte; Gia lo stringo; Ah Stigie larvel. . . Gia latra Cerbero . . . Vaghe pupille |
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Orlando: Fammi combattere. Lungi da voi, che siete poli, HWV 126c. Aci, Galatea e Poliremo: Ah! crude stelle ... Qui l'auge! di pianta in pianta. Figli del mesto cor, HWV 112. Fra pensieri quel pensiero, HWV 115. Mi palpita il cor, HWV 132c. Alcina: Verdi prati & ¿ |
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Orlando: Fammi combattere; Ah! Stigie larve |
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Orlando: Fammi combattere; Ah! Stigie larve... Vaghe pupille. Aci, Galatea, e Polifemo: Qui l'augel di pianta. Rinaldo: Cara sposa. Giulio Cesare: Va tacito; Se in fiorito ameno prato. Floridante: Bramo te sola; Se dolce m'era già. Partenope: Furibondo spira il vento. Radamisto: Ombra cara di mia sposa |
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Orlando: Fammi combattere; Cielo! Se tu il consenti |
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Orlando: No, non potra; Verdi piante |
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Orlando: O voi, del mio poter . . . Sorge infausta una procella |
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Orlando: Sorge infausta |
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Orlando: Sorge infausta una procella. |
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Orlando: T’ubbidirò, crudele … Fammi combattere; Ah! stigie larve … Già latra Cerbero … Ma la furia … Vaghe pupille |
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Ottone, Re di Germania |
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Ottone, re di Germania |
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Ottone, re di Germania: Ah! Tu non sai |
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Ottone: Ben a raggion … Vieni, o figlio. Giulio Cesare: Figlio non e … L’angue offeso mai riposa |
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Ottone: Duet |
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Ottone: Overture |
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Ottone: Viens, o fils aimé |
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Ouverture |
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Ouverture for Clarinets and Horn |
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Overture (Suite) in D for Trumpet, Strings, and Continuo, HWV 341 |
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Overture for Two Clarinets and Horn |
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Overture in D |
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Overture in d (arr. Elgar). Water Music Suite (arr. Harty). Royal Fireworks Music (arr. Harty) |
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Overture in D Minor |
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Overture in D minor (arr. Elgar). The Gods Go a'Begging Suite (arr. Beecham). Solomon: Arrival of the Queen of Sheba. Handel at Bath Suite (arr. Bennett). The Faithful Shepherd Suite (arr. Beecham) |
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Overture in D, HWV 337/339 |
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Overture in D, HWV 424 |
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Overture to Arianna: Minuet. Arias from Rodelinda and Alessandro (arr. for flute and continuo.) Acis and Galatea: Arias |
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Overture to the Occasional Oratorio |
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Overture; Comfort Ye My People; Ev'ry Valley Shall be Exalted; And the Glory of the Lord; For Unto Us a Child is Born; There Were Shepherds Abiding in the Field; Glory to God; He Was Despised; Hallelujah; I Know that My Redeemer Liveth; Behold, I Tell You a Mystery; The Trumpet Shall Sound; Worthy is the Lamb That Was Slain; Amen |
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Overture; Comfort Ye; Every Valley; And He Shall Purify; 0 Thou That Tellest; For Unto Us; He Shall Feed; Come Unto Him; Hallelujah; I Know That My Redeemer; The Trumpet; Worthy Is the Lamb |
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Overtures |
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Overtures and Ballet Music: from Alcina, Ariodante, Børenice, Rodrigo, Agrippina, Solomon |
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Overtures to Athalia, The Occasional Oratorio, Il pastor fido, Radamisto, Rinaldo, Samson, Saul, Teseo |
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Overtures: Admeto; Alcina; Esther; Lotario; Orlando; Ottone; Partenope; Poro |
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Overtures: Flavio; Lotario; Il pastor fido (1712) |
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Overtures: Judas Maccabaeus; Faramondo; Julius Caesar (with Act I Minuet); Radamisto; Arminio; Deìdamia; Scipio. Sinfonías: Semele, Act I; Belshazzar |
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Parnasso in festa |
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Parnasso in festa, HWV 73 |
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Parnasso in festa, HWV 73: Da sorgente rilucente; Verginette doci e belle |
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Parnasso in Festa: Ho perso il caro ben |
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Partenope |
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Partenope, HWV 27 |
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Partenope: Combattono il mio core ... Furibondo spira il vento |
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Partenope: lo ti levo |
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Partenope: Sinfonia |
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Partenza di G. B., HWV 168 |
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Partita in d, HWV 448; |
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Partì, l’idolo mio, HWV 147 |
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Passacaglia |
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Passacaglia for Violin and Viola |
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Passacaglia in G Minor |
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Passacaglia in G Minor for Violin and Viola |
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Passacaglia in G Minor for Violin and Viola (arr. Halvorsen) |
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Passacaglia in g, HWV 432 (arr Best) |
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Passacaille in G Minor, HWV 430. Suites: No. 5 in E, HWV 430; No. 2 in F, HWV 427; No. 9 in B♭, HWV 434; No. 8 in F Minor, HWV 433. Chaconne in G, HWV 435 |
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Passacaille, op. 5/4 |
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Passion after B. H. Brockes |
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Pastorale, Tema con Variation! |
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Pastorella vaga bella: Solo per voi |
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Pastorella vagha bella |
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Pensieri notturni di filli, HWV 134 |
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Pensieri notturni di Filli: Nel dolce dell’oblio, HWV 134 |
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Pensieri, voi mi tormentate |
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Perché giuraro Amore, HWV 148 |
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Piano Concertos: in F, HWV 295; in A, HWV 296; in d, HWV 304; in F, HWV 305a |
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Pieces arr. by various hands for banjo and other instruments by |
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Pieces by |
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Poro, HWV 28: Caro amico amplesso |
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Poro, Rè dell'Indie |
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Poro, Rè dell'Indie: Caro amico amplesso! Se mai più sarò geloso; Se mai turbo il tuo riposo (aria and duet). Act III Sinfonia. Rinaldo: Scherzano sul tuo volto. Rodelinda: lo t'abbraccio. Siila: Sol per te, bell'idol mio. Sosarme: Per le porte del tormento. Faramondo: Caro, tu m'accendi. Atalanta: Amarilli? Oh Dei! che vuoi? Muzio Scevola: Vivo senz'alma, o bella. Orlando: Finché prendi. Serse: Gran pena è gelosia. Admeto, Rè di Tessaglia: Alma mia, dolce ristoro. Flavio, Rè di Longobardi: Ricordati, mio ben. Teseo: Addio, mio caro bene: |
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Prayer |
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Prelude and Allegro in G Minor. Six Fugues. Eight Pieces for Musical Clock. Allegro in C. Prelude in D Minor. Sonata in C. Capriccio in F |
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Prelude and Chaconne, HWV 442 |
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Prelude and Toccata |
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Prelude in F from the Suite, HWV 426 |
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Prelude in F, HWV 567 |
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Ptolemy, King of Egypt: Silent Worship |
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Ptolemy: Overture |
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Pupille sdegnose, sareste pietose, HWV 482/4 |
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Qual ti riveggio, oh Dio |
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Quando in calme ride il mare |
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Quel fior che all’alba ride |
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Quel fior che all’alba ride, HWV 200 |
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Radamisto |
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Radamisto, HWV 12: Ombra cara |
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Radamisto, HWV 12: Overture |
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Radamisto: Dolce bene |
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Radamisto: Ferite, uccidete, oh numi del ciel! |
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Radamisto: Gods all-powerful. Semele: O sleep! Why dost thou leave me? Messiah: He shall feed his flock; I know that my Redeemer Liveth; Praise ye the Lord |
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Radamisto: Ombra cara |
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Radamisto: Ombra cara di mia sposa |
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Radamisto: Ombra cara di mia sposa; Qual nave smarrita |
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Radamisto: Ombra cara di mia sposa; Qual nave smarrita; Vieni, d’empieta mostro crudele!; Vile! Se mi dai vita |
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Radamisto: Passacaille; Giga |
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Radamisto: Perfido, di a quell’empio |
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Radamisto: Quando mai spietata |
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Radamisto: Segni di crudeltà |
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Radamistro |
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Recorder Sonata in B♭ |
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Recorder Sonata in d, HWV 367a |
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Recorder Sonatas: in C, HWV 365; in F, HWV 369; in g, HWV 360; in a, HWV 362; in d, HWV 367a. Aria paraphrases from Alessandro: La cervetta; Son d’amore |
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Recorder Sonatas: in g, HWV 360; in a, HWV 362; in C, HWV 365; in d, HWV 367a; in F, HWV 369; in B♭, HWV 377 |
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Recorder Sonatas: in g, HWV 360; in C, HWV 365; in a, HWV 362; in F, HWV 369; in B♭, HWV 377; in d, HWV 367 a |
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Rejoice greatly. O Had I Jubal's Lyre |
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Riccardo Primo |
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Riccardo Primo |
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Riccardo Primo, HWV456/5: Overture |
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Riccardo Primo, Re d’Inghilterra: Agitato da fiere tempest |
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Riccardo Primo, re d’Inghilterra: Agitato da fiere tempeste |
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Riccardo primo: Agitato da fiere tempeste |
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Riccardo Primo: Overture |
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Rigadoon (Almira) |
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Rinaldo |
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Rinaldo HWV 7a: Preludio; Cara sposa; Tale stupor—Cor ingrate; Di speranza—Venti, turbine |
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Rinaldo, HWV 7: Overture; Sinfonia; Cara sposa; Il vostro maggio; Lascia ch’io pianga |
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Rinaldo, HWV 7a |
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Rinaldo, HWV 7a/7b: Fermati! No crudel |
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Rinaldo, HWV 7a: Il vostro maggio; Lascia ch’io pianga |
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Rinaldo, HWV 7a: Vieni, o cara |
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Rinaldo: Arias |
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Rinaldo: Armida, dispietata ... Lascia ch'io pianga |
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Rinaldo: Augelletti (Adagio); Vo’ far guerra |
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Rinaldo: Battaglia and Marcia, Or la tromba. Amadigi di Gaula: Destero dall'empia Dite. Samson: Let the bright Seraphim |
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Rinaldo: Cara sposa, amante care; Venti, turbini |
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Rinaldo: Combatti da forte; Furie terribili; Vo’far Guerra; Perché viva il caro sposo; Lascia ch’io pianga; Dunque I lacci d’un volto; Ah! Crudel, il piano mio; Venti, turbini; Sarabande; Menuet |
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Rinaldo: Excerpts. Alcina: Excerpts. Amadigi: Excerpts |
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Rinaldo: Fermati—No, crudel; Dunque i lacci; Ah! crudel. Alcina: Sinfonia; Ah! mio cor; Sta nell'lrcana; Verdi prati; Ah! Ruggiero crudel . . . Ombre pallide. Amadigi: Sinfonia; D'un sventurato amante .. . Pena tiranna; Mi deride l'amante . .. Desterò dall'empia Dite; Addio, crudo Amadigi . . . lo già sento & ¿ |
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Rinaldo: Hear my weeping |
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Rinaldo: Laschi ch’io pianga. Giulio Cesare: V’adoro pupille |
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Rinaldo: Lascia ch'io panga |
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Rinaldo: Lascia ch'io pianga |
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Rinaldo: Lascia ch'io pianga; Cara sposa; Overture |
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Rinaldo: Lascia ch'io piango |
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Rinaldo: Lascia chi’o pianga |
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Rinaldo: Lascia ch’io pianga |
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Rinaldo: Lascia ch’io Pianga |
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Rinaldo: Lascia ch’io pianga (arr. Stubbs) |
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Rinaldo: Lascia ch’io pianga (trans. Moszkowsky) |
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Rinaldo: Lascia ch’io pianga mia cruda sorte |
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Rinaldo: Lascia ch’io pianga. Vo’ far guerra |
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Rinaldo: Lascia ch’io piange |
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Rinaldo: Lascia ch’io piango |
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Rinaldo: Marcia; Battaglia; Or la tromba; Venti, turbini |
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Rinaldo: Ogni indugio; Cor ingrato; Venti, turbini; Cara sposa; Or la tromba' |
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Rinaldo: Or la Tromba. Cara sposa. Venti, turbini. Cor ingrato. Lascia ch'io pianga mia cruda sorte. Serse: Ombra mai fu. Partenopei Furibondo spira il vento. Agrippina: Bel piacere. Orlando: Fammi combattere |
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Rinaldo: Or la tromba. Giulio Cesare: Va tacito. Serse: Ombra mai fu. Giustino: Chi mi chiama alla gloria ... Se parla nel mio cor. Alcina: Verdi prati. Rodelinda: Vivi tiranno |
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Rinaldo: Or la tromba; Cara sposa; Cor ingrato; Venti turbini |
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Rinaldo: Or la Tromba; Cara sposa; Venti, turbini; Cor ingrato; Lascia ch'io pianga mia cruda sorte. Serse: Frondi, tenere; Ombra mai fu. Partenope: Furibondo spira il vento. Aggripina: Bel piacere. Orlando: Fammi combattere |
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Rinaldo: Scherzano sul tuo volto; Prelude; Cara sposa; Lascia ch'io pianga. Giulio Cesare in Egitto: Caro! Bella!; Overture; Da tempeste. Overture in D, HWV 337/338. Tolomeo: Se il cor ti perde. Rodelinda: Ombre, piante; lo t'abbraccio. Serse: Ombra mai fu |
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Rinaldo: Sibilar gli angui dAletto |
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Rinaldo: Sibilar gli angui d’Aletto |
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Rinaldo: Sibillar gli angui d’Aletto |
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Rinaldo: Sinfonia; Cara sposa; Or la tromba (arr. William Babeli for solo hpd) |
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Rinaldo: Venti, turbine, prestate |
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Rinaldo: Venti, turbine; Lascia ch’io pianga |
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Rinaldo: Venti, turbini; Cara sposa; Abbruggio, avvampo e fremo; E un incendio fra due venti; Ogni indugio d’un amante; Or la tromba; Tale stupor m’occupa; II Tricerbero umiliato |
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Rinaldo: Vo’ far guerra; Lascia ch’io piango (arr. Babell) |
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Rinaldo; Lascia ch'io pianga. A. SCARLATTI; Cara e dolce. Bellezza, che s'ama |
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Rinaldo; Lascia ch'io piango |
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Rindaldo: Cara sposa |
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Rindaldo: Venti, turbine; Scherzano sul tuo volto |
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Rodelina, HWV 19: Io t’abbracaccio |
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Rodelinda |
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Rodelinda Regina de’ Longobardi |
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Rodelinda, HWV 19: Overture |
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Rodelinda, regina de’ Longobardi |
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Rodelinda: Art thou troubled? |
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Rodelinda: Art thou troubled? Joshua: O had I Jubal's lyre. Theodora: Angels ever bright and fair. Samson: Let the bright seraphim |
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Rodelinda: Fatto inferno è il mio petto; Pastorello di povero armento |
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Rodelinda: Fatto inferno; Pastorello d’un povero armento |
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Rodelinda: Flute Sonata in b, HWV 367a |
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Rodelinda: Fra tempeste funeste; Con rauco mormorio |
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Rodelinda: Io t’abbraccio |
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Rodelinda: Io t’abbraccio (Sutherland, Nafé) |
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Rodelinda: Mio caro bene |
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Rodelinda: Ombre, piante, urne funesti!; Ho Perduto. Serse: Un cenno leggiadretto. Ottone: Vinto è l'amor. Giulio Cesare: Piangerò. Joshua: O Had I Jubal's Lyre |
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Rodelinda: Pompe vane di morte . . . Dove sei, amato bene?; Vivi, tiranno |
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Rodelinda: Pompe vane di morte! . . . Dove sei, amato bene? |
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Rodelinda: Scacciata dal suo nido |
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Rodelinda: Spietati; Ombre, plante. Riccardo Primo: Il volo cosi fido. Giulio Cesare: Se pietà; Piangerò; Da tempeste. Scipione: Scoglio d'immota fronte. Ottone: False Immagine; Affanni del pensler. Tamer lano. Se non mi vuol amar. Alessandro: L'Amor che per te sento. Flavio: Amante stravagante |
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Rodelinda: Vivi tiranno |
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Rodelinda: Vivi, tiranno. Rinaldo: Fermati! No, crudeli |
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Rodelinde a¿ |
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Rodrigo |
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Rodrigo: Overture: Passacaille |
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Rodrigo: Passacaille |
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Rodrigo: Per dar pregio all’amor mio |
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Rodrigo: Suite, HWV 5 |
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Roman Vespers |
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Rondeau in G |
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Rondeau in G (attr.) |
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Rondo. Arioso |
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Roya/Fireworks Music: Bourrée; Menuett |
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Royal Fireworks Music (original scoring). Water Music (extended suite) |
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Royal Fireworks Music. Concerto Grosso in F. Overture to “Berenice“ |
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Royal Fireworks Music. Concertos for Oboe, Strings, and Continuo: No. 1 in B-Flat; No. 2 in B-Flat; No. 3 in G Minor |
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Royal Fireworks Music. Four Coronation Anthems |
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Royal Fireworks Music. March for Trumpet, Oboe, and Bassoon. Concerto Grosso in C (“Alexander's Feast“). Muzio Scevola: Overture. Silla: Overture |
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Royal Fireworks Music. Water Music |
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Royal Fireworks Music. Water Music: Excerpts |
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Royal Fireworks Music: La Réjouissance |
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Royal Fireworks Music: Overture |
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Royal Fireworks: Suite. Water Music: Suite |
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S/7efe venti, HWV 242. Laudate pueri Dominum, HWV 237 |
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Sacred Arias and Orchestral Music |
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Sacred Arias with Harp and Harp Duets |
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Saeviat tellus inter rigores. Laudate pueri Dominum, HWV 237 Salve Regina. Dixit Dominus |
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Salve Regina |
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Salve Regina, HWV 241 |
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Salve Regina. Apollo e Dafne: Felicissima quest’alma |
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Salve Regina. O qualîs de coelo sonus |
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Salve Regina. Semele : Endless Pleasure, Endless Love; My Racking Thoughts; O Ecstasy of Happiness! … Myself I Shall Adore |
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Samson |
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Samson, HWV 57, “Let the Bright Seraphim” |
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Samson, HWV 57: Let the Bright Seraphim. Ode for the Birthday of Queen Anne, HWV 74: Eternal source of light divine. O! come chiare e belle, HWV 143: Alle voci del bronzo guerriero |
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Samson, HWV 57: Overture; Total eclipse; Thus when the sun |
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Samson: Awake the Trumpet's Lofty Sound. Air and Variations. Sonata No. 2. Judas Macca-baeus: See, the Conquering Hero Comes |
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Samson: Hear, Jacob’s God; Let the Bright Seraphim |
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Samson: Honour and Arms |
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Samson: Honour and arms |
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Samson: Honour and arms scorn such a foe |
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Samson: Let the bright Seraphim |
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Samson: Let the bright seraphim |
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Samson: Let the Bright Seraphim |
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Samson: Let the Bright Seraphim. Birthday Ode for Queen Anne: Eternal Source of Light Divine |
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Samson: Let the bright Seraphim. Giulio Cesare in Egitto: E pur così... Piangerò |
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Samson: Let the Bright Seraphim. Suite in D |
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Samson: Overture |
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Samson: Overture; Let the Bright Seraphim? Joseph and His Brethren: Overture; Semele: Overture; Where e'er You Walk;* Jeptha: Overture; Wañ Her, Angels through the Skies? Susanna: Overture; The Oak That fora Thousand Years; Judas Maccabaeus: Overture; See, the Conqu'r Hero Comes; Solomon: Overture; Will the Sun Forget to Streak;' Arrival of the Queen of Sheba |
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Samson: Return, o God of Hosts |
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Samson: Return, of God of Hosts |
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Samson: Torments, alas, are not confin’d….Total eclipse!; My griefs for this….Why does the God of Israel sleep?; Your charms to ruin led the way; Let but that spirit….Thus when the sun from’s wat’ry bed |
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Samson: Total eclipse; Did love constrain thee? Your charms to ruin led the way; Let but that spirit; Thus when the sun from’s wat’ry bed |
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Samson: With plaintive note |
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Samson: With plaintive notes. Alcina: Tornami a vagheggiar |
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Samson: “Come, All Bright Seraphim.“ Messiah: “The Trumpet Shall Sound.“ |
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Sarabanda |
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Sarabande |
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Sarabande (from Suite for Harpsichord No. 11) |
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Sarabande and Variations |
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Saul |
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Saul, HWV 53 |
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Saul: Dead March |
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Saul: Fell rage and black despair; O Lord, whose mercies numberless; Symphony; David's harp solo; Sin not, of King; Fly, fly, malicious spirit fly; Menuet |
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Saul: O filial piety!...No, cruel father, no!; Ah, dearest friend….But sooner Jordan’s stream |
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Saul: O Lord, whose mercies numberless |
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Saul: O Lord, whose Mercies numberless |
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Saul: Oh Lord, whose mercies; David's harp solo; Fly, fly malicious spirit. Jephtha: In gentle murmurs will I mourn; Sweet as sight; Sinfonia (harp duet). Messiah: He was despised; “Pifa“ (harp duet). Judas Maccabaeus: So rapid thy course; Father of Heav'n; March (harp duet); Solomon: Haste to the Cedar Grove; The Arrival of the Queen of Sheba (harp duet). Samson: Return, oh God of hosts |
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Saul: Sinfonia |
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Saul: Sinfonia; O Lord, whose mercies numberless. Messiah: But who may abide; If God be for us. Concerto grosso in D, op. 3/6: Movement I. Solomon: Ouverture. Almighty power; Bless'd be the Lord... What though I trace. Theodora: Ouverture. As with rosy steps |
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Saul: Symphony |
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Scherza infida |
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Scipio: March. Royal Fireworks Music: March; Réjouissance |
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Scipione |
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Scipione: Scoglio d’immota fronte |
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Se Maria dunque spera. Se impassibile, immortale |
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Se pari è la tua fè, HWV 158a |
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Se tu non lasci amore |
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Se tu non lasci amore, HWV 201a |
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See, the Conquering Hero Comes |
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Sei Duetti per due flauti Soli |
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Selections by |
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Selections from Alexander Balus. Belshazzar. Hercules. Joseph and His Brethren. Joshua. Judas Maccabaeus. Solomon. Susanna. Theodora |
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Seme/e: Where'er you walk. Il Pastor Fido: Caro Amor. Atalanta: Care selve |
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Semele |
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Semele Where’er you walk |
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Semele: Awake, Saturnia ... Iris, Hence Away |
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Semele: Endless Pleasure, Endless Love; My Racking Thoughts; O Ecstasy of Happiness! … Myself I Shall Adore. Solomon: Arrival of the Queen of Sheba |
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Semele: Endless pleasure; Myself I shall adore; O sleep, why dost thou leave me? Giulio Cesare: V’adoro, pupille; Se pietà di me non senti; Da tempeste il legno infranto |
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Semele: Endless pleasure; Myself I shall adore; O sleep. Giulio Cesare: V’adoro, pupille; Se pietà; Da tempeste |
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Semele: Hence, Iris hence away |
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Semele: Myself I shall adore. Endless pleasure, endless love |
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Semele: Now all this scene . . . Where’er you walk; Oh sleep; Hence, Iris, hence away |
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Semele: O sleep, why dost thou leave me? |
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Semele: O Sleep, why dost thou leave me?; Cara sposa; Where’er you walk |
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Semele: O sleep, why dost thou leave me?; Endless pleasure. Scipione: Scoglio d'immota fronte. Orlando: Quando spieghi i tuoi tormenti. Serse: Ombra mai fu. Samson: To fleeting pleasures make your court; Let the bright Seraphim Rinaldo: Lascia ch'io pianga; Dungue, i lacci d'un volto . .. Ah! crudel. Giulio Cesare: V'adoro, pupille; Da tempeste il legno infranto. Rodelinda: Ritorna, o caro e dolce mio tesoro. Lotario: Sommo rettor del cielo . . . D'una torbida sorgente. Agrippina: Pensieri, voi mi tormentate; Bel piacere è godere fido amor! Alexander Balus: Calm thou my soul. . . Convey me to some peaceful shore |
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Semele: Were’er you walk |
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Semele: Where ere you walk |
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Semele: Where'er You Walk |
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Semele: Where'er you walk |
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Semele: Where'er you walk. Atalanta: Like as the lovelorn turtle |
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Semele: Where’er you walk |
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Semole: Where'er you walk. IIpastor fido: Caro amor. Atalanta: Come, my beloved |
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Semole: Where’er you walk |
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Sento la gioia; Atalanta: Overture; Eternal Source of Light Divine; Suite in D: Water Piece; Oboe Concerto in B♭ |
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Sento là che ristretto, HWV 161b |
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Serse |
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Serse, HWV 40: Troppo oltraggi la mia fede |
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Serse.- Ombra mai fu (Largo) |
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Serse: Crude furie |
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Serse: Crude furie degl’orridi abissi |
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Serse: Del mio caro Bacco amabile |
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Serse: Frondi tenere . . . Ombra mai fu |
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Serse: Frondi tenere . . . Ombra mai fu. Hercules: Where shall I fly? Semele: Awake, Saturnia . . . Iris, hence away! Giulio Cesare in Egitto: Al lampo dell’armi; Dall’ondoso periglio . . . Aure, deh, per pietà; Priva son d’ogni conforto; Madre!. . . Son nata a lagrimar? |
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Serse: Frondi tenere . . . Ombra mai fu. Semole: Where’er you walk. Saul: Such haughty beauties; Oh Lord, whose mercies numberless (with Frances Kelly, hp); Rodelinda, regina de’ Longobardi: Vivi, tiranno!; Con rauco mormorio (with Sara Fulgoni, sop) |
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Serse: Frondi tenere ... Ombra mai fu |
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Serse: Frondi tenere e belle . . . Ombra mai fu |
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Serse: Frondi tenere e belle . . . Ombra mai fu; Più che penso; Crude furie |
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Serse: Frondi tenere … Ombra mai fu |
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Serse: Largo |
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Serse: Ne men con l’ombre |
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Serse: Ombra mai fu |
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Serse: Ombra mai fu (Largo) |
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Serse: Ombra mai fu (Mária Basilides, soprano) |
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Serse: Ombra mai fu (“Largo”) |
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Serse: Ombra mai fu. Acis and Galatea: Love sounds th'alarm; Would you gain the tender creature. Esther: Tune your harps. Athaliah: Gentle airs, melodious strains. Judas Maccabaeus: So shall the lute and harp awake. Samson: Total eclipse. Messiah: Ev'ry valley. Haman and Mordecai: Praise the Lord with cheerful noise. The Choice of Hercules: There the brisk sparkling Nectar. Joshua: While Kedron's brook. Rinaldo: Lascia ch'io piange. Semele: Where'er you walk; O sleep, why does thou leave me? Ode for St. Cecilia's Day: Sharp violins proclaim. Amadigi: Ah! spietato |
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Serse: Ombra mai fu. Acls and Galatea: Love sounds the alarm; Would you gain the tender creature. Esther: Tune your harps to cheerful strains. Athalia: Gentle airs. Judas Maccabaeus: So shall the lute and harp awake. Samson: Total eclipse. Messiah: Comfort ye; Ev'ry valley. Haman and Mordecai: Praise the Lord. The Choice of Hercules: There the brisk sparkling Nectar. Joshua: While Kedron's brook. Rinaldo: Lascia ch'io piange. Semele: Where'er you walk; O sleep, why dost thou leave me? Ode for St. Cecilia's Day: Sharp violins proclaim. Amadigi: Ah! spietato |
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Serse: Ombra mai fu. Hercules: Where shall I fly. Ariodante: Dopo Notte. Semele: Hence, Iris, hence away. Rinaldo: Cara sposa |
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Serse: Ombra mai fu. Hercules: Where shall I fly. Semele: Iris, hence away. Giulio Cesare: Al lampo; Aure, deh, per pieta; Priva son d'ogni conforto; Son nata a lagrimara |
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Serse: Ombra mai fu. Rodelinda: Dove sei, amato bene? Ariodante: Dopo notte. Rinaldo: Cara sposa. Hercules: Where shall I fly? |
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Serse: Ombra mai fu. “STRADELLA“ (i.e., NIEDERMEYER): Pietà, Signore |
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Serse: Ombra mai fu; Crude furie degli’ orridi abissi |
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Serse: Ombra mai fui |
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Serse: Ombra mai fù |
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Serse: Si, la voglio |
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Serse: Va godendo |
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Serse: Va godendo vezzoso e bello (Giuseppe Anselmi); Fronde tenere ... Ombra mai fu (Enrico Caruso) |
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Serse: Vo godendo vezzoso e bello |
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Seven Concerti Grossi, Op. 3. Concerto Grosso in C from “Alexander's Feast.“ |
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Seven Trio Sonatas, Op. 5. Trio Sonata in E for Two Violins and Continuo, HWV 394. Trio Sonata in C for Two Violins and Continuo, HWV 402 (“Saul“) |
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Sharp thorns despising |
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Silete venti |
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Silete venti, HWV 242 |
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Silete Venti, HWV 242 |
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Silete venti, HWV242. Rinaldo, HWV 7: Overture. Agrippina condotta a morire, HWV 110. Flavio, HWV 16: Overture |
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Silete venti. Cecilia, volgi un sguardo |
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Silete venti. Coelestis dum spirat aura. Salve Regina |
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Silete venti. Laudate pueri |
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Silete venti. Saeviat tellus. O qualis de coelo sonus. Coelestis dum spirat aura |
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Silla |
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Sinfonia |
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Sinfonia and Gavotte |
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Sinfonia in B♭, HWV 339 |
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Sinfonia in B♭. Violin Concerto in B♭ |
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Sinfonia. Comfort ye. Every valley. For unto us. And suddenly. Glory to God. Rejoice greatly. Surely he hath borne. All we like sheep. Why do the nations. Hallelujah. I know that my redeemer. Worthy is the lamb. Amen |
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Sing-Along Messiah |
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Siroe, HWV 24: Gelido in ogni vena; Tu di pietà mi spogli |
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Siroe, re di Persia, HWV 24 |
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Siroe, re di Persia: Ch'io mai vi possa. Te Deum: Dignare, Domine |
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Siroe, re di Persia: Deggio morire, o stele; Son stanco, ingiusti Numi |
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Siroe, re di Persia: Son stanco.... Deggio morire, o stelle |
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Siroe: Ch’io mai vi possa lasciar d’amare |
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Siroe: Ove son? Che m’avvenne…. Gelido in ogni vena |
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Siroe: Overture; Se il mio paterno amore; Gelido in ogni vena |
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Sirœ: Ch'io mai vi possa. Dettingen Te Deum: Vouchsafe, O Lord. Messiah: He was despised. L'Allegro: Let me wander |
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Six Concerti Grossi, Op. 3 |
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Six Concerti Grossi, op. 3 |
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Six Concerti Grossi, op. 3. Movement published by Walsh as second movement of op.3, no. 6 |
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Six Concerti Grossi, Op. 3. Twelve Concerti Grossi, Op. 6 |
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Six Concerto Grossi, op. 3 |
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Six Concertos for Organ, Orchestra, and Continuo, Op. 4 |
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Six Concertos for Organ, Orchestra, and Continuo, Op. 4. Concerto No. 14 in A for Organ, Orchestra, and Continuo, HWV 296 |
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Six Concertos for Organ, Orchestra, and Continuo, Op. 4. Concertos for Organ, Orchestra, and Continuo: No. 13 in F( The Cuckoo and the Nightingale“); No. 14 in A. Sonata in D (from) I trionfo del Tempo e del Disinganno) |
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Six Concertos for Organ, Orchestra, and Continuo, Op. 7. Concertos for Organ, Orchestra, and Continuo: No. 13 in F, HWV 295 (The Cuckoo and the Nightingale); No. 15 in D Minor, HWV 304 |
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Six Concertos for Organ, Orchestra, and Continuo, Op. 7. Concertos for Organ, Orchestra, and Continuo: No. 15 in D minor; No. 16 in F. Three Movements associated with Concerto No. 16 |
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Six Sonatas for Recorder and Continuo |
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Six Sonatas for Two Oboes and Continuo |
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Six Sonatas for Two Oboes and Continuo: No. 1 in B♭, HWV 380; No. 2 in D minor, HWV 381; No. 3 in d, HWV 382; No. 4 in F, HWV 383; No. 5 in G, HWV 384; No. 6 in D, HWV 385 |
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Six Sonatas for Violin and Klavier, from Op. 1 |
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Six Trio Sonatas, op. 2 |
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Six Tunes for Clay's Musical Clock. Sets I and II. Xerxes: Largo. Voluntary II. Voluntary IV. Voluntary IX. Concerto No. 13 in F. (“The Cuckoo and the Nightingale“) |
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Sixteen Concertos for Organ and Orchestra |
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So Shall the Lute and Harp Awake |
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Solo Cantatas and Opera Arias |
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Solo Sonatas |
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Solomon |
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Solomon, HWV 67: Welcome as the dawn of day |
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Solomon: Almighty power; Welcome as the dawn of day. The Choice of Hercules: Yet can I hear that dulcet lay. Sono liete, fortunate: Crudeltà ne lontananza Deborah: Impious mortal. Esther: Tune your harps. The Occasional Oratorio: Thou shalt bring them in. Rinaldo: Or la tromba. Ode for the Birthday of Queen Anne: Eternal source of light |
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Solomon: Arriva! Of the Queen Of Sheba |
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Solomon: Arrival of the Queen of Sheba |
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Solomon: Arrival of the Queen of Sheba (London Philharmonic Orchestra conducted by Sir Thomas Beecham) |
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Solomon: Arrival of the Queen of Sheba (Sinfonia) |
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Solomon: Arrival of the Queen of Sheba. Berenice: Minuet. Messiah: Pastoral Symphony |
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Solomon: Arrival of the Queen of Sheba. Berenice: Overture: Minuet. Water Music: Air and Hornpipe |
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Solomon: Arrival of the Queen of Sheba. Harpsichord Suite No. 5: “The Harmonious Blacksmith.“ |
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Solomon: Arrival of the Queen of Sheba. Violin Concerto in B♭: Andante. Concerto a due cori No. 2 In F: Allegro ma non troppo. Water Music: Allegro in F |
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Solomon: Arrival of the Queen of Sheba. Water Music: Excerpts |
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Solomon: Beneath the Vine. Dettingen Te Deum: Verlich uns Herr, zu schirmen. The Choice of Hercules: |
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Solomon: Bless'd the day; With thee th'unsheltered moor; Ev'ry sight these eyes behold; Will the sun forget to streak. Acis and Galatea: As when the dove |
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Solomon: Entrance of the Queen of Sheba. Water Music: Air, Bourrée, Hornpipe |
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Solomon: May no rash intruder |
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Solomon: May peace in Salem . . . Will the sun forget to streak |
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Solomon: Overture: Fugue (arr. Beethoven for str qrt, Hess 36) |
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Solomon: Praise the Lord, HWV 67 |
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Solomon: Sinfonia (“Arriva! of the Queen of Sheba“). Berenice: Overture, Minuet, and Gigue. Water Music: Air and Hornpipe |
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Solomon: Sinfonia (“The Arrival of the Queen of Sheba“) |
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Solomon: Sinfonia in B♭ (Act III). Serse: Largo in F |
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Solomon: Sinfonia in B♭. Xerxes: Largo in F (arr. strings) |
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Solomon: The Arrival of the Queen of Sheba |
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Solomon: Will the Sun forget to streak |
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Solomon: Your harps and cymbals sound; When the sun o'er yonder hills; Swell the full chorus; Will the sun forget to streak |
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Son gelsomino, HWV 164a-b; Figli del mesto cor, HWV 112; Dolc'è pur d'amor l'affanno, HWV 109a-b; Clori degli occhi miei, HWV91a-b; Ho fuggito Amore, HWV 118; Irene, idolo mio, HWV 120a-b; La solitudine: L'aure grate, HWV 121a-b; Nel dolce tempo, HWV 135 |
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Sonata [No. 4] in D for Violin and Piano, op. 1, no. /3 |
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Sonata a 5 in B♭ |
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Sonata a 5 in B♭. Armida abbandonata—Cantata. Organ Concerto No. 13 in F (“The Cuckoo and the Nightingale“) |
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Sonata da camera (after Violin Sonata in F, op. 1/12, HVW 370). Oboe Concerto No. 1 in B♭ Allegro, HVW 301 |
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Sonata for 2 Violins and Keyboard in g, op. 2/7 |
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Sonata for a Harpsichord with Double Keys, HWV 579 |
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Sonata for Alto Recorder in d, HWV 367 |
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Sonata for Two Violins: Adagio and Allegro |
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Sonata for Violin and Continuo in F, op. 1/12 |
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Sonata II in E Minor. Ouverture |
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Sonata in A |
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Sonata in A minor |
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Sonata in A Minor, op. 1, no. 4 |
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Sonata in A, HWV 361 |
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Sonata in a, op. 1/4 |
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Sonata in A. Sonata in F |
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Sonata in A; Adagio (arr. Alain). Suite in D |
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Sonata in B Minor for Flute and Continuo (Hallé No. 3) (Robert Veyron-LaCroix, harpsichord) |
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Sonata in B Minor, op. 1, no. 9 |
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Sonata in b, HWV 367a |
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Sonata in B♭, HWV 377 |
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Sonata in C |
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Sonata in C for Recorder and Continuo, Op. 1, No. 7 |
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Sonata in C for Tuba and Organ, after Recorder Sonata, op. 1, no. 7. ' |
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Sonata in C, HWV 365 |
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Sonata in C, Op. 1, No. 7 |
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Sonata in c, op. 1/8 |
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Sonata in D for Flute and Continuo |
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Sonata in D for Flute and Continuo, HWV 378 |
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Sonata in D for Recorder and Continuo. Sonata in C for Flute and Continue |
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Sonata in D minor for Flute and Continuo |
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Sonata in d, HWV 386a |
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Sonata in D, op. 1, no. 13, HWV371: Larghetto |
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Sonata in E (recorded March 21, 1967). Aria from Dettingen Te Deum (arr. Carl Flesch, recorded February 14, 1954) |
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Sonata in e, HWV 374: Minuetto |
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Sonata in F |
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Sonata in F for Flute and Continuo. Walther |
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Sonata in F for Recorder and Continuo, HWV 371 |
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Sonata in F for Violin and Continuo [transcribed for Trumpet and Continuo), Op. 1/12 |
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Sonata in F for Violin and Continuo, Op. 1, no. 12 |
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Sonata in F minor |
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Sonata in F minor, Op. 1, No. 2 |
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Sonata in F, HWV 363a |
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Sonata in F, op. 1, no. 11 |
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Sonata in F, op. 1, no. 12 |
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Sonata in F, Op. 1,No. 11 |
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Sonata in F, op. 1,no. 11 |
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Sonata in F, op. 2, no. 3 (arr. Machamer for vibraphone, violin, and piano) |
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Sonata in G |
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Sonata in G for Flute and Continuo, op. 1, no. 5 |
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Sonata in G for Two Violins and Continuo, Op. 5, no 4, HVW 399 |
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Sonata in G minor for Treble Recorder and Harpsichord, Op. 1, No. 1 |
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Sonata in G Minor for Trombone and Organ. Concerto In B♭ for Trombone and Organ |
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Sonata in G minor for Two Bassoons and Continuo, Op. 2, No. 8 |
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Sonata in G Minor for Violin and Continuo |
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Sonata in G Minor for Violin and Keyboard, Op. 1, No. 10 |
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Sonata in G minor, Op. I, No. 6 (oboe, continuo) |
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Sonata in g, HWV 364b |
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Sonata in g, HWV 394 |
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Sonata in G, HWV 579 |
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Sonata in G, HWV 579 (alt). Amarilli vezzosa |
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Sonata in g, HWV 580: Larghetto |
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Sonata in g, HWV364b: Larghetto |
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Sonata in g, op. 1/6 |
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Sonata in G, Op. 5,No. 4 |
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Sonata No. 1 in B-Flat; Sonata No. 4 in F; Sonata No. 5 in G; Sonata No. 6 in D |
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Sonata No. 3 in F for Violin and Piano, op. 1, no. 12 |
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Sonata No. 4 in D for Violin and Piano. Sonata No. 6 in E for Violin and Piano |
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Sonata No. 4 in D for Violin and Piano“ |
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Sonata No. 5 in A for Violin and Piano |
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Sonata No. 6 in E for Violin and Continuo, op. 1, no. 15 |
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Sonata No. 7 in C. Sonata in a |
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Sonata à 5 in B♭, HWV 288 |
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Sonata à 5, HWV 288: Andante |
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Sonata “No. 2“ in E for Violin and Piano, op. 1, no. 15 |
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Sonatas by |
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Sonatas for 2 Cellos and Piano: in g; in C |
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Sonatas for Flute and Continuo |
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Sonatas for Flute and Continuo, op. 1: No. 1b in E Minor; No. 2 in G Minor; No. 4 in A Minor; No. 5 in G; No. 7 in C; No. 9 in B Minor; No. 11 in F |
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Sonatas for Flute and Continuo: in E minor, Op. 1, No. 1A ; in E minor, Op. 1, No. IB; in G, Op. 1, No. 5; in B minor, Op. 1, No. 9; in A minor Wallé No. 1); in E minor Wallé No. 2); in B minor Wallé No. 3). Trio Sonatas: in G for Oboe, Violin, and Continuo; in B Minor for Flute, Violin, and Continuo, Op. 2, No. 1B; in F for Recorder, Violin, and Continuo, Op. 2, No. 4. Concerto a quattro in D minor for Flute, Violin, Cello, and Continuo |
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Sonatas for Flute and Continuo: in E Minor, op. 1, no. 1a; in A Minor (“Halle“ No. 1); in E Minor (“Halle“ No. 2). Sonatas for Recorder and Continuo: in C, op. 1, no. 7; in F, op. 1, no. 11 |
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Sonatas for Flute and Continuo: in E minor, Op. 1, No. la; in E minor, Op. 1 ,No. 1 b; in G, Op. 1, No. 5; in B minor, Op. 1, No. 9; in A minor (“Halle No. 1 “); in E minor (' Halle No. 2“); in B minor (“Halte No. 3“). Sonatas for Recorder and Continuo: in G minor, Op. 1. No. 2; in A minor, Op. 1, No. 4; in C, Op. 1, No. 7; in F, Op. 1, No. 11; in B (“Fitzwilliam No. 1“); in D minor (“Fitzwilliam No. 2“); in D minor (“Fitzwilliam No. 3“) |
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Sonatas for Flute and Harpsichord |
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Sonatas for Oboe and Continuo: in C minor, Op. 1, No. 8, HWV 366, in B♭, HWV 357; in F, Op. 1, No. 5, HWV 363a; in G minor, Op. 1, No. 6, HWV 364. Trio Sonatas: in C minor for Violin, Oboe, and Continuo, Op. 2, No. 1, HWV 386a; in F for Oboe, Bassoon, and Continuo, HWV 405 |
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Sonatas for Oboe and Continuo: in G Minor, Op. 1, No. 6; in B-Flat; in C Minor, Op. 1, No. 8 |
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Sonatas for Oboe and Continuo: in G Minor, Op. 1, no. 6; in C Minor, Op. 1, no. 8 |
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Sonatas for Oboe and Continuo: No. 1 in C minor, Op. 1, No. 8; No. 2 in d (“Fitzwilliam“); No. 3 in F (after Op. 1, No. 5). Trio Sonatas for Two Oboes and Continuo: in Eb, Op. 2, No. 3; in F, Op. 2, No. 4; in G minor, Op. 2, No. 5 |
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Sonatas for Oboe and Continuo: No. 1 in C minor, Op. 1, No. 8; No. 2 in fť (Fitzwilliam); No. 3 in F(after Op. 1, No. 5). Trio Sonatas for Two Oboes and Continuo: in B♭, Op. 2, No. 3; In F, Op. 2, No. 4; in G minor, Op. 2, No. 5 |
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Sonatas for Oboe and Contìnuo, Op. 1, Nos. 6 and 8; Trio Sonatas for Two Oboes and Continuo, in D-Minor and E-Flat |
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Sonatas for Oboe and Contìnuo: in C minor, Op. 1, No. 8, HWV 366; in B♭, HWV 357; in F, Op. 1, No. 5, HWV 363a (Black, Malcolm, Sheen). Trio Sonatas: in F, HWV 405 (Petri, Stein, Malcolm, Vigay); in B“, HWV 338 (Sillito, Latchem, Malcolm, Vigay); in E minor, HWV 395 (Bennett, Wye, Malcolm, Vigay) |
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Sonatas for Recorder and Basso Continuo: in C, HWV 365; in A Minor, HWV362; In F, HWV 369; in D Minor, HWV 367a; in B♭, HWV 377; in G Minor, HWV 360; In G, HWV 363b |
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Sonatas for Recorder and Continuo |
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Sonatas for Recorder and Continuo (complete) |
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Sonatas for Recorder and Continuo, op. 1: No. 11 in F; No. 4 in A Minor; No. 2 in G Minor; No. 7 in D. Sonatas In ♭; for Recorder and Continuo in D Minor. Trio Sonata in F for Two Recordera and Contìnuo |
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Sonatas for Recorder and Continuo: in C, Op. 1, no. 7; inA Minor, Op. 1, no. 4; in F, Op. 1, no. 11; in C Minor, Op. 1, no. 2 |
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Sonatas for Recorder and Continuo: in F, op. 1, no. 11 ; in E Minor |
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Sonatas for Recorder and Continuo: in G minor, Op. 1, No. 2; in A minor, Op. 1, no. 4; in C, Op. 1, No. 7; in F, Op. 1,No. 11; in E♭; in D minor (Brüggen, Leonhardt, Bylsma). Sonata in D minor for Oboe and Con-f/mio(Schaeftlein, Tachezi, Harnoncourt). Trio Sonatas: in B minor for Flute, Violin, and Continuo, Op. 2, No. 1b (Brüggen, Harnoncourt, Tachezi, Harnoncourt); in D minor for Two Violins and Continuo (Harnoncourt, Pfeiffer, Tachezi, Harnoncourt); in F for Recorder, Violin, and Continuo, Op. 2, No. 5 (Brüggen, Harnoncourt, Tachezi, Harnoncourt); in F for Oboe, Bassoon, and Continuo (Schaeftlein, Turkovic, Tachezi, Harnoncourt) |
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Sonatas for Recorder and Continuo: No. 1 in G minor, Op. 1, No. 2, HWV 360; No. 2 in A minor, Op. 1, No. 4, HWV 362; No. 3 in C, Op. 1, No. 7, HWV 365; No. 4 in F, Op. 1, No. 11, HWV 369. No. 5 in B♭ (HWV 367a); No. 6 in D minor (HWV 377). Sonata in D for Flute and Continuo, HWV 378. Sonatas for Oboe and Continuo: No. 1 in C minor, Op. 1, No. 8, HWV 366; No. 2 in 8* (Fitzwilliam); No. 3 in F, from Op. 1, No. 5, HWV 363a. Trio Sonata in F for Two Recorders and Continuo, HWV 405 |
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Sonatas for Recorder and Continuo: No. 1 in G minor, Op. 1, No. 2, HWV 360; No. 2 in A minor, Op. 1, No. 4, HWV 362; No. 3 in C, Op. 1, No. 7, HWV 365; No. 4 in F, Op. 1, No. 11, HWV 369; No. 5 in D minor, HWV 367a; No. 6 in Br“. HWV 377 V FHzwitliam') |
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Sonatas for Recorder and Continuo: No. 1 in G minor, Op. 1, No. 2; No. 2 in A minor, Op. 1, No. 4; No. 3 in C, Op. 1, No. 7; No. 4 in F, Op. 1, No. 11; No. 5 in B♭ (.“Fitzwilliam“); No. 6 in D minor (.“Fitzwilliam“) |
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Sonatas for Recorder and Harpsichord, op. 1: No. 2 in G; No. 4 in A Minor; No. 7 in C; No. 9 in D Minor (orig. B Minor); No. 11 in F. Sonata in B♭ |
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Sonatas for Recorder in A Minor, Op. 1, No. 4, and D Minor |
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Sonatas for Two Cellos: in g; in C |
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Sonatas for Violin and Continue |
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Sonatas for Violin and Continuo, Op. 1: No. 1b in D minor; No. 6 in G minor; No. 14 in A; No. 12 in F; No. 3 in A; No. 10 in G minor; No. 13 in D |
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Sonatas for Violin and Continuo: in A, Op. 1, no. 3; in G Minor, Op. 1, no. 6; in G Minor, Op. 1, no. 10;in F, Op. 1, no. 12;in D, Op. 1, no. 13;in A, Op. 1, no. 14;in E, Op. 1, no. 15; in D Minor. Fantasia in A for Violin and Continuo |
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Sonatas for Violin and Continuo: in D minor, original version of Op. 1, No. 1, HWV 359a; in G minor, Op. 1, No. 6, HWV 364a; in A, Op. 1, No. 3, HWV 361; in D, Op. 1, No. 13, HWV 371; Sonata Movements: in C minor (Allegro), HWV 412; in A minor, HWV 408. Sinfonia in d for Two Violins and Continuo, HWV 338. Sonata in C for Two Violins and Continuo, HWV 403. Sonata in E minor for two flutes and Continuo, HWV 395. Sonata in G for Recorder and Continuo, HWV 358. Suite in D for two Clarinets and Horn, HWV 424 |
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Sonatas for Violin and Harpsichord |
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Sonatas for Violin and Harpsichord, Op. 1 : No. 3 in A; No. 12 in F; No. 14 in A; No. 13 in D; No. 10 in G Minor, No. 15 in E |
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Sonatas for Violin and Harpsichord, Op. 1, Nos. 10, 11, 12, 6,13, 3,14,15. Josef Suk, violin |
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Sonatas for Violin and Keyboard: No. 4 in D; No. 6 in E |
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Sonatas for Woodwinds, Volume 1. Sonatas for Transverse Flute or Oboe and Continuo |
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Sonatas from Delirio amoroso, HWV 99; Tu fedel? Tu costante?, HWV 171 |
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Sonatas in F & G, HWV 427a & 579 |
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Sonatas in: G, HWV 358; d, HWV 359a; A, HWV 361; g, HWV 364a; d, HWV 367b; D, HWV 371 |
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Sonatas op 1: in F, “Hautb. Solo del Sr. Hendel” |
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Sonatas op 1: No. 1 in e |
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Sonatas op 1: No. 10 in g |
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Sonatas op 1: No. 11 in F |
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Sonatas op 1: No. 12 in F |
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Sonatas op 1: No. 14 in A |
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Sonatas op 1: No. 15 in E |
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Sonatas op 1: No. 2 in g |
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Sonatas op 1: No. 3 in A |
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Sonatas op 1: No. 4 in a |
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Sonatas op 1: No. 5 in G |
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Sonatas op 1: No. 6 in g |
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Sonatas op 1: No. 7 in C |
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Sonatas op 1: No. 8 in c |
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Sonatas op 1: No. 9 in b |
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Sonatas, Op. 1: No. 3 in A; No. 10 in G minor; No. 12 in F; No. 13 in D; No. 14 in A; No. 15 in E |
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Sonatas, Op. 5: No. 1 in A, HWV 396; No. 2 in D, HWV 397; No. 3 in E minor, HWV 398; No. 4 in G, HWV 399; No. 5 in G minor, HWV 400; No. 6 In F, HWV 401; No. 7 in B♭, HWV 402 |
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Sonatas, Op. 5: No. 1 in A, HWV396; No. 2 in D, HWV 397; No. 3 in E minor, HWV 398; No. 4 in G, HWV 399; No. 5 in G minor, HWV 400; No. 6 in F, HWV 401; No. 7 in Bb, HWV 402 |
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Sonatas: for Recorder and Continuo: in C, Op. 1, No. 7; in G minor, Op. 1, No. 2; in D minor (“Fitzwilliam “); in G ("Fitzwilliam“); in A minor, Op. 1, No. 4; in F, Op. 1, No. 11 ; in B♭ ("Fitzwilliam" ); for Flute and Continuo: in D; in G, Op. 1, No. 5; in E minor, Op. 1, No. 1b; in B minor, Op. 1, No. 9; for Oboe and Continuo: in G minor, Op. 1, No. 6; in C minor, Op. 1, No. 8; in B♭ (Fitzwilliam) in F. Trio Sonata in F for Two Recorders and Continuo |
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Sonatas: in A minor, Hallé No. 1, HWV 374; in E minor, “Hallé“ No. 2, HWV 375; in B minor, “Hallé“ No. 3, HWV 376; in E minor, Op. 1, No. 1a, HWV 379; in D, HWV 378 |
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Sonatas: in A Minor, HWV 361; in D Minor, HWV 359a; in F, HWV 370; in G, HWV 358; in G Minor, HWV 364a; in A, HWV 372; in G Minor, HWV 368; in D, HWV 371. Allegro in C Minor, HWV 408. Andante in A Minor, HWV 412 |
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Sonatas: in a, HWV 362; in b, HWV 367; in C, HWV 365; in e, HWV 375; in B♭, HWV 377; in g, HWV 360; in F, HWV 369 |
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Sonatas: in A, Op. 1, No. 3; in G Minor, Op. 1, no. 10;in F,Op. 1, no. 12;in D, Op. 1,no. 13; in A,0p. 1, no. 14; in E, Op. 1, no. 15 |
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Sonatas: in A; in F |
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Sonatas: in B Minor, op. 1, no. 9; in G, op. 1, no. 5; in E Minor ("Halle No. 2"); in B Minor ("Halle No. 3"); in A Minor ("Halle No. 1"); in C, op. 1, no. 7; in A Minor, op. 1, no. 1B; in F, op. 1, no. 11 |
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Sonatas: in B minor, Op. 2, No. 1, HWV 386b (Bennett, Sillito, Malcolm, Vigay); in G minor, Op. 2, No. 2, HWV 387 (Bennett, Sillito, Malcolm, Vigay); in B♭, Op. 2, No. 3, HWV 388 (Sillito, Latchem, Cuckston, Vigay); in F, Op. 2, No. 4, HWV 389(Petri, Latchem, Malcolm, Vigay); in G minor, Op. 2, No. 5, HWV 390a (Sillito, Latchem, Cuckston, Vigay); in G minor, Op. 2, No. 6, HWV 391 (Bennett, Wye, Malcolm, Vigay); in F, HWV 392 (Sillito, Latchem, Cuckston, Vigay); in G minor, HWV 393 (Sillito, Latchem, Cuckston, Vigay) |
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Sonatas: in B♭, HWV 357; in F, HWV 405; in c, HWV 366 |
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Sonatas: in D, HWV 371; in F, Walsh op. 1/12; in d, HWV 359a; in A, HWV 361; in g, HWV 364; in A, Roger op. 1/10; in E, Roger op. 1/12; in G, HWV 358 |
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Sonatas: in D, HWV 378; in e, HWV 379, op. 1/1 a; in b, HWV 367b, op. 1/9; in G, HWV 363b, op. 1/5; in e, HWV359b, op. 1/1 |
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Sonatas: in D, HWV371 (“No. 13“); in B Minor, HWV376 (“Halle Sonata No. 3“); in G Minor, HWV360 (“op. 1, no. 2“); in B♭, HWV357; in F, HWV369 (“op. 1, no. 11“); in E Minor, HWV375 (“Halle Sonata No. 2“); in D Minor, HWV359a (“op. 1, no. 1“); in A Minor, H 374 (“Halle Sonata No. 3“); in D Minor, HWV367a (“op. 1, no. 9a“); in G, HWV358; in E Minor, HWV 379 (“op. 1,no. 1a“); in A Minor, HWV 362 (“op. 1, no. 4“); in C Minor (“op. 1,no. fl“); in B♭, HWV377; in G, HWV363b (“op. 1, no. 5“); in A, HWV361 (“op. 1, no. 3“); in E Minor, HWV359b (“op. 1, no. 1b“); in C, HWV365 (“op. 1, no. 7“); in G Minor, HWV364a (“op. 1, no. 6“); in B Minor, HWV367b (“op. 1, no. 9“) |
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Sonatas: in D, HWV378; in B Minor, HWV376 (“Halle Sonata No. 3“); in G, op. 1, no. 5, HWV363b; in A Minor, HWV374 (“Halle Sonata No. 1 “); in E Minor, HWV375 (“Halle Sonata No. 2“). in B Minor, op. 1, no. 9b, HWV367b; in E Minor, op. 1, no. 1b, HWV 359b. Sonata in E Minor, op. 1, no. 1a, HWV 379: Two Movements |
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Sonatas: in E Minor, op. 1, no. 1b; In G Minor, op. 1, no. 2; in A Minor, op. 1, no. 4; in G, op. 1, no. 5; In B Minor, op. 1, no. 9; In F, op. 1, no. 11; in C, op. 7, no. 7 |
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Sonatas: in F, HWV 369; in A Minor, HWV 362; in G Minor, HWV 360; in C, HWV 365; in D Minor, HWV 367b; in Bb, HWV 377 |
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Sonatas: in G minor, Op. 1, No. 2, HWV 360; in A minor, Op. 1, No. 4, HWV 362; in C, Op. 1, No. 7, HWV 365; in F, Op. 1, No. 11, HWV 369; in B♭, HWV 377; in D minor, BWV 367a |
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Sonatas: in G minor, Op. 1, No. 2; in A minor, Op. 1, No. 4; in C, Op. 1 No. 7; in F, Op. 1, No. 11; in B♭ (Fitzwilliam No. 1 ); in D minor (Fitzwilliam No. 2); in D minor (Fitzwilliam No. 3); in G (Fitzwilliam No. 4) |
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Sonatas: in G, HWV 363b, op. 1/5; in e, HWV 379, op. 1/1a; in b, HWV 367b, op. 1/9; in e, HWV 359b, op. 1/1; ina, HWV 374, "Halle Sonata No. 1"; in e, HWV 375, "Halle Sonata No. 2"; in b, HWV 376, "Halle Sonata No. 3"; in D,HWV 378 |
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Sonatas: in G, HWV 365; in a, HWV 367a; in C, HWV 369; in d, HWV 362; in F, HWV 377; in d, HWV 360 |
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Sonatas: in G, HWV358 (“Fitzwilliam“); in C, op. 1, no. 7, HWV365; in D Minor, op. 1, no. 9, HWV367; in B♭, HWV 377(“Fitzwilliam“);in G Minor,op. 1, no. 2, HWV 360; in F, op. 1,no. 11, HWV 369; in A Minor, op. 1,no.4,HWV 362 |
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Sonatas: in G, op. 5/4; in B♭, op. 5/7; in g, op. 2/5 |
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Sonatas: No. 1 in G Minor, Op. 1, no. 2;No. 2 in AMmor,Op. 1, no. 4;No.3 in C,Op. 1,no. 7;No.4in F, Op. 1,no. 11;No. 5 in B-Flat (Fitzwilliam MS);No. 6 in DMinor (Fitzwilliam MS) |
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Sonatina in A |
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Sonatina in G, HVW 582 |
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Sonatina in G, HWV 562 |
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Song for St. Cecilia’s Day; Look Down, Harmonious Saint; Concerto Grosso in B♭, op. 6/7 |
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Songs arias by |
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Songs and arias by |
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Songs and Arias by |
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Songs by |
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Songs of |
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Sosarme |
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Sosarme, Re di Media: Rend' il sereno al ciglio. Serse: Ombra mai fu |
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Sosarme, rèdi Media: O diva Ecate . . . Dite pace |
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Sosarme: Dite pace |
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Sosarme: Per le porte del tormento |
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Sosarme: Three Arias |
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Sound an Alarm |
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Spande ancor a mio dispetto, HWV 165 |
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Spera sì mio caro bene |
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Splenda l'alba in oriente. La Lucrezia (O numi etemi). Trio Sonata, op. 5, no. 4. Mi palpita il cor. Carco sempre di gloria |
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Splenda l'alba in oriente. La Lucrezia. Mi palpita il cor. Carco sempre di gloria. Trio Sonata, op. 5/4 |
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Splenda l’alba in oriente, HWV 166 |
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Splenda l’alba in oriente: La virtute è un vero |
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Splende l’alba in oriente |
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St. John Passion |
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Stanco di più soffrire, HWV 167a |
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Suite (“Lesson “) in B♭(1 733). Chaconne in G. Sonata in G. Fantasy in C. Menuets I and II in F. Fugues l-VI |
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Suite for Harpsichord in B♭, HWV 434 |
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Suite for Harpsichord in F♯ Minor |
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Suite for Harpsichord No. 3 in D |
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Suite for Keyboard No. 2: Adagio |
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Suite for the Royal Fireworks; Concerto in F; Overture of the Oratorium “Joseph |
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Suite from Il pastor fido, HWV 8a |
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Suite from Rinaldo |
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Suite from Water Music: Minuet; Air; Hornpipe; Allegro maestoso |
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Suite in a, HWV 428 |
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Suite in A, HWV 454 |
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Suite in B♭ |
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Suite in C |
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Suite in D |
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Suite in d |
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Suite in D (1733) |
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Suite In D for Trumpet and Orchestra (edited by E. H. Tarr) |
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Suite in D for Trumpet and Organ |
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Suite in D for Trumpet, Strings, and Continuo |
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Suite in D for Two Trumpets and Organ |
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Suite In D Minor, HWV447. Fugues: in C Minor, HWV 607; in B♭, HWV 610 |
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Suite in D Minor. Partitas: in A; in G; in C Minor. Preludes: in G Minor; in F; in D Minor. Toccata in G Minor. Sonata in G Minor. Sonatinas: in G Minor; in B-Flat; in A Minor. Airs: in G Minor; in B-Flat; in F (2). Impertinence in G Minor, Chacronnes: in G Minor (2). Allemandes: in A Minor; in A; inF. Ouverture in G Minor. Entrée in G Minor. Fugue in F |
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Suite in d, HWV 428: Air with 5 Variations. Chaconne in G with 21 Variations, HWV 435 |
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Suite in d, HWV 448 |
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Suite in d, HWV 449 |
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Suite in d: Sarabande and Variations |
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Suite in E, HWV 430: Allemande |
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Suite in F, HWV 427 |
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Suite in g, HG II/ii/6 |
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Suite in G, HWV 450 |
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Suite No. 1 in B♭, HWV434 |
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Suite No. 11 in D minor |
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Suite No. 14 in G, HWV 441 |
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Suite No. 14: Gavotte and Variations |
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Suite No. 15: Air and Variations |
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Suite No. 2, HWV 427 |
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Suite No. 4 in D Minor |
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Suite No. 4 in e |
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Suite No. 5 |
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Suite No. 5 (“Harmonious Blacksmith“) |
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Suite No. 5 in E |
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Suite No. 5 in E for Harpsichord |
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Suite No. 5 in E, HWV 430 |
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Suite No. 5 in e, HWV 430: Air and Variations (“The Harmonious Blacksmith”) |
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Suite No. 5 in E: Air and Variations (“Harmonious Blacksmith“). Suite No. 11 in O Minor: Sarabande |
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Suite No. 5, "The Harmonious Blacksmith" |
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Suite No. 5. |
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Suite No. 5: “The Harmonious Blacksmith.“ |
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Suite No. 7 in A minor. Xerxes: Largo |
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Suite No. 7 in G Minor |
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Suite No. 7 in G Minor for Harpsichord. Suite No. 5 in E for Harpsichord: Prelude; Air and Doubles |
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Suite No. 7 in G Minor for Harpsichord: Finale (Passacaglia) arr. Violin and viola by Johan Halvorsen |
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Suite No. 7: Passacaglie. Suite No. 4: Sarabande |
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Suite No. 9 in g |
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Suite No. 9 in G Minor. Suite No. 14 in G. Lesson No. 1 in B-Flat (omits the final Minuet). Lesson No. 3 in G: Chaconne and Variations |
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Suite of Aylesford Pieces. Xerxes: Largo |
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Suites de Pièces pour le Clavecin (1720) |
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Suites for Harpsichord (1733): No. 1 in B-Flat; No. 3 in D Minor; Chaconne in G; No. 4 in D Minor; No. 5 in E Minor; No. 6 in G Minor; No. 8 in G; No. 7 in B-Flat; Prelude and Chaconne in G |
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Suites for Harpsichord Nos. 1-16 |
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Suites for Harpsichord Nos. 1-8 |
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Suites for Harpsichord: HWV 427, 432-436, 444,450 |
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Suites for Harpsichord: in A, HWV 426; in d, HWV 447; in g, HWV 452; in B♭, HWV 440; in d, HWV 448; in d, HWV 449; in g, HWV 453; in c, HWV 445; in g, HWV 451; in G, HWV 442 |
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Suites for Harpsichord: No. 1 in A; No. 2 in F; No. 3 in D Minor; No. 4 in E Minor; No. 5 in E |
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Suites for Harpsichord: No. 2 in F; No. 3 in D minor; No. 5 in E; No. 6 in Ft minor; No. 7 in C minor |
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Suites for Harpsichord: No. 6 in F♯ Minor; No. 7 in G Minor; No. 8 in F Minor; Suite No. 4inD Minor (Second Collection). Capriccio in F. Sonatina in D Minor. Sonata in G Minor. Toccata in G Minor. Suite No. 5: Air and Variations (“The Harmonious Blacksmith“) |
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Suites for Keyboard: in G Minor, HWV 452; in D Minor, HWV 447. Suites, Book II. No. 7 in B♭, HWV 440. Suites, Book I. No. 8 in F Minor, HWV 433; No. 2 in F, HWV 427; No. 4 in E Minor, HWV429; No. 1 in A, HWV 426 |
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Suites Nos. 1-8. Six Fugues or Voluntarys. Fugues: in E; in F |
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Suites, HWV 426–429 |
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Suites: in A; in F; in D Minor; in E Minor; in E; in F Minor; in G Minor; in F Minor |
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Suites: in B♭, C (excerpts) & B♭, HWV 434, 443 & 440 |
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Suites: in B♭, HWV 434; in E, HWV 430; in B♭, HWV 440; in d, HWV 437; in g, HWV 432 |
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Suites: in d (arr. Dubreuil) |
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Suites: in D Minor; in C Minor; in D Minor. Prelude and Allegro in A Minor. Sonata and Toccata in G Minor. Prelude in D Minor. Chaconnes: In G Minor; in C. Entree in G Minor. Sonatine in D Minor |
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Suites: in E, HWV 430; in e, HWV 429 |
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Suites: No. 1 in A, HWV 426; No. 2 in F, HWV 427; No. 3 in d, HWV 428; No. 4 in e, No. 5 in E, HWV 430 |
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Suites: No. 2; No. 3; No. 5. Chaconne |
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Suites: No. 3 in d, HWV 428; No. 2 in F, HWV 427; No. 7 in g, HWV 432 |
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Suites: No. 3 in d, HWV428 |
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Suites: No. 5 in E; No. 7 in G minor. Fantasias: Nos. 1, 2, 3, 4, 9. Four Pieces: Allemande; Sonata; Carillon; Minuet |
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Suites: No. 7 in g, HWV432 |
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Suites: Set 1, HWV 426–433 |
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Suites: Set 1: No. 2 in F, HWV 427; No. 3 in d, HWV 428: Allemande, Air; No. 4 in e, HWV 429; No. 5 in E, HWV 430; No. 8 in f, HWV 433; Set 2: No. 1 in g, HWV 434: Menuet; No. 5 in e, HWV 438; No. 6 in g, HWV 439 |
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Suites: Set 1: No. 2 in F, HWV 427; No. 3 in d, HWV 428; No. 4 in e, HWV 429; No. 5 in E, HWV 430; No. 6 in f♯, HWV 431 |
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Suites: Set 1: No. 6 in f♯, HWV 431; No. 7 in g, HWV 432; No. 8 in f, HWV 433; Set 2: No. 7 in B♭, HWV 440; No. 8 in G, HWV 441 ; No. 9 in G, HWV 442: Preludio |
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Susanna |
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Susanna, HWV 66: When thou art nigh |
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Susanna. McGegan/Hunt, Minter, Feldman, Parker, J. Thomas, D. Thomas/Philharmonia Baroque Orchestra and U.C |
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Susanna: Crystal streams in murmurs flowing |
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Susanna: Lives there in Babylon ... Who fears the Lord; Down on my old cheeks ... Peace, crown'd with roses. Messiah: Behold, I tell you a mystery ... The trumpet shall sound |
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Susanna: Overture |
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Sventurato, godi, o core abbandonato, HWV 482/2 |
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Süsse Stille, HWV 205 |
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Süsse Stille, sanfte Quelle, HWV 205 |
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Süsse Stille, sanfter Quelle |
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Süsse Stille, sanfter Quelle, HWV 205 |
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Süsser Blumen Ambraflocken, HWV 204 |
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Süsser Blumen Ambraflocken. Flammende Rose, Zierde der Erden. Chi t'intende. Sonata in F for Violin and Continuo: Adagio |
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Süße Stille |
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S’un dì m’appaga, HWV 223 |
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Tacete, ohimé, tacete, HWV 196 |
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Tamerlano |
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Tamerlano S¿ |
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Tamerlano: A dispetto |
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Tamerlano: Amor da guerra e pace |
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Tamerlano: Ciel e terra; Oh, per me lieto . . . Figlia mia . . . Tu, spietato |
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Tamerlano: Figlia mia |
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Tamerlano: Forte e lieto; Oh per me lieto, avventuroso giorno! |
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Tamerlano: Overture; Chi vide mai. . . Benché me sprezzi |
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Tanti strali al sen mi scocchi. A mirarvi io son intento. Troppo cruda, troppo fiera. Se tu non lasci amore. Conservate, raddoppiate. Langue, geme, sospira e si lagna. Nò, di voi non vo' fidarmi. Sono liete, fortunate. Fronda leggiera e mobile |
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Te Deum, “Dettingen” |
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Te Deum: Dignare, Domine |
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Te Deum: Prayer |
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Terpsichore. Alcina: Orchestral Movements. Ariodante: Ballet |
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Terpsichore: Chaconne |
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Teseo |
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Teseo (highlights) |
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Teseo, HWV 9: Overture |
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Teseo: Dolce riposo, ed innocente pace. Ira, sdegni, e furore . . . O stringerò nel sen |
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Teseo: Morirò ma vendicata |
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Teseo: M’adora I’idol mio |
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Teseo: Overture |
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The Water Music |
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The Advice. The Melancholy Nymph. Acis and Galatea: Sinfonia; Ye verdant plains — Hush ye pretty warbling choir |
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The Anthems for the Coronation of King George II and Queen Caroline: Zadok the Priest; My Heart Is Inditing; Let My Hand Be Strengthened; The King Shall Rejoice |
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The Arrival of The Queen of Sheba from Solomon |
|
The Arrival of the Queen ofSheba |
|
The Choice of Hercules |
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The Choice of Hercules, HWV 69: Yet can I hear that dulcet lay |
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The Choice of Hercules: There the brisk sparkling nectar drain |
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The Choice of Hercules: Yet can I hear that dulcet lay. Esther: How can I stay, when love invites: Overture. Saul: O fairest of ten thousand fair; O Lord whose mercies numberless. Belshazzar: Great God! who, yet but darkly known; Martial Symphony and Destructive War. Theodora: The raptur'd soul; Kind Heaven, if virtue be thy care. Judas Maccabaeus: Father of Heav'n. Solomon: What though I trace each herb; Welcome as the dawn of day; Almighty pow'r. Hamon and Mordecai: Tune your harps |
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THE COMPLETE CHAMBER MUSIC, Volume One |
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The Complete Flute Sonatas |
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The Complete Flute Sonatas. Trio Sonatas for Flute/Recorder/Oboe |
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The Complete Recorder Sonatas |
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The Complete Recorder Sonatas. Two Trio Sonatas |
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The Complete Sonatas for Recorder |
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The Complete Violin Sonatas. Two Trio Sonatas for Two Violins. Trio Sonata for Two Flutes. Recorder Sonata. Overture for Two Clarinets and Horn |
|
The Eight Great Suites for Harpsichord |
|
The Faithful Shepherd: Suite (arr. Beecham) |
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The Flute Sonatas |
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The Great Elopement: Suite |
|
The Great Harpsichord Works |
|
The Great Oratorios |
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THE GREAT ORCHESTRAL WORKS. Music for the Royal Fireworks; Concerti a due Cori, Nos. 2 and 3; Concerti grossi, Opp. 3 and 6; Overtures to Alcina, Rinaldo, Rodelinda, Agrippina, and Susanna |
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The Harmonious Blacksmith |
|
The Harmonious Blacksmith (two versions) |
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THE ITALIAN YEARS |
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The King shall rejoice |
|
The king shall rejoice, HWV 260 |
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The King Shall Rejoice, HWV 260 |
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The King Shall Rejoice, “Dettingen Anthem” |
|
The Latin Motets (complete) |
|
The Most Beautiful Concertos for Organ and Orchestra |
|
The Musick for the Royal Fireworks. Sonatas: in g, HWV 360; in a, HWV 362; in C, HWV 365; in F, HWV 369 |
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The Oboe Sonatas, Volume 1 |
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The Oboe Sonatas, Volume 2 |
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The Occasional Oratorio |
|
The Organ Concertos |
|
The Recorder Sonatas. Harpsichord Suite No. 7 in g |
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The Sonatas for Flute and Continuo |
|
The Sonatas for Recorder, Violin, and Viola da gamba and Harpsichord |
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The Triumph of Time and Truth |
|
The Triumph of Time and Truth: Guardian Angels |
|
The Water Music: Suite |
|
The Ways of Zion do mourn (Funeral Anthem for Queen Caroline) |
|
The Ways of Zion do Mourn: When the Ear Heard Her; She Deliver’d the Poor That Cried; Their Bodies Are Buried in Peace |
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Theatre and Outdoor Musick |
|
Theatre Music, Volume II: The Alchymist; Comus; The Universal Passion; The what d'ye call it. The may of the world |
|
Theme and Variations |
|
Theme and Variations in G Minor |
|
Theme and Variations in G Minor. Prelude in B♭ |
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Theodora |
|
Theodora, HWV 68 |
|
Theodora, HWV 68: Streams of Pleasure |
|
Theodora: Ah! Whither should we fly . . . As with rosy steps; O bright example , . . Bane of virtue; The clouds begin . . . Defend her, Heav'n! Lord, to Thee each night and day; She's gone, disdaining liberty . . . New scenes of Joy. Serse: Se bramate d'amar; Frondi tenere e belle . . . Ombra mai fu. La Lucrezia |
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Theodora: Ah! Whither should we fly ... As with rosy steps; O bright example . . . Bane of virtue; The clouds begin . .. Defend her, Heav'n! Lord, to Thee each night and day; She's gone, disdaining liberty . . . New scenes of Joy. Serse: Se bramate d'amar; Frondi tenere e belle . . . Ombra mai fu. La Lucrezia |
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Theodora: Angels, ever bright and fair |
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Theodora: As with rosy steps |
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Theodora: As with Rosy Steps |
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Theodora: He saw the lovely youth |
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Theodora: O thou bright Sun!...With Darkness deep as is my Woe. But why art thou disquieted … O that I on Wings cou’d rise. Symphony of soft Musick |
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Theodora: With darkness deep as is my woe |
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Thine be the glory |
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Three Duetti; Two Cantate da Camera |
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Three Oboe Sonatas. Three Trio Sonatas |
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To Lonely Shades |
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Toccata in g, HWV 586 |
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Toccata in g, HWV 586. Capriccio in g, HWV 483 |
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Tolomeo |
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Tolomeo, HWV 25: Piangi pur |
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Tolomeo, Re d’Egitto: Che mi chiama alla gloria?; Se parla al mio cor |
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Tolomeo, re d’Egitto: Inumano fratel.... Stille amare |
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Tolomeo: Che più si tarda ... Stille amare |
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Tolomeo: Che più si tarda omai … Inumano fratel … Stille amare |
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Tolomeo: Inumano f ratei. . . Stille amare. Partenope: Rosmira, oh Dio!. . . Sento amor. Ch’io parta? Furibondo spira il vento |
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Tolomeo: Inumano frateil; Stille amare |
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Tolomeo: Stille amare |
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Tolomeo: Stille amare; Se II cor ti perde . Muzio Scevola: Ma come amar . Rinaldo: Lascia ch'io pianga ; Cara sposa. Berenice: Su, Megera, Tisifone, Aletto. Imeneo: Per la porte del tormento . Rodelinda: Ritorna, oh caro. Arminio: Il fuggir, cara mia vita . Il Parnasso in festa: Ho perso il caro ben |
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Tra la fiamme. Nøl dolce dell'oblio. Alpestre monte |
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Tra le fiamme (Il consiglio) |
|
Tra le fiamme, HWV 170 |
|
Tra le fiamme,HWV170 |
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Tra le fiamme. Pensieri notturni di Filli. Il delirio amoroso. Figlio d’alte speranze |
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Transcriptions for Brass |
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Trio Sonata for Recorder and Violin in c, HWV 386a |
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Trio Sonata for Recorder, Violin, and Continuo in F, HWV 389 |
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Trio Sonata in b, HWV 386b |
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Trio Sonata in b, op. 2/1 |
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Trio Sonata in b, op. 2/1b |
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Trio Sonata in B“, Op. 2, No. 3 (with Maurice Bourgue, oboe; Thunemann and Jaccottet) |
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Trio Sonata in C Minor. Trio Sonata in G Minor |
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Trio sonata in c, HWV 386a |
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Trio Sonata in d, op. 2/5 |
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Trio Sonata in e, HWV 398 |
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Trio Sonata in F for Recorder, Violin, and Continuo, op. 2, no. 5 |
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Trio Sonata in F, HWV 392 |
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Trio Sonata in F, HWV 405 |
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Trio Sonata in F, Op. 2, No. 3 |
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Trio Sonata in F, op. 2/4 |
|
Trio Sonata in G minor, Op. 2, no. 5 |
|
Trio Sonata in G minor, Op. 2, No. 5 |
|
Trio Sonata in G minor, Op. 2, No. 8 |
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Trio Sonata in g, HWV 391 |
|
Trio Sonata in g, HWV 404 |
|
Trio Sonata in g, op. 2/5 |
|
Trio Sonata in g, op. 2/8, HWV 393 |
|
Trio Sonata in G, op. 5, no. 4 |
|
Trio Sonata V, op. 2 |
|
Trio Sonata, op. 2/1: Largo |
|
Trio Sonatas |
|
Trio Sonatas for 2 Violins and Basso Continuo. Sinfonia in B♭, HWV 339 |
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Trio Sonatas for 2 Violins: in B♭, op. 2/3, HWV 388; in g, op. 2/5, HWV 390a |
|
Trio Sonatas for Recorder, Violin, and Continuo: in C Minor, op. 2, no. 1; in F, op. 2, no. 4. Sonatas for Flute (Recorder) and Harpsichord: in G Minor, HWV 360; in F, HWV 369; in A Minor, HWV 362. Sonatas for Violin and Harpsichord: in D, HWV 371; in D Minor, HWV 359a; in A, HWV 361. Sonatas for Recorder and Continuo: in B♭, HWV377; in C, HWV 365; in D Minor, HWV 367a. Sonata in G Minor for Viola da gamba and Harpsichord, HWV 364. Andante in A Minor for Violin and Harpsichord, HWV 412. Allegro in C Minor for Violin and Harpsichord, HWV 408 |
|
Trio Sonatas for Two Oboe, and Continuo: in B-Flat, Op. 2, no. 3; in F, Op. 2, no. 4, in G Minor, Op. 2, No. 5. Sonata in F for Oboe and Continuo. Rigaudon, Bourée, and March for Oboe, Bassoon, and Continuo |
|
Trio Sonatas for Two Oboes and Continuo, Volume II: |
|
Trio Sonatas for Two Violin and Continuo: in B-Flat, Op. 2, no. 3; in F; in G Minor; in E |
|
Trio Sonatas for Two Violins and Continuo, Op. 5 |
|
Trio Sonatas in g, HWV 390a, 404 |
|
Trio Sonatas, op. 2 |
|
Trio Sonatas, op. 5 |
|
Trio Sonatas, op. 5: No. 1 in A; No. 2 in D; No. 3 in e; No. 4 in G; No. 5 in g; No. 6 in F; No. 7 in B♭ |
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Trio Sonatas: in F, HWV 389; in b, HWV 386 |
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Trio Sonatas: in F, HWV 389; in D, HWV 397; in b, HWV 386b; in A, HWV 396 |
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Trio Sonatas: in F, HWV 392; in B♭, HWV 50a, “Esther”; in g, HWV 393; in E, HWV 394; in c, HWV 386a; in C, HWV 403, “Saul” |
|
Trio Sonatas: in G for Two Violins and Basso Continuo, Op. 5, No. 4, HWV 399; in A for Violin and Basso Continuo, Op. I, No. 3, HWV 361; in G minor for Two Violins and Basso Continuo, HWV 393; in B minor for Flute, Violin, and Basso Continuo, Op. 2, No. 1, HWV 386b; in D for Two Violins and Basso Continuo, Op. 5, No. 2, HWV 397; in B♭ for Two Violins and Basso Continuo, Op. 2, No. 3, HWV 388 |
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Trio Sonatas: in g, HWV 393; in E, HWV 394 |
|
Trio Sonatas: in g, HWV 393; in F, HWV 401 |
|
Trio Sonatas: in G, op. 5/4; in B♭, op. 2/3. “Oxford“ Water Music: Suites in F, g, and D |
|
Trio Sonatas: No. 1 in B♭; No. 2 in d; No. 3 in E♭; No. 4 in F; No. 5 in D; No. 6 in G; in g, op. 2/8 |
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Trio Sonatas: op. 2, HWV 386b, 387-391; op. 5, HWV 396-402 |
|
Trio Sonatas: op. 2/1, HWV 386b; op. 2/8, HWV 393 |
|
Trios, Op. 5: No. 1 in A for Two Oboes and Continuo, HWV 396; No. 2 in D for Two Violins and Continuo, HWV 397; No. 3 in E minor for Flute, Violin, and Continuo, HWV 398; No. 4 in G for Two Violins and Continuo, HWV 399; No. 5 in G minor for Two Violins and Continuo, HWV 400; No. 6 in F for Two Oboes and Continuo, HWV 401 ; No. 7 in d for Two Violins and Continuo, HWV 402 |
|
Trios, Sonatas, and Concerti for Diverse Instruments |
|
Trios, Sonatas, and Concertos for Diverse Instruments |
|
Trumpet Concerto in B♭, HWV 301 |
|
Trumpet Voluntary |
|
Tu fedel, HWV 171 |
|
Tu fedel, tu costante, HWV 171 |
|
Tu fedel? Tu constante?, HWV 171a |
|
Tu fedel? tu costante? HWV 171. Mi palpita il cor, HWV132B. Alpestre monte, HWV 81. Tra le fiamme, HWV 1 70 |
|
Tutto può donna vezzosa. Taci! Che fia? … V’adoro, pupille. Esser qui deve in breve … Venere bella. Che sento? Oh dio! … Se pieta di me non senti. Per dar vita all’idol mio. Sinfonia bellica |
|
Twelve Concerti Grossi for Strings and Continuo, op. 6: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor |
|
Twelve Concerti Grossi, Op. 6 |
|
Twelve Concerti Grossi, op. 6 |
|
Twelve Concerti Grossi, op. 6: No. 1 in G; No. 2 in F; No. 3 in E Minor; No. 4 in A Minor; No. 5 in D |
|
Twelve Concerti Grossi, op. 6: No. 4 in A Minor; No. 6 in G Minor; No. 9 in F; No. 11 in A |
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Twelve Concerti Grossi, op. 6: No. 5 in D; No. 6 in G Minor; No. 7 in B♭; No. 8 in C Minor |
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Twelve Concerti Grossi, op. 6: No. 7 in B♭; No. 8 in C Minor; No. 10 in D Minor; No. 12 in B Minor |
|
Twelve Concerti Grossi, op. 6: No. 9 in F; No. 10 in D Minor; No. 11 in A; No. 12 in B Minor |
|
Twelve Concertos for Organ, Orchestra, and Continuo, ops. 4 and 7 |
|
Twelve Grand Concertos (Concerti grossi), op. 6 |
|
Twelve Grand Concertos, op. 6: Selections |
|
Twenty Sonatas, “Opus 1“ |
|
Two Double Concertos (“a due cori“): No. 1 in B-Flat;No. 3 in F. Overtures: Agrippina; Arianna |
|
Two Pieces |
|
Two Preludes and Fugues in C for Two Harpsichords |
|
Udite il mio consiglio, HWV 172 (Ruspoli version) |
|
Un momento di contento. Rodelinda: Io già t’amai. Pastorello d’un povero armento. Acis and Galatea: Where shall I seek. Tamerlano: Ciel e terra armi di sdegno |
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Un sospir a chi si more. Un’alma innamorata. Lungi, lungi da me, pensier tiranno! Pensieri notturni di Filli. Udite il mio consiglio. Mi palpita il cor |
|
Un’ alma innamorata |
|
Un’alma innamorata, HWV 173 |
|
Utrecht Jubilate, HWV 279 |
|
Utrecht Jubilate: Glory Be to the Father … As It Was in the Beginning |
|
Utrecht Te Deum |
|
Utrecht Te Deum and Jubilate |
|
Utrecht Te Deum and Jubilate, HWV 278, 279 |
|
Utrecht Te Deum, HWV 278 |
|
Utrecht Te Deum. Utrecht Jubilate |
|
Va, speme infida pur; Troppo cruda, troppo fiera; Tanti strali al sen mi scocchi; Sono liete, fortunate; A miravi io son intento; Amor gioje mi porge; Se tu non lasci amore; Langue, geme, sospira e si lagna; Conservate, raddoppiate |
|
Variations on The Harmonious Blacksmith |
|
Variations, HWV 430 (arr. Karg-Elert) |
|
Vedendo Amor |
|
Vedendo amor, HWV 175. Mi palpita il cor, HWV 132c |
|
Vedendo amor. Figli del mesto cor. Fra pensieri. Lungi da me. Nef dolce tempo. Siete rose |
|
Venne volgia ad Amore |
|
Venus and Adonis |
|
Violin Sonata in A, HWV 361 |
|
Violin Sonata in b: Larghetto |
|
Violin Sonata in D |
|
Violin Sonata in D, HWV 371 |
|
Violin Sonata in D, op. 1/13 |
|
Violin Sonata in E |
|
Violin Sonata in E, HWV 373. |
|
Violin Sonata in F |
|
Violin Sonata in g, HWV 364a |
|
Violin Sonata in g, HWV 364a: excerpt |
|
Violin Sonata No 13 in D, op. 1 (HWV 371): 3rd movement |
|
Violin Sonata No. 3, HWV 370 |
|
Violin Sonata No. 4 |
|
Violin Sonata No. 4 in D |
|
Violin Sonata, op. 1/12 |
|
Violin Sonatas |
|
Violin Sonatas |
|
Violin Sonatas: in A, HWV 361; in g, HWV 368; in F, HWV 370; in D, HWV 371; in A, HWV 372; in E, HWV 373 |
|
Violin Sonatas: in A, HWV 372; in g, HWV 364a; in D, HWV 371 ; in A, HWV 361 ; in d, HWV 359a; in G, HWV 358; in F, HWV 370 |
|
Violin Sonatas: in A, op. 1/3; in g, op. 1/10; in F, op. 1/12; in D, op. 1/13; in A, op. 1/14; in E, op. 1/15 |
|
Violin Sonatas: in D, HWV 371; in A, HWV 361; in d, HWV 359a; in g, HWV 364a; in G, HWV 358; in F, HWV 370; in g, HWV 368; in A, HWV 372; in E, HWV 373 |
|
Violin Sonatas: in D, HWV 371; in d, HWV 359a |
|
Violin Sonatas: in E, HWV 373; in d, HWV 359a; in A, HWV 361; in F, HWV 370; in g, HWV 368; in D, HWV 371; in G, HWV 358; in A, HWV 372; in G, HWV 364a |
|
Violin Sonatas: in G, HWV 358; in d, HWV 359a; in A, HWV 361; in g, HWV 364a; in A, HWV 372; in E, HWV 373; in g, HWV 368; in F, HWV 370; in D, HWV 371 |
|
Vocal and Instrumental Chamber Music |
|
Vocal and Orchestral Works |
|
Vocal Duets |
|
Voluntary III in a. Chaconne in g |
|
Voluntary III in a. Chaconne in g, HVW 486 |
|
Voluntary in C. Voluntary in A minor |
|
Và, và speme infida pur |
|
Wafer Music; Suite No. 1 in F, Music for the Royal Fireworks. Solomon: Arrival of the Queen of Sheba |
|
War March of the Priests. Water Music: Suite |
|
Was betrübst du dich, meine See. Andreas |
|
Water Music |
|
Water Music (complete) |
|
Water Music Suite |
|
Water Music Suite (arr. Harty) |
|
Water Music Suite No. 3 in G: Minuet |
|
Water Music Suite. Messiah: Sinfonia in E minor; Larghetto in C. Music for the Royal Fireworks |
|
Water Music Suites: No. 1 in F, HWV 348; No. 2 in D, HWV 349; No. 3 in G, HVW 350. Music for the Royal Fireworks |
|
Water Music åö |
|
Water Music, for Two Harpsichords |
|
Water Music, HWV 348–350. Alcina, HWV 34: Overture. Berenice, HWV 38: Overture. Il pastor fido, HWV 8c: Minuet. Serse, HWV 40: Largo |
|
Water Music, HWV348-350. II pastor fido: Suite, HWV 8c |
|
Water Music. Alcina: Overture and Dances |
|
Water Music. Concerti Grossi, Op. 3 |
|
Water Music. Concerti grossi: in A Minor, op. 6, no. 4; in D, op. 6, no. 5 |
|
Water Music. Concerto grosso in A, op. 6/11, HVW 329 |
|
Water Music. Music for the Royal Fireworks |
|
Water Music. Music for the Royal Fireworks |
|
Water Music. Music for the Royal Fireworks. Concerto Grosso in C (Alexander's Feast“). Overture in D. Three Concertos a due Cori: in d♭, in F, in F. Three Concertos for Oboe and Strings: in b♭ in b♭ in G minor. Overture in B♭. Sonata à 5 in B♭. Hornpipe in D. Sonata (Concerto) in G minor for Oboe, Strings, and Continuo |
|
Water Music. Occasional Oratorio: Overture |
|
Water Music. Rodrigo: Overture |
|
Water Music. Sinfonias: in B♭, HWV 339; in B♭, HWV 347 |
|
Water Music. Solomon: Act III Sinfonia (“Arrival of the Queen of Sheba“). Ode for St. Cecelia's Day: Minuet |
|
Water Music: Adagio |
|
Water Music: Air; Hornpipe. Royal Fireworks Music: La Rejouissance |
|
Water Music: Alla Hornpipe |
|
Water Music: Allegro and Minuet |
|
Water Music: Allegro maestoso |
|
Water Music: Allegro maestoso. Messiah: Hallelujah Chorus (with John Grady, organ) |
|
Water Music: Excerpts |
|
Water Music: Excerpts. Music for the Royal Fireworks. Concerto No. 1 in F |
|
Water Music: Excerpts. Royal Fireworks Music |
|
Water Music: Horn Suite in F. Royal Fireworks Music |
|
Water Music: Hornpipe |
|
Water Music: Hornpipe and Suite in D |
|
Water Music: Hornpipe; Aria; Allegro Maestoso |
|
Water Music: Jig. Fireworks Music: La Réjouissance |
|
Water Music: Minuet in G |
|
Water Music: Nine movements |
|
Water Music: Overture; Air; Hornpipe |
|
Water Music: Suite |
|
Water Music: Suite (arr. Harty/Szell). Il pastor Fido: Minuet (arr. Beecham). Music for the Royal Fireworks: Suite (arr. Harty). Serse: Largo (arr. Reinhard). |
|
Water Music: Suite (arr. Kay) |
|
Water Music: Suite II: |
|
Water Music: Suite in D |
|
Water Music: Suite in F for Horn. Music for the Royal Fireworks |
|
Water Music: Suite in F: Allegro—Andante—Allegro; Air; Bourée; Hornpipe; Suite in D: Hornpipe; Minuet; Bourée; Suite in G: Sarabande; Menuet and Country Dance |
|
Water Music: Suite in G. Concerto No. 13 in F for Organ and Strings. (“The Cuckoo and the Nightingale “) |
|
Water Music: Suite No. 1 in F |
|
Water Music: Suite No. 1 in F, HWV348; Suite No. 2 in D, HWV 349; Suite No. 3 in G, HWV350 |
|
Water Music: Suite No. 1 in F. Music for the Royal Fireworks. Concerto Grosso in G, Op. 6, No. 1 |
|
Water Music: Suite No. 1 in F. Music for the Royal Fireworks. Solomon: Arrival of the Queen of Sheba |
|
Water Music: Suite No. 1 in F. Music for the Royal Fireworks: Selection |
|
Water Music: Suite No. 1 in F; Suite No. 2 in D. Music for the Royal Fireworks |
|
Water Music: Suite No. 2 in D |
|
Water Music: Suite No. 2 in D (CBC Vancouver Orchestra). Zadok the Priest (Vancouver Chamber Choir; CBC Vancouver Orchestra). Organ Concerto in B♭, Op. 4, No. 6. (Hugh MacLean, organ; CBC Vancouver Orchestra) |
|
Water Music: Suite. Fireworks Music |
|
Water Music: Suite. Music for the Royal Fireworks |
|
Water Music: Suite. Royal Fireworks Music |
|
Water Music: Suites 1, 2, and 3; Variant in F, HWV 331/1; Variant in F, HWV 331/2; Music for the Royal Fireworks, HWV 351 |
|
Water Music: Suites HWV 348, 349, 350 |
|
Water Music: Suites in D and G. Solomon: The Arrival of the Queen of Sheba |
|
Water Music: Suites in F and D. Music for the Royal Fireworks |
|
Water Music: Suites in F, G, and D |
|
Water Music: Suites Nos. 1–3 |
|
Water Music: Suites Nos.1-3 |
|
Water Music: Vivo |
|
Water Music; Music for the Royal Fireworks |
|
Water Music; The Royal Fireworks Music |
|
Water Musick |
|
Water Musick [sic] |
|
Where E're You Walk |
|
Witches, Queens & Heroines |
|
With Roving and with Ranging |
|
Wo se emendare jamás, HWV 140 |
|
Wo se emenderà jamas |
|
Works by |
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Works of |
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Xerxes |
|
Xerxes, HWV 40 |
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Xerxes: Holdes Laubenzweig ... Schattige Ruh'; Das Jawort hol' ich selber. Alcina: Mi lusinga il dolce affetto; Sta nell'lrcana, pietrosa tana |
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Xerxes: Crude furie degl’orridi abissi |
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Xerxes: Largo |
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Xerxes: O vertu re |
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Xerxes: Ombra mai fu |
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Xerxes: Ombra mai fu. (Berlin Symphony Orchestra; Gerhard Becker) |
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Xerxes: Sinfonia |
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Zadok the Priest |
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Zadok the Priest (conducted by Davies) |
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Zadok the Priest, HWV 258 |
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Zadok the Priest. Excerpts from: The Occasional Oratorio; Solomon; An Ode for St. Cecilia's Day; Cecila, Cecilia, voglie un sguardo. The Choice of Hercules. L'Allegro, il Penseroso ed il Moderato. Deborah. Judas Maccabaeus. Birthday Ode for Queen Mary. Joshua. Alexander Balus. Samson. My Heart is Inditing. Water Music. Musick for the Royal Fireworks. Concerto Grosso in B♭, op. 3/2 |
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Zadok the Priest. Let Thy Hand be Stregthened. The King Shall Rejoice. My Heart is Inditing. Dettingen Te Deum |
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Zadok the Red Priest. Aria Amorosa |
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“Alexander’s Feast” Concerto Grosso |
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“Amen, Alleluia” Arias, HWV 269–277 |
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“Aria“ from Concerto Grosso, Op. 6, No. 12 |
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“Dettingen” Te Deum |
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“Halle“ Sonatas: No. 1 in A Minor; No. 2 in E Minor; No. 3 in B Minor. Sonata No. 1 in E Minor, Op. 1, no. 1 a. Sonata in D |
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“Solomon“: Arrival of the Queen of Sheba |
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“The Harmonious Blacksmith.“ |
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