5 Songs. A Celtic Cycle |
|
A Wheen Tunes fae Bairns tae Spiel. A Scottish Triptych. South Uist (Hebridean) Folk-Song Suite. A Rosary of Variations on Seán Ó Riada’s Irish Folk Mass. Scottish Folk Music Settings |
|
Beltane Bonfire. Two Scottish Ballads |
|
Fantasy for Mechanical Organ, K 608 (after Mozart) |
|
Fantasy on Peter Grimes |
|
Fugue on a Fragment of Chopin. A Twentieth Century Music Diary. Symphonic Elegy for Liszt. A Scottish Triptych: Keening Sang for a Makar (in memoriam Francis George Scott); Heroic Song for Hugh MacDiarmid; Chorale Pibroch for Sorley Maclean. Motus Perpetuus (?) Temporibus Fatalibus |
|
Fugue on a Fragment of Chopin. Pensées sur des Préludes de Chopin. Three Contrapuntal Studies on Chopin Waltzes. Variations-Study on a Chopin Waltz. Etudette d’après Korsakov et Chopin. Le festin d’Alkan |
|
Heroic Song for Hugh MacDiarmid |
|
Irish Songs by |
|
Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH |
|
Komm, süsser Tod (after Bach) |
|
Little Jazz Variations on Purcell’s “New Scotch Tune.” Hornpipe. The Queen’s Dolour (A Farewell). Two Music Portraits. Three Elizabethan Pieces after John Bull |
|
Little Jazz Variations on Purcell’s “New Scotch Tune” |
|
Melody on a Ground of Glazunov. Ricordanza di San Romerio (A Pilgrimage for Piano). Three Grounds (after Purcell) |
|
Norse Elegy for Ella Nygaard. Beltane Bonfire |
|
Norse Elegy. Canonic Caprice on “The Bat” |
|
Passacaglia on DSCH |
|
Passacaglia on DSCH. Recitative and Air. Prelude, Fugue and Fantasy |
|
Passacaglia on DSCH. Recitative and Air. Prelude, Fugue, and Fantasy on Busoni's Faust |
|
Passacaglia on DSCH: |
|
Peace Motets: The Seventh Beatitude (Blessed Are the Peacemakers) |
|
Peter Grimes Fantasy |
|
Peter Grimes Fantasy (after Britten) |
|
Peter Grimes Fantasy. 3 Scottish Ballads. Beltane Bonfire. Heroic Song for Hugh MacDiarmid. Symphonic Elegy for Liszt. Chorale and Fugue in Reverse on Themes of Robert and Clara Schumann. 3 Elizabethan Pieces after John Bull |
|
Piano Music |
|
Piano Sonatinas Nos. 1–3 |
|
Prelude and Chorale (an Easter Offering). L’art nouveau du chant appliqué au piano: Prelude and Chorale (an Easter Offering). L’art nouveau du chant appliqué au piano: Volumes 1 and 2 |
|
Prelude and Fugue on a Theme by Liszt. Sonatina No. 1 |
|
Prelude, Fugue, and Fantasy on themes from Busoni's “Doktor Faust“ |
|
Prelude, Fugue, and Fantasy on Themes from Busoni’s "Doktor Faust" |
|
Prelude, Fugue, and Fantasy. Recitative and Air. Passacaglia on DSCH: |
|
Recitative and Air (DSCH) |
|
Retrospect. Three Nativity Pieces. Three Lyric Pieces |
|
Romanze from Concerto in D, K 466 (after Mozart) |
|
Scottish Ballad No. 1 (“Lord Randall”) |
|
Sing a Song of Seasons! |
|
Sonatas Nos. 1 and 2 (after Ysaÿe) |
|
Song Cycles: A Child’s Garden of Verses. 9 Haiku. Border Boyhood |
|
South Uist (Hebridean) Folk-Song Suite |
|
Suite from Paderewski’s “Manru.” Song without Words. 9 Haiku. L’art nouveau du chant appliqué au piano |
|
The Harlot’s House |
|
The Last Rose of Summer |
|
Toccata (after Purcell) |
|
