(3) String Trios, Op. 53 |
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(6) Trios for Flute, Violin, and Cello, H.tV:6-11 (“Op. 38; Op. 100“) |
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(8) Zingarese, Hob.IX, No. 28 (arr. Dittrich). Landler des “Saisons“. (5) Contredanses, Quadrille, Menuet, Hob.IX, No. 29, No. 24. Minuetti de Ballo 1-6, Hob.IX, No. 4. Notturni, for two flutes and two horns, Hob. Il: D5. (6) Danses allemandes, Hob. IX, No. 12 |
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(?) Clarinet Concerto in B♭. Double Concertos: (?) Clarinet Concerto in B♭. Double Concertos: |
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(?) Clarinet Concerto in B♭. Double Concertos: in E♭; B♭ |
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(arr. Haydn) Scottish Folk Songs : The Ploughman. The Bonny Brücket Lassie. Logie of Buchán. My Heart's in the Highlands. Sleepie Bodie. O Can Ye Sew Cushions. The White Cockade |
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(arr. Salomon) Symphonies: No. 101 in D, “Clock“; No. 99 in B; No 104 in D, “London“ |
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(arr. Salomon) Symphonies: No. 93 in D; No. 94 in G, “Surprise“; No. 101 in D, “The Clock“ |
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(arr. Szigeti) String Quartet, op. 64/5, “The Lark“: Vivace |
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(attr )Concerto in C for Oboe and Orchestra |
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(attr). Concerto in C for Oboe and Orchestra |
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(attr.): Oboe Concerto in C, H. VI Ig No. C1 |
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10 kleine Klavierstücke (1786). 12 Menuetti, Hob IX:3 |
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12 German Dances, Hob IX:12 |
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12 German Dances, Hob. IX:12 |
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12 Menuetti di ballo, Hob IX:11, “Redout Menuetti,” “Katharinentanze” |
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12 Minuets, Hob IX:8 |
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12 Variations in E♭, Hob XVII:3 |
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12 Variations in E♭, Hob. XVIi:3 |
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16 Scottish Airs |
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18 Minuets, Hob IX:20 |
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2 Marches, Hob VIII:1–2 |
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4 Divertimenti, Hob IV:1–4 (London Trios Nos. 1–4) |
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4 Lieder. 12 English Songs |
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4 Variations on “Gott erhalte Franz den Kaiser” |
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5 Variations in D, Hob XVII:7 |
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6 English Psalms |
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6 leichte Variationen in C, Hob XVII:5 |
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6 Quartets, op. 20 |
|
6 Scherzandi |
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6 String Quartets, op. 33 |
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6 String Quartets, op. 64 |
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6 String Quartets, op. 76 |
|
6 String Quartets, op. 9 |
|
7 Last Words of Christ |
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7 Last Words of Our Saviour on the Cross |
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7 Marches, Hob VIII: No. 2 in C; No. 3 in E♭ |
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8 Masses |
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8 Notturni |
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[attr.]: Divertimento in B“, (“St. Antoni Chorale') |
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A Pastoral Song. She never told her love. O tuneful voice. The Lady's Looking-glass. Sailor's Song. Content. The Wanderer. The Mermaid's Song. Arrangements: Will ye go to Flanders. The White Cockade. The bonnié wee thing. The dying bard to his harp. The rose bud. O can ye sew cushions. Flowers of Edinburgh. Soger Laddie. Sir Watkyn's Dream. The Live Long Night |
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Abschiedlied |
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Abschiedslied. Das Leben ist ein Traum |
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Acide |
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Acide e Galatea: Overture |
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Acide e Galatea: Tergi i vezzosi rai |
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Acis and Galatea: Overture |
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Acis e Galatea: Sinfonia in D, Hob. la/5. Le Speziale: Sinfonia in G, Hob. la/10. Le pescatrici: Sinfonia in D, Hob. 1/106. L'infedeltà delusa: Sinfonia in C, Hob. la/1. Philemon und Baucis: Overture in D, Hob. la/8. Der Gotterath: Sinfonia in C, Hob. XXXIXa/1a. Il ritorno di Tobia: Overture in C Minor, Hob. la/2. Die Feuersbrunst: Sinfonia in C, Hob. XXIXa/4. L'incontro improvviso, Hob. la/6. Il mondo della luna: Sinfonia in C, Hob. XXVIII/7 |
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Adagio |
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Adagio Cantabile |
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Adagio in F |
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Adagio in F, Hob XVII:9 |
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Adagio in G, Hob XV: 22 (first version, 1794) |
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Adagio in G, Hob XV:22.II (first version) |
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Adagio in G, Hob XV:22/II |
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Adagios: in F, Hob XVII:9; in D, Hob XVII:7 |
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Afissa Cellensis in honorem B.M.V |
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Ah, tu non senti—Qual destra omicida |
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Airs, Variations, and Dances |
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Alcide e Galatea: Overture |
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Alessandro nell’Indie: Chi vive amante |
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Alfred, König der Angelsachsen: Chorus of the Danes |
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Alfred, König der Angelsachsen: Guardian Spirit’s Aria |
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All Through the Night |
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Allegretto con variazioni in A, Hob XVII:A3 |
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Allegretto in G, Hob III:41(IV) |
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Allegretto in G, Hob XVI:10 |
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Allegretto in G, Hob XVIi.10. Adagio in F, Hob XVII:9. Fantasia in C (Capriccio), Hob XVIIA |
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Allegretto in G, Hob XVII:10 |
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Alles hat seine Zeit. An den Vetter. Wider den Übermut |
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An den Mond |
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An den Vetter. Daphens einzinger Fehler [D, S, F, M] |
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An die Frauen. Der Augenblick. Alles hat seine Zeit. An die Vetter. Die Harmonie in der Ehe. Daph-nens einziger Fehler. Der Greis. Betrachtung des Todes. Die Beredsamkeit. Die Warnung. Aus dem Danklied zu Gott. Abendlied zu Gott. Wider den Übermut |
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Andante and Variations in f |
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Andante and Variations in F Minor |
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Andante and Variations in f, Hob XVII:6 |
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Andante and Variations in f, Hob. XVII:6 |
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Andante and Variations in f. Piano Concerto in D, Hob XVIIM11 |
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Andante and Variations in f. Sonata No. 50 in D, Hob XVI: 37 |
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Andante cantabile |
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Andante con variazione in F Minor, Hob. XVII:6 |
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Andante con variazioni in F |
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Andante con variazioni in f |
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Andante con Variazioni in F minor. Piano Sonatas: in C minor, L. 33; in D, L. 50; in E♭, L. 62 |
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Andante con variazioni in f, Hob XVII/6 |
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Andante con variazioni in f, Hob XVII6 1/2 |
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Andante con variazioni in f, Hob XVII:6; Trumpet Concerto |
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Andante con Variazioni in f. Fantasy in C, Hob XVII:4. Piano Sonata in E♭, Hob XVI:52 |
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Andante con variazioni, Hob XVII:6 |
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Andante Varié in f, Hob XVII:6 |
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Andante variée |
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Andante with variations in f |
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Andante with Variations in F Minor, Hob. XVII:6 |
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Andante with Variations in f, Hob XVII/6 |
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Andante with Variations in f, Hob XVII:6 |
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Andante with Variations, Hob. XVII:6 |
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Andantes con variazioni: in f, Hob XVII:6; in B♭, Hob XVII:12; in D, Hob XVII:7 |
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Andantino (Allegretto) con variazioni in A, Hob XVII:8 |
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Andantino e Tempo di Menuetto |
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Applausus |
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Applausus, Hob. XXXIVa:6 |
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Ar hyd y nos, Hob. XXXIb/9. CIMARA. Fiocca la neve |
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Aria con variazioni in C, Hob XVII:15 |
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Aria, Hob XVII:F1 |
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Ariadne auf Naxos |
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Arianna a Naxos |
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Arianna a Naxos, Hob XXVIb:2 |
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Arianna a Naxos, Hob XXVIB:2 |
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Arianna a Naxos, Hob.XXVIb:2. Six Canzonettas, Hob.XXVIa:25-30: Le Sirene; La memoria; Pastorale; La disperazione; L'allegro; La costanza |
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Arianna a Naxos. Das Leben ist ein Traum. Auch die Sprödeste der Schönen. Sailor's Song. Recollections The Wanderer. A Pastoral Song. Piercing Eyes. Despair.' Sympathy. Pleasing Pain) She never told her love. The Mermaid's Song.' Content. Fidelity.* The Spirit's Song. O Tuneful Voice |
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Arianna a Naxos. Eleven English Canzonettas: A Pastoral Song; Fidelity; The Wanderer; Piercing Eyes; She Never Told Her Love; Pleasing Pain; The Spirit's Song; The Mermaid's Song; Despair; Sailor's Song; O Tuneful Voice |
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Arianna a Naxos. Lieder and Canzonettas |
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Arianna a Naxos. Six Canzonette: Le sirene; La memoria; Pastorale; La disperazione; L'allegro; La constanza |
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Arianna a Naxos. Six English Canzonettas: The Mermaid's Song; Recollection; Fidelity; The Wanderer; The Spirit's Song; O Tuneful Voice |
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Arianna a Naxos. Songs for three and four voices with piano |
|
Arianna a Naxos. Ten English Canzonettas: Fidelity; Pleasing Pain; O Tuneful Voice; The Spirit's Song; The Mermaid's Song; She Never Told Her Love; Piercing Eyes; The Wanderer; A Pastoral Song; Recollection |
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Arianna a Naxos. The Mermaid's Song. Sailor's Song. Pastoral Song. The Creation: Gabriel's Recitative and Aria |
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Arianna a Naxos: A che morir vorrei, H XXVIb:2 |
|
Arianna à Naxos |
|
Arias |
|
Arias and Cantatas |
|
Arias and songs by |
|
Arias, Duets, and Scenes by |
|
Arietta and Variations in A, H XVII: 2 |
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Arietta con Variazioni in A, Hob XVII:2 |
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Arietta con Variazioni in E♭, Hob XVII:3 |
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Arietta with 12 Variations, Hob XVII: 3 |
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Ariettas con variazioni: in E♭, Hob XVII:3; Hob XVII:2 |
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Armida |
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Armida: Partì Rinaldo—Se pietade avete, oh Numi |
|
Armida: Se dal suo braccio oppresso. Teco lo guida al campo |
|
Austrian Imperial Hymn (1912 [solo violin], 1915 [violin and piano]) |
|
Ballo Tedesco, Hob. IX:22 |
|
Baryton Trio in D: Adagio and Finale (arr. unattributed, for 12 cellos) |
|
Baryton Trios |
|
Baryton Trios, Hob XI: Nos. 80, 85, 14, 97, 59, 96. Adagio in D |
|
Baryton Trios, Hob XI:36, 52, 87 |
|
Baryton Trios, Vol. 2 |
|
Baryton Trios: in D, Hob XI:69; in A, Hob XI:9; in D, Hob XI:58; in D, Hob XI:61; in a, Hob XI:87; in G, Hob XI:55 |
|
Baryton Trios: in G, Hob XI:67; in A, Hob XI:6; in D, Hob XI:113; in A, Hob XI:71; in A, Hob XI:35; in C, Hob XI:93 |
|
Baryton Trios: No. 117 in F; No. 87 in a; No. 53 in G; No. 96 in b; No. 101 in C |
|
Begli ochi vezzosi |
|
Berenice, che fai |
|
Berenice, che fai. Miseri noi, misera patria |
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Berenice, che fai: Excerpts. Circe: Son pietosa, son bonina. Arianna a Naxos: Excerpts (orchestral version). Soto e pensoso. Miseri noi, misera patria! |
|
Berenice, che fai? |
|
Berenice, che fai?. Laudamus Te. Quoniam |
|
Berenice, che fal? Hob. XXIVa.10. Son pietosa, son bonina, Hob. XXXIIb:1. Arianna a Naxos (orchestral version), Hob. XXVIb:2. Solo e pensoso, Hob. XXIVb:20. Miseri noi, misera patria, Hob. XXIVa:7 |
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Bind Up Your Hair |
|
Cantates pour les Esterházy |
|
Canzonetten |
|
Capriccio (Fantasia) in C, Hob XVII:4 |
|
Capriccio in G, Hob XVII:1 |
|
Capriccio in G, Hob.XV11:1 |
|
Capriccio in G, “Acht Sauschneider müssen sein,” Hob XVII:1 |
|
Capriccio “Acht Sauschneider müssen seyn” in G, Hob XVII:1 |
|
Capriccio, “Acht Sauschneider müssen seyn,” Hob XVII:1 |
|
Cassatio (Divertimento a nove stromenti in F), H.11:20, Divertimento a sei, H.11:11 ("Birthday"). Cassatio (Divertimento) in G, H.II:G1. Cassatio in G, H.ll:1 |
|
Cassation in F. Divertimento in Bb, Hob.ll:B4. Quartet in A for Flute and Strings, Hob.ll:4A. Notturno No. 1 in C, Hob.ll:25 |
|
Cello Concerto |
|
Cello Concerto in C |
|
Cello Concerto in C Major, Hob Vllb:1 |
|
Cello Concerto in C, Hob VIIb:1 |
|
Cello Concerto in C, Hob VIIb:5 |
|
Cello Concerto in C, Hob Vllb:1 ; Cello Concerto in D, Hob Vllb:4 (spurious); Cello Concertoin D, Hob Vllb:2 |
|
Cello Concerto in D |
|
Cello Concerto in D Enrico Mainardi (vc); 11/5/1950 (27:08) |
|
Cello Concerto in D, Hob VIIb:1 |
|
Cello Concerto in D, Hob Vllb:2 |
|
Cello Concerto in D, Hob. VIIb/2 |
|
Cello Concerto No. 1 in C |
|
Cello Concerto No. 1 in C, Walter Weiler, cond; Vienna Tonkünstler O; Live: 2/1970 |
|
Cello Concerto No. 1 in D (Mstislav Rostropovich, cond; London SO, 7/1/1965) |
|
Cello Concerto No. 2 |
|
Cello Concerto No. 2 in D |
|
Cello Concerto No. 2 in D, Hob VIII:2 |
|
Cello Concerto No. 2 in D: Rondo |
|
Cello Concerto: Adagio; Allegro |
|
Cello Concertos |
|
Cello Concertos (arr. Miloradovic): in C; in D |
|
Cello Concertos in C and D |
|
Cello Concertos in C and in D. Trumpet Concerto. Harpsichord Concerto in D, Hob. XVII:11 |
|
Cello Concertos in C; in D |
|
Cello Concertos Nos. 1 and 2. Symphony No. 13: Adagio cantabile |
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Cello Concertos Nos. 2 and 1. Symphony No. 13 in D: Adagio cantabile |
|
Cello Concertos: in C, H VIIb:I; in D, H VIIb:II |
|
Cello Concertos: in C, Hob VII:B1; in D, Hob VII:B2 |
|
Cello Concertos: in C, Hob VIIb/1; in D, Hob VIIb/2 |
|
Cello Concertos: in C, Hob. Vll/b.1; in D, Hob. Vlll/b.2 |
|
Cello Concertos: in C, in D |
|
Cello Concertos: in C; D. Symphony No. 13 |
|
Cello Concertos: in C; in D |
|
Cello Concertos: in C; in D. Minuet in C, Hob. IX:16, No. 1 |
|
Cello Concertos: In C; in D. Symphony No. 13: Adagio cantabile |
|
Cello Concertos: in C; in D. Violin Concerto in D |
|
Cello Concertos: in D, in C |
|
Cello Concertos: in D; in C. Violin Concerto in C: Adagio (arr. Gomziakov) |
|
Cello Concertos: No. 1 in C |
|
Cello Concertos: No. 1 in C, Hob VIIB.1; No. 2 in D, Hob VIIB.2 |
|
Cello Concertos: No. 1 in C, Hob Vllb:1; No. 2 in D, Hob Vllb:2 |
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Cello Concertos: No. 1 in C, HobVllb:1; No. 2 in D, Hob Vllb:2; Lo speziale: Overture |
|
Cello Concertos: No. 1 in C; No. 2 in D |
|
Cello Concertos: No. 1 in C; No. 2 in D. Symphony No. 13: Adagio |
|
Cello Concertos: No. 1 in C; No. 2 in D. Symphony No. 16 |
|
Cello Concertos: No. 1; No. 2. |
|
Cello Concertos: No. 2 in D |
|
Cello Duets: in G, Hob XII:1, in D, Hob XII: 3+5; in G, Hob. XII:4; in D, Hob. X:11 |
|
Choral works: Regina caeli, K. A. 118. Ave verum corpus, K. 618. Te Deum, K. 141. Sancta Maria, K. 273 |
|
Clavichord Sonatas: In D, Hob. XVI:19; in C Minor, Hob. XVI:20; In C♯ Minor, Hob. XVI:36; in Eb, Hob. XVi.38 |
|
Clavier Concertos in C, G, D and F |
|
Clavier Sonatas: No. 18 in B-Flat, H.XVI:18;No. 20 in C Minor, H.XVI:20;No. 44 in G Minor, H.XVI:44 |
|
Codiad yr Hedydd |
|
Collected Works (incomplete) |
|
Complete Music for Solo Keyboard |
|
Complete Overtures, Volume One |
|
Complete Piano Trios |
|
Complete Songs |
|
Complete Songs (48) |
|
Complete String Quartets |
|
Complete Symphonies |
|
Concerti, Concertini, and Divertimenti |
|
Concertinos: in F, Hob.XVIII:F2; in C, Hob. XIV:12 |
|
Concerto for Cello and Orchestra in D, Op. 101 |
|
Concerto for Cello and Orchestra No. 1 in C, Hob. VII b/1 |
|
Concerto for Cello and Orchestra. Op. 101. Concerto for Trumpet and Orchestra. Concerto No. 1 in C for Violin and Orchestra |
|
Concerto for Guitar and Strings in D |
|
Concerto for Harpsichord and Violin, Hob. XVIII:6 |
|
Concerto for Trumpet and Orchestra in E-Flat |
|
Concerto for Trumpet and Orchestra in E♭ |
|
Concerto for Two Horns and Orchestra in E-Flat |
|
Concerto for Violin and Orchestra No. 1 in C, Hob. VLLa, No. 1 ;Sinfonia Concertante for Oboe, Bassoon, Violin, Cello, and Orchestra in B-Flat, Op. 84, Hob. I, No. 105 |
|
Concerto for Violin, Piano, and Orchestra in F, Hob XVIII:6 |
|
Concerto for Violin, Piano, and Strings |
|
Concerto in B |
|
Concerto In C for Cello and Orchestra |
|
Concerto in C for Cello and Orchestra |
|
Concerto in C for Cello and Orchestra, H. Vllb:1 (with English Chamber Orchestra conducted by Daniel Barenboim) |
|
Concerto in C for Cello and Orchestra, H. Vllb:1. Symphony No. 49 in F minor (“La Passione) |
|
Concerto in C for Cello and Orchestra, Hob. VIIbh Concerto in D for Cello and Orchestra, Hob. VIIb2 (Op. 101) |
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Concerto in C for Cello and Orchestra, Hob. Vllb/1. Symphony No. 104 in D, Hob. 1/104 (“London') |
|
Concerto in C for Cello and Orchestra, Hob. Vllb:1 |
|
Concerto in C for Cello and Orchestra: Finale-Allegro molto |
|
Concerto in C for Oboe and Orchestra, H. 7g |
|
Concerto in C for Oboe and Orchestra, H. Vllg/Cl |
|
Concerto in C for Oboe and Orchestra, H. Vllg:CI |
|
Concerto in C for Oboe and Orchestra, H.VIIg:CI |
|
Concerto in C for Oboe and Orchestra, Hob. VII:C1 |
|
Concerto in C for Oboe and Orchestra, Hob. Vllg |
|
Concerto in C for Oboe and Orchestra, Hob. Vllg:C1 |
|
Concerto in C for Organ, Two Horns, and Strings, Hob. VXIII/5 |
|
Concerto in C for Trumpet and Orchestra“ |
|
Concerto in C for Trumpet, Two Flutes, Strings, and Continuo. Leopold |
|
Concerto in C for Violin and Orchestra |
|
Concerto in C for Violin and String Orchestra, H.VII:a/1. Symphony No. 43 in Eb (“Mercury “) |
|
Concerto in C for Violin and String Orchestra, H.VIIa:1 |
|
Concerto in D |
|
Concerto in D for Cello and Orchestra |
|
Concerto in D for Cello and Orchestra, H.VIIb:2 |
|
Concerto in D for Cello and Orchestra, Op. 101 |
|
Concerto in D for Cello and Orchestra, Op. 101. Concerto for Trumpet and Orchestra. Concerto No.1 in C for Violin and Orchestra |
|
Concerto in D for Cello and Orchestra., Hob.Vllb:2 |
|
Concerto in D for Cello and Strings |
|
Concerto in D for Clavier and Orchestra, H.VIII, no. 2 |
|
Concerto in D for Flute and Orchestra |
|
Concerto in D for Flute and Orchestra, H. Vllf:D1 |
|
Concerto in D for Flute and Orchestra, Hob. Vllf:D1. Concerto No. I in D for Horn and Orchestra, Hob. Vll:d3 |
|
Concerto in D for Flute and Orchestra^. Divertissement in C. Concerto in C for Violin and Orchestra |
|
Concerto in D for Harpsichord (or Organ) and Strings, H. XVHII:2 |
|
Concerto in D for Harpsichord and Orchestra, H, XVIII. 11. Concerto in F for Violin, Harpsichord, and Strings, H. XVIII:6 |
|
Concerto in D for Harpsichord and Orchestra. Concerto in F for Violin, Harpsichord, and Strings. Symphony No. 31 in D ("With the Hornsignal") |
|
Concerto in D for Horn and Orchestra, Hob. Vit d:3 |
|
Concerto in D for Keyboard and Orchestra, H. XVI11:11 |
|
Concerto in D for Piano and Orchestra |
|
Concerto in D for Piano and Orchestra, H. XVIII-11 |
|
Concerto in D for Piano and Orchestra, H. XVIII:11 |
|
Concerto in D for Piano and Orchestra, Hob. 18-2 |
|
Concerto in D for Piano and Orchestra, Hob. XVIII, no. 11 |
|
Concerto in D for Piano and Orchestra, Hob.XVIII:11 |
|
Concerto in D for Piano and Orchestra, Hob.XViil:11; Concerto in C for Violin and Orchestra, Hob. VIla:1; Sinfonia Concertante in B♭, op. 84, Hob. 1:105 |
|
Concerto in D, Hob XVIII:11 |
|
Concerto in E |
|
Concerto in E for Trumpet and Orchestra |
|
Concerto in E'Flat for Trumpet and Orchestra |
|
Concerto in E-Flat for Trumpet and Orchestra |
|
Concerto in E-Flat for Trumpet and Orchestra, Hob. Vlle:1. Divertimento in D for Flute and Strings, Hob. II:D8. Divertimento in E-Flat (“Echo“), Hob. 11:39. “Serenade“ in C, Hob. 111:17, II |
|
Concerto in E-Flat for Trumpet and Strings |
|
Concerto in E?: Concerto in E?: Allegro |
|
Concerto in E♭ |
|
Concerto in E♭ for Trumpet and Orchestra |
|
Concerto in E♭ for Trumpet and orchestra |
|
Concerto in E♭ for Trumpet and Orchestra, H. Vlie.1 |
|
Concerto in E♭ for Trumpet and Orchestra, H. Vlle:1 |
|
Concerto in E♭ for Trumpet and Orchestra, H. Vlle:1. Concerto in C for Organ and Orchestra, H. XVIIi.1. Concerto in D for Horn and Orchestra, H. Vlld:3 |
|
Concerto in E♭ for Trumpet and Orchestra, H.VIIe:1 |
|
Concerto in E♭ for Trumpet and Orchestra, Hob. Vlle:1 |
|
Concerto in E♭ for Trumpet and Orchestra, Hob.VII, no. 1 |
|
Concerto in E♭ for Trumpet and Orchestra. ANON, (formerly attributed to Haydn): Concerto in C for Oboe (Trumpet) and Orchestra |
|
Concerto in E♭ for Trumpet and Orchestra. Concertos for Horn and Orchestra: No. 1 in D, No. 2 in D. Divertimento a Tre in E♭, for Horn, Violin, and Cello |
|
Concerto in E♭ for Two Horns and Orchestra, Hob. Vlld, no. 2 |
|
Concerto in E♭ for Two Horns and Orchestra. Cassation in D, Hob.ll:D22 |
|
Concerto in E♭ for Two Horns and Orchestra. Concerto No. 2 in D for Horn and Orchestra, Hob. VIId:4 |
|
Concerto in F for Organ and Orchestra |
|
Concerto in F for Organ and Strings, H. XVIIU7 |
|
Concerto in F for Piano and Orchestra, H. 18:3 |
|
Concerto in F for Violin and Harpsichord |
|
Concerto in F for Violin, Harpsichord, and Strings |
|
Concerto in F for Violin, Harpsichord, and Strings, Hob XVIII:6 |
|
Concerto in F for Violin, Harpsichord, and Strings, Hob. XVIII:6. Cassation in G, Hob. 11:2 |
|
Concerto in F for Violin, Keyboard, and Orchestra, Hob. XVI11:6 |
|
Concerto in F for Violin, Piano, and String Orchestra |
|
Concerto in F, Hob. XVIII:6 |
|
Concerto in G for Violin and Orchestra (Hob. VIIa:4) |
|
Concerto in £♭ for Trumpet and Orchestra |
|
Concerto No. 1 in C for Cello and Orchestra, H. VIIb:1. Concerto No. 2 in D for Cello and Orchestra, H.VIIb:2 (cadenzas by Miklós Perényi) |
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Concerto No. 1 in C for Cello and Orchestra, H. Vllb:1 |
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Concerto No. 1 in C for Cello and Orchestra, H.VIIb:1 |
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Concerto No. 1 in C for Cello and Orchestra, Hob. Vllb:1 |
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Concerto No. 1 in C for Cello and Orchestra, Hob. Vllb:V. Concerto in F for Violin, Harpsichord, and Orchestra, Hob. XVIII:6. Trio in D for Piano, Flute, and Cello, Hob. XV-16 |
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Concerto No. 1 in C for Organ and Orchestra, Hob. XVIII/8. Stücke für Flötenuhr |
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Concerto No. 1 in C for Violin and Orchestra |
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Concerto No. 1 in C for Violin and Orchestra, H. VIIa:1 |
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Concerto No. 1 in C for Violin and Orchestra, H. Vila |
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Concerto No. 1 in C for Violin and Orchestra, H. Vlla:1 |
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Concerto No. 1 in C for Violin and Orchestra, Hob. Vlla:1 |
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Concerto No. 1 in C for Violin and Orchestra, Hob. Vllet-1 |
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Concerto No. 1 in D for Horn and Orchestra |
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Concerto No. 1 in D for Horn and Orchestra, Hob. VHd:3. Symphony No. 31 in D (“Horn-signal“) |
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Concerto No. 1 in D for Horn and Orchestra. Symphonies: No. 45 in F♯ Minor ("Farewell"); No. 94 in G ("Surprise") |
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Concerto No. 1 in D for Trombone and Piano: First Movement |
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Concerto No. 1 in E-Flat for Trumpet and Orchestra, H. Vlle:1 |
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Concerto No. 11 in D for Piano and Orchestra, H. XVIU.11 |
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Concerto No. 11 in D for Piano and Orchestra, Hob. XVIII: 11 |
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Concerto No. 11 In D for Piano and Orchestra. Il Mondo della Luna: Overture. Sinfonia Concertante In B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Concerto No. 2 in C for Organ and Orchestra: Moderato (Columbia Symphony conducted by Zoltán Rozsnyai) |
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Concerto No. 2 in D for Cello and Orchestra, Hob. VII b:2 |
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Concerto No. 2 in D for Cello and Orchestra, Hob. VIlb/2 |
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Concerto No. 2 in D for Cello and Orchestra, op. 101, Hob. VHb:2 (with José Luis Garcia leading the English Chamber Orchestra)* |
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Concerto No. 4 in F for Guitar and Orchestra |
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Concerto No. 4 in G for Violin and Orchestra |
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Concerto No. 4 in G for Violin and Orchestra, Hob. Vlla:4 |
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Concerto No. lin C for Cello and Orchestra, H. VII b/1 |
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Concerto ¡n D for Cello and Orchestra, op. 10V |
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Concertos for 2 Lire organizzate: in C, Hob VIIh:1; in G, Hob VIIh:2; in G, Hob VIIh:3; in F, Hob VIIh:4; in F, Hob VIIh:5 |
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Concertos for Cello and Orchestra. No. 1 in C, Hob.Vilb:1; No. 2 in D, Hob.Vllb:2 |
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Concertos for Cello and Orchestra: in C, H. VIIB:1; in D, H. VIIb:4 |
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Concertos for Cello and Orchestra: in C, H. VIIb; in D, H. VIIb2 (Op. 101) |
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Concertos for Cello and Orchestra: in C, H. Vllb: 1 ; in D, H. Vllb:2 |
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Concertos for Cello and Orchestra: in C, H. Vllb:1; in D, H Vllb:2 |
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Concertos for Cello and Orchestra: in C, H. Vllb:1; in D, H. Vllb:2 |
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Concertos for Cello and Orchestra: in C, H. Vllb:1; in D, H. Vllb:2, in G, H. Vlla:4 |
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Concertos for Cello and Orchestra: in C, H.VIIb:1; in D, H.VIIb:2 |
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Concertos for Cello and Orchestra: in C, Hob. Vllb-1; in D, Hob. Vllb-2. Symphony No. 13 in D: Andante |
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Concertos for Cello and Orchestra: in C, Hob. Vllb:1; in D, Hob. Vllb:2 |
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Concertos for Cello and Orchestra: in C, Hob.Vllb: 1; in D, Hob.Vllb:2 |
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Concertos for Cello and Orchestra: in C, Hob.Vllb:1; in D, Hob.Vllb:2 |
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Concertos for Cello and Orchestra: In C; in D, Op. 101 |
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Concertos for Cello and Orchestra: in D, op. 101 (Hob. Vllb:2); in C (Hob. Vllb:1) |
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Concertos for Cello and Orchestra: No. 1 in C, H. VIIb: 1; No. 2 in D, H. VIIb:2 |
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Concertos for Cello and Orchestra: No. 1 in C, H. Vllb; No. 2 in D, H. Vllb |
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Concertos for Cello and Orchestra: No. 1 in C, H.VHb:1. No. 2 in D, H.VIIb:2 |
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Concertos for Cello and Orchestra: No. 1 in C, H.VIIb1; No. 2 in D, H:Vllb2 |
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Concertos for Cello and Orchestra: No. 1 in C, H.VIIb:1; No. 2 in D, H.VIIb:2 |
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Concertos for Cello and Orchestra: No. 1 in C, Hob. Vllb:1; No. 2 in D, Hob. Vllb:2 |
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Concertos for Cello and Orchestra: No. 1 In C, Hob. Vllb:1; No. 2 In D, Hob. Vllb:2. BOCCHERIN1: Concerto In B♭ for Cello and Orchestra |
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Concertos for Cello and Orchestra: No. 1 in C, Hob.Vllb:1; No. 2 in D, Hob.Vllb:2 |
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Concertos for Cello and Orchestra: No. 1 in C, Hob.Vllb:1; No. 4 in D, Hob.VllbA |
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Concertos for Cello and Orchestra: No. 1 in C; No. 2 in D |
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Concertos for Cello and Orchestra: No. 1 in C; No. 2 in D; No. 4 in D |
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Concertos for Flute and Oboe: No. 1 in C; No. 3 in G |
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Concertos for Flute, Oboe, and Orchestra |
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Concertos for Horn and Orchestra: No. 1 in D, H. Vlld:3; No. 2 in D, H. Vlld:4 |
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Concertos for Horn and Orchestra: No. 1 in D, Hob. Vlld:3; No. 2 in D, Hob. Vlld:4 |
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Concertos for Horn and Orchestra: No. 1 in D, Hob. Vlld:3; No. 2 in D, Hob. Vlld:4. Concerto in E♭ for Two Horns and Orchestra |
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Concertos for Horn and Orchestra: No. 1 in D, Hob.Vlld:3; No. 2 in D, Hob.Vlld:4; Overtures: La Vera Constanza; La Fedeltà Premiata; Lo Speziale |
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Concertos for Horn and Orchestra; No. 1 in D, H. Vlld:3; No. 2 in D, H. Vlld:4 |
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Concertos for Lira, Two Violins, Two Violas, Cello, Double Bass, and Two Horns: No. 2 in G, H. Vllh; No. 4 in F, H. Vllh. Concerto No. 1 in C for Organ and Orchestra, H.XVIII |
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Concertos for Organ and Orchestra: No. 1 in C, H. XVIII/1 ; No. 2 in C, H. XVIII/8; No. 3 in C, H. XVIII/10 |
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Concertos for Organ and Orchestra: No. 1 in C, H. XVIII: 1 No. 2 in D, H. XVI11:2. No. 5 in C, H. XVIII:5. No. 7 in F, H. XVIII:7. No. 8 in C, H. XVIII:8.No. 10 in C, H. XVIII:10 |
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Concertos for Piano and Orchestra |
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Concertos for Piano and Orchestra: in D, Hob. XVIII:11; in G, Hob. XVIII:4. Concertos for Cello and Orchestra: in C, Hob. Vllb:1; in D, Hob. Vllb:2 |
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Concertos for Piano and Orchestra: in D, H.XVIII:11; in F |
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Concertos for Piano and Orchestra: in D, Hob.XVIII:11; in C, Hob.XIV:3; in G, Hob.XVIII:9; in G, Hob.XVIIIA |
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Concertos for Piano and Orchestra: in D, Hob.XVIII:11; in F, Hob.XVIII:F2. L. HOFMANN (?): Concerto in F for Piano and Orchestra |
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Concertos for Piano and Orchestra: in F, Hob. XVIU:3; in G, Hob.XVIII:4; in D, Hob.X-Vlll:11 |
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Concertos for Piano and Orchestra: in F, Hob.XVIII:3; in G, Hob.XVIIi.4; in D, Hob. XVIIi.11 |
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Concertos for Piano and Orchestra: No. 2 in F; No. 5 in C; No. 9 in G; No. 12 in C |
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Concertos for Piano and Orchestra: No. 3 in F, Hob.XVIII:3; No. 4 in G, Hob.XVIII:4; No. 6 in D, Hob.XVIII:t1 |
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Concertos for Piano and Orchestra: No. 4 in G, H. XVIII:4. No. 11 in D, H. XVIII:11 |
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Concertos for Piano and Orchestra: No. 5 in G, H. XVIII:4. No. 6 in D, H. XVIII:11 |
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Concertos for Piano and Strings: in C, Hob. 14:12; in F, Hob. 18:F2; in C, Hob. 18:5; in F, Hob. 18:7 |
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Concertos for Violin and Orchestra, Hob. VIIa: No. 1 in C; No. 3 in A ("Melker"); No. 4 in G |
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Concertos for Violin and Orchestra, Hob. Vila: No. 1 in C; No. 3 in A (“Melker“); No. 4 in G |
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Concertos for Violin and Orchestra: No. 1 in C, Hob. Vlla:1; No. 3 in A, Hob. Vlla:3 (“Melker“). Sinfonia Concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra, op. 84, Hob. 1:105 |
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Concertos for Violin and Orchestra: in A, Hob. Vlla:3; in G, Hob. VllaA; in C, Hob. Vlla:1 |
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Concertos for Violin and Orchestra: in C, Hob. VIIa: 1 ;in A, Hob. VIIa:3; in G, Hob. VIIa:4. Concerto for Violin, Harpsichord and Orchestra. Sinfonia Concertante in B-Flat for Violin, Oboe, Cello, Bassoon, and Orchestra, Op. 84 (Hob. 1:105) |
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Concertos for Violin and Orchestra: in C, Hob. Vlla:1; in G, Hob. VllaA. No. 22 in Eb(“The Philosopher“) |
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Concertos for Violin and Orchestra: in C, in G. Symphony No. 25 in C |
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Concertos for Violin and Orchestra: No. 1 in C, Hob. Vila: 1 ; No. 3 in A, Hob. VIIa:3(Nell Gotkovsky, violin; Toulouse Chamber Orchestra conducted by Louis Auhacombe) |
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Concertos for Violin and Orchestra: No. 1 in C, Hob. Vlla:1; No. 3 in A, Hob. Vlla:3 ("Melker"); No. 4 in G, Hob. Vlla:4 |
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Concertos for Violin and Orchestra: No. 1 in C, Hob. Vlla:1; No. 4 in G, Hob. Vlia:4. Concerto in D for Piano and Orchestra, Hob. XVIII:11. Concerto in F for Violin, Piano, and Orchestra, Hob. XVIII:6 |
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Concertos for Violin and Orchestra: No. 1 in C, Hob.Vlla:1; No. 4 in G, Hob.VllaA; “No. 9“ [attrib. Haydn] in B♭, Hob. Vlla:B2 |
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Concertos for Violin and Orchestra: No. 1 in C; No. 3 in A; No. 4 in G |
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Concertos in G, for Piano and Orchestra: H. XVIII:4, in D, H. XVIII:11. Concerto (Divertimento) in C, H. XIV:12 |
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Concertos: in E♭ for Trumpet and Orchestra; [No. 1 ] in D for Horn and Orchestra; in F for Violin, Harpsichord, and Orchestra |
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Contredanse in D, Hob XXXIc:17b |
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Costretta a piangere |
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Da che penso a Maritarmi |
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Der Apotheker |
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Der Augenblick. Wider den Übermut. An den Vetter. Die Harmonie in die Ehe. Die Beredsamkeit. Daphnens einziger Fehler. Betrachtung des Todes. An die Frauen. Die Warnung. Aus dem Danklied zu Gott. Alles hat seine Zeit. Der Greis. Abendlied zu Gott |
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Der Ritter Roland: Excerpts, (arr. Rosiniack). Die Jahrseitzen: Excerpts (arr. Druzecky). Octet in C |
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Destatevi, o miei fidi, Hob. XXIVa:2.: Al tuo arrivo felice, Hob. XXIVa:3.: Qual dubbio ormai, Hob. XXIVa:4.: Symphony No. 12 in E |
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Dice benissimo |
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Dice benissimo. Un cor sì tenero |
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Die Erwählung eInes Kapellmeisters |
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Die Erwählung eines Kapellmeisters, H. XXIVa:11. Svanisce in un Momento, H. XXI1 (No. 13c). Madrigal: The Storm, H. XIVa:8. Chor der Dänen, H. XXX:5a |
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Die Erwählung eines Kapellmeisters. Il Ritorno di Tobia: Svanisce in un momento. The Storm, H. XXIVa:8. Alfred, König der Angelsachsen: Chorus of the Danes |
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Die Feuersbrunst |
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Die Harmonie |
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Die Harmonie (William Christie directing) |
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Die Jahreszeiten |
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Die Jahreszeiten, Hob. XXi.3 |
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Die Jahreszeiten, Hob. XXI:3 |
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Die Jahreszeiten: Schon eilet froh der Ackersmann |
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Die Jahreszeiten: Simon's Aria |
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Die Landlust |
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Die Schöpfung |
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Die Schöpfung (selections) |
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Die Schöpfung (The Creation) |
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Die Schöpfung, Hob. XXI:2 |
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Die Schöpfung, Hob.XXI:2 |
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Die Schöpfung. Harmoniemesse |
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Die Schöpfung: Auf starkem Fittiche |
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Die Schöpfung: Auf starken Fittige; Nun scheint in vollem Glänze; Mit Würd und Hoheit angetan (Erna Berger, soprano; Julius Patzak, tenor; Alexander Kipnis, bass; F. Busch) |
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Die Schöpfung: Die Himmel erzählet die Ehre Gottes; Vor deiner Gut', o Herr und Gott |
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Die Schöpfung: In vollem Glänze; Die Himmel erzählen (with Regina Werner, soprano, Theo Adam, basso; Berlin Radio Chorus); Mit Würd' und Hoheit |
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Die Schöpfung: Mit Würd' und Hoheit angetan |
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Die sieben letzte Worte unseres Erlösers am Kreuz |
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Die Sieben letzten Worte |
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Die sieben letzten Worte |
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Die sieben letzten Worte unseres Erlösers am Kreuz |
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Die Verlassene. An Thyrsis. Lachet nicht, Mädchen. Jeder meint, der Gegenstand. Liebeslied. In nomine Domini. Beim Schmerz, der dieses Herz Durchwühlet. The Mermaid's Song. Pleasing Pain. A Pastoral Song. The Wanderen The Spirit's Song. O Tuneful Voice |
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Die Welt auf dem Monde |
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Die wüste Insel |
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Divertimenti a otto voci: in A (H. X:6); in D (H. X:2); in G (H. X:5) |
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Divertimenti for Eight Voices: in G, Hob. X:5; in A Minor, Hob. X:3; in G, Hob. X:12. Divertimento for Baryton, Two Horns, Viola, and Bass, Hob. X:10 |
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Divertimenti for Wind Instruments, Vol. I |
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Divertimenti: in C, Hob II:25; in F, Hob II:26; in C, Hob II:32; in C, Hob II:31; in C, Hob II:29; in G, Hob II:30; in D, Hob IV:D3 |
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Divertimenti: No. 1 in D; No. 2 in G; No. 3 in C; No. 4 in G; No. 5 in A; No. 6 in D |
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Divertimento |
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Divertimento (Feld-Parthie), H.ll:7 |
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Divertimento (Piano Trio) in C, Hob XIV:C1 |
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Divertimento a 3 |
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Divertimento a Tre |
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Divertimento a tre in E♭ for Horn, Violin, and Cello |
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Divertimento a Tre, Hob. IV:5 |
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Divertimento for Double Bass and Piano |
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Divertimento for Horn, Violin, and Cello, Hob IV:5 |
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Divertimento in A♭, Hob XVI:46 |
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Divertimento in b, H. V:3 |
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Divertimento in b, Hob V:3 |
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Divertimento in B-Flat for Oboe and Strings |
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Divertimento in B♭ |
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Divertimento in B♭, H. 11:46, (“Chorale St. Antoni“) |
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Divertimento in B♭, Hob XV:38 |
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Divertimento in C, H. II: 11 (“Birthday“). String Quartet in D, Op. 20, no. 4, H. 111:34 |
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Divertimento in C, Hob. XVI/10 |
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Divertimento in C, op. 1/6 |
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Divertimento in D |
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Divertimento in D for Cello and String Orchestra (arr. Piatigorsky) |
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Divertimento in D, Hob V:15 |
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Divertimento In D, Hob. 11:22 |
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Divertimento in E-Flat, Hob. 11:Es 13; in G, Hob. 11:3; in G, (no Hoboken listing); in E-Flat, Hob. 11:Es 14; in C, Hob. 11:7; in E-Flat, Hob. Es 12; in F, Hob. 11:15; in F, Hob. 11:23; in D, Hob.ll:D18; in B-Flat, Hob. II:B7; in D, (no Hoboken listing); in F, Hob. II:F7. Parthia in B-Flat, (no Hoboken listing); No. 2 in E-Flat, (no Hoboken listing); in E-Flat, (no Hoboken listing). Suite in E-Flat, Hob. M:Es17 |
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Divertimento in E♭ for 8 Winds, Hob 11:13 |
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Divertimento in E♭, H. 11:39 (“Echo“) |
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Divertimento in E♭, Hob XVI:16 |
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Divertimento in E♭, Hob. XIV:1 |
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Divertimento in G for Cello, Viola, and Double Bass, Hob. XXI:80 |
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Divertimento in G for Violin, Viola, and Cello |
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Divertimento No. 2, Hob X:10 |
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Divertimento No. 7 for Mechanical Clock |
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Divertimento, for Two barytons |
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Divertimento, H. II. 7 |
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Divertimento, Hob. II: C5 |
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Divertimento, “Il maestro e lo scolari” |
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Divertimentos |
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Divertimentos and Concertinos for Piano and Strings |
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Divertimentos for Baryton, Viola, and Cello; H. XI; No. 25 in A; No. 62 in G; No. 66 in A; No. 95 in D; No. 97 in D |
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Divertimentos for Flute, Viola, and Guitar: No. 14: Adagio; No. 23: Moderato; No. 29: Menuetto. Quartet in G for Flute, Violin, Cello, and Guitar |
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Divertimentos for Flute, Violin, and Cello: in D, Hob.lV:6; in G, Hob.lV:7; in C, Hob.lV:8; in G, Hob.lV:9; in A, Hob.lV:10; in D, Hob.lV:11; in C, op. 11, no. 2; in C, op. 11, no. 5 |
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Divertimentos for Harpsichord and Strings |
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Divertimentos for Harpsichord, Two Violins, and Cello: in C, Hob. XIV:4; in C, Hob. XIV:7; in C, Hob. XIV:8; in F, Hob. XIV:9; in G, Hob. XIV:13 |
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Divertimentos for Piano and Strings: No. 9 in F, H. XIV 9; No. 4 in C; No. 8 in C. Concertinos for Piano and Strings: No. 12 in C; No. 13 in G; No. 11 in C |
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Divertimentos: I in D; II in G; III in C; IV in g; V in A; VI in D: |
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Divertimentos: in A, Hob X:10; in B♭, op. 1/1 |
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Divertimentos: in B♭, Hob XV:38; in F, Hob XV:40 |
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Divertimentos: in C, Hob.li.11 (“The Birthday“); in D, Hob.ll:D8; in G, Hob.li.1 |
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Divertimentos: in C, Hob.ll:11 (“The Birthday“); in F, Hob.ll:16; in D, Hob.ll:22. Concertos: in C; in F, Hob.XVIII:6 |
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Divertimentos: in F for 2 Violins, 2 English Horns, 2 Horns, and 2 Bassoons, Hob 11:16; in C for 2 Clarinets and 2 Horns, Hob 11:14; in E♭ for Clavicembalo, 2 Horns, Violin, and Cello, Hob XIV: 1; in D for 2 Flutes, 2 Horns, 2 Violins, and Bass, Hob II: 8 |
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Divertimentos: No. 1 in D |
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Divertimentos: No. 11 in D, Op. 2, No. 5; No. 17 in F, Op. 3, No. 5 |
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Divertimentos: No. 2 in A |
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Divertissement in B?, Hob ll: Divertissement in B?, Hob ll:B4 |
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Double Bass Solos from Symphonies Nos. 6, 7, 8, 31, 72 |
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Double Concerto in F, Hob XVIII:6. Piano Trio in G, Hob XV:25: Finale (arr. Ettore Prando) |
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Duet in D for Violin and Cello |
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Duet in D, VI:D1: Poco adagio |
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Duetti: in G, Hob. XII:1; in D, Hob. XII: 3+5; in G, Hob. XII:4; in D, Hob. X:11 |
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Duo in B♭ for Violins |
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Duo No. 3 in B♭ |
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Early Keyboard Works |
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Ein Magd, ein Dienerin |
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Eine sehr gewöhnliche Geschichte |
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Eleven Baryton Trios. Trios for baryton, viola and cello Nos. 37, 48, 70, 71, 85, 96, 97, 109, 113, 117, 121 |
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English and Scottish Songs |
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English Canzonettas, Arianna a Naxos'. Piano Sonata in C, Hb. XVI:50. Andante con Variazioni in F minor |
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English Canzonettas, H. XXVIa:25-36, 41, 42 |
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English Canzonettas, H. XXVIa:25-36, 41, 42: The Mermaid's Song; She Never Told Her Love; A Pastoral Song; Recollection; Sailor's Song; Content; Fidelity; The Spirit's Song; Piercing Eyes; The Wanderer; Pleasing Pain; Despair; Sympathy; O Tuneful Voice |
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English Canzonettas, Hob XXVIa:25–36 |
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English Canzonettas: The Wanderer; She Never Told Her Love; The Spirit's Song; O Tuneful Voice. Piano Sonata in C, Hob. XVI:50. Cantata: Arianna a Naxos, Hob. XXVIb:2. Andante with Variations in F Minor, Hob. XVII.6 |
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Eryri Wen |
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Es weiden meine Schafe |
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Excerpts from operas by |
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Famous String Quartets |
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Famous Symphonies, Volume 2: No. 83 in G Minor (“The Hen“); No. 94 in G (“Surprise“); No. 101 in D (“The Clock“) |
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Fantasia (Capriccio) in C, Hob XVII: 4 |
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Fantasia in C |
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Fantasia in C, H.XVIIA |
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Fantasia in C, Hob XVI:4 |
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Fantasia in C, Hob XVII: 4 |
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Fantasia in C, Hob XVII:4 |
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Fantasia in c, Hob. VXII:4 |
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Fantasia in C, Hob. XVII.-4. Piano Sonatas: in C, Hob. XVI:48; in Eb, Hob. XVIA9 |
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Fantasia in C, Hob. XVII/4. Variations in F Minor, Hob. XVII/6 |
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Fantasy in C |
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Fantasy in C, H. XVII. 4 |
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Feldparthien Nos. 1-6, H. 11:41-46 |
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Finale from “London“ Trio No. 1 |
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Five Concertos for Two Lire Organizzate and Orchestra, Hob.llh:1/5 |
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Five Concertos in C for Organ and Orchestra: Hob.XVIII:1, 5, and 8; Hob.XIV:11 and 12 |
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Five Divertimenti for Harpsichord and Strings |
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Five Divertimentos: in C, Hob. 11:7; in F, Hob.II: 15, in G/C, (no Hoboken listing); in F, Hob.ll:23; in D, Hob.ll:D18 |
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Five Musical Clocks |
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Five Pieces for Flute-clock |
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Five Trios for Fortepiano, Violin, and Cello |
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Five “London“ Symphonies |
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Fliess leise, mein Bächlein |
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Flute Pieces |
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Flute Quartet in G, Hob II:G4 |
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Flute Quartets, op. 5: No. 1; No. 3; No. 4; No. 5 |
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Flute Sonatas: in E♭; in G; in C |
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Flute Trio in D, Hob XV:16 |
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Flute Trios Nos. 28–30 |
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Flötenuhrstücke |
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Flötenuhrstücke in C. Flötenuhrstücke In D. Flötenuhrstücke in G |
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Flötenurhstücke |
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Folksongs of the British Isles |
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Fortepiano Concertos: in G, Hob XVIII:4; in D, Hob. XVIII:11 |
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Four Duets for Two Cellos: in D, Hob. X: 11; In G, Hob. XII: 4; in G, Hob. XII: 1; in D, Hob. XII: 3 + 5 |
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Four Early Piano Concertos, Hob. XIV:12, XVIIL5,: 7, F2 |
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Four London Trios for Two Flutes and Cello |
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Four Pieces for Musical Clock |
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Four Pieces for the Urban Organ, Hob. XIX |
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Four Variations on “Gott erhalte Franz den Kaiser,” Hob III: 77 |
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Give to God our thankful songs (arr. by William Gardiner of Poco adagio from String Quartet in C, op. 76/3) |
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Gloria |
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Great Organ Mass No. 4. Salve Regina No. 2 in G Minor. Little Organ Mass No. 7 |
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Great Organ Mass, Hob. XXII:4.: Mariazellermesse, Hob. XXII:8: |
|
Great Organ Mass. Missa Sancii Nicolai |
|
Guitar Quartet |
|
Guitar Quartet in D |
|
Gypsy Dance |
|
Gypsy Dances: Nos. 1,6,8. Katherine Dances: Nos. 4,6,8,12 |
|
Gypsy Rondo |
|
Harmonie in F, Hob.lhF 7 |
|
Harmoniemese (Helmuth Rilling, cond; Simona Šaturová (sop); Daniela Sindram (alt); James Taylor (ten); Michael Nagy (bs); Gächinger Kantorei; RSO Stuttgart des SWR) |
|
Harmoniemesse, Hob XXII:14. Kleine Orgelmesse, Hob XXII:7: |
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Harpsichord Concertos: in C, Hob XVIII:5; in F, Hob XVIII:7 |
|
Harpsichord Concertos: in D, Hob XVIII:2 in F, Hob XVIII:3; in C, Hob XVIII:5 |
|
Harpsichord Sonatas: No. 33 in C Minor; No. 38 in F; No. 41 in A; No. 43 in E♭; No. 47 in B Minor |
|
Heiligmesse (Helmuth Rilling, cond; Sibylla Rubens (sop); Ingeborg Danz (alt); Lothar Odinius (ten); Michael Nagy (bs); Oregon Bach Festival Ch & O) |
|
Hin ist alle meine Kraft; alt und schwach bin ich |
|
Hob y Deri Danno |
|
Hob. XV, Nos. 17-30 |
|
Horn Concertino. Hermann Baumann; Salzburg Mozarteum Orchestra conducted by Leopold Hager |
|
Horn Concerto No. 1 |
|
Horn Concerto No. 1 in D, Hob Vlld:3 |
|
Horn Concerto No. 1. Horn Concerto No. 2 (attributed) |
|
Horn Concerto No. 1. Keyboard Concerto in D, Hob. XVIII:2 |
|
Horn Concertos Nos. 1 and 2 |
|
Horn Concertos: No. 1 in D; No. 2 in D. Trumpet Concerto in E♭ |
|
Horn Concertos: No. 1; No. 2. Symphony No. 31, “Hornsignal” |
|
Huit Zingarese, H. IX:28. Ländler des “Saisons.“ Cinq Contredanses, Quadrille, Menuet, H. IX:29 and 24. Minuetti da Ballo, H. IX:4. Notturni per due corni, H. II:D5. Six Danses Allemandes, H. IX:12 |
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I Do Confess Thou Art Sae Fair. My Love She’s But a Lassie Yet. My Boy Tammy |
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Ich stehe auf der Heide |
|
Il Mondo della Luna |
|
Il mondo della luna |
|
Il mondo della luna. Orlando paladino. Le fedeltà premiata |
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Il mondo della luna: Che mondo amabile. Non aver di me sospetto |
|
Il mondo della luna: Overture |
|
Il mondo della luna: “Ragian nell’alma siede”; “Se la mia stella” |
|
Il Ritorno di Tobia |
|
Il ritorno di Tobia |
|
Il ritorno di Tobia: Anna, m’ascolta! Orlando paladino: Aure chete, Verdi allori; Non partir, mia bella face |
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Infelice Sventurata |
|
Infelice Sventurata. Costretta a piangere. Signor, voi sapete. Solo e pensoso. Dice benissimo. Da che penso a Maritarmi. Se tu mi sprezzi, ingrata. Tornate pur mia bella. Begli ochi vezzosi. Ah, tu non senti—Qual destra omicida. La Circe: “Son pietosa, son bonina.” “Son due ore che giro.” “Lavatevi presto” |
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Insanae et vanae curae |
|
Italian Arias |
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Keyboard Concerto No. 11 in D |
|
Keyboard Concertos: in D, Hob XVIII:11; in F, Hob XVIII:3; in D, Hob XVIII:2; in G, Hob XVIII:4: |
|
Keyboard Concertos: in D, Hob XVIII:11; in G, Hob XVIII:4; in F, Hob XVIII:3; in F, Hob XVIII:7 |
|
Keyboard Concertos: in G, Hob XVIII:4; in D, Hob XVIII:11. Keyboard and Violin Concerto in F, Hob XVIII:6.: |
|
Keyboard Sonata in b, Hob XVI:32: Mvmt 1 |
|
Keyboard Sonatas |
|
Keyboard Sonatas (arr. Galbraith for 8-string guitar) Hob XVI:46; Hob XVI:47; Hob XVI:44; Hob XVI:2 |
|
Keyboard Sonatas, Volume I: No. 23 In F; No. 20 in C Minor; No. 43 in A-Flat; No. 32 in B Minor |
|
Keyboard Sonatas, Volume II: No. 26 in A; No. 34 in E Minor; No. 46 in A-Flat |
|
Keyboard Sonatas: in A♭, Hob XVI:46; in c, Hob XVI:20 |
|
Keyboard Sonatas: in c, Hob xvi/20; in g, Hob xvi/44; in b, Hob xvi/32; in B♭, Hob xvi/41; in D, Hob xvi/42; in D, Hob xvi/48 |
|
Keyboard Sonatas: in C, Hob XVI:48; in E♭, Hob XVI:49; in E♭, Hob XVI: 52 |
|
Keyboard Sonatas: in D, Hob XVI:37; in G, Hob XVI:27; in C, Hob XVI:35; in F, Hob XVI:23 |
|
Keyboard Sonatas: in F, Hob XVII:6; in E♭, Hob XVI:52 |
|
Keyboard Sonatas: in G, Hob XVI:40: Allegretto e innocente; in A♭, Hob XVI:46; in c♯, Hob XVI:36; in C, Hob XVI:48; in E♭, Hob XVI:49 |
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Keyboard Sonatas: No. 60 in C; No. 62 in E♭ |
|
Keyboard Trio in C, Hob XV:27 |
|
Keyboard works by |
|
Keyboard Works, Volume Three. Six Easy Variations, H. XVII:5. Sonatas: in A♭, H.XVI.46, L. 31; in E♭, H.XVI:45, L. 29; in G Minor, H.XVI:44, L. 32; in C Minor, H.XVI:20, L. 33 |
|
Keyboard Works, Volume Two |
|
Keyboard Works: Sonatas: in G (39); in D(19); in C (50); in C (48). Capriccio in G (1). Sonatas: in G (40); in B♭ (41); in D (42); in D (51); in E♭ (62). Andante con variazioni in F minor |
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L'anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13 |
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L'Anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13 |
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L'incontro improvviso |
|
L'incontro improvviso (The Unforeseen Encounter) |
|
L'infedeltà delusa |
|
L'infedeltà delusa. Arias and Trio for insertion into other works |
|
L'isola disabitata |
|
La Canterina, Hob. XXVII 1:2. Symphony No. 35 in B♭ |
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La Canterina: Non v’è chi mi aiuta |
|
La Circe: “Son pietosa, son bonina” |
|
La fedeltà premiata |
|
La fedeltà premiata, H. XXVIII:10.: |
|
La fedeltà premiata: Di questo audace ferro. Mi dica, il mio signore. Sappi, che la bellezza |
|
La fedeltà premiata: Overture |
|
La Fedeltà Premiata: Per te m'accese amore; Vanne . . . fuggi . . . traditore!; Barbaro conte . . . Dell'amor mio fedele. Il Mondo della Luna: Una donna come me; Se lo comando, ci venirò |
|
La fedeltà premiata: Per te m'accese amore; Vanne ... fuggi ... traditore; Barbaro conte ... Dell'amore mio fedele. Il mondo della luna: Una donna come me |
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La vera constanza: Overture |
|
La vera costanza |
|
La vera costanza: Non sparate . . . mi disdico |
|
La vera costanza: Overture |
|
Le peccatrici |
|
Le pescatrici |
|
Le pescatrici, Hob l:106: Sinfonia in D |
|
Libera me, Domine |
|
Lieder |
|
Lieder, Hob XXVIa:41, 42, 46 |
|
Lieder. Das strickende Mädchen. Cupido. Der erste Kuss. Eine sehr gewöhnliche Geschichte. Die Verlassene. Der Gleichsinn. An Iris. An Thyrsis. Trost unglücklicher Liebe. Die Landlust. Liebeslied. Die zu späte Ankunft der Mutter |
|
Lira Concertos for Ferdinand IV, H. VII, Nos. 1-5 |
|
Lo speziale |
|
Lo Speziale (The Apothecary), H. XXVIII:3 |
|
Lo Speziale (The Apothecary), Hob. XXVIII: 3 |
|
Lo speziale: Overture |
|
Lo Speziale: Overture. L’Infedeltà delusa: Overture |
|
Lob der Faulheit |
|
Lob der Faulheit. Gegenliebe. Trost unglücklicher Liebe. Die zu späte Ankunft der Mutter. O tuneful voice. Sailor’s song. Sympathy. The spirit’s song. Fidelity. Content. Piercing eyes. She never told her love |
|
London Piano Sonatas |
|
London Sonatas |
|
London Symphonies: No. 94 in G, "Surprise"; No. 101 in D, "Clock"; No. 102 in B♭ |
|
London Trios: in D, Hob. IV: 1; in G, Hob. IV:2; in G, Hob. IV:3; in G, Hob. IV:4 |
|
London Trios: No. 1, Hob IV:1; No. 2, IV:2 |
|
Lord Nelson Mass. 4 Responsoria de Verabili. Ave regina |
|
Lord Nelson Mass. Responsoria de Venerabili. Ave Regina. Seven Last Words of Our Savior on the Cross |
|
L‘Incontro Improviso: Overture |
|
L’Anima del filosofo, ossia Orfeo ed Euridice |
|
L’anima del filosofo, ossia Orfeo ed Euridice: Overture; “Al tuo seno fortunato”; “Filommena Abbandonata” |
|
L’anima del filosofo: Al tuo seno fortunate; Filomena abbandonata; Dov’è l’amato bene?—Del mio core il voto estremo |
|
L’anima del filosofo: Chi spira e non sprea. Il pensier sta negli aggotti. Mai non sie inulto |
|
L’anima del filosofo: Overture |
|
L’incontro improvviso: Noi pariamo santarelli |
|
L’incontro improvviso: Overture |
|
L’infedelta delusà (highlights). La vera costanza (highlights) |
|
L’infedeltà delusa: Non v’è rimedio |
|
L’isola disabitata |
|
L’isola disabitata: Chi nel cammin d’onore |
|
L’isola disabitata: Overture |
|
L’isola disabitata: Overture; “Che fu mai … Fra un dolce deliro” |
|
L’isola disabitita |
|
Maggie Lauder |
|
March |
|
March, “Royal Society of Musicians” |
|
Mariazeller Mass (No. 6); Little Organ Mass (No. 5); Four Pieces for Mechanical Clock |
|
Marsch in E♭, Hob VIII:3/3bis, “March for the Prince of Wales” |
|
Mass in B♭, Hob XXII:12, “Theresienmesse”. Symphony No. 103 in E♭, “Drumroll” |
|
Mass in B♭, Hob XXII:14, "Harmoniemesse" |
|
Mass in B♭, Hob XXII:14, “Hamoniemesse” |
|
Mass in B♭, Hob. XXI:14, “Harmoniemesse” |
|
Mass in B♭, Hob.XXII:12 (“Theresienmesse'). Missa brevis Sancii Joannis de Deo in B♭, Hob.XXII:7 (“Kleine Orgelmesse“) |
|
Mass in B♭, “Harmoniemesse” |
|
Mass in B♭, “Heiligmesse” |
|
Mass in B♭, “Schöpfungmesse” |
|
Mass in B♭, “Theresienmesse” |
|
Mass in C, “Mass in Time of War” |
|
Mass in d, “Nelson Mass” |
|
Mass in d, “Nelsonmesse” |
|
Mass in Time of War. Alfred, King of the Anglo-Saxons: Incidental Music |
|
Mass in Time of War. Insanae et vanae curae |
|
Mass No. 10 in B-Flat (Theresienmesse“) |
|
Mass No. 10 in B-Flat (“Theresienmesse“) |
|
Mass No. 10 in C, “Mass in Time of War” |
|
Mass No. 11 in D Minor (“Lord Nelson Mass“) |
|
Mass No. 11 in D minor (“Lord Nelson“) |
|
Mass No. 11 in D minor, (“Nelson Mass“). Four Responsoria de Venerabili. Ave Regina coelorum |
|
Mass No. 11 in d, “Lord Nelson” |
|
Mass No. 12 in & (“Harmoniemesse“) |
|
Mass No. 12 in B, H. XXII:14 (“Harmoniemesse“) |
|
Mass No. 12 in B♭, H. XXIi.14, Harmoniemesse |
|
Mass No. 12 in B♭, Hob XXII:14, “Harmoniemesse”. Symphony No. 101 in D, “Clock” |
|
Mass No. 12 in B♭, Hob. XXII: 12 (“Theresienmesse“). Salve Regina in G Minor, Hob. XXIIb:2 |
|
Mass No. 13 in Bb, Hob. XXII:13 (“Schöpfungsmesse“). Missa brevis Sancii Joannis de Deo, Hob. XXII:7 (“Kleine Orgelsolomesse“) |
|
Mass No. 13 in B♭, Hob. XXII:13, “Schöpfungsmesse” |
|
Mass No. 14 in B-Flat (“Harmoniemesse“) |
|
Mass No. 14 in B-Flat, (“Harmoniemesse“) |
|
Mass No. 14 in Bb, Hob.XXII/14 (“Harmoniemesse'); Te Deum in C |
|
Mass No. 14 in B♭, “Harmoniemesse” |
|
Mass No. 3 (“Missa Sanctae Caecillae“) |
|
Mass No. 4 in G ( “Missa Sancti Nicolai“) |
|
Mass No. 5 in C, “Missa Cellensis“ |
|
Mass No. 7 in C (“Missa in tempore belli“) |
|
Mass No. 7 in C, Missa in tempore belli (“Paukenmesse“) |
|
Mass No. 9 (“Mass in Time of War“) |
|
Mass No. 9 in C ( “Mass in Time of War,“ Paukenmesse) |
|
Mass No. 9 in D minor ( “Lord Nelson “). The Creation: Die Himmel erzählen; Nun beut die Flur; Vollendet ist das grosse Werk |
|
Mass No. 9 in D Minor (“Lord Nelson“) |
|
Mass No. 9 in D minor (“Lord Nelson“) |
|
Mass No. 9 in D Minor (“Lord Nelson“). Symphony No. 88 in G |
|
Mass No. 9 in D minor (“Lord Nelson“). Te Deum |
|
Mass No. 9 in D minor, H. XXII: 11, (Nelson-Messe; Missa in angustüs) |
|
Masses (complete) |
|
Masses 8 |
|
Masses: in B♭, Hob.XXII:12, “Theresienmesse“; in d, Hob.XXIM 1, “Nelsonmesse“ |
|
Masses: in B♭, “Creation” |
|
Masses: in C, Hob XXII:9, “Missa in tempore belli” (“Paukenmesse”); in d, Hob XXII:11, “Missa in Angustiis” (“Nelson Mass”) |
|
Masses: in d, “Lord Nelson” |
|
Masses: in G, Hob.XXII:6 (“Missa SanctiNicolai“); in Bb, Hob.XXII:12 (“Theresienmesse“) |
|
Masses: in G, “Nikolaimesse”; in d, “Nelson” Mass |
|
Masses: No 9, “Mass in Time of War“; No. 10, “Heiligmesse“ |
|
Masses: No. 1 in F (“Missa Brevis“); No. 6 in G (Missa Sancii Nicolai); No. 7 in B (Missa Sti Joannis de Deo) |
|
Masses: No. 10 In B♭ ("Heiligmesse"); No. 12 In B♭ ("Theresienmesse") |
|
Masses: No. 13 in Bb, Hob. XXII:13 (“Schöpfungsmesse“); No. 1a in G, Hob. XXII:3 (“Missa rorate coeli desuper:). Gloria, Hob. XXII:13 (alternate version) |
|
Masses: No. 13, “Schöpfungmesse.“ No. 14, “Harmoniemesse“ |
|
Masses: No. 2, “Missa brevis“; No 3, “Missa Cellensis“ |
|
Masses: Sancti Nicolai (No. 6); Brevis (No. 1); Cellensis in honorem B.M.V. (No. 5, “St. Cecilia“); Borate caeli desuper (No. 3); in honorem Beatissimae Virginis (No. 4, “Great Organ Mass“); Mariazeller (No. 8); brevis Sancti Joannis(No. 7, “Little Organ Mass“). Four organ pieces |
|
Mechanical Clock, 7 PM. Mechanical Clock, 9 PM |
|
Mein Süsses Liebchen |
|
Minuet |
|
Minuet in C |
|
Minuet in D, Hob. IX:16, No. 11 |
|
Minuet in D, Hob. IX:16, No. 6 |
|
Minuet in F |
|
Minuet. Andante |
|
Minuet. March |
|
Minuets, Hob IX.16 |
|
Missa brevis (Owen Burdick, cond; Trinity Church Wall Street Ch; REBEL Baroque O) |
|
Missa brevis in B♭ (“Little Organ Mass“) |
|
Missa Brevis in F. Missa Brevis Alla Cappella “Rorare Caeli Desuper“ in G. Salve Regina. Offertory “Non Nobis, Domine“ |
|
Missa brevis Sancti Joannis de Deo, Hob.XXII:7 (“Fiorate coeli desuper“). Salve Regina in G Minor, Hob.XXIIIb:2 |
|
Missa brevis Sancti Joannis de Deo, Hob.XXII:7 (“Kleine Orgelmesse“y |
|
Missa brevis Sancti Joannis de Deo; Thereisienmesse |
|
Missa Brevis Sandi Joannis de Deo in Bb, Hob. XXII:7 (“Kleine Orgelmesse“). Mass [No. 12] in Bb, Hob. XXIÏ.14 (“Harmoniemesse“) |
|
Missa brevis: Benedictus |
|
Missa Celensis, Hob. XXII:5: |
|
Missa Cellensis |
|
Missa Cellensis (Gerd Guglhör, cond; Priska Eser-Streit (sop); Anne Buter (alt); Christoph Genz (ten); Thomas Hamberger (bs); Orpheus Ch; Neue Hofkapelle München) |
|
Missa cellensis in C, “Cäcilienmesse” |
|
Missa Cellensis in honorem B. V. Marine (Missa Caeciliae). Missa Rorate eaeli desuper |
|
Missa Cellensis in honorem beatissimæ virginis mariæ, Hob XXII:5 |
|
Missa Cellensis, Hob XXII:5 |
|
Missa Cellensis. Missa in tempore belli, “Paukenmesse.“ Schöpfungmesse |
|
Missa Cellensis. Missa Sunt bona mixta malis |
|
Missa in angustiis ( “Nelson“Mass) |
|
Missa In Angustiis ("Nelsonmesse") |
|
Missa in angustiis, "Nelson Mass" |
|
Missa in angustiis, Hob. XXII:11, “Nelson Mass” |
|
Missa in Angustiis, Hob. XXII:11,: “Nelson.'' |
|
Missa in Angustiis, in D Minor, Hob.XXII:11 (“Nelsonmesse“) |
|
Missa in angustiis, “Lord Nelson Mass“. Missa brevis Sancii Joannis de Deo, “Little Organ Mass“ |
|
Missa in angustis, “Nelson Mass”, Hob XXII:11 |
|
Missa in honorem B. V. Mariae. Missa brevis Sancti Joannis de Deo |
|
Missa in honorem B.V.M. (“Great Organ Mass“) |
|
Missa in honorem Beatissimae Virginis Mariae (Great Organ Mass) |
|
Missa in honorem Beatissimae Virginis Mariae, Hob.XXII:4 (“Great Organ Solo Mass“). Missa Sancti Nicolai, Hob.XXII:6 |
|
Missa in tempore belli |
|
Missa in tempore belli in C, Hob.XXII:9 (“Paukenmesse'y. Missa in angustiis in D Minor, Hob.XXII:11 (“Nelson Mass“). Symphony No. 88 in G |
|
Missa in tempore belli, "Paukenmesse." Te Deum in C, Hob XXIIIc:1 |
|
Missa in tempore belli, Hob. XXII:9 |
|
Missa in tempore belli, Hob. XXII:9 (“Paukenmesse“) |
|
Missa in tempore belli, Hob. XXII:9 (“Paukenmesse“). Salve Regina in G Minor, Hob. XXIIIb:2. Motetto “O coelitum beati“, Hob. XXIIIa:G9 |
|
Missa in tempore belli, “Paukenmesse,” Hob XXII:9 |
|
Missa in tempore belli, “Paukenmesse“. Salve regina in g, H XXIIIb:2 |
|
Missa Sancii Bernardi von Offida, “Heiligmesse.“ Missa in angustiis, “Nelsonmesse.“ Missa brevis Sancii Joannis de Deo, “Kleine Orgelmesse.“ Theresienmesse |
|
Missa Sancii Nicolai; Missa Brevis |
|
Missa Sanctae Caeciliae |
|
Missa Sanctae Caeciliae ion C, Hob XXII:5 |
|
Missa Sanctae Caeciliae: Laudamus te; Quoniam |
|
Missa Sancti Bernardi von Offida, “Heligmesse” |
|
Missa Sancti Nicolai in G (No. 6). Missa Sti. Joannis de Deo in B♭ (No. 7). Missa Brevis in F (No. 1) |
|
Missa Sandi Bernardi de Offida, Hob. XXII:10 (“Heiligmesse“). Mare Clausuni, Hob. XXIVa:9 (fragment). Motetto “Insanae et vanae curae, “ Hob. XXI:1, no. 13c. Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d. Te Deum, Hob. XXIIIc:2 |
|
Missa solemnis & ¿, |
|
Missa “Sunt bona mixta malis,“ Hob.XXII:2 (fragment). Offertorium “Non nobis, Domine,“ Hob.XXIIIa:l. Ave Regina, Hob. XXIIIb:3. Responsoria de Venerabili, Hob.XXIIIc:4a-d. Responsorium ad absolutionem “Libera me,“ Hob.XXIIb:1. Salve Regina in E, Hob.XXIIIb:1. Missa brevis Sancti Joannis de Deo, Hob. XXII:7 (“Kleine Orgelmesse“) |
|
Music by |
|
Music for England |
|
Music for Flute Clock: March, Andante, and Allegro’ |
|
Music of |
|
Musical Clock Pieces |
|
My mother bids me bind my hair |
|
Nelson Mass: excerpt |
|
Nelsonmesse (Helmuth Rilling, cond; Letizia Scherrer (sop); Roxana Constantinescu (alt); Maximilian Schmitt (ten); Michael Nagy (bs); Gächinger Kantorei & Bach-Collegium Stuttgart) |
|
Nine Vocal Quartets |
|
No. 13 in G, Hob.XIV:13; No. 9 in F, Hob.XIV:9; No. 7 in C, Hob.XIV:7; No. 4 in C, Hob.XIV:4; No. 8in C, Hob.XIV:8 |
|
No. 63 in D; No. 64 in D; No. 82 in C; No. 87 in A Minor; No. 88 in A; No. 107 in D; No. 110 in C |
|
Non parti bell’idol mio-Berenice, che fai? |
|
Notturni |
|
Notturni for Flute, Oboe, Two Clarinets, Two Horns, Two Violas, and Cello: in C, Hob. 11:25; in F, Hob. 11:26; in C, Hob. 11:29; in G, Hob. 11:30. Notturni for Flute, Oboe, Two Horns, and Strings: in G, Hob. 11:27; in F, Hob. 11:28; in C, Hob. 11:31; in C, Hob. 11:32 |
|
Notturni Nos. 1-8, Hob. II:25-32 |
|
Notturno No. 8 in G, Hob II:27 |
|
O tuneful voice. She never told her love. Sailor's song |
|
O Tuneful Voice. The Mermaid's Song. Recollection. A Pastoral Song. Despair. Pleasing Pain. Fidelity. She Never Told Her Love. Sailor's Song. The Wanderer. Sympathy. The Spirit's Song. Piercing Eyes. Content. The Lady's Looking-glass. Pensi a me si fido amante. Un tetto om/7. Das Strickende Mädchen. Cupido. Der erste Kuss. Eine Sehr gewöhnliche Geschichte |
|
O Tuneful Voice. The Mermaid’s Song. Recollection. A Pastoral Song. Despair. Pleasing Pain. Fidelity. She Never Told Her Love. Sailor’s Song. The Wanderer. Sympathy. The Spirit’s Song. Piercing Eyes. Content. The Lady’s Looking Glass. Pensi a me sì fido amante. Un tetto umil. Das strickende Mädchen. Cupido. Der erste Kuss. Eine sehr gewöhnliche Geschichte. Die Verlassene. Al einst mit Weibes Schönheit. Der Gleischsinn. An Iris. An Thyrsis. Trost unglücklicher Liebe. Die Landlust. Die zu späte Ankunft der Mutter. Der schlaue und dienstfertige Pudel. Bald wehen uns des Frühlings Lüfte. Trachten will ich nicht auf Erden. Jeder meint, der Gegenstand. Lacher nicht, Mädchen. O liebes Mädchen, höre mich. Gegenliebe. Geistliches Lied. Auch die sprödeste der Schönen. O fleiss, ja wallend fleiss in Zähren. Zufriedenheit. Das Leben ist ein Traum. Lob der Faulheit. Minna. Auf meines Vaters Grab. Beim Schmerz, der dieses Herr durchwühlet. Abschiedslied. Gott, erhalte der Kaiser! |
|
O tuneful voice. The Spirit’s Song |
|
Oboe Concerto in C, Hob VIIg:C1 (attrib) |
|
Oboe Concerto in C, Hob. VIIg:C1 (attrib.) |
|
Oboe Concerto in C. Trumpet Concerto in E♭. Harpsichord Concerto in D |
|
Octet in D, Hob X:1 |
|
Octet in F for Winds |
|
Octet in G, Hob X:12 |
|
Octet in G, Hob X:5 |
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Oer Apotheker: Wo Liebesgötter lachten |
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Offertoríum Ad te levavi |
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Opera Overtures: Lo speziale; Acide e Galatea; Le pescatrici; Philemon und Baucis; L’infedeltà delusa; Der Götterrath; L’incontro improvviso; Il mondo della luna; L’isola disabitata; La vera costanza; La fedeltà premiata; Orlando Paladino; Armida; L’anima del filosofo, ossia Orfeo ed Euridice |
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Orfeo e Euridice: Overture; Il pensier sta negli aggotti; Chi spira e non spera |
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Orfeo ed Euridice |
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Orfeo ed Euridice, |
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Organ Concerto in C, Hob. XVIII:1 |
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Organ Concertos: Concerto in D for Organ and Strings, H. XVIII, No. 2; Concerto in F for Organ, Two Violins, and Bass, H. XVIII, No. 7; Concerto in C for Organ, Two Trumpets, Timpani, and Strings, H. XVIII, No. 8 |
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Organ Concertos: Hob XVIII:1; Hob XVIII:2 |
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Organ Concertos: in C, Hob XIV:12 |
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Organ Concertos: in C, Hob XIVI:11 |
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Organ Concertos: in C, Hob XVIII:1 |
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Organ Concertos: in C, Hob XVIII:1,8,10 |
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Organ Concertos: in C, Hob XVIII:10 |
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Organ Concertos: in C, Hob XVIII:1; in C, Hob XVIII:8; in C, Hob XVIII:10 |
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Organ Concertos: in C, Hob XVIII:1; in F, Hob XVIII:6; in D, Hob XVIII:2 |
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Organ Concertos: in C, Hob XVIII:1; in F, Hob XVIII:6; in D, Hob XVIII:2; in C, Hob XVIII:10 |
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Organ Concertos: in C, Hob XVIII:5 |
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Organ Concertos: in C, Hob XVIII:8 |
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Organ Concertos: in C, Hob. XVIII:1; in D, Hob. XVIII:2; Concerto in F for Organ and Violin, Hob. XVIII:6 |
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Organ Concertos: in D, Hob XVIII:2; in C, Hob XVII:10 |
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Organ Concertos: No. 1 in C, Hob XVIII:1; No. 2 in D, Hob XVIII:2 |
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Organ Works: 2 Preludes in C; Andante in F; Adagio in F; Aria in F; Sonata in G; Theme and Variations in C |
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Original Canzonets, First Set: My Mother Bids Me Bind My Hair. William (arrangement by T. Billington of first movement from Sonata for Piano in C, H.XVI:35) |
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Orlando paladino |
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Orlando Paladino |
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Orlando Paladino: Eurilla-Pasquale duet (with József Réti, tenor) |
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Orlando paladino: Mille lampi d’accese faville. Ombre insepolte |
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Orlando Paladino: Mille lampi d’acesse faville; Senti e trema! |
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Orlando Paladino: Pasquale's song |
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Orlando Paladino: “Palpita ad ogni istante”; “Non partir, mia bella face”; “Implacabili numi!”; “Dell’estreme sue voci dolenti” |
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Orlando palodino |
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Overture in D, Hob Ia:4 |
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Overture to an English Opera |
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Overtures: La Fedeltà Premiata; L'Infedeltà Delusa. Symphonies: No. 45 in F♯ Minor ("Farewell"); No. 49 in F Minor ("La Passione") |
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Paris Symphonies: No. 82, “The Bear”; No. 83, “The Hen”; No. 84; No. 85, “The Queen”; No. 86; No. 87 |
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Parthia in B♭, Hob. I:107 |
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Parthia in B♭, Hob. I:108 |
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Parthia in E♭, Hob XVI:Es3 |
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Parthia in F for 2 Oboes, 2 Horns, and 2 Bassoons |
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Partita in E♭ for 8 Winds, Mob 11:12 |
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Partita in G, Hob XVI:6 |
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Partita in G, Hob. XVI/6 |
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Partitas: in E, Hob XV:34; in f, Hob XV:f1; in A, Hob XV:35 |
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Paukenmesse (Helmuth Rilling, cond; Ruth Ziesak (sop); Ingeborg Danz (alt); Christoph Prégardien (ten); Michel Brodard (bs); Gächinger Kantorei; Bach-Collegium Stuttgart) |
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Philemon und Baucis |
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Philemon und Baucis (Der Götterrath): Philemon und Baucis (Der Götterrath): Prelude |
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Piano Concertinos: in C, Hob. XIV:12; in G, Hob. XIV:13; in F, Hob. XVIII:F2; in C, Hob. XIV:11 |
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Piano Concerto in D |
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Piano Concerto in D (Gerard Hengeveld (pn), 7/22/43).“ |
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Piano Concerto In D (Paul Angerer, cond; Vienna CO) |
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Piano Concerto in D, H.VIII/2 |
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Piano Concerto in D, Hob XVIII:11 |
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Piano Concerto in D, Hob. XVIII: 11 |
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Piano Concerto in D, Hob. XVIII:11 |
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Piano Concerto in D: Hob XVIII |
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Piano Concerto in G |
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Piano Concerto in G, Hob XVIII:4 |
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Piano Concerto in G, Hob. XVIII:4 |
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Piano Concerto No. 11 in D, Hob XVIII-11 |
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Piano Concertos Nos. 1–5, 8, 10, 11. Double Concerto No. 6 |
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Piano Concertos, Hob. XVIII: No. 4 in G; No. 3 in F; No. 11 in D |
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Piano Concertos, Volume 2: in F, H.XVill;3; in C, H.XIV:C2; in F, H.XVIII;F2; in C, H.XVIII:5; in G, H.XIV:13 |
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Piano Concertos: in D, Hob XVIII:11; in F, Hob XVIII:3; in G, Hob XVIII:4 |
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Piano Concertos: in D, Hob. XVIII:11; in F, Hob. XVIII:3; in G, Hob. XVIII:4 |
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Piano Concertos: in D, Hob. XVIII:11; in G, Hob. XVIII:9; in D, Hob. XVIII:2 |
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Piano Concertos: in F, Hob |
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Piano Concertos: in F, Hob XVIII:3; in D, Hob XVIII:11; in G, Hob XVIII: 4; in G, Hob XVIII: 9 |
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Piano Concertos: in F, Hob.XVIII:3; in G, Hob.XVIII:4; in D, Hob.XVIII:11 |
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Piano Concertos: in F; in G; in D |
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Piano Concertos: in G, Hob XVIII:4; in C, Hob XVIII:8; in D, Hob XVIII:2; in C, Hob XVIII:5; in G, Hob XVIII:1; in F, Hob XVIII:3; in D, Hob XVIII:11 |
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Piano Concertos: in G, Hob. XVIII:4; in F, Hob. XVIII:7; in D, Hob. XVIII: 11; Piano Sonatas: No. 33 in c; No. 62 in E♭; No. 60 in C; Variations in f, Hob. XVII:6 |
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Piano Concertos: No. 4 in G, Hob XVIII:4; No. 11 in D, Hob XVIII:11 |
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Piano Concertos: No. 4 in G, Hob XVIIL4; No. 3 in F, Hob XVIII:3; No. 11 in D, Hob XVIII.11 |
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Piano Sonata (No. 62) in E♭, Hob XVI:52 |
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Piano Sonata in A♭ |
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Piano Sonata in B Minor, Hob. XVI, No. 32 |
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Piano Sonata in b, Hob XVI:32 |
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Piano Sonata in B♭, Hob. XVI.52 |
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Piano Sonata in C, H. XVI-.50 |
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Piano Sonata in C, Hob 50 |
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Piano Sonata in C, Hob XVI/50 |
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Piano Sonata in C, Hob XVI: 48 |
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Piano Sonata in C, Hob XVI:48 |
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Piano Sonata in C, Hob XVI:50 |
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Piano Sonata in C, Hob. XVI/48 |
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Piano Sonata in D, H. XVI/37 |
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Piano Sonata in D, Hob XVI: 51 |
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Piano Sonata in D, Hob XVI:42 |
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Piano Sonata in D, Hob. XVI, no. 37 |
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Piano Sonata in E |
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Piano Sonata in E, H XVI: 31, L46 |
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Piano Sonata in E, Hob XVI:31 |
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Piano Sonata in e, Hob XVI:34 |
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Piano Sonata in E♭, Hob XVI/52 |
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Piano Sonata in E♭, Hob XVI: 49 |
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Piano Sonata in E♭, Hob XVI: 52 |
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Piano Sonata in E♭, Hob XVIN 52 |
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Piano Sonata in E♭, Hob. XVi.49 |
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Piano Sonata in E♭, Hob.XVI:52 |
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Piano Sonata in E♭, L 59 |
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Piano Sonata in F, Hob. XVI:23 |
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Piano Sonata in F, Hob. XVI:23: Adagio |
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Piano Sonata in G, Hob XVI:20 |
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Piano Sonata No. 19 |
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Piano Sonata No. 32 in g |
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Piano Sonata No. 33 in C Minor |
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Piano Sonata No. 33 in C Minor, Hob. XVi.20: Finale: Allegro |
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Piano Sonata No. 33 in C Minor, Hob. XVI:20 |
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Piano Sonata No. 33 in C Minor. Andante con Variazioni in F Minor |
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Piano Sonata No. 33 in c, Hob XVI:20 |
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Piano Sonata No. 33 in c, Hob. XVI:20 |
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Piano Sonata No. 33 in c, Hob. XVI:20: Mvts 1-2. |
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Piano Sonata No. 33, Hob XVI:20. Andante con variazioni in f, Hob XVII:6 |
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Piano Sonata No. 36 in C Minor |
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Piano Sonata No. 37 in E, Hob. XVI:22. |
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Piano Sonata No. 38 |
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Piano Sonata No. 39 in D |
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Piano Sonata No. 40 in G |
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Piano Sonata No. 44 in C |
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Piano Sonata No. 47 in b, H XVI:32 |
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Piano Sonata No. 48 in C, Hob XVI:35 |
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Piano Sonata No. 49 in c#, Hob |
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Piano Sonata No. 49: Mvmt. 1 |
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Piano Sonata No. 50 in C, H.XVI:50 |
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Piano Sonata No. 50 in D |
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Piano Sonata No. 50 in D, Hob XVI:37 |
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Piano Sonata No. 50 in D, Hob XVI:37. |
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Piano Sonata No. 52 in Eb, Hob.XVI/52 |
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Piano Sonata No. 52 in E♭, Hob. XVI/52 |
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Piano Sonata No. 52 in E♭, Landon 62 |
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Piano Sonata No. 52 In E♭. Andante and Variations in F Minor. Fantasia In C |
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Piano Sonata No. 52 in G |
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Piano Sonata No. 56 in E♭ |
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Piano Sonata No. 58 in C, Hob XVI:48 |
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Piano Sonata No. 58 in C, Hob. XVI:48 |
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Piano Sonata No. 58, Hob XVI: 48 |
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Piano Sonata No. 59 |
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Piano Sonata No. 59 in E♭, H XVI:49 (Vancouver, 7/23/1958) |
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Piano Sonata No. 59 in E♭, Hob. XVI:49. |
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Piano Sonata No. 59 in E♭; No. 60 in C |
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Piano Sonata No. 60 in C |
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Piano Sonata No. 60 in C, Hob XVI:50. |
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Piano Sonata No. 60, Hob XVI/50 |
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Piano Sonata No. 60, Hob XVI:50 |
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Piano Sonata No. 62 |
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Piano Sonata No. 62 in E♭ |
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Piano Sonata No. 9 in F, H. XVI:9 |
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Piano Sonata, Hob XVI/52 |
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Piano Sonata, Hob XVI:48: Rondo |
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Piano Sonata: No. 32 in b, Hob XVI:32; No. 48 in C, Hob XVI:48 |
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Piano Sonatas |
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Piano Sonatas in E♭, Hob XVI:52; in D, Hob XVI:51 |
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Piano Sonatas No. 1 in G, Hob XVI:8; No. 30 in D, Hob XVI:19; No. 35 in A♭, Hob XVI:43; No. 48 in C, Hob XVI:35; No. 49 in c♯, Hob XVI:56; No. 51 in E♭, Hob XVI:38 |
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Piano Sonatas No. 3, Hob XVI:9; No. 4, Hob XVI:G1; No. 28, Hob XIV:5; No. 45, Hob XVI:30; No. 60, Hob XVI:50 |
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Piano Sonatas No. 36 in C, Hob XVI:21; No. 32 in g, Hob XVI:44; No. 29 in E♭, Hob XVI:45; No. 52 in G, Hob XVI:39; No. 47 in b, Hob XVI:32 |
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Piano Sonatas Nos. 11, 20, 23, 34, 35, 44, 48, 50, 52. Variations in f |
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Piano Sonatas Nos. 24, 30, 32, 33, and 44 |
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Piano Sonatas Nos. 52, 47, 46, 12. Piano Concerto in D, Hob. 18:11 |
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Piano Sonatas Nos. 7 through 18 |
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Piano Sonatas, H. XVi.41-52, Gì, and D1; L 55-62, et al |
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Piano Sonatas, H. XVI:1-15, 18-24 (L. 1-6, 8-9, 11-16, 20, 30, 33, 36-39) |
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Piano Sonatas, Vol. 1: No. 39 in D, Hob. XVI: 24; No. 47 in b, Hob. XVI:32; No. 31 in A♭, Hob. XVI:46; No. 49 in c♯, Hob. XVI:36 |
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Piano Sonatas, Vol. 4 |
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Piano Sonatas, Vol. 4: No. 38 in F, Hob XVI/23; No. 40 in E♭, Hob XVI/25; No. 30 in D, Hob XVI/19 |
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Piano Sonatas, Vol. 7 |
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Piano Sonatas, Vol. 8 |
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Piano Sonatas, Vol. 9 |
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Piano Sonatas, Volume 1 |
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Piano Sonatas, Volume 1: No. 6 in C, Hob.XVUO; No. 13 in G, Hob.XVI:6; No. 59 in Eb, Hob.XVI:49; No. 62 in Eb, Hob.XVi.52 |
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Piano Sonatas, Volume 2 |
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Piano Sonatas, Volume 2: No. 38 in F, Hob.XVI:23; No. 39 in D, Hob.XVI:24; No. 58 in C, Hob.XVi.48; No. 60 in C, Hob.XVI:50 |
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Piano Sonatas, Volume 3 |
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Piano Sonatas, Volume 3: No. 31 in A♭, Hob.XVI:46; No. 48 in C, Hob.XVI:35; No. 57in F, Hob.XVi.47; No. 50 in D, Hob.XVi.37 |
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Piano Sonatas, Volume 4 |
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Piano Sonatas, Volume 5 |
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Piano Sonatas. Piano Concertos |
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Piano Sonatas: in A♭, Hob. XVI:46; in c, Hob. XVI:20; in e, Hob. XVI:34 |
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Piano Sonatas: in A♭, Hob. XVI:46; in e, Hob. XVI:34; in E♭, Hob. XVI:49; in c, Hob. XVI:20; in C, Hob. XVI:48; in G, Hob. XVI:39; in D, Hob. XVI:33; in g, Hob. XVI:44 |
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Piano Sonatas: in B♭, Hob XVI:2; In E♭, Hob XVI:28; In A♭, Hob XVI:43; In D, Hob XVI:33; In C, Hob XVI:21 |
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Piano Sonatas: in C Minor, Hob. XVI:20 (Landon 33); in G, Hob. XVI:40 (Landon 54); in F, Hob. XVI:23 (Landon 38). Variations in E-Flat, Hob. XVI1:3 |
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Piano Sonatas: in C, H.XVIA8; in C minor, H.XVI:20; in C, H.XVI:50 |
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Piano Sonatas: in c, Hob XVI:20; in g, Hob XVI:44 |
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Piano Sonatas: in C, Hob XVI:21; in b, Hob XVI:44; in G, Hob XVI:39; in A♭, Hob XVI:46 |
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Piano Sonatas: in C, Hob XVI:21; in e, Hob XVI:34; in E♭, Hob XVI:28; in A♭, Hob XVI:46; in F, Hob XVI:23 |
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Piano Sonatas: in C, Hob XVI:48; in C, XVI:50 |
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Piano Sonatas: in C, Hob. XVI:35; in g, Hob. XVI:44; in e, Hob. XVI:34; in C, Hob. XVI:48; in E♭, Hob. XVI:52; in E♭, Hob. deest: Andante |
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Piano Sonatas: in C, Hob. XVI:48; in G, Hob. XVI:40; in D, Hob. XVI:19; in D, Hob. XVI:42 |
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Piano Sonatas: in D, H. XVi.19, L. 30; in B minor, H. XVI.32, L. 47; in C minor, H. XVI-.20, L. 33; in E minor, H. XVI.34, L. 53; in C, H. XVI.48, L. 58 |
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Piano Sonatas: in D, Hob 37; in e, Hob 34; in b, Hob 32; in E♭, Hob 52; Andante with Variations, Hob 6 |
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Piano Sonatas: in D, Hob XVI:42; in G, Hob XVI:40; in C, XVI:50 |
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Piano Sonatas: in D, Hob. XVI/37; in F, Hob. XVI/23; in D, Hob. XVI/24 |
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Piano Sonatas: in D, Hob. XVI:37; in e, Hob. XVI:34; in b, Hob. XVI:32; in E♭, Hob. XVI:52 |
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Piano Sonatas: in D, L. 16, H. XVI:U, in B♭, L. 20, H. XVI:18; in E♭, I. 49, H.XVI: 49; in B Minor, L 47, H. XVI:32; in E Minor, L. 53, H. XVI:34; in D, L. 50, H.XVI.37 |
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Piano Sonatas: in E minor, H. XVI:34; in B minor, H. XVI:32; in D, H. XVI:42. Fantasia in C, H. XVII:4. Adagio in F, H. XVII:9 |
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Piano Sonatas: in E Minor, Hob. XVI/34; in D, Hob. XVI/33. Variations in F Minor, Hob. XVII/6. Variations in E♭, Hob. XVII/3. Variations on "Gott erhalte," Hob. 111/77 |
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Piano Sonatas: in E, Hob XVI:31; in D, Hob XVI:42; in C, Hob XVI:35; in e, Hob XVI:34; in A, Hob XVI:26; in E♭, Hob XVI:49; in D, Hob XVI:33; in G, Hob XVI:39; in C, Hob XVI:48 |
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Piano Sonatas: in E, Hob. XVI:13; in F, Hob. XVI:23 |
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Piano Sonatas: in E-flat, Hob. XVI, No. 49; in C Minor, Hob. XVI, No. 20 |
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Piano Sonatas: in Eb, H.XVI:52; in G, H.XVi.40; in D, H.XVI:37. Andante con variazioni in F minor, H.XVII:6 |
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Piano Sonatas: in E♭, H.XVi.49 (L 59); in G, H.XVIAO (L 54); in C minor, H.XVI:36 (L. 49); in B♭, H.XVi.41 (L 55); in C, H.XVIJ50 (L 60) |
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Piano Sonatas: in E♭, Hob XVI:16; in A, Hob XVI:5; in E♭, Hob deest; in D, Hob XVI:14; in B♭, Hob XVI:2; in G, Hob XVI:6 |
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Piano Sonatas: in E♭, Hob. XVI:38; in g, Hob. XVI:44; in A♭, Hob. XVI:46; in c, Hob. XVI:20 |
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Piano Sonatas: in E♭, Hob. XVI:49; in B♭, Hob. XVI:41; in b, Hob. XVI:32; in E, Hob. XVI:31; in C, Hob. XVI:50 |
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Piano Sonatas: in F, Hob XVI:23; in e, Hob XVI:34 |
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Piano Sonatas: in F, Hob. XVI:23; in C, Hob. XVI:48; in e, Hob. XVI:34; in D, Hob. XVI:37; in G, Hob. XVI:8 |
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Piano Sonatas: in F, Hob. XVI:29; in D, Hob. XV:33; in E♭, Hob. XVI:28; in D, Hob. XVI:42 |
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Piano Sonatas: in G, H.XVI/39; in D, H.XVI/19; in C, H.XVI/60; in C, H.XVI/48. Capriccio in G, H.XVI/1 (“It Takes Eight Butchers“). Variations on “Gott erhalte.“ |
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Piano Sonatas: in G, Hob XVI:6; in A, Hob XVI:12; in E, Hob XVI:13; in D, Hob XVI:19; in c, Hob XVI:20; in g, Hob XVI:44; in A♭, Hob XVI:46; in e, Hob XVI:47 |
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Piano Sonatas: in G, Hob XVI:6; in D, Hob XVI:37; in A, Hob XVI:30; in A♭, Hob XVI:46; in E♭, Hob XVI:52 |
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Piano Sonatas: No. 1 in G, Hob XVI:8; No. 9 in D, Hob XVI:4; No. 14 in C, Hob XVI:3; No. 61 in D, Hob XVI:51; No. 62 in E♭, Hob XVI:52 |
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Piano Sonatas: No. 1 in G, Hob. XVI:8; No. 11 in B♭, Hob. XVI:2; No. 12 in A, Hob. XVI:12; No. 16 in D, Hob. XVI:14; No. 40 in E♭, Hob. XVI:25; No. 56 in D, Hob. XVI:42; No. 31 in A♭, Hob. XVI:46; No. 33 in C Minor, Hob. XVI:20; No. 47 in B Minor, Hob. XVI:32 |
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Piano Sonatas: No. 1, Hob XVI:8; No. 9, Hob XVI:4; No. 14, Hob XVI:3; No. 61, Hob XVI:51; No. 62, Hob XVI:52 |
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Piano Sonatas: No. 10; No. 38; No. 42; No. 60 |
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Piano Sonatas: No. 13 in G, Hob. XVI:6; No. 39 in D, Hob. XVI:24; No. 43 in E♭, Hob. XVI:28; No. 53 in e, Hob. XVI:34. Andante and Variations in f, Hob. XVII:6: |
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Piano Sonatas: No. 15 in E, Hob. XVI:13; No. 12 in A, Hob. XVI:12; No. 37 in E, Hob. XVI:22; No. 54 in G, Hob. XVI:40; No. 55 in B♭, Hob. XVI:41; No. 56 in D, Hob. XVI:42 |
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Piano Sonatas: No. 15, Hob XVI:13; No. 16, Hob XVI:14; No. 55, Hob XVI:41; No. 58, Hob XVI:48; No. 59, Hob XVI:49; No. 61, Hob XVI:51 |
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Piano Sonatas: No. 16 in D, Hob. XVI/14; No. 30 in D, Hob. XVI/19; No. 38 in F, Hob. XVI/23; No. 53 in e, Hob. XVI/34 |
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Piano Sonatas: No. 19 in E Minor, H. 47; No. 57 in F Minor, H. 47. Arietta in A with Twelve Variations, H. XVII/2. Allegretto in G, H. XVII/10. Adagio in G, H. XV/22. Allegretto in G, H. 111/41. Arietta in E♭ with Twelve Variations, H. XVII/3. Adagio in F, H. XVII/9 |
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Piano Sonatas: No. 20 in Bb, Hob. XVI:18; No. 33 in C Minor, Hob. XVI:20; No. 29 in Eb, Hob. XVI:45; No. 31 in A♭, Hob. XVI:46; No. 28 in D, Hob. XIV:5; No. 30 in D, Hob. XVI:19; No. 32 in G Minor, Hob. XVI:44. Capriccio in G, Hob. XVII:1. Variations in Eb, Hob. XVW.3 |
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Piano Sonatas: No. 20 in BK H. XVI. 18; No. 29 in E♭, H. XVI.45; No. 31 in fit, H. XVI.46; No. 33 in C minor, H. XVI.20. Capriccio in G, H. XVII:1 ('Acht Sauschneider müssen sein“) |
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Piano Sonatas: No. 23 in F; No. 28 in E♭; No. 48 in C |
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Piano Sonatas: No. 29 in E♭, Hob. XVI:45; No. 33 in c, Hob. XVI:20; No. 42 in G, Hob. XVI:27; No. 16 in D, Hob. XVI:14 |
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Piano Sonatas: No. 30 in D, Hob.XVI:19; No. 13 in Ab, Hob.XW.46 |
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Piano Sonatas: No. 30; No. 33; No. 24; No. 32; No. 44 |
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Piano Sonatas: No. 31 (46) in A-Flat; No. 32 (44) in G Minor; No. 33 (20) in C Minor; No. 38 (23) in F; No. 47 (32) in B Minor; No. 48 (35) in C; No. 49 (36) in C-Sharp Minor; No. 50 (37) in D |
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Piano Sonatas: No. 31 in Ab, Hob.XVI:46; No. 33 in C Minor, Hob.XVI:20; No. 60 in C, Hob.XVI:50. Andante con Variazione in F Minor, Hob.XVII:6 |
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Piano Sonatas: No. 31 in Ai?; No. 47 in b; No. 60 in C; No. 61 in D |
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Piano Sonatas: No. 31 in A♭, Hob XVI:46; No. 30 in D, Hob XVI:19; No. 62 in E♭, Hob XVI:52 |
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Piano Sonatas: No. 31 in A♭, Hob. XVI:46, No. 34 in D, Hob. XVI:33; No. 29 in B, Hob. XVI:45, No. 49 in c♯, Hob. XVI:36, No. 35 in A♭, Hob. XVI:43 |
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Piano Sonatas: No. 31 in A♭, Hob. XVI:46; No. 32 in g, Hob. XVI:44; No. 38 in F, Hob. XVI:23; No. 55 in B♭, Hob. XVI:41; No. 58 in C, Hob. XVI:48; No. 59 in E♭, Hob. XVI:49; No. 60 in C, Hob. XVI:50; No. 61 in D, Hob. XVI:51; No. 62 in E♭, Hob. XVI:52 |
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Piano Sonatas: No. 31 in A♭, Hob. XVI:46; No. 33 in c, Hob. XVI:20; No. 60 in C, Hob. XVI:50; No. 34 in D, Hob. XVI: 33; No. 47 in b, Hob. XVI:32; No. 59 in E♭, Hob. XVI:51 |
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Piano Sonatas: No. 31 in A♭, Hob.XWA6; No. 33 in C Minor, Hob.XVI:20; No. 38 in F, Hob.XW.23 |
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Piano Sonatas: No. 31; No. 47; No. 60; No. 61 in D |
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Piano Sonatas: No. 32 in G minor; No. 38 in F; No. 47 in B minor |
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Piano Sonatas: No. 32 in g, Hob XVI.44; No. 54 in G, Hob XVI:50; No. 53 in e, Hob XVI:34; No. 58 in C, Hob XVI.48; No. 33 in c, Hob XVL20; No. 59 in E♭, Hob XVI.49; No. 60 in C, Hob XVI:50; No. 61 in D, Hob XVI:51; No. 62 in E♭, Hob XVI:52. Fantasia in C, Hob XVIL4 |
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Piano Sonatas: No. 32 in g, Hob XVI: 44; No. 47 in b, Hob XVI: 32; No. 49 in c♯, Hob XVI: 36 |
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Piano Sonatas: No. 33 in C Minor, Hob. XVI:20; No. 56 in D, Hob. XVI:42; No. 32 in G Minor, Hob. XVIA4. Variations in F Minor, Hob. XVII.6 |
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Piano Sonatas: No. 33 in C Minor, Hob.XVI:20; No. 38 in F, Hob.XVI:23; No. 58 in C, Hob.XVI:48; No. 60 in C, Hob.XVi:50 |
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Piano Sonatas: No. 33 in C Minor; No. 39 in D; No. 46 in E; No. 47 in B Minor; No. 50 in D |
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Piano Sonatas: No. 33 in C, Hob xvi/20; No. 32 in g, Hob xvl/44; No. 53 in e, Hob xvi/34; No. 58 in C, Hob. xVI/48 |
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Piano Sonatas: No. 33 in c, Hob XVI:20; No. 53 in e, Hob XVI:34; No. 61 in D, Hob XVI:51; No. 62 in E♭, Hob XVI:52 |
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Piano Sonatas: No. 33 in c, Hob. XVI: 20; No. 38 in F, Hob. XVI: 23; No. 54 in G, Hob. XVI: 40; No. 60 in C, Hob. XVI. 50; No. 62 in E♭, Hob. XVI: 52. Piano Concertos: No. 4 in G, Hob. XVIII: 4; No. 11 in D, Hob. XVIII. 11 |
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Piano Sonatas: No. 33, Hob XVI:20; No. 47, Hob XVI:32; No. 53, Hob XVI:34; No. 49, Hob XVI:36; No. 32, Hob XVI:44 |
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Piano Sonatas: No. 34 in D, Hob XVI:33; No. 32 in g, Hob XVI:44; No. 31 in A♭, Hob XVI:46; No. 38 in F, Hob XVI:23; No. 55 in B♭, Hob XVI:41; No. 56 in D, Hob XVI:42 |
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Piano Sonatas: No. 34 in D, Hob. XVI:33; No. 35 in Ah, Hob. XVI:43; No. 36 in C, Hob. XVI-.21; No. 37 in E, Hob. XVI:22; No. 38 in F, Hob. XVI:23 |
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Piano Sonatas: No. 34 in D, Hob. XVI:33; No. 53 in E Minor, Hob. XVI:34; No. 52 in G, Hob. XVI:39; No. 30 in D, Hob. XVI:19 |
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Piano Sonatas: No. 34 in E Minor; No. 48 in C; No. 40 in G; No. 32 in B Minor; No. 5 in C |
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Piano Sonatas: No. 35 in A. H.XVIA3; No. 41 in A, H.XVI:26; No. 60 in C, H.XVI:50; No. 61 in D, H.XVÏ.51 |
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Piano Sonatas: No. 35 in A♭, Hob.XVI:43; No. 36 in C, Hob.XVI:21; No. 37 in Eb, Hob.XVI:22; No. 29 in Eb, Hob.XVI:45; No. 30 in D, Hob.XVI:19 |
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Piano Sonatas: No. 36 in C, H. XVI, No. 21; No. 37 in E, H. XVI, No. 22; No. 38 in F, H. XVI, No. 23; No. 39 in D, H. XVI, No. 24; No. 40 in Eb, H. XVI, No. 25; No. 41 in A, H. XVI, No. 26 |
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Piano Sonatas: No. 36 in C, Hob XVI:21; No. 38 in F, Hob XVI:23; No. 42 in G, Hob XVI:27; No. 48 in C, Hob XVI:35; No. 50 in D, Hob XVI:47; No. 33 in c, Hob XVI:20 |
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Piano Sonatas: No. 36 in C, Hob XVI:21; No. 44 in F, Hob XVI:29; No. 51 in E♭, Hob XVI:38 |
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Piano Sonatas: No. 38 in F; No. 53 in E minor; No. 62 in E♭ |
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Piano Sonatas: No. 38, Hob XVI/23; No. 60, Hob XVI/50; No. 62, Hob XVI/52 |
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Piano Sonatas: No. 39 in D, Hob. XVI:24; No. 40 in Eb, Hob. XVI:25; No. 41 in A, Hob. XVI:26; No. 48 in C, Hob. XVi.35; No. 49 in C♯ Minor, Hob. XVI:36; No. 51 in Eb, Hob. XVI:38 |
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Piano Sonatas: No. 4 in G, Hob. XVI:G1; No. 47 in C Minor, Hob.XVI:32; No. 54 in G, Hob.XVIAO; No. 60 in C, Hob. XVI:50 |
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Piano Sonatas: No. 4 In G, Hob.XVI:G1; No. 47 In B Minor, Hob.XVI:32; No. 54 In G, Hob.XVI.40; No. 60 In C, Hob.XVI:50 |
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Piano Sonatas: No. 40 in G; No. 41 in B“; No. 49 in E♭; No. 50 in C; No. 52 in E♭, H. XVI. 40, 41, 49, 50, 52 |
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Piano Sonatas: No. 42 in G, Hob.XVI:27; No. 43 in Eb, Hob.XVi.28; No. 44 in F, Hob. XVi.29; No. 45 in A, Hob.XVI:30; No. 46 in E, Hob.XVI:31. Fantasia in C, Hob.XVIiA |
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Piano Sonatas: No. 43 in Eb, Hob.XVI:28; No. 44 in F, Hob.XVI:29; No. 45 in A, Hob.X: VI-.30; No. 46 In E, Hob.XVI:31; No. 47 in B Minor, Hob.XVI:32 |
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Piano Sonatas: No. 44, Hob XVI:29; No. 39, Hob XVI:24; No. 40, Hob XVI:25; No. 41, Hob XVI:26; No. 46, Hob XVI:31; No. 47, Hob XVI:32 |
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Piano Sonatas: No. 45 in A, H.VXI:30; No. 62 in Eb, H.XVI:52 |
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Piano Sonatas: No. 45 in A, Hob XVI:30; No. 46 in E, Hob XVI:31; No. 47 in b, Hob XVI:32; No. 31 in A♭, Hob XVI:46 |
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Piano Sonatas: No. 47 in B Minor, Hob. XVI:32; No. 56 in D, Hob. XVIA2; No. 33 in C Minor, Hob. XVI:20; No. 62 in Eb, Hob. XVV.52 |
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Piano Sonatas: No. 47 in b, Hob XVI:32; No. 50 in D, Hob XVI:37; No. 41 in A, Hob XVI:26; No. 49 in cf, Hob XVI:36; No. 59 in Eb, Hob XVI:49 |
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Piano Sonatas: No. 47 in b, Hob. XVI: 32; No. 60 in C, Hob. XVI: 50; No. 53 in e, Hob. XVI:34 |
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Piano Sonatas: No. 47, Hob XVI:32; No. 38, Hob XVI:23; No. 31, Hob XVI:46; No. 33, Hob XVI:20; No. 58, Hob XVI:48 |
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Piano Sonatas: No. 48 (35) in C; No. 49 (36) in C-Sharp Minor; No. 50 (37) in D |
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Piano Sonatas: No. 48 in C, Hob XVI:35; No. 49 in cs, Hob XVI:36; No. 50 in D, Hob XVI:37; No. 51 in E♭, Hob XVI:38; No. 52 in G, Hob XVI:39 |
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Piano Sonatas: No. 48 in C, Hob. XVI:35; No. 32 in g, Hob. XVI:44; No. 50 in D, Hob. XVI:37; No. 19 in e, Hob. XVI:47 bis; No. 20 in B♭, Hob. XVI:18 |
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Piano Sonatas: No. 48 in C, Hob.XVI:35; No. 49 in C♯ Minor, Hob.XVI:36; No. 50 in D, Hob.XVI:37; No. 51 in Eb, Hob.XVI:38; No. 52 in G, Hob.XVI:39; No. 33 in C Minor, Hob.XVI:20 |
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Piano Sonatas: No. 5 in G, Hob XVI:11; No. 6 in C, Hob XVI:10; No. 7 in D, Hob XVII:D1; No. 51 in E♭, Hob XVI:38; No. 59 in E♭, Hob XVI:49 |
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Piano Sonatas: No. 50 in C; No. 40 in G; No. 46 in A♭; No. 41 in b♭; No. 52 in E♭; No. 23 in F; No. 24 in D; No. 32 in b; No. 37 in D |
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Piano Sonatas: No. 50 in D, H XVI:37; No. 47 in b, H XVI:32; No. 38 in F, H XVI:23; No. 49 in cif, H XVI:36 |
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Piano Sonatas: No. 50 in D, H. XVI, No. 37; No. 54 in G, H. XVI, No. 40; No. 55 in B♭, H. XVI, No. 41; Adagio in F, H. XVII, No. 9 |
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Piano Sonatas: No. 50 in D, Hob XVI:37; No. 54 in G, Hob XVI:40; No. 19 in e, Hob XVI:47; No. 47 in b, Hob XVI:32; No. 58 in C, Hob XVI:48; No. 59 in E♭, Hob XVI:49 |
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Piano Sonatas: No. 50 in D; No. 35 in A♭; No. 48 in C; No. 46 in E; No. 6 in C |
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Piano Sonatas: No. 50; No. 35; No. 48; No. 46; No. 6 |
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Piano Sonatas: No. 52 in E♭; No. 32 In B Minor; No. 31 in E; No. 46 in Ab |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 50 in D, Hob XVI37 |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 54 in G, Hob XVI:40; No. 55 in B♭, Hob XVI:41 ; No. 56 in D, Hob XVI:42; No. 57 in F, Hob XVI:47; No. 58 in C, Hob XVI:48 |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 54 in G, Hob XVI:40; No. 56 in D, Hob XVI:42; No. 62 in E flat, Hob XVI:52 |
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Piano Sonatas: No. 53 in E; No. 58 in C; No. 59 in E♭ |
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Piano Sonatas: No. 54 (40) in G; No. 58 (48) in C; No. 59 (49) in E-Flat |
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Piano Sonatas: No. 54 (40) in G; No. 58 (48) in C; No. 59 (49) in E-Flat; No. 60 (50) in C; No. 61 (51 ) in D; No. 62 (52) in E-Flat. Andante con variazioni in A, H. XVII.3. Variations on “Gott Erhalte den Kaiser“ after Quartet No. 77 (“Emperor“) |
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Piano Sonatas: No. 56 in D, Hob. XVI:42; No. 50 in D, Hob. XVI:37; No. 32 in g, Hob. XVI:44; No. 33 in c, Hob. XVI:20 |
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Piano Sonatas: No. 56 in D, Hob.XVI:42; No. 58 in C, Hob.XVI:48; No. 59 in E♭, Hob.XVI:49; No. 60 in C,Hob.XVI:50; No. 61 in D, Hob.XVI:51; No. 62 in Eb, Hob.XVi.52 |
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Piano Sonatas: No. 58 in C, H. XVIA8; No. 60 in C, H. XVI.50; No. 61 in D, H. XVI-.51 |
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Piano Sonatas: No. 58 in C, H.XVI:48; No. 60 in C, H.XVI.50; No. 61 in D, H.XVI.51 |
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Piano Sonatas: No. 58 in C; No. 59 in Eb; No. 60 in C; No. 61 in D; No. 62 in Eb |
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Piano Sonatas: No. 59 in E♭, Hob XVI:49; No. 50 in D, Hob XVI:37; No. 60 in C, Hob XVI:50; No. 47 in b, Hob XVI:32; No. 54 in G, Hob XVI:40 |
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Piano Sonatas: No. 59 in E♭, Hob. XVI:49; No. 33 in c, Hob. XVI:20; No. 31 in A♭, Hob. XVI:46; No. 47 in b, Hob. XVI:32 |
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Piano Sonatas: No. 59 in E♭; No. 60 in C; No. 61 in D; No. 62 in E♭. Variations in f |
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Piano Sonatas: No. 6 in C, Hob XVI:10; No. 11 in B♭, Hob XVI:2; No. 12 in A, Hob XVI:12; No. 13 in G, Hob XVI:6; No. 33 in c, Hob XVI:20; No. 35 in A♭, Hob XVI:43; No. 46 in E, Hob XVI:31; No. 50 in D, Hob XVI:37; No. 58 in C, Hob XVI:48 |
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Piano Sonatas: No. 6 in C; No. 13 in G; No. 59 in B; No. 62 in E♭ |
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Piano Sonatas: No. 6 in G; No. 1 in C; No. 2 in B♭; No. 47bis in e; No. 44 in g; No. 25 in E♭; No. 20 in c; No. 36 in c♯; No. 22 in E; No. 29 in F; No. 51 in D |
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Piano Sonatas: No. 60 (.50) in C; No. 61 (.52) in E♭. Andante con Variazioni in A, H. XV//.6. Variationson “Gott Erhalte den Kaiser,“ after Quartet No. 77 (“Emperor“) |
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Piano Sonatas: No. 60 in C, Hob.XVI:50; No. 31 in Ab, Hob.XW.46; No. 33 in C Minor, Hob.XVi.20; No. 58 in C, Hob.XVI:48. Variations in F Minor, Hob.XVII:6 |
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Piano Sonatas: No. 60 in C; No. 61 in D; No. 62 in E♭ |
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Piano Sonatas: No. 61 in D, Hob XVI:51; No. 62 in E♭, Hob XVI:52 |
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Piano Sonatas: No. 62 in E♭, Hob XVI:52; No. 54 in G, Hob XVI:40; No. 55 in B♭, Hob XVI:41; No. 30 in D, Hob XVI:19 |
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Piano Sonatas: No. 62 in E♭, Hob. XVI: 52; No. 54 in G, Hob. XVI:40; No. 44 in F, Hob. XVI:29; No. 41 in A, Hob. XVI:26; No. 53 in e, Hob.XVI:34 |
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Piano Sonatas: No. 8, Hob XVI:5; No. 46, Hob XVI:31; No. 13, Hob XVI:6; No. 57, Hob XVI:47; No. 58, Hob XVI:48 |
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Piano Sonatas: Nos. 40, 47, 54, 59 |
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Piano Sonatas; in C Minor, H. XVI:20 (Landon 33); in A-Flat, H. XVI:46 (Landon 31); in G Minor, H. XVI:44 (Landon 32) |
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Piano Trio in B♭, Hob XV:20 |
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Piano Trio in C, Hob XV:27 |
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Piano Trio in C, Hob. XV:27 |
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Piano Trio in D |
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Piano Trio in E, Hob XV:28 |
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Piano Trio in f♯: Adagio cantabile |
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Piano Trio in G, H XV.25 |
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Piano Trio in G, H. XV:25 |
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Piano Trio in G, Hob XV:25 |
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Piano Trio in G, Hob XV:25. String Quartet, op. 54/2: 2nd mvmt. 2 Zingarese (attrib. Haydn) |
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Piano Trio in G, Hob. XV: 25 |
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Piano Trio No. 26 in c, Hob XV:13 |
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Piano Trio No. 28 in D, Hob XV:16 |
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Piano Trio No. 32 in A |
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Piano Trio No. 39 in G, Hob XV:2, “Gypsy” |
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Piano Trio No. 39, Hob XV:25: Presto |
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Piano Trios |
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Piano Trios (Complete) |
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Piano Trios in C (Divertimento), Hob XV:C1; in f (Partita), Hob XV:f1; in G (Sonata), Hob XIV:6; No. 1 in g (Partita/Divertimento), Hob XV:1; No. 2 in F (Divertimento), Hob XV:2 |
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Piano Trios in D, Hob XV:16; in A (Divertimento/Capriccio), Hob XV:35; in F (Divertimento/Concerto), Hob XV:37; in G (Divertimento), Hob XV:41; in g, Hob XV:19 |
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Piano Trios in G, Hob XV:15; in B♭ (Divertimento), Hob XV 38; in G, Hob XV:32; in F (Divertimento [Partita]), Hob XV:40; in F, Hob XV:39; in D, Hob deest |
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Piano Trios Nos. 8–12 |
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Piano Trios, Vol. 1 |
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Piano Trios, Vol. 2: in E♭, Hob XV:11; in e, Hob XV:12; in c, Hob XV:13; in A♭, Hob XV:14 |
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Piano Trios: Hob. XV, Nos. 5, 10, 11 |
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Piano Trios: in A, Hob XV:18; in d, Hob XV:27; in E, Hob XV:28 |
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Piano Trios: in A♭, Hob XV:14; in A, Hob XV:18; in C, Hob XV:21; in F♯, Hob XV:26; in E♭, Hob XV:31 |
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Piano Trios: in B♭, H. XV:8; in f, H. XV:f1; in E♭, H. XV 36; in D, H. XV:24; in A, H. XV:35; in G, H. XV:25 |
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Piano Trios: in B♭, Hob XV:8; in A, Hob XV:9; in E♭, Hob XV:10; in E♭, Hob XV:11; in e, Hob XV:12 |
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Piano Trios: in C, Hob XV/21; in E♭, Hob XV/22; in d, Hob XV/23; in A♭, Hob XV/14 |
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Piano Trios: in C, Hob XV:21; in E♭, Hob XV:22; in d, Hob XV:23 |
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Piano Trios: in C, Hob XV:27; in E♭, Hob XV:30; in f♯, Hob XV:26; in G, Hob XV:25, “Gypsy” |
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Piano Trios: in C, Hob. XV:27; in d, Hob. XV:23; in e, Hob. XV:12; in f♯, Hob. XV:26 |
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Piano Trios: in D, Hob XV:16; in g, Hob XV:19 |
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Piano Trios: in D, Hob XV:16; in G, Hob XV:25; in E, Hob XV:28 |
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Piano Trios: in D, Hob XV:24; in G, Hob XV:25, “Gypsy Rondo”; in f♯, Hob XV:26; in C, Hob XV:27 |
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Piano Trios: in D, Hob. XV:24; in f♯, Hob. XV: 26; in C, Hob. XV:27; in E, Hob. XV:28 |
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Piano Trios: In D, Hob.XV, 16; in C, Hob.XV, 27 |
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Piano Trios: in E, Hob XV:28; in E♭, Hob XV:29; in E♭, Hob XV:30; in e♭, Hob XV:31 |
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Piano Trios: in e, Hob. XV:12; in C, Hob. XV:27; in G, Hob. XV:25; in E♭, Hob. XV:29 |
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Piano Trios: in E♭, Hob XV:30; in C, Hob XV:27; in E, Hob XV:28; in E♭, Hob XV:29 |
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Piano Trios: in F, Hob XV:2; in B♭, Hob XV:8; in F, Hob XV:6; in G, Hob XV:5; in E♭, Hob XV:10; in D, Hob XV:7; in A, Hob XV:9; in e, Hob XV:12; in E♭, Hob XV:11 |
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Piano Trios: in F, Hob XV:2; in D, Hob XV:16; in G, Hob XV:5; in e♭, Hob XV:31 |
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Piano Trios: in F, Hob XV:37; in c, Hob XV:13; in E♭, Hob XV:29; in G, Hob XV:32 |
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Piano Trios: in F, Hob XV:40; in B♭, Hob XV:38; in d, Hob XV:23; in A, Hob XV:9; in E, Hob XV:28 |
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Piano Trios: in F, Hob XV:6; in c, Hob XV:13; in G, XV:5; in D, XV:7 |
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Piano Trios: in f♯, Hob XV:26; in d, Hob XV:23; in E♭, Hob XV:22 |
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Piano Trios: in f♯; in C; in E♭ |
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Piano Trios: in G, Hob XV:41; in F, Hob XV:37; in C, Hob XV:C1; in E♭, Hob XV:36; in g, Hob XV:1; in F, Hob XV:2 (period instruments) |
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Piano Trios: No. 12 in E♭, Hob XV 36; No. 19 in F, Hob XV/6; No. 25 in e, Hob XV/12; No. 43, Hob XV/27 |
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Piano Trios: No. 12 in E♭, Hob XV:36; No. 19 in F, Hob XV:6; No. 25 in e, Hob XV:12; No. 43 in C, Hob XV:27 |
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Piano Trios: No. 20 in D, Hob XV:7; No. 23 in E♭, Hob XV:10; No. 32 in A, Hob XV:18; No. 38 in D, Hob XV:24; No. 40 in f♯, Hob XV:26 |
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Piano Trios: No. 24 in D; No. 25 in G; No. 26 in f♯; No. 31 in e♭ |
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Piano Trios: No. 32 in A, op. 70/1 (Hob XV:18); No. 38 in D, op. 73/1 (Hob XV:24); No. 40 in f♯, op. 73/3 (Hob XV:26); No. 23 in E♭, op. 42/3 (Hob XV:10); No. 20 in D, op. 40/2 (Hob XV:7) |
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Piano Trios: No. 39 in G, Hob XV:25; No. 41 in e♭, Hob XV:31. No. 43 in C, Hob XV:27; No. 45 in E♭, Hob XV:29 |
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Piano Trios: No. 39 in G, Hob. XV:25; No. 18 in G, Hob. XV:5; No. 28 in D, Hob. XV:16; No. 23 in E♭, Hob. XV:10 |
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Piano Trios: No. 42 in B, Hob. XV:30; No. 43 in C, Hob. XV:27; No. 44 in E, Hob. XV:28; No. 45 in E♭ Hob. XV:29 |
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Piano Trios: No. 43 in C; No. 44 in E; No. 45 in E♭; No. 26 in c |
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Piano Trios: No. 7 in G, Hob XV:41; No. 21 in B♭, Hob XV:8; No. 33 in c, Hob XV:19; No. 35 in C, Hob XV:21; No. 45 in E♭, Hob XV:29 |
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Piano Trios: No. 7 in G, Hob XV:41; No. 21 in B♭, Hob XV:8; No. 33 in g, Hob XV:19; No. 35 in C, Hob XV:21; No. 45 in E♭, Hob XV:29 |
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Piano Works |
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Pieces for Musical Clock: Minuet in C; Vivace in C, Der Kaffeeklatsch; March in D; Presto in G [Avery chamber organ) |
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Piercing Eyes |
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Piercing eyes. Pleasing pain |
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Pleasing Pain. Eine sehr gewöhnliche Geschichte. Pastoral Song. Als einst mit Weibes Schönheit. Der erste Kuss. Die zu späte Ankunft der Mutter. She Never Told Her Love. Fidelity. The Spirit’s Song. Beim Schmerz, der dieses Herz durchwühlet. The Wanderer. Das Leben ist ein Traum |
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Pleasing Pain. The Mermaid’s Song. Pastoral Song. She never told her love. Jeder meint der Gegenstand. Lob der Faulheit. Liebeslied. Die Verlassene. Das strickende Mädchen. Recollection. Fidelity. The Wanderer. Sympathy. Content. The Spirit’s Song. Geistliches Lied. Trost unglücklicher Liebe. Das Leben ist ein Traum. 0 tuneful voice. Piercing Eyes. Despair. Sailor’s Song |
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Preludes: in D (2); in F, in e |
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Presto and Andante Cantabile from String Quartet, Op. 3, No. 5. Un poco Adagio from String Quartet, Op. 20, No. 4 |
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Quartet for Flute, Violin, Viola, and Continuo, Op. 5, No. 4 |
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Quartet in C for Flute and String Trio |
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Quartet in C for Flute and Strings |
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Quartet in C tor Flute and Strings |
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Quartet in C, Op. 33, No. 3 (The Bird). Quartet in D, Op. 64, No. 5 (“The Lark“) |
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Quartet in D for Guitar, Violin, and Cello [sic] (arr. Karl Scheit |
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Quartet in D Minor, Op. 76, No. 2 |
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Quartet in D, op. 2/2 |
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Quartet in D, Op. 64, No. 5 (“Lark“) |
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Quartet in E, op. 2/2 |
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Quartet in F, Op. 3, no. 5: Andante cantabile |
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Quartet in G, op. 76, no. 1. Quartet in D, op. 1, no. 3. “London“ Trios, Hob. IV: No. 1 in C; No. 2 in G; No. 3 in G; No. 4 in G |
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Quartet No. 32 in C, Op. 20, No. 2. Quartet No. 34 in D, Op. 20, No. 4 |
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Quartet No. 76 in D Minor, Op. 76, No. 2 (“Quinten“). Quartet No. 78 in B-Flat, Op. 76, No. 4 (“Sunrise“) |
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Quartets for Flute and Strings, “Op. 5“ |
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Quartets for Oboe and Strings: (No. 40) in F, op. 50, no. 5, Hob. 111:48; (No. 48) in C, op. 64, no. 1, Hob. 111:65 |
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Quartets for Strings Nos. 13-18, Op. 3; The Seven Last Words, Op. 51 |
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Quartets for Strings Nos. 37-42, Op. 33 |
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Quartets for Strings Nos. 37-49, Opp. 33, 42, 50 |
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Quartets, op. 20 (“Sun Quartets“): No. 4 in D; No. 5 in F Minor; No. 6 in A |
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Quartets, op. 55/1–3 |
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Quartets: No. 1 in B♭, op. 1, no. 1; No. 23 in F Minor, op. 20, no. 5; No. 38 in E♭, op. 50, no. 3; No. 51 in G, op. 64, no. 4; No. 63 in B♭, op. 76, no. 4; No. 43 in G, op. 54, no. 1; No. 42 in C, op. 54, no. 2; No. 44 in E, op. 54, no. 3; No. 62 in C, op. 76, no. 3 (“Emperor“); No. 25 in C, op. 20, no. 2; No. SO in B♭, op. 64, no. 3; No. 59 in G Minor, op. 74, no. 3 (“Rider“); No. 67in F, op. 77, no. 2 |
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Quartets: No. 1 in B♭; No. 2 in C; No. 3 in E♭; No. 4 in F♯ Minor; No. S In F; No. S in D |
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Quartets: No. 1 in D, H.II.D9; No. 2 in G, H.II:G4; No. 3 in D, H.II.D 0, No. 4 in G, H.II:1; No. 5 in D, H.II:D11 |
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Quartets: No. 6 in C, op. 1, no. 6; No. 32 in C, op. 33, no. 3 (“Bird“); No. 45 in A, op. 55, no. 1; No. 47 in B♭, op. 55, no. 3; No. 54 in B♭, op. 71, no. 1; No. 28 in Eb, op. 20, no. 1; No. 30 in Eb, op. 33, no. 2 (“Joke“); No. 33 in D, op. 33, no. 6; No. 41 in D, op. 50, no. 6 (“Frog“); No. 52 in Eb, op. 64, no. 6; No. 27 in D, op. 20, no. 4; No. 57 in C, op. 74, no. 1; No. 58 in F, op. 74, no. 2; No. 66 in G, op. 77, no. 1. HOFSTETTER (formerly attributed to Haydn): String Quartets: No. 4 in B♭, op. 3, no. 4; No. 5 in F, op. 3, no. 5 (“Serenade“) |
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Quartets: No. 60 in G, H. 111:75; No. 61 in D Minor, H. 111:76 (“Fifths“); No. 62 in C, H. 111:77 (“Emperor“) |
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Quartets: op. 33/1–6; op. 42 |
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Quartets: Opp. 54 and 55 |
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Quintet for Keyboard, 2 Horns, Violin, and Cello, Hob XVI: 1 |
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Quintet in D, Hob X:10 |
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Sailor's Song(A). The Mermaid's Song(W) |
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Sailor's Song. The Mermaid's Song |
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Sailor's Song. The Wanderer. A Pastoral Song. The Looking Glass. The Spirit's Song. Fidelity. John Anderson. Mermaid's Song. She Never Told Her Love. Pleasing Pain. Sir Watkin's Dream. Despair. Sympathy. Roslin Castle. Piercing Eyes. Recollection. The Shepherd's Wife. O Tuneful Voice. Content. The White Cockade |
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Sailor’s Song. Recollection. She Never Told Her Love. Piercing Eyes. Content |
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Salve Regina in E, Hob XXIIIb:1 |
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Salve Regina in G Minor, Hob. XXIIIV:2 |
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Saper vorrei se m'ami. Guarda qui che lo vedrai |
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Scena di Berenice |
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Scena di Berenice, H. XXIVa: 10. Misera noi, misera patria, H. XXIVa:7. Arianna a Naxos, H. XXVIb:2 |
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Scena di Berenice. Il mondo della luna: Se la mia stella |
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Scena di Berenice. Solo e penseroso, Hob XXIVb:20 |
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Scena di Berenice. Solo e pensoso |
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Scherzandi: No. 1 in F, Hob II.33; No. 2 in C, Hob II.34; No. 3 in D, Hob II.35; No. 4 in G, Hob II.36; No. 5 in E, Hob II.37; No. 6 in A, Hob II.38 |
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Scherzandos Nos. 1-6, Hob. II:33-38 |
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Scherzandos: Hob 11/33-38 |
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Scherzarteli, Hob. II: 33-38 |
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Schlaf in deiner eigen Kammer |
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Schöpfungsmesse (Helmuth Rilling, cond; Donna Brown (sop); Roxana Constantinescu (alt); Lothar Odinius (ten); Markus Eiche (bs); Oregon Bach Festival Ch & O) |
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Scottish and Welsh Folksongs |
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Scottish and Welsh Songs |
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Scottish and Welsh Songs: Fließ leise mein Bächlein. Ein Wandrer kommt von ferne. Ich stehe auf der Heide. Es weiden meine Schafe. Im Schummern, da kam ich einst zu dir. Rose weiss Rose rot |
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Scottish Songs (for George Thomson), Vol. 1 |
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Scottish Songs (for George Thomson), Vol. 2 |
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Se tu mi sprezzi, ingrata |
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Selections by |
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Serenade |
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Serenade (Andante cantabile) from String Quartet, Op. 3/5. Finale from Trumpet Concerto in E-Flat |
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Serenade from Quartet, Op. 3, No. 5; Rondo from Op. 33, No. 3 |
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Serenade in C from String Quartet, Op. 3/5 |
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Seven Last Words |
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Seven Last Words of Christ |
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Seven Last Words of Christ on the Cross |
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Seven Last Words of Christ on the Cross (original) |
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Seven Last Words of Christ on the Cross: Sonata II, Hodie mecum in Paradiso; Sonata VI, Consummatum est |
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Seven Last Words of Christ, Hob. XX: 2. Salve Regina, Hob.XXIII/b:2 |
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Seven Last Words of Our Savior on the Cross, Hob XX:2 |
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Seven Last Words. String Quartets: in G, op. 77/1; in F, op. 77/2; in d, op. 103 |
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Seven Last Words: Excerpts |
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Seven Pieces for Flute Clock |
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Seven Pieces for Mechanical Clock |
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Sextets, op. 2/3 and 5 |
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She never told her love |
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She never told her love, H. XXVIa: 34. The Sailor's Song, H. XXVIa:31 |
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She Never Told Her Love, Hob XXVIa:34 |
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She never told her love. Fidelity. Pleasing Pain. Piercing Eyes. Sailor’s Song |
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She never told her love. Hark, what I tell to thee. Antwort auf die Frage eines Mädchens |
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She Never Told Me Her Love, H. XXVIa: 34. The Wanderer, H. XXVIa: 32 |
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Signor, voi sapete |
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Sinfonia concertante |
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Sinfonia Concertante |
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Sinfonia Concertante for Violin, Cello, Oboe, Bassoon, and Orchestra in B♭, Hob 1/105 |
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Sinfonia Concertante in B-Flat for Oboe, Bassoon, Violin, Cello, and Orchestra, H. 1:105 |
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Sinfonia Concertante in B-Flat for Violin, Cello, Oboe, Bassoon, and Orchestra, Op. 84 |
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Sinfonia concertante in B♭ |
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Sinfonia Concertante in B♭ (October 14, 1939) |
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Sinfonia Concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra, H. 1:105 |
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Sinfonia concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra, Hob. 1:105. Concertos for Violin and Orchestra: in G, Hob. Vlla:4; in C, Hob. Vlla:1 |
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Sinfonia Concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra, Hob.l:105 |
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Sinfonia Concertante in B♭, Hob I/105 |
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Sinfonia Concertante in B♭, Op. 84 |
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Sinfonia concertante in B♭. Symphony No. 100 in G, “Military” |
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Sinfonia concertante in B♭. Violin Concerto No. 1 in C |
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Sinfonia Concertante, Hob. I/105 |
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Sinfonia Concertante, Hob.I:105 |
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Sinfonia Concertante, Op. 84 |
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Sinfonia concertante, op. 84 |
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Sinfonia concertante. Violin Concertos: No. 1; No. 4 |
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Six Divertimenti for Flute, Violin, and Cello, “Op. 38“ [“Op. 100“], H.IV:6-11 |
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Six Easy Variations in C, Hob XVII:5 |
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Six Esterházy Sonatas, Hob. XVI, Nos. 21-26 |
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Six Feldparthlen, Hob. 11:41-46 |
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Six Flute Trios, Op. 100 (Op. 38);Six Flute Quartets, Op. 5 |
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Six Piano Sonatas: No. 4 in D; No. 7 in C; No. 8 in G; No. 9 in F; No. 10 in C; No. 11 in G. Twelve Short Pieces |
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Six Quartets, Op. 33 |
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Six Sonatas for Violin and Viola, H.Vi.1-6: No. 1 in F; No. 2 in A; No. 3 in B♭; No. 4 inD; No. 5 in E"; No. 6 in C |
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Six Sonatas for Violin and Viola, Hob.VI:1-6 |
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Six Sonatas for Violin Solo with Bass Accompaniment, op. 23 |
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Six String Quartets, op. 17: No. 1 in E; No. 2 in F; No. 3 in E♭; No. 4 in C Minor; No. 5 in G; No. 6 in D |
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Six String Quartets, op. 50 (“Prussian Quartets“) |
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Six String Quartets, Op. 64 |
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Six String Quartets, op. 64: No. 1 in C; No. 2 in B Minor; No. 3 in Bb; No. 4 in G; No. 6 in Eb; No. 5 in D (“Lark“) |
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Six String Quartets, Op. 76 |
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Six String Quartets, op. 76: No. 1 in G, H. 111:75; No. 2 in D Minor, H.lll:76 (“Quinten“); No. 3 in C, HM77(“Emperor“); No. 4 in Bb, H.lll:78(“Sunrise“); No. 5 in D, H.lli.79; No. 6 in Eb, H. 111:80 |
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Six String Quartets, op. 9; Hob.lll: 19-23 |
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Solo e pensoso |
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Solo e Pensoso |
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Sonata for Piano in E Flat, Op. 49 |
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Sonata for Piano in E-Flat, Hob. XVI/49 |
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Sonata for Piano No. 37 in D |
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Sonata in A♭, Hob XVI:46 |
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Sonata in B Minor |
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Sonata in C Minor, Hob. XVI:20 |
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Sonata in C, H XVI:1 |
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Sonata in C, H. XVÏ.48 |
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Sonata in C, Hob XVI:48 |
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Sonata in C, Hob XVI:50. Variations of the Imperial Anthem |
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Sonata in C, Hob XVI:50. Variations on the Imperial Anthem |
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Sonata in D (Landon 34) |
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Sonata in D, Hob XVI:24 |
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Sonata in D, Hob. XVI:24 |
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Sonata in D, Hob. XVI:37 |
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Sonata in E minor for Violin and Piano, H. XV:31 |
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Sonata in E-Flat (Hob. XVI/52) |
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Sonata in E-Flat, Hob. XVI: No. 52; Fantasia in C, Hob. XVII: No. 4 |
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Sonata in E-Flat, Hob. XVI:49 (“Genzinger“) |
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Sonata in E♭ for Violin and Piano, Hob. XV:31b |
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Sonata in E♭, Hob 49 |
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Sonata in E♭, Hob XVI.49 |
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Sonata in E♭, Hob XVI/62 |
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Sonata in E♭, Hob XVI:49 |
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Sonata in E♭, Hob XVI:52 |
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Sonata in E♭, Hob. xvi/52 |
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Sonata in E♭, Hob. XVI:52 |
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Sonata in F |
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Sonata in F, Hob.XVI:23 |
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Sonata in G |
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Sonata in G (Landon 13) (Lev Natochenny, 1981) |
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Sonata in G for Flute and Piano |
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Sonata in G, H. XVI/6 |
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Sonata in G, H.XVIAO (L 54). Sonata in B. H.XVi.41 (L. 55). Sonata in D. H.XVIA2 (L. 56). Andante con variazioni in F minor, H.XVII.6. Sonata in D, H.XVI:51 (L. 61). Sonata in E. H.XVI.52 (L. 62) |
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Sonata No. 1 in C; Sonata No. 2 in E; Sonata No. 3 in F; Sonata No. 4 in D; Sonata No. 5 in E-Flat; Sonata No. 6 in A |
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Sonata No. 31 in A♭, Hob. XVI:46 |
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Sonata No. 32 in g, Hob. XVI:44 |
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Sonata No. 33 in c, XVI:20 |
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Sonata No. 38 in F, H. XVI, no. 23 |
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Sonata No. 48 in C |
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Sonata No. 48 in C, Hob. XVI:35 |
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Sonata No. 52 in E-Flat |
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Sonata No. 52 in E-Flat, Hob. XVI:52 |
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Sonata No. 58 in C |
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Sonata No. 59 in E♭, Hob XVI:49 |
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Sonata No. 60 in C |
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Sonata No. 60 in C, H XVI:50 |
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Sonata No. 60 in C, Hob. XVI:50 |
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Sonata No. 62 in E♭ |
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Sonata No. 62 in E♭, Hob XVI:52 |
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Sonata “No. 1“ in G for Violin and Piano |
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Sonatas for Fortepiano: No. 8 in A, Hob. XVI:5; No. 9 in D, Hob. XVI:4; No. 11 in B♭, Hob. XVI-.2; No. 16 in D, Hob. XVI:14; No. 13 in G, Hob. XVI:6 |
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Sonatas for Harpsichord (Piano): No. 10 in C, H. 1; No. 11 in B-Flat, H. 2; No. 14 in C, H. 3; No. 9 in D,H. 4; No. 8 in A, H. 5 |
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Sonatas for Harpsichord: in G, H. XVI:27; in B♭, H. XVI:2; in D, H. XVI:4; in C, H. XVI:10; in E; H. XVI:13 |
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Sonatas for Harpsichord: No. 15 in E, Hob. XVI/13; No. 38 in F, Hob. XVI/23; No. 50 in D, Hob. XVI/37 |
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Sonatas for Piano with Violin: No. 7 in G, No. 2 in D, No. 3 in E-Flat, No. 4 in A, No. 5 in G, No. 6 in C, No. 7 in F, No. 8 in G |
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Sonatas for Piano: in F, Hob. XVI:23; in B Minor, Hob. XVI:32; in G Minor, Hob. XVIA4 |
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Sonatas for Piano: No. 29 in E-Flat, (H. XVI:45); No. 42 in G, (H. XVL27); No. 45 in A, (H. XVL30); No. 60 in C, (H. XVL50) |
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Sonatas for Piano: No. 44 in G Minor No. 46 inA-Flat;No. 52 in E-Flat |
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Sonatas for Piano: No. 56 in D; No. 58 in C ; No 59 in E-Flat; No. 60 in C ; No. 61 in D;No. 62 in E-Flat |
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Sonatas for Violin and Viola, Hob. VI:1-6 |
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Sonatas in B and D, Hob. XVI:2 and 14 |
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Sonatas No. 33 in c, Hob XVI:20; No. 58 in C, Hob XVI:48 |
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Sonatas, Hob XVI: No. 14 in D, No. 2 in B♭, No. 28 in E♭, No. 44 in g, No. 23 in F, No. 52 in E♭ |
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Sonatas, Vol. 1 |
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Sonatas: in A, Hob.XVI/5; C, Hob.XVI/7; G, Hob.XVI/8; F, Hob.XVI/9; G, Hob.XVI/GI; D, Hob.XVI/DI; E♭, Landon 17; E♭, Landon 18. 20 Variations in G, Hob.XVII/2 |
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Sonatas: in C, Hob. 1 ; in C, Hob. XVI:3; In D, Hob. XVI:4; in C, Hob. XVI:7; in G, Hob. XVI:8; in e, Hob. XVI:34; in D, Hob. XVI:37; in g, Hob. XVI:44; in A♭, Hob. XVI:46 |
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Sonatas: in D, Hob XVI:37; in E, Hob XVI:31; in b, Hob XVI:32; in A♭, Hob XVI:46; in A, Hob XVI:26 |
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Sonatas: No. 1 in Bb, Hob. Vl:3; No. 2 in A, Hob Vl:2; No. 3 in C, Hob. Vl:6; No. 4 in Eh, Hob Vl:5; No. 5 in D, Hob. Vi A; No. 6 in F, Hob. VI: 1 |
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Sonatas: No. 10 in C, Hob XVI:1; No. 2 in C, Hob XVI:7; No. 1 in G, Hob XVI:8; No. 3 in F, Hob XVI:9; No. 6 in C, Hob XVI:10; No. 4 in G, Hob XVI:G1; No. 7 in D, Hob XVII:D1; No. 14 in C, Hob XVI:3; No. 9 in D, Hob XVI:4 |
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Sonatas: No. 11 in Bb, Hob XVI:2; No. 12 in A, Hob XVM2; No. 13 in G, Hob XVI:6; No. 14 in C, Hob XVI:3; No. 15 in E, Hob XVI:13; No. 16 in D, Hob XVM4; No. 18 in E, Hob XVI:deest |
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Sonatas: No. 11 in B♭, Hob. XVI:2; No. 31 in A♭ Hob. XVI:46; No. 38 in F, Hob. XVI:23; No. 55 in B♭, Hob. XVI:41. Fantasia in C, Hob. XVII:4: |
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Sonatas: No. 11 in B♭; No. 20 in B♭; No. 32 in G Minor; No. 40 in E♭; No. 43 in E♭; No. 31 in A♭ |
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Sonatas: No. 13 in G (Partita); Hob XVI:6; No. 35 in A♭, Hob XVI:43; No. 50 in D, Hob XVI:37; No. 53 in e, Hob XVI:34; No. 60 in C, Hob XVI:50; No. 62 in E♭, Hob XVI:52. Fantasia (Capriccio) in C, Hob XVII:4. Variations: in C, Hob XVil:5; in A, Hob XVII:2; in E♭, Hob XVII:3; in f, Hob XVII:6. Capriccio in G, Hob XVII:1, "8 Sauschneider müssen sein" |
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Sonatas: No. 13 in G, Hob XVI:6; No. 35 in A♭, Hob XVI:46; No. 50 in D, Hob XVI:37; No. 53 in e, Hob XVI:34; No. 60 in C, Hob XVI:50; No. 62 in E♭, Hob XVI:52 |
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Sonatas: No. 17 in E♭; No. 34 in D, H. 33; No. 40 in E♭, H. 25; No. 41 in A, H. 26; No. 42 in G, H. 27; No. 43 in E♭, H. 28; No. 44 in A, H. 29; No. 45 in A, H. 30; No. 46 in E♭, H.31; No. 47 in B Minor, H. 32; No. 48 in C, H. 35; No. 49 in CÜ Minor, H. 36; No. 50 in D, H. 37; No. 51 in E♭, H. 38; No. 52 in G, H. 39; No. 54 in G, H. 40; No. 53 in E Minor, H. 34 |
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Sonatas: No. 19 in e, Hob XVI:47bis; No. 17 in Eft, Hob deest; No. 28 in D, Hob XVI:5a. Arietta con 12 Variazioni in A, Hob XVII:2. Allegretto in G, after Hob 111/41 (IV). Adagio in G, Hob XV:22 (IV) |
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Sonatas: No. 29 in E♭, Hob XVI:45; No. 33 in c, Hob XVI:20; No. 34 in D, Hob XVI:33; No. 35 in A♭, Hob XVI:43 |
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Sonatas: No. 30 in D, Hob. XVI:19; No. 38 in F, Hob. XVI:23; No. 40 in E♭, Hob. XVI:25 |
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Sonatas: No. 35 in A♭, Hob XVI:43; No. 34 in D, Hob XVI:33; No. 12 in A, Hob XVI:12; No. 15 in E, Hob XVI:13; No. 59 in E♭, Hob XVI:49 |
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Sonatas: No. 36 in C, Hob. XVI:21; No. 37 in E, Hob. XVI:22; No. 38 in F, Hob. XVI.23; No. 39 in D, Hob. XVI:24; No. 40 in E♭, Hob. XVI:25; No. 41 in A, Hob. XVI:26 |
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Sonatas: No. 40, H.XVI/25; No. 43, H.XVI/28; No. 44, H.XVI/29. Variations on the Austrian National Hymn (after H.I 11/77, no. 2). Adagio in F, H.XVII/9 |
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Sonatas: No. 42 in G, Hob.XVI:27; No. 43 in E♭, Hob.XVI:28; No. 44 in F, Hob.XVI:29; No. 45 in A, Hob.XVI:30; No. 46 in E, Hob.XVI:31; No. 47 in B Minor, Hob.XVI:32 |
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Sonatas: No. 45 in A, Hob XVI:30; No. 46 in E, Hob XVI:31; No. 43 in E♭, Hob XVI:28; No. 44 in F, Hob XVI:29; No. 52 in G, Hob XVI:39; No. 47 in b, Hob XVI:32 |
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Sonatas: No. 47 in b, Hob.XVI:32; No. 33 in c, Hob.XVI:20; No. 50 in D, Hob.XVI:37; No. 61 in D, Hob.XVI:51. No. 35 in A♭, Hob.XVI:43 |
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Sonatas: No. 48 in C, Hob. XVI:35; No. 49 in C♯ Minor, Hob. XVI.36; No. 50 in D, Hob. XVI.37; No. 51 in E♭, Hob. XVI:38; No. 52 in G, Hob. XVI:39 |
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Sonatas: No. 49 in C♯ Minor, Hob. XVI/36; No. 50 in D, Hob. XVI/37 |
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Sonatas: No. 50 in D, Hob XVI:37; No. 52 in G, Hob XVI:39; No. 31 in A♭, Hob XVI:46; No. 58 in C, Hob XVI:48 |
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Sonatas: No. 53 in E Minor, Hob.XVI:34; No. 54 in G, Hob.XVIAO; No. 55 in B♭, Hob.XVI.41; No. 56 in D, Hob.XVI:42; No. 58 in C, Hob.XVI:48. Andante con variazioni in F Minor, Hob.XVII:6 |
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Sonatas: No. 55 in B♭ Hob. XVI:41; No. 56 in D, Hob. XVI:42; No. 54 in G, Hob. XVI:40; No. 58 in C, Hob. XVI:48; No. 59 in B, Hob. XVI:49 |
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Sonatas: No. 57 in F, Hob XVI:47; No. 29 in E♭, Hob XVI:45; No. 61 in D, Hob XVI:51; No. 58 in C, Hob XVI:48; No. 53 in E minor, Hob XVI:34 |
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Sonatas: No. 59 in E♭, Hob XVI:49; No. 38 in F, Hob XVI:23; No. 47 in b, Hob XVI:32; No. 39 in D, Hob XVI:24 |
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Sonatas: No. 59 in E♭, Hob XVI:49; No. 60 in C, Hob XVI:50; No. 47 in b, Hob XVI:32; No. 54, Hob XVI:40 |
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Sonatas: No. 59 in E♭, Hob.XVI:49; No. 60 in C, Hob.XVI:50; No. 61 in D, Hob. XVI:51; No. 62 in E♭, Hob.XVI:52 |
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Sonatas: No. 60 in C, Hob.XVI:50; No. 61 in D, Hob.XVi.51; No. 62 in E♭, Hob.XVi.52. Variations in F Minor, Hob.XVIi.6. Adagio in F, Hob.XVII:9 |
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Sonatas: No. 60 ¡n C, Hob. XVI:50; No. 44 in F, Hob. XVI:29; No. 51 ¡n E♭ Hob. XVI:38; No. 33 in c, Hob. XVI:20. Adagio ¡n G |
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Sonatas: No. 8 in A (Hob. 5); No. 12 in A (Hob. 12); No. 14 in C (Hob. 3); No. 15 in E (Hob. 13); No. 28 in D; No. 29 in E-Flat (Hob. 45); No. 37 in E (Hob. 22); No. 62 in E-Flat (Hob. 52);Seven Minuets: (Hob. IX/8, Nos. 1, 2, 5, 9, 11, 10, 7 from “Kleine Tanze für die Jugend“); The Seven Last Words of Jesus Christ (transcription of Haydn's string quartet text) |
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Sonatas: No. 9 in D, Hob. XVI:4; No. 8 in A, Hob. XVI:5; No. 11 in G/g, Hob. XVI:11; No. 15 in E, Hob. XVI:13; No. 42 in G, Hob. XVI:27 |
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Songs |
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Songs by |
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Spielstücke fiir eine Flötenuhr |
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St. Bernard Mass. St. Nikolai Mass |
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Stabat Mater |
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Stabat mater |
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Stabat Mater in G Minor; Mass No. 7 in F "Missa Brevis" Salve Regina in E-Flat; Mass No. 2 in E-Flat (“Grosse Orgelmesse“) |
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Stabat Mater, Hob. XXbis |
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Stabat Mater, Hob.XXbis |
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Stabat Mater: Fac me vere |
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Stabat Mater: Fac me vere tecum flere |
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String Quarters: in E♭, Op. 71, No. 3; in C, Op. 74, No. 1 |
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String Quartet in B, op. 1, No. “0.“ String Quartet in D, op. 2/5. String Quartet in B♭, op. 2/6. String Quartet in f, op, 20/5. String Quartet in B, op. 64/6. String Quartet in Bi, op. 76/4. String Quartet in B♭, op. 76/6. |
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String Quartet in B♭, op. 50/1 |
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String Quartet in C, Hob. 111:39, “The Bird.“ |
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String Quartet in C, op. 33, no. 3: Rondo finale |
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String Quartet in C, op. 33/3 |
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String Quartet in C, op. 33/3, “The Bird” |
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String Quartet in C, op. 33/3, “The Bird”: Adagio ma non troppo; Rondo |
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String Quartet in C, op. 54, no. 2 |
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String Quartet in C, op. 54/2 |
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String Quartet in C, op. 74, no. 1 |
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String Quartet in C, Op. 76, No. 3 (Emperor). String Quartet in F, Op. 3, No. 5 (Serenade) |
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String Quartet in C, op. 76, no. 3 (Emperor): Theme and variations |
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String Quartet in C, Op. 76, no. 3 (“Emperor“) |
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String Quartet in C, op. 76, no. 3 (“Emperor“) |
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String Quartet in C, op. 76, no. 3, Hob.lll:77 (“Emperor“) |
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String Quartet in C, op. 76/3 “Emperor” |
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String Quartet in C, op. 76/3: Poco adagio |
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String Quartet in C, “Emperor” |
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String Quartet in C, “The Bird” |
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String Quartet in D Minor, op. 76, no. 2 |
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String Quartet in D Minor, op. 76, no. 2, Hob. 111.76 (“Quinten“) |
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String Quartet in D Minor, op. 76, no. 2, Hob. 111:76 ("Quinten") |
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String Quartet in D, op. 2, no. 5 |
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String Quartet in D, Op. 20, No. 4. String Quartet in G Minor, Op. 74, No. 3 |
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String Quartet in D, op. 20/4 |
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String Quartet in d, op. 42 |
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String Quartet in D, op. 64, no. 5 ("Lark") |
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String Quartet in D, Op. 64/5, “Lark” |
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String Quartet in D, op. 71/2 |
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String Quartet in D, op. 76, no. 5 |
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String Quartet in D, op. 76, no. 5, HobM:79 |
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String Quartet in d, op. 76/2 |
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String Quartet in d, Op. 76/2 H III:76 |
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String Quartet in d, op. 9/4 |
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String Quartet in D, “The Frog” |
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String Quartet in D,op. 20, no. 4 |
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String Quartet in F, Op. 3 no. 5: Serenade, |
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String Quartet in F, op. 3/5: Andante cantabile (Serenade) |
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String Quartet in F, op. 77, no. 2 |
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String Quartet In F, op. 77, no. 2 |
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String Quartet in G minor, Op. 74, No. 3 |
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String Quartet in G Minor, op. 74, No. 3 |
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String Quartet in G, op. 17, no. 5: Meneut |
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String Quartet in g, op. 20/3 |
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String Quartet in G, op. 54/1 |
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String Quartet in G, op. 64/4 |
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String Quartet in G, op. 76, no. 1 |
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String Quartet in G, op. 76/1 |
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String Quartet in g, op. 76/1: Finale |
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String Quartet in G, op. 77/1 |
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String Quartet in O, op. 64, no. 5 (“The Lark'): Finale |
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String Quartet No. 17 in E (attrib. Hoffstetter) |
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String Quartet No. 32 in C, Op. 20, no. 2 |
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String Quartet No. 39 in C, op. 33/3, "Bird" |
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String Quartet No. 42 in C, op. 54/2 |
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String Quartet No. 43, op. 54/1 (Hob III:58) |
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String Quartet No. 62 in C, “Emperor” |
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String Quartet No. 76 in D minor, Op. 76, no. 2 (“Fifths“) |
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String Quartet No. 77 in C, Op. 76, No. 3, H.111:77 (“Emperor“) |
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String Quartet, op. 64, no. 5 (“The Lark“). Vivace |
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String Quartet, op. 64/5, “Lark” |
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String Quartet, Op. 76, No. 3: Variations on the Austrian Hymn, “Glorious things of Thee are spoken.“ |
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String Quartet, op. 76/2, “Fifths” |
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String Quartet, op. 76/3: Minuet |
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String Quartet, op.33/2 |
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String Quartets |
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String Quartets (arr.): opp. 76/3, “Emperor”; 64/5, “Lark”; 1/1, “Hunt” |
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String Quartets Nos. 17-22, op. 17/1-6, Hob lll:25-30 |
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String Quartets Op. 73 |
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String Quartets op. 76: No. 1 in G; No. 2 in d, "Fifths"; No. 3 in C, "Emperor" |
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String Quartets Vol. 5: Nos. 36-41, op. 50/1-6, Hob II 1:44-9 |
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String Quartets, Op. $4, nog. 1 and2 |
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String Quartets, op. 1, Nos. 1-6 |
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String Quartets, op. 1/1–6 |
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String Quartets, Op. 17 |
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String Quartets, op. 17/1–6 |
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String Quartets, Op. 20 |
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String Quartets, op. 20 |
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String Quartets, op. 20 (“Sun Quarters“): No. 1 in Eb; No. 2 in C; No. 3 in G Minor |
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String Quartets, op. 20 (“Sun“) |
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String Quartets, Op. 20, Nos. 1-6 |
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String Quartets, op. 20/1–6 |
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String Quartets, op. 20: No. 2 in C; No. 5 in f; No. 6 in A |
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String Quartets, op. 20: No. 1 in Eb, H.111:31; No. 2 in C, H.111:32; No. 3 in G Minor, H.111:33 |
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String Quartets, op. 20: No. 1 in Eb, H.111:31; No. 5 in F Minor, H.111:35; No. 6 in A, H.111:36 |
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String Quartets, op. 20: No. 1 in E♭; No. 3 in g; No. 4 in D |
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String Quartets, op. 20: No. 4 in D, H.111.34; No. 5 in F Minor, H.111.35; No. 6 in A, H.lll:36 |
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String Quartets, op. 20: Nos. 1-3, Hob.lll:31-33 |
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String Quartets, op. 20: Nos. 1–3 |
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String Quartets, op. 20: Nos. 4-6, Hob.lll:34~36 |
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String Quartets, op. 33 |
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String Quartets, op. 33, Nos.1–3 |
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String Quartets, op. 33/1, 3, 5 |
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String Quartets, op. 33/1–6 |
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String Quartets, op. 33: No. 1 in B Minor, H.111:37; No. 2 in Eb, H.111:38; No. 3 in C, H.111:39 |
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String Quartets, op. 33: No. 1 in B Minor; No. 2 in Eb ("The Joke"); No. 3 in C ("The Bird"); No. 4 in Bb; No. 5 in G; No. 6 in D |
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String Quartets, op. 33: No. 1 in b; No. 2 in E♭, “Joke”; No. 5 in G |
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String Quartets, op. 33: No. 3 in C (“The Bird“); No. 5 in G; No. 6 in D |
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String Quartets, op. 33: No. 4 in Bb, H.111:4O; No. 5 in G, H.111:41; No. 6 in D, H.111:42. String Quartet in D Minor, op. 42, H.111:43 |
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String Quartets, op. 33: No. 5 in G; No. 2 in E♭; No. 1 in B Minor; No. 3 in C; No. 6 in D; No. 4 in Bb. String Quartet in D Minor, op. 42 |
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String Quartets, op. 33: No. 6 in D; No 1 in B Minor; No. 4 in B♭ |
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String Quartets, Op. 50 |
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String Quartets, op. 50 |
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String Quartets, op. 50, Nos. 1-3 |
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String Quartets, op. 50, Nos. 4-6 |
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String Quartets, op. 50/1–6 |
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String Quartets, op. 50: No. 1 in B♭; No. 2 in C; No. 3 in E♭ |
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String Quartets, op. 50: No. 1 in Bb; No. 2 in C; No. 3 in E♭ |
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String Quartets, op. 50: No. 1 in B♭; No. 2 in C; No. 3 in E♭; No. 4 in F♯ Minor; No. 5 in F; No. 6 in D |
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String Quartets, op. 50: No. 4 in f♭; No. 5 in F; No. 6 in D |
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String Quartets, op. 50: No. 4 in Rf Minor; No. 5 in F; No. 6 in D |
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String Quartets, op. 54 |
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String Quartets, Op. 54, nos. 1 and 2 |
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String Quartets, op. 54/1–3 |
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String Quartets, op. 54: No. 1 in G; No. 2 in C; No. 3 in E |
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String Quartets, Op. 54; Op. 55 |
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String Quartets, op. 55 |
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String Quartets, op. 55: No. 1 in A; No. 2 in F Minor (“Razor“); No. 3 in Bb |
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String Quartets, op. 55: No. 1 in A; No. 2 in F Minor; No. 3 in Bb |
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String Quartets, Op. 64 |
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String Quartets, op. 64 |
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String Quartets, op. 64/3–5 |
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String Quartets, op. 64: No. 1 in C; No. 2 in B Minor; No. 3 in Bb |
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String Quartets, op. 64: No. 1 in C; No. 2 in b; No. 3 in B♭ |
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String Quartets, op. 64: No. 4 in G; No. 5 in D, "Lark"; No. 6 in B♭ |
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String Quartets, op. 64: No. 4 in G; No. 6 in Eb; No. 5 in D “The Lark“ |
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String Quartets, op. 71/1–3 |
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String Quartets, op. 71/1–3; op. 74/2, 3 |
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String Quartets, op. 71: No. 1 in B♭; No. 2 in D; No. 3 in Eb |
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String Quartets, op. 71: No. 11n B, H.lll:69; No. 2 in D, H.lli.70; No. 3 in Eb, H.IIIJ1 |
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String Quartets, op. 74 |
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String Quartets, op. 74/1–3 |
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String Quartets, op. 74: No. 1 in C; No. 2 in F; No. 3 in G Minor (“The Rider“) |
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String Quartets, Op. 74: Nos. 2 and 3 |
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String Quartets, Op. 76 |
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String Quartets, op. 76 |
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String Quartets, Op. 76 (complete); Op. 77 (complete);Op. 103 |
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String Quartets, op. 76/1–3 |
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String Quartets, op. 76/4–6 |
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String Quartets, Op. 76: No. 1 in G; No. 2 in D minor (“Fifths“); No. 3 in C |
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String Quartets, op. 76: No. 1 in G; No. 2 in D Minor (“Fifths“); No. 3 in C (“Emperor“) |
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String Quartets, op. 76: No. 1 in G; No. 2 in D Minor (“Quinten“); No. 3 in C (“Emperor“) |
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String Quartets, op. 76: No. 1 in G; No. 5 in D; No. 6 in E♭ |
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String Quartets, op. 76: No. 2 in D Minor (“Fifths“); No. 3 in C (“Emperor“); No. 4 in Bb (“Sunrise“) |
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String Quartets, op. 76: No. 4 in Bb, Hob. 111:78 (“Sunrise“); No. 5 in D, Hob. 111:79; No. 6 in Eb, Hob. 111:80 |
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String Quartets, op. 76: No. 4 in B♭ (“Sunrise“); No. 5 in D; No. 6 in Eb |
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String Quartets, op. 76: No. 4 in B♭; No. 5 in D; No. 6 in Eb |
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String Quartets, op. 76: No. 4, "Sunrise"; No. 5; No. 6 |
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String Quartets, Op. 76; No. 1 in G; No. 2 in D minor (“Quintín“); No. 3 in C (“Emperor“); No. 4 in B (“Sunrise“); No. 5 in D; No. 6 in E♭ |
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String Quartets, Op. 77 |
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String Quartets, op. 77, nos. 1 and 2. String Quartet fragment, op. 103 |
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String Quartets, op. 77: No. 1 in G ; No. 2 in F |
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String Quartets, op. 77: No. 1 in G, H.111.81; No. 2 in F, H.111:82. String Quartet in D Minor, op. 103 (Unfinished—Andante and Menuet only) |
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String Quartets, op. 77: No. 1 in G; No. 2 in F. String Quartet in D Minor, op. 103. Quartet Movement “Der Greis,“ Hob. XXVc:5 |
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String Quartets, op. 9 |
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String Quartets, op. 9: No. 2 in Eb; No. 5 in B♭; No. 6 in A |
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String Quartets, op. 9: No. 2 in E♭; No. 5 in B♭; No. 6 in A |
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String Quartets, op.50: No. 4 in f«; No. 5 in F; No. 6 in D |
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String Quartets, Opp, 71 and 74 (complete) |
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String Quartets, opp. 0; 1; 2; 17; 20; 33; 42; 50; 51; 64/1 (incomplete); 77/1–2; 103 |
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String Quartets, opp. 1, 2, 17, 20, 33, 42, 50, 51, 76, 77, 103, 64/1: Movts. I and IV |
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String Quartets, opp. 20, 33, 64, 76, 77 |
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String Quartets, Opp. 54 and 55 |
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String Quartets, Opp. 71 and 74 |
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String Quartets, Vol. 1: in C, op. 20/2; in C, op. 33/3; in G, op. 77/1 |
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String Quartets, Vol. 3: in F, op. 3/5 (attrib. Roman Hoffstetter); in E♭, op. 33/2, “Joke”; in E♭, op. 64/6; Quartet in B♭, op. 71/1 |
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String Quartets, Vol. 4: in f, op. 20/5; in E♭, op. 50/3; in C, “Emperor”; in E♭, op. 76/3 |
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String Quartets, Vol. 8: in E♭, op. 20/1; in B♭, op. 1/1; in B♭, op. 55/3; in B♭, op. 76/4, “Sunrise” |
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String Quartets: in B Minor, op. 33, no. 1; in E♭, op. 33, no. 2; in C, op. 33, no. 3; in B♭, op. 33, no. 4 |
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String Quartets: in B-Flat, Op. 71, no. 1; in D, Op. 71, no. 2 |
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String Quartets: in B♭, op. 1, no. 1; in D, op. 64, no. 5 ("The Lark")] in G Minor, op. 74, no. 3 ("The Rider") |
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String Quartets: in B♭, op. 1/1; in G, op. 33/5; in G, op. 77/1 |
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String Quartets: in B♭, Op. 71, No. 1; in D, Op. 71, No. 2 |
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String Quartets: in B♭, Op. 71/1; in D, Op. 71/2; in E♭, Op. 71/3 |
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String Quartets: in B♭, Op. 76, No. 4 (Sunrise); in E♭, Op. 76, No. 6 |
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String Quartets: in C, op. 20, no. 2, H. III:32; in D, op. 20, no. 4, H. III:34; in G Minor, op. 20, no. 3, H. III:33 |
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String Quartets: in C, Op. 20, No. 2; in B♭, Op. 50, No. 1; in D minor, Op. 76, No. 2 (“Quinten“) |
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String Quartets: in C, op. 20/2; in g, op. 20/3; in f, op. 20/5 |
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String Quartets: in C, Op. 20/2; in g, Op. 74/3, “Rider”; in C, Op. 76/3, “Emperor” |
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String Quartets: in C, Op. 33, No. 3("Vogelquartet"); in D, Op. 64, No. 5V "Lark“) |
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String Quartets: in C, Op. 54, No. 2; in D, Op. 64, No. 5 |
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String Quartets: in C, op. 54/2; in G, op. 77/1; in d, op. 103 |
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String Quartets: in C, op. 64/1, Hob III:65; in b, op. 64/2, Hob III:68; in E♭, op. 64/6, Hob III:64 |
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String Quartets: in C, Op. 76, No. 3 ("Emperor"); in B. Op. 76, No. 4 ("Sunrise"); in C, Op. 33, No. 3 ("Bird") |
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String Quartets: in C, op. 76, no. 3 ("Emperor"); in D, op. 64, no. 5 ("Lerchenquartett"); in G Minor, op. 74, no. 3 ("Reiterquartett") |
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String Quartets: in C, op. 76, no. 3 (“Emperor“); in Bb, op. 76, no. 4 (“Sunrise“) |
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String Quartets: in C, op. 76, no. 3 (“Emperor“); In E♭; op. 33, no. 2 |
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String Quartets: in C, op. 76/3 ("Emperor") |
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String Quartets: in C, “Emperor”; in D, “Lark”; in g, “The Rider” |
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String Quartets: in D, Op. 20, No. 4; in C, Op. 33, No. 3; in C, Op. 76, No. 3; in B♭, Op. 76, No. 4 |
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String Quartets: in D, op. 20/4; in E♭, op. 33/2 ("Joke"); in C, op. 33/3 ("Bird"); in f, op. 55/2 ("Razor"); in D, op. 64/5 ("Lark") |
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String Quartets: in D, op. 20/4; in E♭, op. 20/1; in g, op. 20/3 |
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String Quartets: in d, op. 42; in G, op. 77/1; in F, op. 77/2; in d, op. 103 |
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String Quartets: in D, Op. 64, No. 5 (“Lark“); in C, Op. 76, No. 3 (“Emperor“) |
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String Quartets: in D, op. 64, no. 5 (“Lark“); in D Minor, op. 42; in D, op, 76, no. 5 |
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String Quartets: in D, op. 64, no. 5 (“Lark“); in D, op. 76, no. 5. Trio in G for Piano, Violin, and Cello: Rondo all'Ongarese |
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String Quartets: in D, Op. 64, No. 5( “Lark“); in D Minor, Op. 76, No. 2( “Quinten“) |
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String Quartets: in D, op. 64/5, “Lark“; in d, op. 76/2, “Fifths“; in G, op. 77/1 |
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String Quartets: in D, op. 64/5; in C, op. 74/1 |
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String Quartets: in D, op. 71/2; in F, op. 77/2 |
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String Quartets: in d, op. 76/2, “Quinten“; D, op. 64/5, “Lark.“ |
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String Quartets: in d, op. 9/4; in E♭, op. 17/3; in G, op. 17/5 |
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String Quartets: in d, “Fifths”; in C, “Emperor”; in B♭, “Sunrise” |
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String Quartets: in E, op. 3, no. 1 (attr.) III. Andantino grazioso; in F, op. 3, no. 5 (“Serenade“) (attr), II. Andante cantabile; in D, op. 64, no. 5 (“Lark“); in G Minor, op. 74, no. 3 (“Rider“), IV. Allegro con brio |
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String Quartets: in E-Flat, Op. 33, No. 2 (“Joke“); in C, Op. 76, No. 3 (“Emperor“) |
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String Quartets: in E. Op. 71, No. 3; in C, Op. 74, No. 1 |
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String Quartets: in Eb, op. 0, Hob.ll:6; in C, op. 1, no. 6, Hob.lll:6; in D, op. 2, no. 1, Hob.lli.7; in G, op. 2, no. 2, Hob. 111:8 |
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String Quartets: in E♭, op. 17/3; in G, op. 17/5; in E, op. 17/1 |
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String Quartets: in E♭, op. 20/1; in C, op.20/2; in g, op. 20/3 |
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String Quartets: in E♭, op. 20/1; in D, op. 20/4; in A, op. 20/6 |
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String Quartets: In E♭, op. 33, no. 2 (“Joke“); In D Minor, op. 76, no. 2 (“Fifths“) |
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String Quartets: in E♭, op. 33/2, “Joke“; in C, op. 33/3, “The Bird“; in d, op. 76/2, “Fifths.“ |
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String Quartets: in F Minor, op. 20, no. 5: in Bb, op. 33, no. 4; in D, op. 71, no. 2 |
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String Quartets: in F Minor, Op. 20, No. 5; in D Minor, Op. 76, No. 2 (“Quinten“) |
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String Quartets: in F, op. 17/2; in c, op. 17/4; in D, op. 17/6 |
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String Quartets: in f, op. 20/5; in C, op. 33/3, “The Bird”; in D, op. 76/5 |
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String Quartets: in f, op. 20/5; in E♭, op. 33/2, "Joke"; in G, op. 54/1; in D, op. 64/5, "Lark"; in g, op. 74/3, "Rider"; in d, op. 76/2, "Fifths"; in G, op. 77/1. & |
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String Quartets: in F, Op. 3, No. 5 (attributed); in D minor, Op. 76, No. 2 (Quinten ); in C, Op. 76, No. 3( “Kaiser“) |
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String Quartets: in F, Op. 3, no. 5; in D minor, Op. 76, no. 2 (“Quinten“); in C, Op. 76, no. 3 |
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String Quartets: in F, op. 50/5, “Dream”; in g, op. 74/3, “Rider” |
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String Quartets: in F, Op. 74, No. 2, in G minor, Op. 74, No. 3 (“Reiterquartett“) |
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String Quartets: in F, Op. 74, No. 2; in G minor, Op. 74, No. 3 |
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String Quartets: in F, Op. 74, No. 2; in G minor, Op. 74, No. 3 ("Reiterquartett") |
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String Quartets: in G, op. 17/5; in E♭, op. 33/2; in C, op. 54/2 |
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String Quartets: in g, op. 20/3; in C, op. 74/1; in G, op. 76/1 |
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String Quartets: in G, Op. 54, no. 1; in C, Op. 54, no. 2 |
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String Quartets: in G, op. 54, no. 1; in C, op. 54, no. 2 |
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String Quartets: in G, op. 54/1; in C, op. 20/2; in g, op. 74/3, “Reiterquartett” |
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String Quartets: in G, op. 54/1; in C, op. 54/2; in E, op. 54/3; in A, op. 55/1; in f, op. 55/2, “Razor”; in B♭, op. 55/3 |
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String Quartets: in G, op. 64/4; in g, op. 74/3, “Rider”; in D, op. 76/5 |
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String Quartets: in G, op. 76, no. 1; in D, op. 1, no. 3. Trios for Flute and Strings, H. IV, 1-4: No. 1 in C; No. 2 in G; No. 3 in G; No. 4 in G |
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String Quartets: in G, op. 76/1; in B♭, op. 50/1; in G, op. 77/1 |
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String Quartets: in G, Op. 76/1; in D, Op. 20/4; in D, Op. 64/5, “The Lark”; in d, Op. 103 |
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String Quartets: in G, op. 77, no. 1, Hob. 111.81; in F, op. 77, no. 2, Hob. 111:82; in D Minor, op. 103, Hob. 111:83 ("Andante and Menuet") |
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String Quartets: in G, op. 77, no. 1, Hob.III:81; in F, op. 77, no. 2, Hob.IH:82; in D Minor, op. 103, Hob.111:83 (unfinished, Andante grazioso and Menuet only) |
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String Quartets: in G, op. 77, no. 1, Hob.lll:81; In F, op. 77, no. 2, Hob.lll:82; in D Minor, op. 103, Hob.lll:83 (unfinished, Andante grazioso and Menuet only) |
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String Quartets: in G, op. 77, no. 1; in F, op. 77, no. 2 |
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String Quartets: in G, op. 77, no. 1; in F, op. 77, no. 2; in D Minor, op. 103 |
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String Quartets: in G, op. 77/1; in D, op. 64/5; in d, op. 9/4 |
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String Quartets: in G, op. 77/1; in E♭, op. 64/6 |
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String Quartets: in G, op. 77/1; in F, op. 77/2 |
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String Quartets: in G, op. 77/1; in F, op. 77/2; in d, op. 103 |
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String Quartets: in G, op. 77; in F, op. 77, no. 2; in D Minor, op. 103 |
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String Quartets: in É, Op. 71, no. 3; in C, Op. 74, no. 1 |
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String Quartets: No. 34 in D, Op. 20, No. 4; No. 35 in F Minor, Op. 20, No. 5 |
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String Quartets: No. 63 in Bb, H. 111:78 ("Sunrise"); No. 64 in D, H. 111:79; No. 65 in Eb, H.111:80 ("Erdody" Quartets Nos. 4-6) |
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String Quartets: No. 75 in G, Op. 76, no. t; No. 76 in F, Op. 76, no. 2 |
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String Quartets: No. 78in B-Flat, Op., 76, no. 4;No. 80in E-Flat, Op. 76, no. 6 |
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String Quartets: op 3/5; op 51; op 54/1,2; op. 64/3; op. 74/1,2; op. 77/1; op. 103 |
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String Quartets: op. 17 |
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String Quartets: op. 1: No. 1 in B♭. op. 20: No. 1 in E♭; No. 2 in C, No. 4 in D; No. 5 in f; op. 33: No. 2 in E♭; No. 3 in C; No. 6 in D. op. 50: No. 6 in D |
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String Quartets: op. 1; op. 2 |
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String Quartets: op. 20 (period instruments) |
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String Quartets: op. 20/2, 4, 6 |
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String Quartets: op. 20/2; op. 20/5 |
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String Quartets: op. 33/3, "The Bird"; op. 64/5, "The Lark" |
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String Quartets: op. 33/3, “The Bird.“ op. 77/1; op. 77/2 |
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String Quartets: op. 33; op. 42 |
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String Quartets: op. 42; op. 77/1; op 77/2; op. 103 |
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String Quartets: op. 50/1, 4, 5 |
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String Quartets: op. 50: No. 3 in B Minor; No. 5 in F; No. 6 in D, “The Frog” |
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String Quartets: Op. 51 (“The Seven Last Words of Christ“); Op. 54, nos. 1-3; Op. 55, nos. 1-3; Op. 64, nos. 1-6; Op. 71, nos. 1-3; Op. 74, nos. 1-3; Op. 76, nos. 1-6/Op. 77, nos. 1 and 2; Op. 103 |
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String Quartets: op. 64/2; op. 77/1; op. 20/4 |
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String Quartets: op. 64/4; op. 74/3; op. 76/5 |
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String Quartets: op. 71 |
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String Quartets: op. 71/1–3 |
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String Quartets: op. 71: No. 1 in B♭; No. 2 in D; No. 3 in B |
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String Quartets: op. 71; op. 74 |
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String Quartets: op. 74/1–3 |
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String Quartets: op. 74/3, “Rider”; op. 76/3, “Emperor” |
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String Quartets: op. 76/2,3,4 |
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String Quartets: op. 76/4, “Sunrise”; op. 33/1 |
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String Quartets: op. 77/1, 2; op. 42 |
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String Quartets: op. 77/1–2; op. 42 |
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String Quartets: op. 77; op. 103 |
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String Quartets: op. 9/4; op. 50/2; op. 76/1; op. 50/1 (Finale) |
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String Quartets: op. 9/6; op. 74/1; op. 50/6 |
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String Quartets: opp. 1/6; 71/2; 77/2 |
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String Quartets: opp. 50/1, 4, 5 |
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String Quartets: ops. 1, 2, 42, and 103 |
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String Quartets: ops. 20/2; 20/5; 33/3; 42; 54/1 ; 54/2; 76/5 |
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String Quartets; in E♭, Op. “0“ (sometimes Op. 1, No. 0); in D minor, Op. 42; in Eb Op. 103 (incomplete) |
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String Quartets; in F, Op. 74. No. 2; in G minor, Op. 74, No. 3 (Reiterquartett) |
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String Trio in G, Hob XVI:40 |
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String Trios: in D, Hob. XI:11; in C, Hob. V:16 |
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Strings Quartets, Opp. 9 and 17 |
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Strings Quartets: op. 76/3, “Emperor”; op. 76/4, “Sunrise” |
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Suite (Divertimento) in E♭ for Winds, H. ll:Es/17 |
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Symphonies (Complete) |
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Symphonies (complete) |
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Symphonies No. 1-104. Symphony “A.“ Symphony “B.“ Sinfonia concertante in B♭ |
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Symphonies No. 31 in D (“Hornsignal“); No. 59 in A (“Fire“); No. 73 In O (“The Hunt“) |
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Symphonies No. 31 in D (“Hornsignal“); No. 73 in D (“LA Chasse“); No. 82 in C (“The Bear“) |
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Symphonies No. 31, “Hornsignal”; No. 59, “Fire”; No. 48, “Maria Theresa” |
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Symphonies No. 44–49 |
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Symphonies No. 79 in F; No. 80 in d; No. 81 in G |
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Symphonies No. 82 in C (“L'Ours“); No. 83 in G Minor (“La Poule“); No. 84 in Eb; No. 85 in B♭ (“La Reine“); Wo. 86 in D; No. 87 in A |
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Symphonies No. 82 in C, “The Bear”; No. 87 in A; No. 24 in D; No. 2 in C |
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Symphonies No. 88; No. 92( “Oxford “) |
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Symphonies No. 88; No. 92, “Oxford”; No. 94, “Surprise”. Sinfonia concertante in B♭ |
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Symphonies No. 90 in C; No. 91 in E♭; No. 92 in G, “Oxford” |
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Symphonies No. 93–104 |
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Symphonies Nos. 1 and 104, “London” |
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Symphonies Nos. 100, 101, 102 |
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Symphonies Nos. 100, 104 |
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Symphonies Nos. 100, “Military”, 101, “Clock”, 102 |
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Symphonies Nos. 100, “Military”, and 104, “London”. Sinfonia concertante, Hob 1:105 |
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Symphonies Nos. 101 and 95 |
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Symphonies Nos. 102; 103, “Drumroll”; 104, “London” |
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Symphonies Nos. 103 and 104 |
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Symphonies Nos. 12, 60, 70 |
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Symphonies Nos. 19, 80, 81 |
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Symphonies Nos. 1–17, 19–24, 26, 27, 32, 34, 35, 37, 40, 41, 48, 49, 51, 52, 55–57, 60, 65, 92, 96, 98 |
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Symphonies Nos. 1–75, 94, 96, 100, 104, 107, 108 |
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Symphonies Nos. 26, 35, 38, 39, 41–52, 58, 59, 65 |
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Symphonies Nos. 28; 43, “Mercury”; 63, “La Roxolane” |
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Symphonies Nos. 31, “Hornsignal”; 70; 101, “Clock” |
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Symphonies Nos. 3; 26, “Lamentatione”; 30, “Alleluia”; 79 |
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Symphonies Nos. 4, 42, 64 |
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Symphonies Nos. 43, 44, 48, 50, 61, 91. 12 German Dances: Nos. 1-6 |
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Symphonies Nos. 45, 100 |
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Symphonies Nos. 49, “La Passione”; No. 87 |
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Symphonies Nos. 52; 53, “L’Impériale”; 59, “Fire” |
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Symphonies Nos. 57, 67, 68 |
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Symphonies Nos. 6, “Le Matin”; 7, “Le Midi”; 8, “Le Soir”; 35; 46; 51 |
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Symphonies Nos. 6–8 |
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Symphonies Nos. 78 –81 |
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Symphonies Nos. 78–81 |
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Symphonies Nos. 8, “Le soir”; 84. Violin Concerto in A |
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Symphonies Nos. 80 and 81. Piano Concerto in D, Hob XVIII: 11 |
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Symphonies Nos. 82 and 83 |
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Symphonies Nos. 82, 83, 88, 102 |
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Symphonies Nos. 82–104. Sinfonia concertante |
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Symphonies Nos. 82–87, “Paris” |
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Symphonies Nos. 83, 88, 96, 100, 101, 104. Cello Concerto No. 2 |
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Symphonies Nos. 84–87. Violin Concerto No. 1 in C |
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Symphonies Nos. 86 (two performances), 88, 92, 96 (three performances), 100, 102 |
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Symphonies Nos. 92, “Oxford,” 93, 97, 98, 99 |
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Symphonies Nos. 92, “Oxford”; 75; 44, “Trauer” |
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Symphonies Nos. 93, 94, 103 |
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Symphonies Nos. 93-98 |
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Symphonies Nos. 93–104 |
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Symphonies Nos. 93–95 |
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Symphonies Nos. 94 and 101 |
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Symphonies Nos. 94 and 99 |
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Symphonies Nos. 95, 99, 104 |
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Symphonies Nos. 96, 97, 98 |
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Symphonies Nos. 98, 103, “Drumroll” |
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Symphonies Nos. 99-104 |
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Symphonies Nos. 99–104, “London” |
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Symphonies Nos. A, B, 1–25, 27–34, 36, 37, 40, 53–57, 60–64, 66–77, 96, 100, 104 |
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Symphonies, Vol. 10: No. 62; No. 63, "La Roxelane"; No. 70; No. 71; No. 73; No. 74; No. 75 |
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SYMPHONIES, Volume 10 |
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Symphonies, Volume 11 |
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Symphonies, Volume 12 |
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Symphonies, Volume 7 |
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Symphonies, Volume 8(“Sturm und Drang“) |
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Symphonies, “Die Tageszeiten“: No. 6 in D (“Le Matin “); No. 7 in C (“Le Midi“); No. 8 in G (Le Soir“) |
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Symphonies, “Die Tageszeiten“: No. 6 in D (“Le Matin“);No. 7 in C (“Le Midi“);No. 8 in G (“Le Soir“) |
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Symphonies.- No. 48 in C (“Maria Theresia“); No. 49 in F minor (“La Passione“) |
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Symphonies: (arr. for flute, string quartet, and piano by Johann Peter Salomon) No. 104 in D, H.I-.104 ("London"); No. 100 in G, H.1:100 ("Military") |
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Symphonies: (“No. 6“) in D, H.I:6(“Le Matin“); (“No. 7“) in C, H.1:7(“Le Midi“); (“No. 8“) in G, H.1.8 (“Le Soir“) |
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Symphonies: N. 44 in E minor ( “Trauersymphonie“); No. 45 in f“ minor ( “Farewell“); No. 49 in F minor (“La Passione “) |
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Symphonies: No 80 in d. No. 83 in g, “La poule.“ No. 84 in S. No. 87 in A. No. 88 in G. No. 89 in F |
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Symphonies: No. 1 in D Minor; No. 2 in C; No. 3 in G; No. 4 in D; No. 5 in A; No. 6 in D ("Le Matin"); No. 7 in C ("Le Midi"); No. 8 in G ("Le Soir"); No. 9 in C; No. 10 in D; No. 11 in Eb; No. 12 in E; No. 13 in D; No. 14 in A; No. 15 in D; No. 16 in Bb; No. 17 in F; No. 18 in G; No. 19 in D; No. 20 in C |
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Symphonies: No. 1 in D; No. 2 in C; No. 3 in G; No. 4 in D; No. 5 in A |
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Symphonies: No. 1 in D; No. 2 in C; No. 4 in D; No. 5 in A; No. 10 in D |
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Symphonies: No. 1 in D; No. 4 in D; No. 5 in A; No. 10 in D |
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Symphonies: No. 100 in G ( “Military“); No. 104 in D (London) |
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Symphonies: No. 100 in G (“Military“); No. 101 in D (“Clock“) |
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Symphonies: No. 100 in G (“Military“); No. 101 in D (“The Clock“); No. 102 in B♭; No. 103 in E♭ (“Drum Roll“); No. 104 in D (“London“) |
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Symphonies: No. 100 in G (“Military“); No. 103 in Eb (“Drum Roll“) |
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Symphonies: No. 100 in G (“Military“); No. 103 in E♭ (“Drum Roll“) |
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Symphonies: No. 100 in G (“Military“); No. 104 in D (“London“) |
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Symphonies: No. 100 in G (“Military“); No. 104 in DC London) |
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Symphonies: No. 100 in G, H.1:100 (“Military“); no. 101 in D, H.1:101 (“Clock“); No. 94 in G, H.1:94 (“Surprise“): Andante only |
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Symphonies: No. 100 in G, “Military”; No. 103 in E♭, “Drumroll” |
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Symphonies: No. 100, “Military“; No. 101, “Clock.“ |
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Symphonies: No. 100, “Military” |
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Symphonies: No. 100, “Military”; No. 101, “The Clock”; No. 102; No. 103, “Drumroll” |
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Symphonies: No. 101 |
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Symphonies: No. 101 in D ("The Clock"); No. 102 in B♭ |
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Symphonies: No. 101 in D (“Clock“). No. 102 in B♭. Overture to an English Opera (“Windsor Castle“ or “Orfeo ed Euridice“) |
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Symphonies: No. 101 in D (“Clock“); No. 102 in d |
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Symphonies: No. 101 in D (“Clock“); No. 103 in E♭ (“Drum Roll“) |
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Symphonies: No. 101 in D (“The Clock“); No. 104 in D (“London“) |
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Symphonies: No. 101 in D('Clock'); No. 102 in d; No. 103 in é (“Drum Rolf); No. 104 in D (“London“) |
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Symphonies: No. 101 in D(“Clock“); No. 104 in D(“London“) |
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Symphonies: No. 101 in D(“The Clock“Y ; No. 102 in B♭ |
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Symphonies: No. 101 in D, "Clock"; No. 103 in E♭, "Drum Roll" |
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Symphonies: No. 101 in D, H. 1:101 ("Clock"); No. 103 in E♭, H. 1:103 ("Drum Roll") |
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Symphonies: No. 101 in D, Hob. 1:101 (“The Clock“); No. 102 in B♭, Hob. 1:102 |
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Symphonies: No. 101 in D, “Clock“; No. 104 in D, “London“ |
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Symphonies: No. 101 in D, “The Clock”; No. 103 in E♭, “Drum Roll” |
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Symphonies: No. 101 In O (“The Clock“); No. 102 in B♭ |
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Symphonies: No. 101, “Clock” |
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Symphonies: No. 101, “Clock”; No. 103, “Drum Roll” |
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Symphonies: No. 101, “The Clock” |
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Symphonies: No. 102 in B-Flat; No. 103 in E-Flat (“Drum Roll“) |
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Symphonies: No. 102 in Bb; No. 104 in D (“London“) |
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Symphonies: No. 102 in B♭; No. 103 in E♭, “Drumroll” |
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Symphonies: No. 102 in B♭; No. 104 in D ("London“) |
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Symphonies: No. 102 in B♭; No. 104 in D, "London" |
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Symphonies: No. 103 in Eb (“Drum Roll“); No. 104 in D (“London“) |
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Symphonies: No. 103 in E♭ (Drum Roll); No. 104 in D (“London“) |
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Symphonies: No. 103 in E♭ (“Drum Roll“); No. 104 in D (“London“) |
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Symphonies: No. 103 in E♭ (“Drumroll“); No. 104 in D (“London“) |
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Symphonies: No. 103, “Drumroll”; No. 104, “London” |
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Symphonies: No. 104 in D (“London“); No. 103 in E♭ (“Drumroll“) |
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Symphonies: No. 104, "London"; No. 94, "Surprise" |
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Symphonies: No. 104, “London”; No. 88; No. 101, “Clock” |
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Symphonies: No. 12 in E; No. 34 in D Minor; No. 85 in Bb(“La Reine“) |
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Symphonies: No. 12; No, 22, “Der Philosoph”; No. 26, “Lamenatione”; No. 93; No. 98; No. 103, “Drumroll”; No. 104, “London” |
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Symphonies: No. 14 in A; No. 15 in D; No. 16 in Bb; No. 17 in F |
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Symphonies: No. 14 in A; No. 15 in D; No. 16 in B♭; No. 17 in F |
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Symphonies: No. 18 in G; No. 19 in D; No. 20 in C; No. 21 in A |
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Symphonies: No. 2 in C; No. 17 in F; No. 18 in G; No. 19 in D; No. 20 in C |
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Symphonies: No. 22 in B, “The Philosopher“; No. 44 in e, “Trauersymphonie“; No. 64 in A, “Tempora mutantur“ |
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Symphonies: No. 22 in Eb ( “Philosopher“); No. 63 in C ( “La Roxelane“); No. 80 in D Minor |
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Symphonies: No. 22 in Eb ("The Philosopher"); No. 24 in D; No. 30 in C ("Alleluia") |
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Symphonies: No. 22 in Eb ("The Philosopher"); No. 24 in D; No. 30 in C ("Alleluja“) |
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Symphonies: No. 22 in Eb ('Philosopher“); No. 45 in F♯ Minor (“Farewell“); No. 94 in G (“Surprise“) |
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Symphonies: No. 22 in Eb (“Der Philosoph“); No. 23 in G; No. 24 in D; No. 25 in C |
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Symphonies: No. 22 in Eb (“Der Philosoph“); No. 86 in D; No. 102 in Bb |
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Symphonies: No. 22 in Eb (“The Philosopher'); No. 78 in C Minor; No. 82 in C (“The Bear“) |
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Symphonies: No. 22 in E♭ ("The Philosopher"); No. 24 in D; No. 45 in F♯ Minor ("Farewell") |
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Symphonies: No. 22 in E♭ (“The Philosopher“); No. 29 in E; No. 60 in C (“Il distratto“) |
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Symphonies: No. 22 in E♭ (“The Philosopher“); No. 55in E♭ (“The Schoolmaster“); No. 64 in A (“Tempora mutantur“) |
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Symphonies: No. 22 in E♭, H.V.22 ("The Philosopher"); No. 63 in C, H.V.63 ("La Roxelane"); No. 80 in D Minor, H.1:80 |
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Symphonies: No. 22, “Philosopher”; No. 49, “La passione” |
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Symphonies: No. 22, “The Philosopher”; No. 90. Trumpet Concerto |
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Symphonies: No. 24 in D; No. 23 in G; No. 61 in D |
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Symphonies: No. 24; No. 23; No. 61 |
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Symphonies: No. 25; No. 42; No. 65 |
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Symphonies: No. 26 in D Minor ("Lamentatione"); No. 44 in E Minor ("Trauer"); No. 45 in F♯ Minor ("Farewell") |
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Symphonies: No. 26 in D Minor (“Lamentatione“); No. 44 in E Minor (“Trauer“); No. 49 in F Minor (“La Passione“). L'Isola disabitata: Overture |
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Symphonies: No. 26 in D minor (“Lamentatione“); No. 49 in F minor, (“La Passione“) |
|
Symphonies: No. 26 in D Minor, H. 1:26 (“Lamentatione“); No. 52 in C Minor, H.1:52; No. 53 in D, H.1-.53 (“L'Imperiale“) |
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Symphonies: No. 26 in d, “Lamentatione”; No. 27 in G; No. 42 in D |
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Symphonies: No. 26 in d; No. 86 in D |
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Symphonies: No. 27in G ; No. 88 in G; No. 100 in G ("Military") |
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Symphonies: No. 28 in A; No. 18 in G; No. 52 in c |
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Symphonies: No. 28 in A; No. 44 in E Minor ( “Trauer“) ; No. 49 in F Minor ( “La Passione“ ) |
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Symphonies: No. 3 in G; No. 11 in E♭; No. 18 in G; No. 20 in C |
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Symphonies: No. 3 in G; No. 14 in A; No. 33 in C; No. 108 in B♭, “B” |
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Symphonies: No. 30 in C (“Alleluja“); No. 55 in Eb (“Schoolmaster“); No. 63 in C (“La Roxelane“) |
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Symphonies: No. 30 in C (“Alleluja“); No. 73 In D(“La Chasse“); No. 94 in G (“Surprise“) |
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Symphonies: No. 31 in D ( “Hornea“); No. 98 in B♭ |
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Symphonies: No. 31 in D ("Hornsignal"); No. 45 In F♯ Minor, ("Farewell") |
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Symphonies: No. 31 in D (“Hornsignal“); No. 98 in B“ |
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Symphonies: No. 31 in D, “Hornsignal”; No. 72 in D; No. 73 in D, “La Chasse” |
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Symphonies: No. 31, "With the Horn-Signal"; No. 72 |
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Symphonies: No. 31, “Hornsignal“; No. 45, “Farewell“ |
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Symphonies: No. 32 in C; No. 33 in C; No. 34 in d |
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Symphonies: No. 35 in B♭; No. 38 in C; No. 39 in G Minor; No. 41 in C; No. 58 in F; No. 59 in A (“Feuersymphonie“); No. 65 in A |
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Symphonies: No. 35 in B♭; No. 38 in C; No. 39 in G minor; No. 49 in F minor (“La Passione“); No. 58 in F; No. 59 in A (“Fire.“) |
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Symphonies: No. 35 in B♭; No. 45 in f♯, “Farewell”; No. 15 in D |
|
Symphonies: No. 35 in B♭; No. 47 in G; No. 65 in A |
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Symphonies: No. 37 in C; No. 38 in C; No 39 in g; No. 40 in F |
|
Symphonies: No. 39 in G Minor; No. 35 in B-Flat; No. 59 in A (“Fire“); No. 38 in C; No. 49 in F Minor (“La Passione“); No. 58 in F |
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Symphonies: No. 39 in G Minor; No. 47 in G; No. 54 in G |
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Symphonies: No. 39 in g; No. 60 in C, "Il distratto" |
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Symphonies: No. 39; No. 45, “Farewell” |
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Symphonies: No. 40 in F; No. 93 in D; No. 94 in G (“Surprise“); No. 95 in C Minor; No. 96 in D (“Miracle“); No. 97 in C; No. 98 in B-Flat |
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Symphonies: No. 41 in C; No. 44 in e, “Trauer;” No. 47 in G |
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Symphonies: No. 41 in C; No. 49 in f, “La passione”; No. 44 in e, “Trauer” |
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Symphonies: No. 42 in D, Hob 1:42; No. 43 in E♭, Hob 1:43, “Mercury“; No. 44 in e, Hob 1:44, “Trauersinfonie“ |
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Symphonies: No. 42 in D; No. 43 in E-Flat |
|
Symphonies: No. 42 in D; No. 43 in Eb (“Mercury“); No. 44 in E Minor (“Trauersinfonie“) |
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Symphonies: No. 42 in D; No. 45 in F minor (“Farewell'); No. 46 in B; No. 47 in G; No. 51 in B♭; No. 65 in A |
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Symphonies: No. 42 in D; No. 51 in B♭; No. 45 in F♯ minor (“Farewell“); No. 46 in B; No. 47 in G; No. 65 in A |
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Symphonies: No. 43 in Eb ("Mercury"); No. 44 in E Minor ("Trauer"); No. 49 in F Minor ("La Passione") |
|
Symphonies: No. 43 in E♭ ( “Mercury“) ; No. 44 in E minor ( “Funeral“); No. 49 in F minor (“La Passione“) |
|
Symphonies: No. 43 in E♭ ( “Mercury“); No. 45 in F♯ minor (“Farewell“) |
|
Symphonies: No. 43 in E♭ ("Mercury")'; No. 82 in C ("The Bear"); No. 94 in G ("Surprise") |
|
Symphonies: No. 43 in E♭ (“Mercury“); No. 45 in F Minor (“Farewell“); No. 59 in A Minor (“Fire“) |
|
Symphonies: No. 43 in E♭, “Mercury”; No. 44 in e, “Trauer”; No. 45 in f♯, “Farewell” |
|
Symphonies: No. 44 in E minor ('Trauer“); No. 49 in F minor ( “La Passione“) |
|
Symphonies: No. 44 in E Minor (“Trauer-Symphonie“); No. 77 in Bb |
|
Symphonies: No. 44 in E minor (“Trauersymphonie“); No. 45 in F# minor (“Farewell“); No. 49 in F minor (“La Passione“) |
|
Symphonies: No. 44 in E Minor (“Trauersymphonie“); No. 45 in F-Sharp Minor (“Farewell“); No. 46 in B; No. 47 in G; No. 48 in C (“Maria Theresia“); No. 49 in F Minor (“La Passione“) |
|
Symphonies: No. 44 in E Minor (“Trauer“); No. 45 in F# Minor (“Farewell“); No. 46 in B; No. 47 in G; No. 48 in C; No. 49 in F Minor (“La Passione“) |
|
Symphonies: No. 44 in e, “Trauer”; No. 98 in B♭ |
|
Symphonies: No. 44, "Trauer"; No. 45, "Farewell" |
|
Symphonies: No. 44, "Trauer"; No. 45, "Farewell" ; No. 49, "La Passione" |
|
Symphonies: No. 44, “Trauer“; No. 45, “Farewell“; No. 49, “La passione“; No. 55, “Schoolmaster“; No. 80; No. 88; No. 92, “Oxford“; No. 93; No. 94, “Surprise“; No. 95; No. 96, “Miracle“; No. 97; No. 98; No. 99; No. 100,“Military“: No. 101, “The Clock“; No. 102; No. 103, “Drumroll“ ; No. 104, “London“ |
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Symphonies: No. 45 in F# Minor (“Farewell“); No. 49 in F Minor (“La Passione“) |
|
Symphonies: No. 45 in F-Sharp Minor (“Farewell“); No. 48 in C (“Maria Theresia“); No. 88 in G; No. 92 in G (“Oxford“) |
|
Symphonies: No. 45 in fi, Hob l:45, “Farewell“;' No. 46 in B, Hob l:46; No. 47 in G, Hob l:47 |
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Symphonies: No. 45 in F♭ minor ("Farewell"); No. 92 in G ("Oxford") |
|
Symphonies: No. 45 in F♭ minor (“Farewell“), No. 49 in F minor (“La Passione“) |
|
Symphonies: No. 45 in F♯ Minor (“Farewell“); No. 46 in B; No. 47 in G |
|
Symphonies: No. 45 in F♯ Minor (“Farewell“); No. 46 in B; No. 47 in G; No. 51 in Bb; No. 52 in C Minor; No. 64 in A (“Tempora mutanter“) |
|
Symphonies: No. 45 In F♯ Minor (“Farewell“); No. 60 In C (“Il distratto“) |
|
Symphonies: No. 45 in F♯ minor, H.l:45 ("Farewell"); No. 81 in G, H.1.81 |
|
Symphonies: No. 45 In F♯ Minor, Hob.l:45 (“Farewell“); No. 46 In B, Hob.l:46; No. 47 in G, Hob.l:47 |
|
Symphonies: No. 45, “Farewell”; No. 48, “Maria Theresia”; No. 92, “Oxford”; No. 94, “Surprise”; No. 100, “Military”; No. 101, “Clock” |
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Symphonies: No. 47 in G; No. 62 in D; No. 75 in D |
|
Symphonies: No. 48 in C (“Maria Theresa“); No. 49 in F Minor (“La Passione“) |
|
Symphonies: No. 48 in C (“Maria Theresia“); No. 53 in D (“Imperial“); No. 85 in B♭ (“La Reine“) |
|
Symphonies: No. 48 in C, Hob l:48, “Maria Theresia“; No. 49 in f, Hob l:49, “La passione“; No. 50 in C, Hob l:50 |
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Symphonies: No. 49 in F Minor ("La Passione"); No. 59 in A ("Fire"); No. 73 in D ("La Chasse") |
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Symphonies: No. 49 in F minor (“La Passione“); No. 26 in D minor (“Lamenta-tione“) |
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Symphonies: No. 5 in A; No. 54 in G |
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Symphonies: No. 50 in C; No. 12 in E; No. 60 in C, “Il Distratto” |
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Symphonies: No. 50 in C; No. 64 in A (“Tempora mutantur“); No. 54 in C; No. 55 in E♭ (“Schoolmaster“); No. 56 in C; No. 57 in D |
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Symphonies: No. 50 in C; No. 64 in A (“Tempora mutantur“); No. 65 in A |
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Symphonies: No. 50 in C; No. 87 in A; No. 89 in F (Ulf Björlin conducting the Capella Coloniensis |
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Symphonies: No. 51 in B♭; No. 100 in G (“Military“). Concerto in G for Piano and Orchestra, Hob. Vlll:4 |
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Symphonies: No. 52 in c; No. 49 in f, “La passione”; No. 58 in F |
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Symphonies: No. 53 ('t'Imperiale“); No. 73 (“La Chasse“); No. 79; No. 60 (“Il Ditratto“); No. 91. Armida: Overture |
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Symphonies: No. 53 in D ("Imperial"); No. 61 in D; No. 77 i♭ B♭ |
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Symphonies: No. 53 in D (“L'Impériale“); No. 69 in C (“Laudon“) |
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Symphonies: No. 53 in D, “L’Imperiale”; No. 54 in G; No. 33 in C. Sinfonia in D, Hob 1a:7 |
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Symphonies: No. 53, “Imperial”; No. 54 |
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Symphonies: No. 53, “L’Impériale” |
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Symphonies: No. 53, “L’Impériale”; No. 64, “Tempora mutantur”; No. 96, “Miracle” |
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Symphonies: No. 53in D(“L'Imperiale“); No. 73 in D(“La Chasse“); No. 79 in F |
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Symphonies: No. 54 in G; No. 56 in C; No. 57 in D |
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Symphonies: No. 55 in Eb (“Schoolmaster“); No. 59 in A (“Fire“); No. 60 in C (“Il distratto“) |
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Symphonies: No. 55 in Eb (“The Schoolmaster'); No. 67in F; No. 68 in Bb |
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Symphonies: No. 57 in D; No. 59 in A, “Fire”; No. 65 in A |
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Symphonies: No. 6 in D ("Le Matin"); No. 7in C ("Le Midi"); No. 8 in G ("Le Soir") |
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Symphonies: No. 6 in D ("Le Matin"); No. 7in C("Le Midi"); No. 8 in G ("Le Soir") |
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Symphonies: No. 6 in D (“Le Matin“); No. 7 in C (“Le Midi“); No. 8 in G (“Le Soir“) |
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Symphonies: No. 6 in D("Le Matin"); No. 7in C("Le Midi"); No. 8 in G ("Le Soir") |
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Symphonies: No. 6 in D(“Le Matin“); No. 7in C (“Le Midi“); No. 8 in G (“Le Soir“) |
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Symphonies: No. 6 in D, H.l:6 (“Le Matin“); No. 7in C, H.l:7(“Le Midi“); No. 8 in G, H.l:8 (“Le Soir“) |
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Symphonies: No. 6 in D, “Le Matin“; No. 7 in C, “Le Midi“; No. 8 in G, “Le Soir.“ Variations on a Minuet in E♭, Hob 11:24 |
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Symphonies: No. 6 in D, “Le Matin“; No. 7 in C, “Le Midi“; No. 8 in G, “Le Soir“ |
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Symphonies: No. 6 in D, “Le Matin”; No. 7 in C, “Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 6 in D, “Le matin”; No. 7 in C, “Le midi”; No. 8 in G, “Le soir” |
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Symphonies: No. 6 in D, “Le matin”; No. 7 in C, “Le midi”; No. 8 in G, “Le soir”; No. 22 in E♭, “Der Philosoph”; No. 31 in D, “Hornsignal”; No. 43 in E♭, “Mercury”; No. 44 in e, “Trauer”; No. 45 in f♯, “Farewell”; No. 48 in C, “Maria Theresa”; No. 49 in f, “La passione”; No. 52 in c; No. 53 in D, “Imperial”; No. 55 in E♭, “Schoolmaster”; No. 59 in A, “Fire”; No. 60 in C, “Il distratto”; No. 63 in C, “La Roxelane”; No. 69 in C, “Laudon”; No. 73 in D, “La chasse”; No. 82 in C, “The Bear”; No. 83 in g, “The Hen”; No. 84 in E♭; No. 85 in B♭, “La reine”; No. 86 in D; No. 87 in A; No. 92 in G, “Oxford”; No. 94 in G, “Surprise”; No. 96 in D, “Miracle”; No. 99 in E♭; No. 100 in G, “Military”; No. 101 in D, “The Clock”; No. 102 in B♭; No. 103 in E♭, “Drum Roll”; No. 104 in D, “London” |
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Symphonies: No. 6 in D, “Le Matin”; No. 85 in B♭, “La Reine”; No. 97 in C |
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Symphonies: No. 6 in G, “Le Matin”; No. 7 in C, ”Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 6, “Le Matin“; No. 7, “Le Midi“; No. 8, “Le Soir“ |
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Symphonies: No. 6, “Le matin”; No. 82, “The Bear” |
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Symphonies: No. 60 in C (“Il Distratto“); No. 63 in C (“La Roxelane,“ first version); No. 66 in B♭; No. 67 in F; No. 68 in d; No. 69 in C (“Laudon“) |
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Symphonies: No. 60 in C (“Il Distratto“); No. 91 in E♭; Overture to “Armida,“ H.la:14 |
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Symphonies: No. 60 in C (“Il Distratto“); No. 94 in G (“Surprise“); No. 103 in E♭ (“Drum Roll“) |
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Symphonies: No. 60, “Il distratto”; No. 61. Overture in D, Hob Ia: 7 |
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Symphonies: No. 61 in D; No. 103 in & (“Drum Roll“). Concerto In D for Cello and Orchestra, Hob. VIIb:2 |
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Symphonies: No. 61 in D; No. 66 in B♭; No. 69 in C, “Laudon” |
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Symphonies: No. 62; No. 107, “A”; No. 108, “B” |
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Symphonies: No. 64 in A; No. 45 in f♯, "Farewell" |
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Symphonies: No. 66 in B♭; No. 90 in C; No. 91 in Eb |
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Symphonies: No. 68 in B♭; No. 93 in D; No. 100 in C (“Military“) |
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Symphonies: No. 6; No. 7; No. 8 |
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Symphonies: No. 7 in C, “Le midi”; No. 83 in g, “La poule”; No. 96 in D, “Miracle” |
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Symphonies: No. 7, “Le midi,” Hob. I/7; No. 83, “La poule,” Hob. I/83 |
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Symphonies: No. 70 in D; No. 71 in Bb; No. 72 in D |
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Symphonies: No. 70 in D; No. 71 in B♭ No. 72 in D |
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Symphonies: No. 70 in D; No. 71 in B♭; No. 73 in D “La Chasse“ |
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Symphonies: No. 70; No. 73, “La Chasse”; No. 75 |
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Symphonies: No. 72 in D; No 93 in D; No. 95 in C Minor |
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Symphonies: No. 73 in D (“La Chasse“); No. 82 in C (“L'Ours“); No. S3 in G Minor (“La Poule“) |
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Symphonies: No. 73 in D(“La Chasse“); No. 83 in G Minor ('La Poule“); No. 85 in Bb (“La Reine“) |
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Symphonies: No. 73 In D, Hob.l:73 (“La Chasse“); No. 74 In B♭, Hob.l:74; No. 75 In D, Hob.i.75 |
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Symphonies: No. 73 in D, “La Chasse“; No. 74 in E♭; No. 75 in D |
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Symphonies: No. 73 in D, “La Chasse”; No. 26 in d, “Lamentatione”; No. 82 in C, “The Bear” |
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Symphonies: No. 74 in Elf; No. 75 in D; No. 76 in Elf |
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Symphonies: No. 76 in E♭; No. 77 in B♭; No. 78 in c |
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Symphonies: No. 76 in E♭; No. 77 in B♭; No. 78 in C Minor |
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Symphonies: No. 78 in C Minor, Hob.i.78; No. 102 in B♭, Hob.l:102 |
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Symphonies: No. 78 in C Minor; No. 102 in Bb |
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Symphonies: No. 80 in D minor; No. 81 in G |
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Symphonies: No. 80 In D Minor; No. 87 in A; No. 89 in F |
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Symphonies: No. 80 in d; No. 81 in G; No. 99 in E♭ |
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Symphonies: No. 80; No. 49, “La passione” |
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Symphonies: No. 81 in G; No. 45 in Fit Minor (“Farewell“) |
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Symphonies: No. 82 in C (“L'Ours“); No. 83 in G minor (“La Poule'); No. 84 in E♭; No. 85 in B♭ (“Le Reine'); No. 86 in D; No. 87 in A |
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Symphonies: No. 82 in C (“L'Ours“); No. 83 in G Minor (“La Poule“) |
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Symphonies: No. 82 in C (“L'Ours“); No. 83 in G Minor (“La Poule“); No. 84 in Eb; No. 85 in Bb (“La Reine de France“); No. 86 in D; No. 87 in A |
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Symphonies: No. 82 in C (“L'Ours“); No. 83 in G Minor (“La Poule“); No. 85 in Bb (“La Reine“) |
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Symphonies: No. 82 in C (“The Bear“); No. 38 in C; No. 104 in D (“London“) |
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Symphonies: No. 82 in C (“The Bear“); No. 83 in G Minor (“The Hen“) |
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Symphonies: No. 82 in C (“The Bear“); No. 83 in G minor (“The Hen“) |
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Symphonies: No. 82 in C (“The Bear“); No. 83 in G Minor (“The Hen“); No. 84 in Bb |
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Symphonies: No. 82 in C (“The Bear“); No. 83 in G Minor (“The Hen“); No. 84 in Eb |
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Symphonies: No. 82 in C (“The Bear“); No. 83 in G Minor (“The Hen“); No. 84 in E♭ |
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Symphonies: No. 82 In C (“The Bear“); No. 83 in G Minor (“The Hen“); No. 84 in E♭; No. 85 in B♭ (“La Reine“); No. 86 in D; No. 87 in A |
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Symphonies: No. 82 in C (“The Bear“); No. 84 in Eb |
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Symphonies: No. 82 In C (“The Bear“); No. 94 In G (“Surprise“) |
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Symphonies: No. 82 in C (“The Bear“); No. 96 In D (“Miracle“); No. 100 in G (“Military“) |
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Symphonies: No. 82 in C, "The Bear"; No. 88 in G; No. 95 in c |
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Symphonies: No. 82 in c, “The Bear“; No. 83 in g, “The Hen“; No. 84 in B; No. 85 in B♭, “La Reine“; No. 86 in D; No. 87 in A |
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Symphonies: No. 82 in C, “The Bear”; No. 86 in D |
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Symphonies: No. 82 in C, “The Bear”; No. 88 in G; No 95 in c |
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Symphonies: No. 82; No. 83 (perf. 1980) |
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Symphonies: No. 83 in G Minor (“La Poule“); No. 86 in D |
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Symphonies: No. 83 in G Minor (“La Poule“); No. 87 in A |
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Symphonies: No. 83 in G Minor (“The Hen“); No. 84 in Eb; No. 85 in Bb (“La Reine“) |
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Symphonies: No. 83 in G Minor (“The Hen“); No. 84 in Eb; No. 88 in G |
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Symphonies: No. 83 “La poule,“ No. 84; No, 85, “La reine“ |
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Symphonies: No. 84 in Bb; No. 85 in Bb (“La Reine“) |
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Symphonies: No. 84 in E-Flat; No. 85 in B-Flat (“La Reine“) |
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Symphonies: No. 85 in B-Flat (“La Reine“); No. 87 in A |
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Symphonies: No. 85 in Bb (“La Reine“); No. 86 in D; No. 87 in A |
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Symphonies: No. 85 In B♭ (“La Reine“); No. 86 In D |
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Symphonies: No. 85 in B♭ (“La Reine“); No. 86inD;No. 87in A |
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Symphonies: No. 85 In B♭, (“La Reine“); No. 86 In D; No. 87 in A |
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Symphonies: No. 85 in B♭, “La Reine”; No. 62 in D; No. 50 in C |
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Symphonies: No. 85, “La Reine”; No. 45, “Farewell” |
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Symphonies: No. 86 in D, H. 1:86; No. 87 in A, H. 1:87 |
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Symphonies: No. 86 in D, H.l:86; No. 88 in G, H.l:88 |
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Symphonies: No. 86 in D; No. 87 in A |
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Symphonies: No. 86 in D; No. 88 in G |
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Symphonies: No. 86 in D; No. 96 in D (“Miracle“); No. 100 in G (“Military“) |
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Symphonies: No. 86 in D; No. 98 in B-Flat; No. 101 in D (“The Clock“);No. 702 in B-Flat |
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Symphonies: No. 87 in A; No. 103 in E♭ ("Drumroll") |
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Symphonies: No. 88 in 6 ; No. 104 in D (“London“) |
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Symphonies: No. 88 in G ; No. 92 in G (“Oxford“); No. 95 in C Minor, No. 98 in Bb; No. 100 in G (“Military“); No. 101 in D (“The Clock“); No. 102 in Bb'; No. 104 in D (“London“) |
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Symphonies: No. 88 in G, No. 104 in D ( “London“) |
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Symphonies: No. 88 in G; No. 100 in G ( “Military“) |
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Symphonies: No. 88 in G; No. 100 in G (“Military“) |
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Symphonies: No. 88 in G; No. 89 in F; No. 90 in C |
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Symphonies: No. 88 in G; No. 89 in F; No. 90 in C; No. 91 in E♭, No. 92 in G, “Oxford” |
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Symphonies: No. 88 In G; No. 90 in C; No. 92 In G (“Oxford“) |
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Symphonies: No. 88 in G; No. 92 in G (“Oxford“) |
|
Symphonies: No. 88 in G; No. 92 in G; No. 94 in G. Sinfonia concertante. Mass in the ime of War. The Creation |
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Symphonies: No. 88 in G; No. 94 in G (“Surprise“); No. 98 in B♭ |
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Symphonies: No. 88 in G; No. 95 in C Minor, No. 101 in D (“The Clock“) |
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Symphonies: No. 88 in G; No. 96 in D ("Miracle") |
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Symphonies: No. 88 in G; No. 97 in C |
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Symphonies: No. 88; No. 95 |
|
Symphonies: No. 88in G; No. 89 in F; No. 92in G (“Oxford“) |
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Symphonies: No. 89 in F; No. 102 in B♭. Sinfonia Concertante |
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Symphonies: No. 89; No. 88. Concertante for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Symphonies: No. 9 in C Minor; No. 12 in E; No. 40 in F; No. 13 in D |
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Symphonies: No. 9 in C; 65 in A; 67 in F |
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Symphonies: No. 9 in C; No. 10 in D; No. 11 in Eb; No. 12 in E |
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Symphonies: No. 9 in C; No. 10 in D; No. 11 in E♭ No. 12 in E |
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Symphonies: No. 9 in C; No. 10 in D; No. 11 in E♭; No. 12 in E |
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Symphonies: No. 90 in C ; No. 93 in D |
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Symphonies: No. 90 in C, Hob.l:90; No. 91 In E♭, Hob.l:91; No. 92 in G, Hob.l:92 (“Oxford“) |
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Symphonies: No. 90 in C; No. 91 in Eb |
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Symphonies: No. 90; No. 92, “Oxford” |
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Symphonies: No. 91 in B; No. 92 in G, “Oxford.“ Berenice, che fai |
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Symphonies: No. 91 in E) No. 92 in G (“Oxford“) |
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Symphonies: No. 91 in E♭; No. 92 in G(“Oxford“) |
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Symphonies: No. 92 in D (“Oxford“); No. 98 in B♭ |
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Symphonies: No. 92 in G ("Oxford"); No. 101 in D ("Clock") |
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Symphonies: No. 92 in G (“Oxford“); No. 101 in D (Clock) |
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Symphonies: No. 92 in G (“Oxford“); No. 104 in D (“London“) |
|
Symphonies: No. 92 in G (“Oxford“); No. 99 in Eb |
|
Symphonies: No. 92 in G, “Oxford“; No. 104 in D, “London.“ |
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Symphonies: No. 92 in G, “Oxford”; No. 94 in G, “Surprise”; No. 97 in C |
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Symphonies: No. 92, “Oxford“; No. 94, “Surprise.“ La fedeltà premiata: Overture |
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Symphonies: No. 92, “Oxford”; No. 94, “Surprise”; No. 99; No. 104, “London” |
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Symphonies: No. 93 in D, No. 94 in G (“Surprise'); No. 95 in C minor |
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Symphonies: No. 93 In D; No. 101 In D (“Clock“) |
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Symphonies: No. 93 in D; No. 94 in G ("Surprise"); No. 95 in C Minor |
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Symphonies: No. 93 in D; No. 94 in G ("Surprise"); No. 95 in C Minor; No. 96 in D; No. 97 in C; No. 98 in B♭; No. 99 in E♭; No. 100 in G ("Military"); No. 101 in D ("Clock"); No. 102 in B♭("Miracle"); No. 103 in E♭ ("Drumroll"); No. 104 in D ("London") |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“) |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“); No. 95 in C Minor |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“); No. 95 in C Minor; No. 96 in D (“Miracle“); No. 97In C; No. 98 in Bb; No. 99 in Eb; No. 100 in G (“Military“); No. 101 in D (“Clock“); No. 102lnBb;No. 103 in E♭ (“Drum Roll“); No. 104 in D (“London“) |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“); No. 95 in C Minor; No. 98 in Bb |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“); No. 96 in D (“Miracle“) |
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Symphonies: No. 93 in D; No. 94 in G (“Surprise“); No. 97 in C |
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Symphonies: No. 93 in D; No. 94 in G, (“Surprise“) |
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Symphonies: No. 93 in D; No. 94 in G, “Surprise;“ No. 92 in G, “Oxford“ |
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Symphonies: No. 93 in D; No. 94 in G, “Surprise“: No. 103 in E♭, “Drum Roll“ |
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Symphonies: No. 93 in D; No. 95 in C Minor. March for the Royal Society of Musicians |
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Symphonies: No. 93 in D; No. 96 in D “Miracle“; No. 98 in B♭ |
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Symphonies: No. 93 in D; No. 99 in E-Flat; No. 104 in D (“London“) |
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Symphonies: No. 93 in D; No. 99 in Eh; No. 100 in G (“Military') |
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Symphonies: No. 93 in D; No. 99 in E♭ |
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Symphonies: No. 93, No. 101, “Clock” |
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Symphonies: No. 93; No. 95; No. 96 |
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Symphonies: No. 93; No. 96, “Miracle”; No. 97 |
|
Symphonies: No. 93; No. 96, “The Miracle”; No. 98 |
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Symphonies: No. 94 in G ("Surprise"); No. 100 in G ("Military"). Sinfonia Concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Symphonies: No. 94 in G ("Surprise"); No. 101 in D ("The Clock") |
|
Symphonies: No. 94 in G (Surprise“); No. 98 in B♭ |
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Symphonies: No. 94 in G (“Surprise“)', No. 95 in C Minor; No. 97 in C |
|
Symphonies: No. 94 in G (“Surprise“); No. 100 in G (“Military“) |
|
Symphonies: No. 94 in G (“Surprise“); No. 101 in D (“Clock“) |
|
Symphonies: No. 94 in G (“Surprise“); No. 103 in E-Flat (“Drum Roll“) |
|
Symphonies: No. 94 in G (“Surprise“); No. 104 in D (“London“) |
|
Symphonies: No. 94 in G (“Surprise“); No. 95 in C minor |
|
Symphonies: No. 94 in G (“Surprise“); No. 96 in D (“Miracle“) |
|
Symphonies: No. 94 in G (“Surprise“); No. 96 in D (“Miracle“). No. 102 in Bb |
|
Symphonies: No. 94 in G (“Surprise“); No. 98 In B♭; No. 104 in D (“London“) |
|
Symphonies: No. 94 in G, "Surprise", No. 100 in G, "Military"; No. 104, "London," Cello Concertos: in C, Hob VIIb: 1; in D, Hob Vllb:2 |
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Symphonies: No. 94 in G, "Surprise"; No. 101 in D, "Clock"; No. 102 in B♭ |
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Symphonies: No. 94 in G, Hob.l:94 (“Surprise“); No. 95 in C Minor, Hob.l:95 |
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Symphonies: No. 94 in G, “Surprise;” No. 95 in c; No. 97 in C |
|
Symphonies: No. 94, "Surprise"; No. 104, "London" |
|
Symphonies: No. 94, “Surprise”; No. 101, “Clock” |
|
Symphonies: No. 94, “Surprise”; No. 96, “Miracle”; No. 97 |
|
Symphonies: No. 95 |
|
Symphonies: No. 95 in C minor; No. 104 in D (“London“) |
|
Symphonies: No. 95 in C minor; No. 96 in D (“Miracle“) |
|
Symphonies: No. 95; No. 103, "Drum Roll"; No. 104, "London" |
|
Symphonies: No. 95; No. 97; No. 101, "Clock" |
|
Symphonies: No. 96 in D (“Miracle“); No. 102 in Bb; No. 103 in Eb (“Drum Roll“) |
|
Symphonies: No. 96 in D (“Miracle“); No. 97 in C |
|
Symphonies: No. 96 in D; No. 102 in B♭ (“The Miracle“). La fedeltà premiata: Overture |
|
Symphonies: No. 96, “Miracle”; No. 101, “The Clock”; No. 1 |
|
Symphonies: No. 96, “Miracle”; No. 97 in C; No. 98 in B♭ |
|
Symphonies: No. 96, “The Miracle”; No. 88; No. 60, “Il distratto” |
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Symphonies: No. 96in D (“Miracle'); No. 97in C; No. 98 in S♭ |
|
Symphonies: No. 97 in C; No. 102 in B♭ |
|
Symphonies: No. 97 in C; No. 98 in Bb |
|
Symphonies: No. 97 In C; No. 98 in Bb |
|
Symphonies: No. 97 in C; No. 98 in Bb; No. 27 in G |
|
Symphonies: No. 97 in C; No. 98 In B♭ |
|
Symphonies: No. 97 in C; No. 98 in B♭ |
|
Symphonies: No. 97 in C; No. 98 in d |
|
Symphonies: No. 98 in B♭, Hob. 1:98; No. 99 in E, Hob.l:99 |
|
Symphonies: No. 99 |
|
Symphonies: No. 99 in Bb; No. 101 in D (“Clock“) |
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Symphonies: No. 99 in B♭; No. 100 in G (“Military“). Overture to an English Opera |
|
Symphonies: No. 99 in Eb; No. 100 in G ("Military"); No. 101 in D ("The Clock"); No. 102 in Bb; No. 103 in Eb ("Drumroll"); No. 104 in D ("London") |
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Symphonies: No. 99 in Eb; No. 101 in D (“Clock“). Sinfonia concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra, Hob.l:105 |
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Symphonies: No. 99 in Eb; No. 102 in B♭ |
|
Symphonies: No. 99 in E♭, No. 104 in D (“London“) |
|
Symphonies: No. 99 in E♭; No. 100 in G (“Military“) |
|
Symphonies: No. 99 in E♭; No. 100 in G, “Military” |
|
Symphonies: No. 99 in E♭; No. 101 in D, “The Clock” |
|
Symphonies: No. 99; No. 100; No. 102; No. 104 |
|
Symphonies: No. 99; No. 101, “The Clock”; No. 100, “Military” |
|
Symphonies: Nos. 1–104; “A”; “B.” Sinfonia Concertante in B♭ |
|
Symphonies: Nos. 35, 38, 39, 49, 58, and 59 |
|
Symphonies: Nos. 35, 38, 39, 49, 59, and 59 |
|
Symphonies: Nos. 43 “Mercury,” 25, 36 |
|
Symphonies: Nos. 6, 7, 8 |
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Symphonies: Nos. 82 – 87, “Paris” |
|
Symphonies: Nos. 82–87, “Paris” |
|
Symphonies: Nos. 82–87, “Paris”; No. 88; Nos. 93–104, “London” |
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Symphonies: Nos. 83 in G Minor (“The Hen“); No. 94 in G (“Surprise“); No. 101 in D (“The Clock“) |
|
Symphonies: Nos. 93–98 |
|
Symphonies: Nos. 93–98; Nos. 99–104 |
|
Symphonies: Nos. 97, 98, 99 |
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Symphonies: Nos. 99–104 |
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Symphonies: Volume Four: No. 21 in A, Hob.l:21; No. 22 In E♭, Hob.l:22 (“Der Philosoph“); No. 23 in G, Hob.l:23; No. 24 In D, Hob.l:24; No. 28 In A, Hob.l:28; No. 29 In E, Hob.l:29; No. 30 in C, Hob.l:30 (“Alleluia“); No. 31 in D, Hob.l:31 (“Homsignal“); No. 34 In D Minor, Hob.l:34 |
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Symphonies:No. 30 in C ("Alleluja"); No. 26 in D Minor ("Lamentatione"); No. 31 inD ("Mit dem Hornsignal") |
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Symphony 93 in D |
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Symphony in B♭, “La Reine”, Hob I:85 |
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Symphony in C |
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Symphony in D, Hob. 1a:7 |
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Symphony No, 94 in G (“Surprise“) |
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Symphony No. 101 in D (“Clock“). Symphony No. 102 in B-Flat. C |
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Symphony No. 103 in Eb (“Drumroll“) |
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Symphony No. 1 in D |
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Symphony No. 1 in D. Symphony No. 37 in C. Symphony No. 18in G. Symphony No. 2 in C. Symphony No. 15 in D. Symphony No. 4 in D. Symphony No. 10 in D |
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Symphony No. 100 |
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Symphony No. 100 4/8/1958 (22:27) |
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Symphony No. 100 in C (“Military“) |
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Symphony No. 100 in G (“Military“) |
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Symphony No. 100 in G (“Military“). Symphony No. 103 in E-Flat (“Drum Roll“) |
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Symphony No. 100 in G, “Military” |
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Symphony No. 100, “Military.“ |
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Symphony No. 100, “Military” |
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Symphony No. 100. |
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Symphony No. 101 |
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Symphony No. 101 (“Clock“). Symphony No. 102. C |
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Symphony No. 101 in D (Clock) |
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Symphony No. 101 in D (“Clock“) (Eduard van Beinum, conductor) |
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Symphony No. 101 in D (“Clock“). Symphony No. 102 in B-Flat |
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Symphony No. 101 in D (“The Clock“) |
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Symphony No. 101 in D, “Clock” |
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Symphony No. 101 in D, “The Clock” |
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Symphony No. 101, “Clock” |
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Symphony No. 101, “The Clock” |
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Symphony No. 102 |
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Symphony No. 102 in B♭ |
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Symphony No. 103 |
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Symphony No. 103 in B♭ (“Drumroll“) |
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Symphony No. 103 in E♭ (“Drumroll“) |
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Symphony No. 103 in E♭, "Drumroll"; Symphony No. 104 in D, "London" |
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Symphony No. 103, “Drum Roll” |
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Symphony No. 103, "Drumroll"; No. 104, "London" |
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Symphony No. 103, “Drumroll” |
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Symphony No. 104 |
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Symphony No. 104 in D |
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Symphony No. 104 in D ("London") |
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Symphony No. 104 in D (“Londony |
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Symphony No. 104 in D (“London“) |
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Symphony No. 104 in D (“London“); Concerto for Horn and Orchestra No. 1 in D |
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Symphony No. 104 in D, “London.“ |
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Symphony No. 104 in D, “London” |
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Symphony No. 104, "London" |
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Symphony No. 104, “London.“ |
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Symphony No. 104, “London” |
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Symphony No. 13: Adagio cantabile |
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Symphony No. 22 |
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Symphony No. 26 in D Minor (Lamentatione“). Overture “Le Pescatrici.“ Symphony No. 41 in C. Symphony No. 48 in CC'Maria Theresa“). Symphony No. 44 in E Minor (“Trauer“). Symphony No. 52 in C Minor. Symphony No. 43 in E♭ (“Mercury“) |
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Symphony No. 26, “Lamentation” |
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Symphony No. 31 in D ( “Hornsignal “). Divertimento (Trio) in E♭ for Horn, Violin, and Cello, H. IV:5. Cassation in D for Four Horns and Strings |
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Symphony No. 32 in C. Symphony No. S in A. Symphony No. 11 in E-Flat. Symphony No. 33 in C. Symphony No. 27 in G. Symphony “A“ in B-Flat. Symphony No. 3 in G. (Symphonies 12-17; 21 in chronological order.) |
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Symphony No. 36 in E♭, Hob. 1:36. Cantatas for soprano and orchestra: Misera noi, misera patria, Hob. XXIVa:7; Berenice che fai, Hob. XXIVaiW. Concerto No. 4 in G for Violin and Orchestra, Hob. Vlla.4 |
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Symphony No. 36 in E♭, Hob. 1:36. Cantatas for Soprano and Orchestra: Miseri nois, misera patria, Hob. XXIVa:7; Berenice che fai, Hob. XXIVa:10. Concerto No. 4 in G for Violin, String Orchestra, and Continuo, Hob. Vlla:4 |
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Symphony No. 39 |
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Symphony No. 39 in g |
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Symphony No. 43 in E♭ ( “Mercury“). Ariadne auf Naxos, Hob. XXVIb:2 (arr. Frank). Orfeo ed Euridice, Hob. XXVIII:13. Recitative and Aria of Orfeo. Scena di Berenice, Hob. XXIVa:10. Recitative and Aria of Oreste, for Traëtta's Ifigenia in Tauride |
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Symphony No. 43 in E♭ (“Mercury“). Concerto in C for Violin and Orchestra, H. Vlla/I |
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Symphony No. 44 in e, “Mourning” |
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Symphony No. 44 in e, “Trauer” |
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Symphony No. 44, “Mourning” |
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Symphony No. 44, “Trauer” |
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Symphony No. 45 in F-Sharp Minor (“Farewell“); Symphony No. 101 in D (“Clock“) |
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Symphony No. 45 in F-Sharp Minor (“Farewell“); Symphony No. 48 in C (“Maria Theresia“) |
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Symphony No. 45, “Farewell” |
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Symphony No. 45, “Farewell”: Finale |
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Symphony No. 45: Finale |
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Symphony No. 46 in B. Symphony No. 47 in G |
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Symphony No. 47 in G |
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Symphony No. 48 (5/20/1993) |
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Symphony No. 49 |
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Symphony No. 49 in F Minor (“La Passione“). Concerto No. 1 in C for Cello and Orchestra |
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Symphony No. 49 in f, “La passione” |
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Symphony No. 49, “La Passione” |
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Symphony No. 49, “La passione” |
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Symphony No. 53, "L’Impérial" |
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Symphony No. 53, “L’Imperiale” (transcr. Johann Christian Bach) |
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Symphony No. 53: Andante in A |
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Symphony No. 55 |
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Symphony No. 55 in Eb (“Schoolmaster“) |
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Symphony No. 57 in D, Symphony No. 86 in D |
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Symphony No. 6 in D (“Morning“); Symphony No. 7 in C (“Noon“); Symphony No. 8 in G (“Evening“) |
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Symphony No. 6, “Le Matin” |
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Symphony No. 60 in C (“Il Distratto“). Symphony No. 63 in C (“La Roxelane“) |
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Symphony No. 60 in C(“ll distratto“); No. 70 in D; No. 90 in C |
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Symphony No. 60 in C, “Il distratto” |
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Symphony No. 60, “Il distratto” |
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Symphony No. 63 (arr. for 2 flutes) |
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Symphony No. 63 in C, “La Roxelane”: Andante poco allegretto |
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Symphony No. 64 |
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Symphony No. 64, “Tempora mutantur” |
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Symphony No. 67 in F |
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Symphony No. 73 in D (“La Chasse“); Symphony No. 74 in E-Flat |
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Symphony No. 73 in D, “La Chasse.“ |
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Symphony No. 73, “La chasse” |
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Symphony No. 76 |
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Symphony No. 76 in E♭ |
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Symphony No. 80 |
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Symphony No. 80 in D Minor |
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Symphony No. 82 in C (“The Bear“). Symphony No. 83 in G Minor (“The Hen“) |
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Symphony No. 82 in C (“The Bear“). Symphony No. 87 in A |
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Symphony No. 82 in C (“The Bear“); Symphony No. 83 in G Minor (“The Hen“) |
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Symphony No. 83 in G Minor (The Hen) |
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Symphony No. 83 in G Minor (The Hen); Symphony No. 101 in D (The Clock) |
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Symphony No. 83 in g, “La Poule” |
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Symphony No. 83, "The Bear" |
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Symphony No. 83, “La poule” |
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Symphony No. 83, “La Poule” (1/31/1960) |
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Symphony No. 83, “The Hen” |
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Symphony No. 84 in E-Flat. Symphony No. 85 in B-Flat |
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Symphony No. 85 |
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Symphony No. 85 in B♭, “La Reine” |
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Symphony No. 85, “La Reine” |
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Symphony No. 86 |
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Symphony No. 86 5/20/1954 (25:26) CD 20 |
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Symphony No. 86 in D. Symphony No. 87 in A |
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Symphony No. 86 in D. Symphony No. 98 in B-Flat. C |
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Symphony No. 86, “Paris” |
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Symphony No. 87 in A. Symphony No. 103 in E-Flat (“Drum Roll“) |
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Symphony No. 87 in A; Symphony No. 103 in E-Flat (“Drum Roll“) |
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Symphony No. 88 |
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Symphony No. 88 (10/2/97) |
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Symphony No. 88 (12/20/1952). Symphony No. 94, “Surprise“ (12/31/1949) |
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Symphony No. 88 (abridged) |
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Symphony No. 88 (perf. 1951 ) |
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Symphony No. 88 in G |
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Symphony No. 88 in G (rec. December 5, 1951 ) |
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Symphony No. 88 in G. Sinfonia concertante in B b for Violin, Cello, Oboe, Bassoon, and Orchestra, op. 84 |
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Symphony No. 88 in G. Sinfonia concertante in B♭, Op. 84 |
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Symphony No. 88 In G: Finale |
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Symphony No. 88 in G; Symphony No. 100 in G (“Military“) |
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Symphony No. 88 in G;Symphony No. 104 in D (“London“) |
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Symphony No. 88. |
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Symphony No. 88. Sinfonia concertante in B♭ |
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Symphony No. 88. Sinfonia Concertante in B♭. Die Schöpfung: Und Gott sprach … Auf starkem Fittiche; Und Gott sprach … Gleich öffnet sich; Und Gott schuf den Menschen … Mit Würd’ und Hoheit angetan. Die Jahreszeiten (rehearsal): Wo sind sie nun, die Wonnentage; Dann bricht der große Morgan an; Erhört ist unser Flehn; O wie lieblich ist der Anblick |
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Symphony No. 88: Finale |
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Symphony No. 91 |
|
Symphony No. 91.“ |
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Symphony No. 92 |
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Symphony No. 92 in G |
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Symphony No. 92 in G ("Oxford") |
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Symphony No. 92 in G (“Oxford“) |
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Symphony No. 92 in G (“Oxford“). Symphony No. 103 in E-Flat (“Drum-roll“) |
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Symphony No. 92 in G (“Oxford“); Symphony No. 103 in E-flat (“Drum Roll“) |
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Symphony No. 92 in G, "Oxford" |
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Symphony No. 92 in G, “Oxford” |
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Symphony No. 92, "Oxford" |
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Symphony No. 92, “Oxford.“ |
|
Symphony No. 92, “Oxford” |
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Symphony No. 92, “Oxford” (1/21/1970) |
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Symphony No. 93 |
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Symphony No. 93 in D |
|
Symphony No. 93 in D; Symphony No. 103 in E-Flat |
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Symphony No. 93 in D; Symphony No. 94 in G (“Surprise“) |
|
Symphony No. 94 |
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Symphony No. 94 in G ("Surprise") |
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Symphony No. 94 in G (“Surprise“) |
|
Symphony No. 94 in G (“Surprise“). Sinfonia concertante in B♭ for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Symphony No. 94 in G (“Surprise“). Symphony No. 103 in E-Flat (“Drum Roll“) |
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Symphony No. 94 in G (“Surprise“): Andante |
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Symphony No. 94 in G (“Surprise“); Symphony No. 101 in D (“Clock“) |
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Symphony No. 94 in G: Minuet. March for the Royal Society |
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Symphony No. 94, “Surprise.“ |
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Symphony No. 94, “Surprise“ |
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Symphony No. 94, “Surprise” |
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Symphony No. 94, “Surprise” (arr. Salomon) |
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Symphony No. 94: Andante |
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Symphony No. 95 |
|
Symphony No. 95 4/5/1955 (19:52) CD 11 |
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Symphony No. 95 in C Minor |
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Symphony No. 95 in C minor. Symphony No. 101 in D (“Clock“), |
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Symphony No. 95 in C Minor. Symphony No. 96 in D (“Miracle“) |
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Symphony No. 95 in C Minor. Symphony No. 97 in C |
|
Symphony No. 96 |
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Symphony No. 96 in D (“Miracle')- |
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Symphony No. 96 in D (“Miracle“) |
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Symphony No. 96 in D (“Miracle“), H. 1:96*; Sinfonia concertante in B♭, H. 1:10 |
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Symphony No. 96 in D (“Miracle“); Symphony No. 101 in D (“Clock“) |
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Symphony No. 96 in D, “Miracle” |
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Symphony No. 96, “Miracle” |
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Symphony No. 96: Minuet |
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Symphony No. 96: Minuet in D |
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Symphony No. 97 in C |
|
Symphony No. 98 |
|
Symphony No. 98 in B♭ |
|
Symphony No. 99 |
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Symphony No. 99 in E♭ |
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Symphony No. 99 in E♭. Mass No. 14 in B♭, “Harmoniemesse” |
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Symphony No. WO in G (“Military“); Symphony No. 104 in D (“London“) |
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Te Deum |
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Te Deum in C, Hob XXIIIc.1 |
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Te Deum in C, Hob XXIIIc:2 |
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Te Deum No. 2 in C, H:XIIc, No. 2 |
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Te Deums: No. 1; No. 2 |
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Tema con Variazioni in C, Hob XVII:5 |
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Tema con variazioni in C, Hob XVII:5 |
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The "London" Symphonies (Nos. 93-104) |
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The "Paris" Symphonies (Nos. 82-87) |
|
The 55 Sonatas. Capriccio in G, Hob XVII:1 |
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The 7 Last Words of Christ |
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The 7 Last Words of Christ on the Cross |
|
The Battle of the Nile, Hob XXVb:4 |
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The Battle of the Nile: Blest Leader, H XXVIb:4 |
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The Complete Keyboard Solo Music, Vol.3 |
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The Complete Keyboard Solo Music: Volume 2 |
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The Complete Piano Sonatas, Vol. 1 |
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The Complete Vocal Trios and Quartets |
|
The Complete Works for Piano Solo |
|
The Complete Works for Solo Piano |
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The Concertos for Two Lire Organizzate, Hob. Vllh: No. 1 in C ; No. 2 in G; No. 3 in G; No. 4 in F; No. 5 in F |
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The Creation |
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The Creation (in English) |
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The Creation (sung in English) |
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The Creation, Hob. XXI:2 |
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The Creation, Hob. XXI:2 (English version by Nicholas Temperley) |
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The Creation. Mass [No. 14] in Bb, Hob. XXII:14 (“Harmoniemesse“) |
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The Creation. Missa brevis Sancti Joannis de Deo |
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The Creation: Die Himmel erzählen die Ehre Gottes |
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The Creation: In Native Worth |
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The Creation: Mit Staunen sieht das Wunderwerk; Nun beut die Flur das frische Grün; Auf starkem Fittige |
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The Creation: On Mighty Pens |
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The Creation: Representation of Chaos |
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The Creation: Rolling in Foaming Billows |
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The Creation: Song of the laborer |
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The Creation: The Heavens Are Telling |
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The Creation: The Heavens Are Telling; Achieved Is the Glorious Work |
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The Creation: Two Choruses |
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The Creation: With verdure clad |
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The Creation: With Verdure Clad |
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The Creation: With verdure clad. The Seasons: O how pleasing to the senses |
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The Creation: With Verdure Clad; On Mighty Pens |
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The Early Trios (Nos. 1-16) |
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The glancing of her apron, H.la:88. Jockie and Sandy, H.XXXIa:91. O can ye sew ctishions, H.XXXIa:48. Barbara Allen, H.XXXIa: 11. Up in the morning early, H.XXXIa:28. Lizae Bailie, H.XXXIa:83. Margaret's ghost, H.XXXIa:65. Blue bonnets, H.XXXIa:39. Greengrow the rushes, H.XXXIa:8. Willyego to Flanders my Mally, O? H.XXXIa: 13 |
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The Heavens are telling |
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The Imperial and Royal 34th Hungarian Line Infantry “Antal Esterházy“ Regiment's March |
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The Last 3 String Quartets |
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The Last Seven Words of Our Savior on the Cross |
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The Late Masses: Nos. 9-14 |
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The Late Trios (Nos. 31-45, Hob. XV/18-32) |
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The London Symphonies |
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The London Symphonies, Nos. 99-104 |
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The Lone Vale |
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The Mermaid's Song. She Never Told Her Love. A Pastoral Song. Recollection. The Sailor's Song. Content. Fidelity. The Spirit's Song. Piercing Eyes. The Wanderer. Pleasing Pain. Despair. Sympathy. O Tuneful Voice |
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The Mermaid’s Song. Recollection. Despair. Pastoral Song. Pleasing Pain. Fidelity. The Wanderer. Tuneful Voice. The Spirit’s Song. Eine sehr gewöhnliche Geschichte. Die Verlassene. An Thyrsis. Die Landlust. Liebeslied. Die zu späte Ankunft der Mutter. Blodau’s Grug |
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The Middle Period Trios |
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The Morzin Symphonies: Nos. 1, 37,18, 2, IS, 4,10, 32, 5,11, 33,27, “A,“ and 3 |
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The Paris Symphonies |
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The Paris Symphonies: No. 82 in C (The Bear); No. 83 in G Minor (The Hen); No. 84 in E-Flat; No. 85 in B-Flat (La Reine); No. 86 in D; No. 87 in A |
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The Paris Symphonies: No. 82 in C (“The Bear“); No. 83 in G Minor (“The Hen“); No. 84 in E-Flat; No. 85 in B-Flat (“La Reine“); No. 86 in D; No. 87 in A |
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The Rising of the Lark: Haydn's Welsh Folksong Arrangements |
|
The Seasons |
|
the Seasons |
|
The Seasons, Hob. XXI:3 |
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The Seasons. Elsie Morison, soprano; Alexander Young, tenor; Michael Langdon, bass |
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The Seasons: Gome, gentle spring. The Creation: The Heavens are telling the Glory of God |
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The Seasons: Ländler |
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The Seasons: O welcome now ... O how pleasing to the senses |
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The Secular Canons |
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The Seven Last Words |
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The Seven Last Words (original orchestral version) |
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The Seven Last Words [of Jesus Christ], op. 51 |
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The Seven Last Words from the Cross |
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The Seven Last Words from the Cross. M. K |
|
The Seven Last Words of Christ |
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The Seven Last Words of Christ on the Cross |
|
The Seven Last Words of Christ on the Cross (trans. Anon) |
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The Seven Last Words of Christ on the Cross. Andante with Variations in f, Hob XVII/6 |
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The Seven Last Words of Christ, Op. 51 |
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The Seven Last Words of Christ: Sonatas, 1, 3, 6 |
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The Seven Last Words of Jesus Christ, op. 51 |
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The Seven Last Words of Jesus Christ, op. 51. String Quartet in D Minor, op. 103 |
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The Seven Last Words of Our Savior on the Cross |
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The Seven Last Words of Our Savior on the Cross, op. 51 |
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The Seven Last Words of Our Savior on the Cross. Four Responsoria de Venerabili. Ave Regina Caelorum |
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The Seven Last Words of Our Saviour on the Cross |
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The Seven Last Words on the Cross |
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The Seven Last Words, op. 51 |
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The Seven Last Words. Andante con variazione |
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The Shepherd’s Song |
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The Six “Paris“ Symphonies |
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The Spirit’s Song |
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The Spirit’s Song, Hob XXV1a:4 |
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The Storm |
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The String Quartet Collection |
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The Ten Commandments |
|
The Thirteen Part-Songs |
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The Three Last Sonatas for Piano-forte: No. 60 in C, Hob. XVI/50; No. 67 in D, Hob. XVI/51; No. 62 in E-Flat, Hob. XVI/52 |
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The Three String Quartets, op. 55: No. 1 in A; No. 2 in F Minor (“Razor“); No. 3 in Bb. The |
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The Twelve London Symphonies |
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The Twelve London Symphonies: Nos. 93-104 |
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The Wanderer. The Spirit's Song |
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The “London“ Symphonies |
|
The “Paris“ Symphonies |
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The “Paris“ Symphonies (Nos. 82-87) |
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The “Paris“ Symphonies: No. 82 in C (“L'Ours“); No. 83 in G Minor (“La Poule“); No. 84 in E-Flat; Symphony No. 85 in B-Flat (“La Reine“); No. 86 in D; No. 87 in A |
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Thema con Variation! in C, H. XW/.5 |
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Thema con variazioni in C, Hob XVII:5 |
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Theme and Variation |
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Theme and Variations in G, Hob.XVII:2. Twelve Variations in Eb, Hob.XVII:3. Six Variations in C, Hob.XVII:5. Andante and Variations in F Minor, Hob.XVII:6. Emperor Variations in G, Hob.i,430 |
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Theme with Four Variations in G, Hob.III:77/11 |
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Theresienmesse (Helmuth Rilling, cond; Simona Šaturová (sop); Roxana Constantinescu (alt); Corby Welch (ten); Yorck Felix Speer (bs); Oregon Bach Festival Ch & O) |
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Theresienmesse. |
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Three Cantatas |
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Three London Symphonies: No. 93 in D, Hob.l:93; No. 94 in G, Hob.l:94 (“Surprise“). No. 95 in C Minor, Hob.l:95 |
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Three String Quartets, op. 54: No. 1 in G, No. 2 in C, No. 3 in E |
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Three String Quartets, Op. 54: No. 1 in G; No. 2 in C; No. 3 in E |
|
Three Trios, H. IV |
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Todlen Hame. O Bonny Lass. Duncan Davison. Will Ye Go to Flanders? Be Kind to the Young Thing. Fy Gar Rub Her O'er wi' Strae. When She Came Ben She Bobbit. Barbara Allen. By the Stream so Cool and Clear. O Can You Sew Cushions? O, Let Me in This Ae Night. Willie Was a Wanton Wag |
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Tornate pur mia bella |
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Trio for Baryton, Viola, and Cello No. 123: Adagio (arr. for musical glasses) |
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Trio in A for Violin, Cello, and Piano, H. XV.18. String Quartet in E-Flat, Op. 71, no. 3. Symphony No. 94 in G (“The Surprise“; arr. Salomon). Assorted songs and shorter works |
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Trio in B♭ for Clarinet, Violin, and Cello, H.IV:B1 |
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Trio in C, H. IV:1 (London Trio No. 1) |
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Trio in D (att.). Trio in F Minor, Hob. XV/fl. Trio in C, Hob. XIV/C1. Trio in E-Flat, Hob. XV/36 |
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Trio in F |
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Trio in F, H.XV/39 [L.4]; Trio in G, H.XIV(XVI)/6; [L.3J; Trio in G Minor, H.XV/1 [L.5];Trio in F, H.XV/37 [L.I] |
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Trio in G |
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Trio in G for Violin, Viola, and Cello, Op. 53, no. 1 |
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Trio in G for Violin, Viola, and Cello, Op. 53, no. 1 (Charles Treger, violin; Walter Trampler, viola; Leslie Parnas, cello) |
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Trio in G Minor for Piano, Violin, and Cello, Hob. XV, No. 19 |
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Trio in G, Hob. XI |
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Trio in G, Hob.XV:15 |
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Trio No. 1 in C (“London“) |
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Trio No. 1 in C for Two Flutes and Cello H. IV:1 |
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Trio No. 25 in G for Piano, Violin, and Cello |
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Trio No. 25 in G for Violin, Cello, and Piano (rec. June 20, 1927) |
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Trio No. 27 in C for Violin, Cello, and Piano, Hob.XV |
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Trio No. 3 for Strings after the Piano Sonata in D, H.XVI: 42 |
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Trio No. 39 in G, Hob XV:25 (Henry Holst, vn; Anthony Pini, vc) |
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Trios for Baryton, Viola, and Cello Nos. 44, 52, 61, 96, and 101 |
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Trios for Baryton, Viola, and Cello, H. Xl:53; 73; 94; 97; 109 |
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Trios for Baryton, Viola, and Cello, Volume 2: No. 71 in A; No. 113 in D; No. 96 in B Minor; No. 126 in C |
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Trios for Baryton, Viola, and Cello: in D, Hob XI:113; in D, Hob XI:27; in D, Hob XI:97 |
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Trios for Baryton, Viola, and Cello: No. 5 in A; No. 96 in B Minor; No. 97 in D; No. 113 in D |
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Trios for Baryton, Viola, and Cello: No. 87 in A Minor; No. 97 in D Minor;No. 101 in C; No. 111 in G |
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Trios for Baryton, Viola, and Cello: No. 87 in A minor; No. 97 in D; No. 101 in C; No. 111 in G |
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Trios for Baryton, Viola, and Cello: No. 96; No. 97; No. 65; No, 87; No. 69 (arr. for 3 basset-horns) |
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Trios for Baryton, Viola, and Cello; in D, Hob. Xl:45; in D, Hob. Xl:97; in G, Hob. XI: 109; in D, Hob. Xl:113 |
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Trios for Flute, Cello, and Piano: in D, Hob. XV:16; in F, Hob. XV:17; in G, Hob. XV:15. Variations in F Minor for Piano, Hob. XVII:6 |
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Trios for Flute, Violin, and Cello: Nos. 1-4 (“London“); Divertissements: Op. 100, nos. 2 and 6 |
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Trios for Fortepiano, Flute, and Cello, Hob XV:15-17. Trios for 2 Flutes and Cello: Hob iV:1—4, “London Trios“ |
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Trios for Fortepiano, Violin, and Cello, Volume 4: No. 38 in D, H.XV:24; No. 39 in G, H.XV:25; No. 40 in Fff Minor, H.XV:26 |
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Trios for Fortepiano, Violin, and Cello: in C, H. XV.27; in E-Flat, H, XV.29. Trios for Two Flutes and Cello: in C, H. IV: 1; in G, H. IV:2; in G, H. IV:3; in G, H. IV:4 |
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Trios for Fortepiano, Violin, and Cello: No. 1 [18] in G, H.XV:5; No. 4 [21] in B♭, H.XV:8; No. 9 [25] in E, H.XV:12; No. 25 [43] in C, H.XV:27 |
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Trios for Piano, Flute, and Cello: in D, Hob.XV:16; in F, Hob.XV:17; in G, Hob.XV:15 |
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Trios for Piano, Violin, and Cello |
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Trios for Piano, Violin, and Cello: in D, Hob. XV:16; in F, Hob. XV:17; in G, Hob. XV:15 |
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Trios for Piano, Violin, and Cello: in E Minor, Hob.XV:12; in D, Hob.XV:24. Trio in G for Two Transverse Flutes and Cello, Hob.lV:2. Two Variations on Scottish Folksongs. Variations on the Hymn “Gott erhalte“ for Piano |
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Trios for Piano, Violin, and Cello: in E; in E♭; in E♭; in E" minor, Hob,XV:28-31 |
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Trios for Piano, Violin, and Cello: No. 12 in E minor; No. 13 in C minor; No. 14 in A♭ |
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Trios for Piano, Violin, and Cello: No. 43 in C, H.XVI:27; No. 44 in E, H.XV:28; No. 45 in Eb, H.XV:29 |
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Trios for Pianoforte, Flute, and Cello: No. 28 in D, H. XV:16; No. 29 in G, H. XV:15; No. 30 in F, H. XV:17 |
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Trios for Violin, Cello, and Piano: in Eb, Hob. XV.22; in A, Hob.XV:9 |
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Trios for Violin, Cello, and Piano: No. 2 in C; No. 7 in G |
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Trios for Violin, Viola, and Cello: in G, Op. 53, No. 1 ; in B, Op. 53, No. 2; in D, Op. 53, No. 3; in E♭, H.V.Es1; in B♭, H.V.8 |
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Trios for Violin, Viola, and Cello: in G, Op. 53, No. 1 ; in d, Op. 53, No. 2; in D, Op. 53, No. 3; in è, H.V:Es 1; in 8r\ H.V:8 |
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Trios for Violin, Viola, and Cello: in G; in D; in B♭, Op. 53, No. 1-3, H.XV/.40-41 |
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Trios: in A, Hob XV: 18; in g, Hob XXV: 19. Two Italian Duets, Hob XXVa:1 & 2 |
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Trios: in G, Hob XV:15; in D, Hob XV:16; in F, Hob XV:17 |
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Tros y Garreg |
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Trumpet Concerto |
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Trumpet Concerto in C |
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Trumpet Concerto in E♭ |
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Trumpet Concerto in E♭. Concerto for 2 Horns in E♭ |
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Trumpet Concerto. |
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Twelve |
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Twelve Lieder, Hob.XXV1a:1-12. Arianna a Naxos, Hob.XXV!b:2 |
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Twelve Pieces for Musical Clock |
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Twenty-four Minuets |
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Twenty-seven String Quartets, Volume 1 |
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Twenty-seven String Quartets, Volume 2 |
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Two Great E-Flat Sonatas, H. XV 1:49 (Landon 59): H. XV 1:52 (Landon 62) |
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Un cor sì tenero in petto forte. Dice benissimo chi si marita |
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Up in the Morning Early |
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Vada adagio, Signorina. Infelice sventurata. Cantata: Miseri noi, misera patria. Son pietosa, son bonina. D'una sposa meschinella. Sono Alcina e sono ancora; Chi vive amante. Solo e pensoso |
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Variationen über die Hymn “Gott erhalte Franz, den Kaiser” |
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VARIATIONS |
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Variations and Sonatas, Volume 3 |
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Variations in A, Hob XVII:2 |
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Variations in c, “La Roxolane,” Hob I:63 |
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Variations in D, Hob XVII:7 |
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Variations in E♭, Hob XVII:3 |
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Variations in F minor |
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Variations in F Minor, Hob XVII:6 |
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Variations in F Minor, Hob. XV1I1, 6 |
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Variations in F Minor, Hob. XVII:6. Piano Sonatas: No. 33 in C Minor, Hob. XVI:20; No. 62 in Eb, Hob. XVI:52; No. 60 in C, Hob. XVI:50 |
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Variations in F Minor, Hob.XVII:6 |
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Variations in F Minor, Hob.XVII:6 (Published and partial unpublished versions) |
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Variations in F Minor, Hob.XVII:6. Piano Sonatas: No. 33 in G Minor, Hob.XVI:20; No. 60 in C, Hob.XVI:50; No. 62 in Eb, Hob.XVI:52 |
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Variations in F Minor. Eight Pieces for Musical Clock, Hob XIX: 9-15 and 24 |
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Variations in f, Hob VII:6 |
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Variations in F, Hob XVI:6. Sonatas: No. 5 in G; No. 38 in F; No. 60 in C; No. 33 in c: |
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Variations in f, Hob XVII/6 |
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Variations in f, Hob XVII:6 |
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Variations in f, Hob XVII:6. Piano Sonatas: No. 48 in C, Hob XVI:35, No. 59 in E♭, Hob XVI:49; No. 33 in c, Hob XVI:20 |
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Variations in f, Hob. VII: 6 |
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Variations in f, Hob. XVII:6 |
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Variations in f. Piano Concerto in D |
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Variations in f. Un piccolo divertimento. Piano Sonata in C, Hob XVI:50 |
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Variations in G on Gott erhalte, Hob III:77/II |
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Variations in G on “Gott erhalte den Kaiser” |
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Variations on a Theme by Haydn, op. 56ař |
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Variations on God Preserve the Kaiser |
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Variations on Gott erhalte Franz den Kaiser |
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Variations on Gott erhalte Franz, den Kaiser |
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Variations on Gott erhalte. Adagio ma non troppo in G |
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Variations: in f, Hob. XVII:6; in E♭, Hob. XVII:3 |
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Variations: in G on “Gott erhalte den Kaiser”; in f, Hob XVII:6 |
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Vier Flötenuhrstücke |
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Violin and Harpsichord Concerto in F, Hob. XVIII:6 |
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Violin and Organ Concerto in F, Hob XVIII:6 |
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Violin Concerto in A, H VIla/3 |
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Violin Concerto in A, Hob. VIIA:3 |
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Violin Concerto in C |
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Violin Concerto in C, Hob VIIa:1; in G, Hob VIIa:4 |
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Violin Concerto in C, Hob. VIIa/1 |
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Violin Concerto in G |
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Violin Concerto in G, Hob VIIa |
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Violin Concerto in G, Hob VIIa:4 |
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Violin Concerto in G, Hob. VIIa/4 |
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Violin Concerto No. 1 |
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Violin Concerto No. 1 in C |
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Violin Concerto No. 1 in G |
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Violin Concerto No. 4 in G |
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Violin Concerto No. 4 in G, H Vlla:4 |
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Violin Concerto No. 4. Symphony No. 92, “Oxford” |
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Violin Concerto, Hob. VIIa:4 |
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Violin Concertos |
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Violin Concertos, Hob. VIIa: No. 4; No. 3; No. 1 |
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Violin Concertos: in A, Hob. VIIa:3; in C, Hob. ViIIa:1; in G, Hob. VIIa:4 |
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Violin Concertos: in A, “Melk,“ Hob Vlla:3; in C, Hob Vlla:1 ; in G, Hob Vlla:4. Concerto in F for Violin, Harpsichord, and Strings, Hob. Vlla:6 |
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Violin Concertos: in C, Hob VIIa:1; in A, Hob VIIa: 3; in G, Hob VIIa: 4 |
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Violin Concertos: in C, Hob VIIa:1; in A, Hob VIIa:3; in G, Hob VIIa:4 |
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Violin Concertos: in C, Hob VIIa:1; in G, Hob VIIa:4 |
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Violin Concertos: in C, Hob. VIIa:1. in A, Hob. VIIa:3. in G, Hob. VIIa:4 |
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Violin Concertos: in C, Hob. VIIa:1; in A, Hob. VIIa:3; in G, Hob. VIIa:4 |
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Violin Concertos: No. 1 in C |
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Violin Concertos: No. 1 in C; No. 3 in A; No. 4 in G |
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Violin Concertos: No. 1 in C; No. 4 in G |
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Violin Concertos: No. 1 in C; No. 4 in G; No. 3 in A |
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Violin Concertos: No. 3 in A; No. 4 in G |
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Violin Concertos: No. 4 in G |
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Violin Sonata in G, Hob XV:32 |
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Violin Sonatas: in D, Hob XVI:24; in E♭, Hob XVI:25; in A, Hob XVI:26; in G, Hob XV:32 |
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Violin Sonatas: No 7 in F, Hob III:82; No. 8 in G, Hob II:82 |
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Volume 1 : String Quartets: in C, op. 1, no. 6; in B♭, op. 2, no. 6; in C, op. 76, no. 3 (“Emperor“); in E, op. posth.; in E♭, op. 2, no. 3; in E, op. 3, no. 1; in G Minor, op. 20, no. 3; in F, op. 77, no. 1; in D, op. 2, no. 5; in G, op. 9, no. 3; in D Minor, op. 9, no. 5; in Bb, op. 3, no. 4; in C, op. 9, no. 1; in Eb, op. 17, no. 3; in D, op. 20, no. 4 |
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Volume 2: String Quartets: in F, op. 2, no. 4; in G, op. 17, no. 5; in E♭, op. 20, no. 1; in A, op. 20, no. 6; in A, op. 3, no. 6; in F, op. 17, no. 2; in F Minor, op. 20, no. 2; in E♭, op. 50, no. 3, in A, op. 9, no. 6; in C, op. 20, no. 2, in B♭, op. 50, no. 1; in B Minor, op. 64, no. 2; in F, op. 3, no. 5; in E, op. 17, no. 1; in G Minor, op. 74, no. 3; in G, op. 76, no. 1 |
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Volume 3: String Quartets: in B♭, op. 1, no. 5; in C, op 33, no. 3; in C, op. 64, no. 1; in C, op 74, no. 1; in F, op. 50, no. 5; in B♭, op. 55, no. 3; in B♭, op 64, no. 3; in G, op. 64, no 4; in B♭, op. 76, no. 4; in D, op. 76, no. 5; in E♭, op. 76, no. 6. The Seven Last Words, op. 51 |
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What art expresses |
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What can a young lassie do wi' an auld man? Auld Rob Morris. Robert Bruce's March to Bannockburn |
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Will Ye Go to Flanders |
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Will ye go to Flanders. The glancing of her apron. Jockie and Sandy. O can ye sew cushions. Margret's ghost. Up in the morning early. Barbara Allen. Green grow the rashes. Lizae Bailey. Blue bonnets |
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Wind Partitas: in B, Hob II/41;: in B♭, Hob II/42;: in B♭, Hob II/43;: in B♭, Hob II/46;: in F, Hob II/F7: |
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Wind Quintet after Piano Trio Hob. XV:4 |
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Works by |
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Works for Harpsichord |
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Works for Lute and Strings: Cassation in S♭, H.III.7. Cassation in C, H. III:6. Quartet in D, H.III:8. Sonata a 3 in F, H.IV:F2 |
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Works for Musi-calClock |
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Works of |
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XVI/36: Minuet. Deutsche Tanz No. 5. Harpsichord Concerto in D, Hob. XVI11/11 |
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XVIII:11 |
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XVIII:3; in G, Hob |
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XVIII:4; in D, Hob |
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Y Cymry Dedwydd |
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Zingarese: No. 1; No. 6; No. 8 |
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Zwanzig Variationen in G, Hob XVII:2 |
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“Ah, tu non senti, amico . . . Qual destra omicida“ for Traetta's Infigenia in Tauride. (Ahnsjö). “Tergi i vezzosi rai“ for the second version of Haydn's Acide e Galantea (Devlin). “Se tu mi sprezzi, ingrata“ for Sarti's I finti eredi (Baldin). Trio “Lavatevi presto“ for La Circe, ossia l'isola incanta, pasticcio, attributed to Haydn (Ahnjö, Baldin, Devlin) |
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“Erdödy“ String Quartets Nos. 1-3 |
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“Lavatevi presto” |
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“London“ Trio No. 1 in C |
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“London“ Trio No. 1 in C (Isaac Stern, violin; Mstislav Rostropovich, cello) |
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“London“ Trio No. 1, in C |
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“London“ Trios for Flute, Violin, and Cello: No. lin C ; No. 2 in G; No. 3 in G;No. 4 in G. Divertissements for Flute, Violin, and Cello, Op. 100: No. 2 in G; No. 6 in D |
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“London“ Trios for Two Flutes and Cello: in C, Hob. IVA; in G, Hob. IV:2; in G, Hob. IV:3. Trios for Flute, Cello, and Piano: in G, Hob. XV:15; in D, Hob. XV:16 |
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“London“ Trios Nos. 1-4. Divertissements, op. 100: No. 2 in G; No. 6 in D |
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“London“ Trios: No. 1 in C, Hob.lV:1; No. 2 in G, Hob.lV:2; No. 3 in G, Hob.lV:3; No. 4 in G, Hob.lV:4. Duet No. 4 for Two Flutes (from String Quartet in D, op. 76, no. 5, Hob.lll:79). “Echo“ for Two Flutes (from Divertimento for Two String Trios in Eb, Hob.ll:39) |
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“London” Sonatas: in C, Hob XVI:50; in D, XVI:51; in E♭, Hob XVI: 52 |
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“London” Sonatas: in E♭, Hob XVI:52; in C, Hob XVI:50; in D, XVI:51 |
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“Paris“ Symphonies |
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“Paris” Symphonies” Nos. 82–87 |
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“Prussian” String Quartets: in B♭, op. 50/1; in C, op. 50/2; in E♭, op. 50/3; in f♯, op. 50/4; in F, op. 50/5, “Dream”; in D, op.50/6, “Frog” |
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“Russian“ String Quartets, op. 33: No. 3 in C(“The Bird“); No. 6in D; No. 4 in B♭ |
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“Russian“ String Quartets, op. 33: No. 5 in G (“How Do You Do“); No. 2 in Eb (“The Joke“); No. 1 in B Minor |
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“Serenade“ Quartet in F: Andante cantabile |
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“Son due ore che giro” |
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“Sturm und Drang“ Symphonies, Volume Five: No. 42 In D, Hob.l:42; No. 44 in E Minor, Hob.l:44 (“Trauersymphonie“); No. 46 In B, Hob.l:46 |
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“Sturm und Drang“ Symphonies, Volume Four: No. 43 in Eb, Hob.l:43 (“Mercury“); No. 51 in B♭, Hob.l:51; No. 52in C Minor, Hob.l:52 |
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“Sturm und Drang“ Symphonies, Volume One: No. 35 in B♭, Hob.l:35; No. 38 in C, Hob.l:38; No. 39 in G Minor, Hob.l:39; No. 59 in A, Hob.l:59 (“Fire“) |
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“Sturm und Drang“ Symphonies, Volume Six: No. 45 in F♯ Minor, Hob.l:45 (“Farewell“); No. 47 in G, Hob.i.47; No. 50 in C, Hob. 1:50 |
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“Sturm und Drang“ Symphonies, Volume Three: No. 41 in C, Hob.l:41; No. 48 in C, Hob.l:48 (“Maria Theresa“); No. 65 in A, Hob.l:65 |
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“Sturm und Drang“ Symphonies, Volume Two: No. 26 in D Minor, Hob.l:26 (“Lamenta-tione'); No. 49 in F Minor, Hob.l:49 (“La Passione“); No. 58 in F, Hob.l:58 |
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