(completed Mahler) Die drei Pintos |
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(orch. Berlioz) Invitation to the Dance |
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(orch. Weingartner) Invitation to the Dance.' |
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6 Pieces for Piano Duet, op. 10 |
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6 Sonates progressives, op. 10/1-6 |
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7 Variations on a Theme from Silvana, op. 33 |
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7 Variations, op. 33 |
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8 Pieces, op. 60 |
|
A Little Fantasy on Themes trom “Oberon“ (arr. Klose). Fantasy on Themes from “Der Freischütz“ (arr. Kroepsch) |
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Abendsegen, op. 64, no. 5 |
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Abu Hassan |
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Abu Hassan. Kampf und Sieg: Excerpts |
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Abu Hassan. Peter Schmoll and His Neighbors. Rübezahl. Silvana. Turandot. Preciosa. Jubilee. Der |
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Abu Hassan: Overture |
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Abu Hassan: Overture (Hallé Orchestra conducted by Sir Hamilton Harty) |
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Abu Hassan: Siehst Du diese grosse Menge (with Michael Bohnen, baritone) |
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Adagio and Allegro |
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Adagio and Rondo |
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Adagio and Rondo for Two Clarinets, Two Horns, and Two Bassoons |
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Adagio and Rondo for Wind Sextet |
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Adagio and Rondo, from op. 10, no. 2?. Sonata in A, from op. 10, no. 5 |
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Adagio patetico in c♯ |
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Ah! se Edmondo, Op. 52. Miserarne, Op. 50. Non paventar mia vita, Op. 51. Il momento s'avvicina, Op. 16. Was sag ich! Schaudernmacht mich der Gedanke, Op. 56. Den Schmerz zu versüssen (aria for Lucinde in Kauer's Sternedmädchen). Einsam bin ich (song of Preciosa). Peter Schmoll: Im Rheinland eine Dirne war. Silvana: Er geht, er hört mich nicht; Weh mir, es ist geschehen |
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Air Russe and Rondo |
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Allemande, op. 4/1 |
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Andante and Hungarian Rondo |
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Andante and Hungarian Rondo, for Bassoon and Orchestra, Op. 35 |
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Andante and Hungarian Rondo, op. 35 |
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Andante and Hungarian Rondo. Symphony No. 2. Clarinet Concerto No. 2 |
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Andante and Rondo Ungarese for Viola and Orchestra, op. 35 |
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Andante e Rondo Ongarese, op. 15 |
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Andante e Rondo Ungarese |
|
Andante e Rondo ungarese |
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Andante et Rondo Ongarese, Op. 35 |
|
Andante und Rondo ungarese |
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Andantee Rondo Ungarese |
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Arias and ensembles by |
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Arias and songs by |
|
Arias and Songs by |
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Arias by |
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Arias, duets, trios, and songs by |
|
Arias, songs by |
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Aufforderung zum Tanz |
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Aufforderung zum Tanz, op. 65 |
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Aufforderung zum Tanze, op. 65 |
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Bassoon Concerto |
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Bassoon Concerto in F |
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Bassoon Concerto in F, op. 75 (J 127) |
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Canzonetta II: Heitere Tage. Canzonetta III, In Euren Blicken |
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Clarinet Concertino |
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Clarinet Concertino. Clarinet Concerto No. 2 |
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Clarinet Concerto in B |
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Clarinet Concerto No. 1 |
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Clarinet Concerto No. 1 in F Minor, Op. 73 |
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Clarinet Concerto No. 1. Grand Duo concertant |
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Clarinet Concerto No. 1. Grand Duo Concertant for Clarinet and Piano, op. 48 |
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Clarinet Concerto No. 2 in B, op. 74. |
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Clarinet Concerto No. 2 in E♭, op. 74 |
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Clarinet Concertos and Concertino |
|
Clarinet Concertos No. 1 & 2 |
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Clarinet Concertos Nos. 1 and 2 |
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Clarinet Concertos Nos. 1 and 2. Clarinet Concertino |
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Clarinet Concertos Nos. 1 and 2. Symphonies Nos. 1 and 2 |
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Clarinet Concertos Nos. 1 and No. 2. Clarinet Concertino |
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Clarinet Concertos: No. 1 |
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Clarinet Concertos: No. 1 in f; No. 2 in E♭. Clarinet Concertino |
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Clarinet Concertos: No. 1; No. 2. Clarinet Concertino |
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Clarinet Concertos: No. 1; No. 2. Clarinet Concertino. Horn Concertino |
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Clarinet Concertos: No. 1; No. 2. Concertino. Clarinet Quintet (arr. unknown) |
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Clarinet Concertos: No. 2 |
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Clarinet Quintet |
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Clarinet Quintet in Bt, op. 34. Variations on a Theme from Sylvána, op. 33;Se il mio ben tu sei.Melodie.* Grand duo concertant, op. 48 |
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Clarinet Quintet in B♭, op. 34 |
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Clarinet Quintet inB♭, op. 34 |
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Clarinet Quintet, Op. 34 |
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Clarinet Quintet, op. 34 |
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Clarinet Quintet. Concertino for Clarinet. Clarinet Concertos Nos. 1 and 2 |
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Clarinet Quintet. Grand Duo Concertante. Introduction, Theme, and Variations. Seven Variations |
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Clarinet Quintet. Trio for Flute, Cello, and Piano. Piano Quartet |
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Clarinet Quintet: Fantasia and Rondo (arr. Gustave Langenus) |
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Complete Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74; Concertino in Eb, op. 26 |
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Complete Music for Piano Four Hands |
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Complete Works for Piano and Orchestra |
|
Concertino for Clarinet and Orchestra, Op. 26 |
|
Concertino for Clarinet and Orchestra, op. 26 |
|
Concertino for Clarinet and Orchestra, Op. 26. Concertino in E Minor for Horn and Orchestra, Op. 45. Concerto No. 1 in F Minor for Clarinet and Orchestra, Op. 73 |
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Concertino for Clarinet and Orchestra, op. 26. Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Andante and Hungarian Rondo (arr. Cohn) |
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Concertino for Clarinet and Orchestra, Op. 26; Concerto No. 1 in F Minor for Clarinet and Orchestra, Op. 73 |
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Concertino for Clarinet and Orchestra. Andante and Rondo Ongarese |
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Concertino for Clarinet and Strings, Op. 26 |
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Concertino for Horn and Orchestra in E Minor, Op. 45 |
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Concertino in B, op. 26. |
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Concertino in C for Clarinet and Orchestra, op. 26. Concertos for Clarinet and Orchestra: No. 1 in F, op. 73; No. 2 in E♭, op. 74. Quintet for Clarinet and Strings, op. 34. Seven Variations on a Theme from Silvana for Clarinet and Piano, op. 33. Introduction, Theme, and Variations for Clarinet and Strings. Grand Duo Concertant in E♭ for Clarinet and Piano, op. 48 |
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Concertino in C for Oboe and Winds |
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Concertino in C Minor-E-Flat for Clarinet and Orchestra, Op. 26 |
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Concertino in E for Horn and Orchestra |
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Concertino in E minor for Horn and Orchestra, Op. 45 |
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Concertino in E Minor for Horn and Orchestra, op. 45 |
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Concertino in E♭ for Clarinet and Orchestra, Op. 26. Concertos for Clarinet and Orchestra: No. 1 in F minor, Op. 73; No. 2 in E♭, Op. 74 |
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Concertino in E♭ for Clarinet and Strings, Op. 26 |
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Concertino in E♭ for Horn and Orchestra, op. 45 |
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Concertino in E♭, op. 26 |
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Concertino. Clarinet Concertos Nos. 1 and 2 |
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Concerto for Bassoon and Orchestra in F, Op. 75. Symphony No. 2 in C |
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Concerto for Clarinet, No. 1: Adagio |
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Concerto in F |
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Concerto in F for Bassoon and Orchestra, J. 127 |
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Concerto In F for Bassoon and Orchestra, op. 75. Andante e Rondo Ungarese for Bassoon and Orchestra, op. 35 |
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Concerto No. 1 in F minor for Clarinet and Orchestra, Op. 73 |
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Concerto No. 1 in F Minor for Clarinet and Orchestra, op. 73 |
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Concerto No. 1 in F minor for Clarinet and Orchestra, Op. 73. Symphony No. 1 in C. Concerto in F for Bassoon and Orchestra, Op. 75 |
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Concerto No. 2 in e for Clarinet and Orchestra, Op. 74 |
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Concerto No. 2 in E♭ for Clarinet and Orchestra, Op. 74 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73* ; No. 2 in E♭, op. 74. Concertino in E♭ for Clarinet and Strings, op. 26. Grand Duo Concertant in E♭; for Clarinet and Piano, op. 48 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, Op. 73. No. 2 in E♭, Op. 74. Concertino in C Minor for Clarinet and Orchestra, Op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73.; No. 2 in E♭, op. 74. Concertino in E♭ for Clarinet and Orchestra, op. 26. Divertimento for Clarinet and Orchestra |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, Op. 73; No. 2 in E-Flat, Op. 74 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in En, op. 74. Concertino in E♭ for Clarinet and Orchestra, op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F minor, Op. 73; No. 2 in E♭, Op. 74 |
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Concertos for Clarinet and Orchestra: No. 1 in F minor, Op. 73; No. 2 in E♭, Op. 74. Concertino in C minor for Clarinet and Orchestra, Op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, Op. 73; No. 2 in E♭, Op. 74. Concertino in C Minor for Clarinet and Orchestra, Op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Concertino in C Minor for Clarinet and Orchestra, op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Concertino in C Minor/Eb for Clarinet and Orchestra, op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F minor, Op. 73; No. 2 in E♭, Op. 74. Concertino in E♭ for Clarinet and Orchestra, Op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Concertino in E♭ for Clarinet and Orchestra, op. 26 |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Oberon: Overture |
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Concertos for Clarinet and Orchestra: No. 1 in F Minor, op. 73; No. 2 In E♭, op. 74; Concertino in E♭, op. 26 |
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Concertos for Clarinet and Orchestra; No. 1 in F Minor, op. 73; No. 2 in E♭, op. 74. Concertino in E♭ for Clarinet and Orchestra, op. 26 |
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Concertos for Piano and Orchestra: No. 1 in C, Op. 11 ; No. 2 in E♭, Op. 32. Konzertstück in F minor, Op. 79 |
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Concertos for Piano and Orchestra: No. 1 in C, op. 11. No. 2 in E♭, op. 32. Konzetrstück in F Minor for Piano and Orchestra, op. 79 |
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Concertos for Piano and Orchestra: No. 1 in C, op. 11; No. 2 in Eb, op. 32 |
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Concertos for Piano and Orchestra: No. 1 in C, op. 11; No. 2 in E♭, op. 32. Konzertstück in F Minor for Piano and Orchestra, op. 79 |
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Concertos for Piano and Orchestra: No. 1 in C, Op. 11; No. 2 in E♭, Op. 32. Konzertstück in F minor, Op. 79 |
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Concertos for Piano and Orchestra: No. 1 in C, op. 11; No. 2 in E♭, op. 32. Polacca Brilliante for Piano and Orchestra, op. 72 (orchestrated by Liszt). Konzertstück in F Minor for Piano and Orchestra, op. 79 |
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Concertos for Piano and Orchestra: No. 1 in C, op. 79; No. 2 in E♭, op. 32. Konzertstück in F Minor for Piano and Orchestra, op. 79 |
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Contretanzin D |
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Der Freischutz: Overture |
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Der Freischütz |
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Der Freischütz %j |
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Der Freischütz (highlights) |
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Der Freischütz, J. 277 |
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Der Freischütz, Op. 77 |
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Der Freischütz. Euryanthe. Oberon |
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Der Freischütz. Und ob die Waolke sie verhülle |
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Der Freischütz: Overture |
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Der Freischütz: Overture. Oberon: Overture. Euryanthe: Overture |
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Der Freischütz: Overture; Spottchor; Bauernwalzer; Arie; Trinklied; Arietta alla Polacca; Cavatina; Volkslied der Brautjugfern; Jägerchor |
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Der Freischütz: AH' meine Pulse schlagen |
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Der Freischütz: Ah, che non giunge il sonno |
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Der Freischütz: Chor der Jäger |
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Der Freischütz: Durch die Walder |
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Der Freischütz: Durch die Wälder |
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Der Freischütz: Durch die Wälder (Urlus); |
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Der Freischütz: Durch die Wälder, durch die Auen |
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Der Freischütz: Excerpts from Acts, I, II, and III. Tiana Lemnitz, soprano (Agathe); Franz Völker, tenor (Max); Michael Bohnen, bass (Kaspar). Live performance: August 3, 1939, at Salzburg |
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Der Freischütz: Excerpts. Elisabeth Rethberg, soprano (Agathe); Franz Völker (Max); Josef von Manowarda, bass (Kaspar); Karl Etti, bass (Kuno). Live performance: May 10, 1933 |
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Der Freischütz: Hier im ird'schen Jammertal. Peter Schmoll: Ja, Gottes Erde ist doch schön |
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Der Freischütz: Hier im ird'schen Jammerthal (Michael Bohnen, bass) |
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Der Freischütz: Hier im irdischen Jammertal |
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Der Freischütz: Hunting Chorus |
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Der Freischütz: Huntsmen's Chorus |
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Der Freischütz: Huntsmen’s Chorus |
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Der Freischütz: Kommt ein schlanker Bursch gegangen (with Irmgard Seefried, soprano). Einst träumt meiner sel'gen Base |
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Der Freischütz: Leise, leise |
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Der Freischütz: Leise, Leise |
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Der Freischütz: Leise, leise (1948, conducted by Susskind) |
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Der Freischütz: Leise, leise fromme Weise; Und ob die Wolke sie verhülle |
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Der Freischütz: Leise, leise, fromme Weise (arr. Tarkmann) |
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Der Freischütz: Leise, leise, fromme Weise; Und ob die Wolke. Oberort: Ozean! du Ungeheuer. Euryanthe: Schirmende Engelschar; So bin ich nun verlassen |
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Der Freischütz: Leise, leise. Oberon: Ocean, thou mighty monster |
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Der Freischütz: Leise, leise; Schweig, schweig |
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Der Freischütz: Leise, leise; Und ob die Wolke |
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Der Freischütz: Max’s aria |
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Der Freischütz: Nein länger . . . Durch die Wälder |
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Der Freischütz: Nein, länger trag ich ... Durch die Wälder. (All sung in German.) |
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Der Freischütz: Nein, länger trag ich nicht die Qualen |
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Der Freischütz: Nein, länger trag ich nicht die Qualen. Oberon: Seit frühester Jugend in Kampf und Streit; Du, der diese Prüfung schickt |
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Der Freischütz: Nein, länger trag ich nicht die Qualen. Oberon: Seit frühster Jugend in Kampf und Streit; Du, der diese Prüfung schickt |
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Der Freischütz: Nein, länger trag ich nicht die Qualen—Durch die Wälder, durch die Auen. Oberon: Von Jugend auf in dem Kampfgefild |
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Der Freischütz: Nein, länger trag' ich nicht die Qualen |
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Der Freischütz: Nein, länger trag'ich. Oberon: Von Jugend auf; Vater, hör mich fleh'n |
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Der Freischütz: Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen |
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Der Freischütz: Nein, länger trag’ ich nicht die Quälen … Durch die Wälder, durch die Auen |
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Der Freischütz: Nein, länger trag’ ich nicht die Quälen…. Durch die Wälder, durch die Auen |
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Der Freischütz: Nein, länger trag’ich nicht die Qualen |
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Der Freischütz: Overture |
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Der Freischütz: Overture (1926 version) |
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Der Freischütz: Overture (1937 version); Prelude to Act 3. Invitation to the Dance (orch. Berlioz) |
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Der Freischütz: Overture (2 takes) |
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Der Freischütz: Overture (arr. Kaka) |
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Der Freischütz: Overture (Bavarian Radio Symphony Orchestra conducted by Rafael Kubelik) |
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Der Freischütz: Overture. |
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Der Freischütz: Overture. Euryanthe: Overture: Oberon: Overture |
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Der Freischütz: Overture. Ober on: Overture |
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Der Freischütz: Overture; Prelude to Act 3. Invitation to the Dance, op. 65 |
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Der Freischütz: Overture; Wie nahte mir der Schlummer |
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Der Freischütz: Peasants’ Chorus |
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Der Freischütz: Schweig, damit dich niemand warnt! |
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Der Freischütz: Selection |
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Der Freischütz: Trinklied (Ferenc Szalma, bass) |
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Der Freischütz: Un ob die Wolke sie verhülle |
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Der Freischütz: Und ob die Wolke |
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Der Freischütz: Und ob die Wolke sie verhülle |
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Der Freischütz: Und ob die Wolke. AOberon: Ozean! du Ungeheuer |
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Der Freischütz: Und ob die Wolke; Leise, leise |
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Der Freischütz: Viva Bacco |
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Der Freischütz: Was gleicht wohl auf Erden (Huntsmen's Chorus) |
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Der Freischütz: Was gleicht wohl auf Erden; Viktoria! Viktoria! |
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Der Freischütz: Wer legt auf ihn so strengen Bann |
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Der Freischütz: Wie nahte mi der Schlummer. . . Leise, leise |
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Der Freischütz: Wie nahte mir |
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Der Freischütz: Wie nahte mir . . . Leise, leise; Alles pflegt schön |
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Der Freischütz: Wie nahte mir der Schlummer ... Leise, leise |
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Der Freischütz: Wie nahte mir der Schlummer … Leise, leise |
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Der Freischütz: Wie nahte mir der Schlummer. Euryanthe: Kein Schlaf gibt Ruhe... Warum verzehr' ich mich vergebens' |
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Der Freischütz: Wie nahte mir der Schlummer: Und ob die Wolke |
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Der Freischütz: Wie nahte mir der Schlummer; Und ob die Wolke sich verhülle |
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Der Freischütz: Wie nahte mir der Schlummer; Und ob die Wolke sie enthülle. Oberon: Ocean, thou mighty monster |
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Der Freischütz: Wie nahte...Leise, leise, fromme Weise |
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Der Freischütz: “Kommt ein schlanker Bursch” |
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Der Freischütz: “Und ob die Wolke sie verhülle” |
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Der Freischütz; Overture |
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Der Freischũtz: Overture |
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Die drei Pintos: Ein Mädchen verloren |
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Die Drei Pintos: Intermezzo |
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Die Freischütz: Overture |
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Die Temperamante beim Verluste der Geliebten. Meine Farben. Über die Berge mit Ungestüm. Die gefangenen Sänger. Die freien Sänger. Die Zeit. Das Veilchen im Thale. Mein Schatzerl is hübsch. Ich denke dein. Elfenlied |
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Die vier Temperamente bei dem Verlust der Geliebten, op. 26 |
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Die Zeit, Op. 13, No. 5 |
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Die Zeit, Op. 13, No. 5. Meine Lieder, meine Sänger, Op. 15, No. 1. Klage, Op. 15, No. 2. Ich sah ein Röschen am Wege sfehn, Op. 15, No. 6. Eran sie, Op. 15, No. 6. Meine Farben, Op. 23, No. 1. Liebe-Glühen, Op. 25, No. 1. Es stürmt aul der Flur, Op. 30, No. 2. Die Temperamente beim Verluste der Geliebten, Op. 46, Nos. 1-4. Die gefangenen Sänger, Op. 47, No. 1. Die Freien Sänger, Op. 47, No. 2. Wenn ich ein Vöglein war, Op. 54, No. 6. Mein Schätzer! is hübsch, Op. 64, No. 2. Abendsegen, Op. 64, No. 5. Ich denke dein, Op. 66, No. 3. Wunsch und Entsagung, Op. 66, No. 6. Was zieht zu deinem Zauberkreise, Op. 15, No. 4 |
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Divertimento assai facile, Op. 38 |
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Divertimento assai facile, op. 38 |
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Drei Canzonetten, op. 29. Romanze (Ein König einst gefangen sass). Die Zeit, op. 43. Wiegenlied, op. 13, no. 2 |
|
Eight Pieces, Op. 60 |
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Euryanthe |
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Euryanthe Overture |
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Euryanthe: Overture |
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Euryanthe: Eglantine’s Aria (Thomas Scherman, cond; Little Orchestra Society—Carnegie Hall; 1/13/53) |
|
Euryanthe: Glocklein im Tale; Auch mir blüht einst (with Marianne Schech); Hin nimm die Seele mein (with Frans Vroons); Hier wellest du (with Vroons); So bin Ich nun verlassen ... Hier dicht am Quell |
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Euryanthe: Glöckenlein im Thale; So bin ich nun verlassen (Joan Sutherland, soprano; recorded Sept. 1955) |
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Euryanthe: Glöcklein im Tale . . . Auch mir Blüht einst der Liebe Glück; Hin nimm die Seele mein; Schirmender Engel Schar... so bin ich nun verlassen; Dicht am Quell |
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Euryanthe: Overture |
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Euryanthe: Overture (11/29/1952) |
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Euryanthe: Overture (February 22, 1948) |
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Euryanthe: Overture 2/19/1962 (8:46) |
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Euryanthe: Overture. Oberon: Overture |
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Euryanthe: Unter bluh'nden Uandelbäumen |
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Euryanthe: Unter blùh'nden Mandelbäumen |
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Euryanthe: Unter blüh'den Mandelbäumen |
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Euryanthe: Unter blüh'nden Mandeibäumen |
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Euryanthe: Wehen mir Lüfte Ruh. Der Freischütz: Durch die Wälder durch die Auen |
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Euryanthe: Wo berg' ich mich ... Und er soll |
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Euryanthe: Wo berg' ich mich? |
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Euryanthe: Wo berg' ich mich? ... So weih' ich mich den Rachgewalten |
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Euryanthe: Wo berg'ich mich |
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Euryanthe: Woberg 'ich mich; |
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Fantasia and Rondo |
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Fantasia and Rondo, from the Quintet in B♭ for Clarinet and Strings, Op. 34 |
|
Fantasy No. 1 |
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Favoriten-Walzer No. 5 |
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Freischütz. Euryanthe. Oberon |
|
Gloria et honore. In dle solemnltatis |
|
Grand Concertos for Piano and Orchestra: No. 7 in C, Op. 11 ;No. 2 in E-Flat, Op. 32; Konzertstück for Piano and Orchestra, Op. 79 |
|
Grand duo concertant |
|
Grand Duo concertant |
|
Grand Duo Concertant |
|
Grand Duo Concertant for Clarinet and Piano, op. 48. Seven Variations for Clarinet and Piano on a Theme from Silvana, op. 33. Trio in G Minor for Flute, Cello, and Piano, op. 63 |
|
Grand Duo Concertant for Clarinet and Piano, op. 48. Variations for Clarinet and Piano, op. 33. Quintet for Clarinet and String Quartet, op. 34 |
|
Grand duo concertant, op. 48 |
|
Grand Duo concertant, op. 48 |
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Grand Duo Concertant, op. 48. Seven Variations, op. 33. Quintet in B♭ for Clarinet and Strings, op. 34. Introduction, Theme, and Variations, op. posth |
|
Grand duo concertant, op. 48. Variations for Clarinet and Pianoforte, op. 33 |
|
Grand Duo Concertant, Op. 48. Variations on a Theme from the Opera “Silvana,“ Op. 33. Introduction, Theme, and Variations, Op. posth |
|
Grand Duo Concertant, Op. 48; Variations, Op. 33; Introduction, Theme and Variations, Op. posth |
|
Grand duo concertant. |
|
Grand Duo Concertant. Variations on a Theme from Silvana |
|
Grand Duo Concertante |
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Grand Duo Concertante for Clarinet and Piano, Op. 48 |
|
Grand Duo concertante in E♭, op. 48 |
|
Grand Duo Concertante, for Clarinet and Piano, Op. 48 |
|
Grand Duo Concertante, op. 48 |
|
Grand Duo Concertante, op. 48, J. 204 |
|
Grand duo concertante. 7 Variations for Clarinet and Piano |
|
Grand Potpourri, op. 20 |
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Humoreske, op. 49 |
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In the Forest;The Fervency of Love; My Beloved |
|
Ines de Castro, Op. 51: Non paventar mia vita |
|
Introduction, Theme, and Variations for Clarinet and String Quartet (ed. Leonard Kohl) |
|
Introduction, Theme, and Variations in B-Flat (arr. Küffner) |
|
Introduction, Theme, and Variations, op. 33 |
|
Invitation to the Dance |
|
Invitation to the Dance (arr. Berlioz) |
|
Invitation to the Dance (arr. Weingartner) |
|
Invitation to the Dance (Chicago Symphony Orchestra conducted by Fritz Reiner) |
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Invitation to the Dance (orch. Berlioz) |
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Invitation to the Dance(arr. Weingartner) |
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Invitation to the Dance, Op. 65 (orch. Berlioz) |
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Invitation to the Dance, Op. 65 |
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Invitation to the Dance, op. 65 |
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Invitation to the Dance, Op. 65 (arr. Berlioz). Overtures: Euryanthe; Oberon; Abu Hassan; Peter Schmoll; Ruler of the Spirits; Der Freischütz |
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Invitation to the Dance, Op. 65 (orch. Berlioz) |
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Invitation to the Dance, Op. 65 Oberon: Overture |
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Invitation to the Dance, op. 65. Piano Sonata No. 2 in A♭, op. 39 |
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Invitation to the Dance. Euryanthe: Overture |
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Invitation to the Dance. Moto perpetuo |
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Invitation to the Dance. Overtures: Oberon; Abu Hassan; Euryanthe; Preziosa; Der Freischütz |
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John Anderson, my Jo. Contented wi' little and canti wi mair |
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Jubel Overture |
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Jubel Overture. Abu Hassan: Overture |
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Jubel: Overture |
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Jubilee Overture |
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Jubilee Overture, op. 59 |
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Klage |
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Klage, op. 15, no. 2 |
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Konzerstück in f, op. 79 |
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Konzertstück |
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Konzertstück in f |
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Konzertstück in f (Ernest MacMillan, cond; Toronto SO; Toronto, 3/6/1951) |
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Konzertstück in F Minor for Piano and Orchestra, Op. 78* (with Philharmonia Orchestra conducted by Alceo Galliera) |
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Konzertstück in F Minor for Piano and Orchestra, Op. 79 |
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Konzertstück in F minor for Piano and Orchestra, Op. 79 |
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Konzertstück in F Minor for Piano and Orchestra, op. 79 |
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Konzertstück in F Minor for Piano and Orchestra, op. 79. Invitation to the Dance (orch. Berlioz), op. 65 |
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Konzertstück in f, J 282. Piano Concertos Nos. 1 and 2. Clarinet Concertos Nos. 1 and 2. Overtures: Oberon; Peter Schmoll; Ruler of the Spirits; Preciosa; Jubel; Euryanthe |
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Konzertstück in f, op. 79 |
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Konzertstück Lili Kraus (pn), 10/19/39) |
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Konzertstück, Op. 79 |
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Konzertstück, op. 79. Concertos: No. 1 in C, op. 11; No. 2 in E♭, op. 32. Polonaise brilliante, op. 72 (orch. Liszt) |
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Konzertstücke in F Minor, Op. 79 |
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Konzertstück in f, op. 79 |
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Larghetto |
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Leyer und Schwert—Heroide (S. 452). Schlummerlied (S. 454) |
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Lieder |
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Lyric Piece |
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L’invitation à la valse |
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March in C |
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March. Euryanthe: Overture |
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Marcia vivace |
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Marcia Vivace for Ten Trumpets and Timpani |
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Mass No. 1 in Eb (“Freischütz Mass“) |
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Mass No. 2 in G, Op. 76 (Jubilee Mass) |
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Mass No. 2 in G, Op. 76 (“Jubel-Messe“) |
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Mass No. 2 in G, op. 76 (“Jubelmesse“f |
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Masses: No. 1 in E♭(“Freischütz Mass“); No. 2 in G, Op. 76 (“Jubilee Mass“) |
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Max-Walzer. Favorit-Walzer No. 5 |
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Meine Lieder, meine Sänge. Klage. Der kleine Fritz. Was zieht zu deinem Zauberkreise. Ich sah ein Röschen am Wege steh 'n. Er an Sie. Meine Farben. Liebe-Glühen. Über die Berge mit Ungestüm. Es stürmt auf der Flur. Minnelied. Reigen. Sind es Schmerzen. Mein Verlangen. Wenn ich ein Vöglein war'. Mein Schätzer! is hübsch. Liebesgruss aus der Ferne. Herzchen, mein Schätzchen. Das Veilchen im Wale. Ich denke dein. Serenade: Horch'! Leise horch', Geliebte! Romanze: Sie war so hold |
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Menuetto e Trio |
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Missa Sancta No. 1, “Freischützmesse” |
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Mourn, Mourn |
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Music by |
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Music of |
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Nine Variations on a Norwegian Air, for Violin and Piano. Six Progressive Sonatas for Piano and Violin, op. 10b |
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Non paventar mia vita! |
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Oberon |
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Oberon Overture |
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Oberon. Overture; Ozean, du Ungeheuer |
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Oberon: Overture |
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Oberon: Excerpts |
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Oberon: Ja, was auch rings; Huon's Prayer |
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Oberon: O wie wogt es sich schön auf der Flut. Euryanthe: Wo berg’ ich mich.... So weih’ ich mich’ |
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Oberon: Ocean! Thou Mighty Monster |
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Oberon: Ocean! thou mighty monster. |
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Oberon: Ocean, thou mighty monster |
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Oberon: Oh! to the glorious Sight! Der Freischütz: Durch die Wälder |
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Oberon: Overture |
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Oberon: Overture (10/13/40) |
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Oberon: Overture (4/29/78) |
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Oberon: Overture (conducted by Tor Mann). Tor |
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Oberon: Overture 4/10/1953 (9:32) |
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Oberon: Overture ; Ocean, thou Mighty Monster |
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Oberon: Overture. Der Freischütz: Overture |
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Oberon: Overture. Invitation to the Dance (orchestrated by Berlioz) |
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Oberon: Overture; Overture; Ozean! du Ungeheuer. Der Freischütz; Overture. Eu-ryanthe: Overture |
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Oberon: Overture; “Ozean du Ungeheuer.“ |
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Oberon: Ozean du Ungeheuer |
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Oberon: Ozean du Ungeheuer! (Margarete Teschemacher) |
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Oberon: Ozean du Ungeheuer. Der Freischütz: Wie nahte mir der Schlummer |
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Oberon: Ozean! Du Ungeheuer! Der Freischütz: Leise, leise |
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Oberon: Ozean, du Ungeheuer |
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Oberon: Ozean, du Ungeheuer! |
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Oberon: Ozean, du Ungeheuer. Der Freischütz: Und ob die Wölke sie verhülle |
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Oberon: Ozean, du ungeheuer; Horch, Herrin, horch! (with Gisela Litz, mezzo-soprano); Traure, mein Herz |
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Oberon: Ozean, du Ungerheuer |
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Oberon: Piangi mio cuor (Previtali) |
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Oberon: Qcean! Thou mighty monster |
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Oberon: Seit frühster Jugend im Kampf und Streit |
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Oberon: Superbo mare |
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Oberon: Von Jugend auf in dem Kampfgefeld; Vater, hör mich flehn zu dir |
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Oberon: Von Jugend auf schon im Kampfgefild' |
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Oberon: Von Jugend auf schon im Kampfgefild: Vater! Hör mich |
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Oberon: Von Jugend auf schon im Kampgefild' |
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Oberon: Von Jugend auf schon in dem kampfgefild. Du,der diese Prüfung schickt |
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Ocean! Thou mighty monster |
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Overtures |
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Overtures to Der Freischütz; Euryanthe; Oberon |
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Overtures: Beherrscher der Geister (Rübezahl); Oberon; Der Freischütz. Der Freischütz: Einst träumte meiner sel’gen Base; Kommt ein schlanker Bursch gegangen |
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Overtures: Der Beherrscher der Geister; Peter Schmoll; Abu Hassan; Oberon; Preciosa; Der Freischütz; Silvana; Euryanthe; Turandot. Jubel-Overtüre |
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Overtures: Der Freischütz; Euryanthe |
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Overtures: Der Freischütz; Euryanthe; Oberon |
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Overtures: Der Freischütz; Oberon |
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Overtures: Der Freischütz; Preciosa; Beherrscher der Geister; Oberon; Euryanthe; Abu Hassan; Jubel. Bassoon Concerto |
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Overtures: Euryanthe, Der Freischütz, Abu Hassan, Preziosa, Ruler of the Spirits, Oberon, Jubilee |
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Overtures: Euryanthe, Ruler of the Spirits, Abu Hassan, Jubel, Der Freischütz, Preciosa, Oberon |
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Overtures: Euryanthe; Abu Hassan |
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Overtures: Euryanthe; Abu Hassan; Preziosa; Beherrscher der Geister; Oberon; Jubel-Ouvertüre; Der Freischütz |
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Overtures: Euryanthe; Der Freischütz; Oberon |
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Overtures: Euryanthe; Der Freischütz; Oberon; Der Beherrscher der Geister. Turandot: Overture and March |
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Overtures: Euryanthe; Oberon; Abu Hassan; Peter Schmoll; Preciosa; Jubel |
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Overtures: Euryanthe; Oberon; Der Freischütz; The Ruler of the Spirits; Abu Hassan; Peter Schmoll. Invitation to the Dance (arr. Berlioz) |
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Overtures: Euryanthe; Preciosa; Oberon, Peter Schmoll |
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Overtures: Oberon; Abu Hassan; Der Freischütz; Euryanthe; Prezioso; Jubel |
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Perpetual Motion |
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Peter Schmoll and His Neighbors |
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Peter Schmoll: Overture |
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Peter Schmoll: Overture. Silvana: Overture. Abu Hassan: Overture. Der Beherrscher der Geister Overture. Jubel-Ouvertüre, op. 59; Der Freischütz: Overture. Preciosa: Overture. Euryanthe: Overture. Oberon: Overture |
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Piano Concerto No. 1 in C, op. 11 |
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Piano Concertos Nos. 1 and 2 |
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Piano Concertos: No. 1 in C; No. 2 in E♭ |
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Piano Music |
|
Piano Music, Vol. 5: Overtures |
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Piano Quartet, Op. 8 |
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Piano Sonata No. 1 in C |
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Piano Sonata No. 1 in C, Op. 24 |
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Piano Sonata No. 1 in C: Presto (Perpetuum mobile) |
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Piano Sonata No. 1 in C: Rondo “Perpetuum Mobile” |
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Piano Sonata No. 1: Perpetuum mobile |
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Piano Sonata No. 1: Rondo: Presto “Moto perpetuo” |
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Piano Sonata No. 2 |
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Piano Sonata No. 2 in Ab, op. 39 (arr. for Flute and Piano by Muller). Trio in G Minor for Flute, Cello, and Piano, op. 63, J. 259 |
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Piano Sonata No. 2 in A♭ |
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Piano Sonata No. 2 in A♭, op. 39 |
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Piano Sonata No. 3 in d, op. 49 |
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Piano Sonata No. 3, in D minor, Op. 49 |
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Piano Sonata No. 4 in e |
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Piano Sonatas |
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Piano Sonatas Nos. 1 and 2 |
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Piano Sonatas Nos. 1-4 |
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Piano Sonatas Nos. 1–4 |
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Piano Sonatas Nos. 3 and 4 |
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Piano Sonatas, Nos. 1-4 |
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Piano Sonatas: No. 1 in C, op. 24, J. 138; No, 2 in A♭, op. 39, J. 199. Rondo brillante in Eb, op. 52, J. 252. Invitation to the Dance, op. 65, J. 260 |
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Piano Sonatas: No. 1 in C, op. 24, J. 138; No. 2 in A♭, op. 39, J. 199. Rondo Brillante in Eb, op. 52, J. 252 (“La Gaité“). Invitation to the Dance, op. 65, J. 260 |
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Piano Sonatas: No. 1 in C, Op. 24, J. 138; No. 2 in A♭, Op. 39, J. 199; No. 3 in D minor, Op. 49, J. 206; No. 4 in E minor, Op. 70, J. 287. Invitation to the Dance, Op. 65, J. 260. Rondo brillante, Op. 52, J. 252. Momento capriccioso, Op. 12, J. 56 |
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Piano Sonatas: No. 1 in C, op. 24; No. 2 in A b, op. 39 |
|
Piano Sonatas: No. 1; No. 2 |
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Piano Sonatas: No. 2 in A♭, Op. 39; No. 3 in D minor, Op. 49; No. 4 in E minor, Op. 70 |
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Piano Sonatas: No. 2; No. 3. Invitation to the Dance |
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Piano Sonatas: No. 3 in D Minor, op. 49, J. 206; No. 4 in E Minor, op. 70, J. 287. Polacca Brillante in E, op. 72, J. 268 (“L'Hilarité“) |
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Pieces by |
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Polonaise brillante |
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Polonaise brillante (arr. Liszt) |
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Preciosa: Overture |
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Preziosa: Overture |
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Quartet for Piano, Violin, Viola, and Cello, op. 28. Trio for Flute, Cello, and Piano, op. 63. Variations for Violin and Piano on a Norwegian Air, op. 22 |
|
Quartet in B♭ for Violin, Viola, Cello, and Piano, Op. 8 |
|
Quintet for Clarinet and String Quartet, in B♭, op. 34. Introduction, Theme, and Variations for Clarinet and String Quartet, op. posth. Grand Duo Concertant in E♭ for Clarinet and Piano, op. 48. Seven Variations on a Theme From Sylvána in B♭ for Clarinet and Piano, op. 33 |
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Quintet for Clarinet and Strings |
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Quintet for Clarinet and Strings, Op. 34 (arr. for Clarinet and String Orchestra) |
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Quintet for Clarinet and Strings, op. 34. Introduction, Theme, and Variations, op. posth.. Grand Duo Concertant, op. 48 |
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Quintet in B b for Clarinet and Strings, op. 34. Seven Variations for Clarinet and Piano, op. 33. Introduction, Theme, and Variations in B♭ for Clarinet and String Quartet, op posth. Grand Duo Concertante for Clarinet and Piano, op. 48 |
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Quintet in B for Clarinet and Strings, Op. 34 (J. 182). Trio in G minor for Flute, Cello, and Piano, J. 259 |
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Quintet in B for Clarinet, Violin, Viola, and Cello, Op. 34 |
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Quintet in B-Flat for Clarinet and String Quartet, Op, 34.SevenVariations in B-Flat for Clarinet and Piano, Op. 33. Grand Duo Concertante for Clarinet and Piano, Op. 48 |
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Quintet in B-Flat for Clarinet and Strings, Op. 34 (J. 182). Trio in G Minor for Flute, Cello, and Piáno (J. 259) |
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Quintet in B-Flat for Clarinet and Strings, Op.34 |
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Quintet in B♭ for Clarinet and String Quartet, op. 34 |
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Quintet in B♭ for Clarinet and Strings, Op. 34 |
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Quintet in B♭ for Clarinet and Strings, op. 34 |
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Quintet in B♭ for Clarinet and Strings, op. 34, J. 182 |
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Quintet in B♭ for Clarinet and Strings, Op. 34, J. 182. Grand Duo Concertant for Clarinet and Piano, Op. 48, J. 204. Seven Variations on a Theme from “Silvana“ for Clarinet and Piano, Op. 33, J. 128 |
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Quintet in B♭ for Clarinet and Strings, Op. 34, J. 182. Trio in G minor for Flute, Cello, and Piano, J. 259 |
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Quintet in B♭ for Clarinet and Strings, op. 34. Grand Duo Concertante for Clarinet and Piano, op. 48. Introduction, Theme, and Variations for Clarinet and Strings, op. posth.. Seven Variations for Clarinet and Piano, op. 33 |
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Quintet in B♭ for Clarinet and Strings, op. 34. Introduction, Theme, and Variations for Clarinet and String Quartet, op. posth. Grand Duo Concertante in E♭ for Clarinet and Piano, op. 48. Variations in B♭ on a Theme from “Silvana,“ op. 33 |
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Quintet in B♭ for Clarinet and Strings, Op. 34. Introduction, Theme, and Variations for Clarinet and Strings, Op. posth. Grand Duo Concertante in d for Clarinet and Piano, Op. 46 |
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Quintet in B♭ for Clarinet and Strings, op. 34. Introduction, Theme, and Variations in B♭, op. posth. Grand Duo Concertant in E♭, op. 48. Seven Variations on a Theme from Silvana, op. 33 |
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Quintet in B♭ for Clarinet and Strings, op. 34. Seven Variations for Clarinet and Piano, op, 33. Melodie for Clarinet and Piano (arr. Baermann) |
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Quintet in B♭ for Clarinet, Two Violins, Viola, and Cello, op. 34 |
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Quintet in B♭ for Clarinet, Two Violins, Viola, and Cello. Op. 34. Trio in G Minor for Flute, Cello, and Piano. J. 259 |
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Reigen |
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Romance |
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Romanze appassionata |
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Rondo |
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Rondo (from Sonata, Op. 24) |
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Rondo brillante in E♭ |
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Rondo brillante in E♭, Op. 62 |
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Rondo brillante in E♭, op. 62 |
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Rondo brillante, op. 62 |
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Rondo Brillante, “La gaîté” |
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Rondo brilliant in E♭ |
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Rondo Brilliante in E♭ |
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Rondo brilliante, op. 62 |
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Rondo brilliante, “La Gaité” |
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Rondo, op. 115 |
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Ruler of the Spirits Overture. Turandot: Overture; Act II March |
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Ruler of the Spirits: Overture |
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Schlaf, Herzenssöhnchen |
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Scottish National Songs, J. 295-304 |
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Se II mio ben, op. 31, no. 3 |
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Sechs Lieder, op. 15 |
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Sechs Lieder, op. 30 |
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Selections by |
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Seven Variations in B♭ on a Theme from “Silvana,'' Op. 33 |
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Seven Variations on a Theme from the Opera “Silvana, “ for Clarinet and Piano, Op. 33. Introduction, Theme, and Variations for Clarinet and String Quartet. Grand Duo Concertant in E♭ for Clarinet and Piano, Op. 48 |
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Seven Variations on a Theme from “Silvana,“ Op. 33 |
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Seven Variations on a Theme from “Sylvána“ for Clarinet and Piano. Introduction, Theme, and Variations for Clarinet and String Quartet |
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Silvana |
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Silvana: Overture |
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Silvana: Soll denn dies Herz nie Liebe finden |
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Six Ecossaises |
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Six Pieces, Op. 10 |
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Six Pieces, Op. 3. Six Pieces, Op. 10. Eight Pieces, Op. 60 |
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Six Pieces, op. 3. Six Pieces, op. 10. Eight Pieces, op. 60 |
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Six Sonatas for Flute and Piano, Op. 10 |
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Six Violin Sonatas, Op. 10 |
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Solo works by |
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Sommertag |
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Sonata in A for Flute and Piano, Op. 39 |
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Sonata in A♭ for Flute and Piano, op. 39. Six Sonatas for Flute and Piano, op. 10 |
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Sonata in A♭, Op. 39. Invitation to the Dance, Op. 65. Momento Capriccioso, Op. 12. Polacca Brillante, Op. 72 (“L'Hilarité“). Rondo Brilliante, Op. 62 (“La Gaifé“) |
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Sonata in C, Op. 24: Perpetuum Mobile |
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Sonata in C, op. 24: Rondo (Perpetuum Mobile) |
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Sonata No. 1 for Piano, Op. 24 |
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Sonata No. 1 in C, op. 24, J. 138. Nine Variations on a Russian Theme, “Schöne Minka,“ op. 40, J. 179. Six Variations on an Original Theme, op. 2, J. 7. Invitation to the Dance, op. 65, J. 260 |
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Sonata No. 1 in C, op. 24: Finale ("Perpetuum mobile") |
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Sonata No. 1 in C: Presto |
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Sonata No. 1 in F for Violin and Piano, Op. 10: Larghetto |
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Sonata No. 1 in F for Violin and Piano: Larghetto |
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Sonata No. 1: Perpetuum Mobile |
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Sonata No. 2 in A-Flat for Piano, Op. 39 |
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Sonata No. 2 in A-Flat, Op. 39 |
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Sonata No. 2 in A♭ for Flute and Piano, op. 39, Jahns No. 199 |
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Sonata No. 2 in A♭, op. 39, J. 199. Six Variations on Naga's Aria, “Woher mag dies wohl kommen?“ from Vogler's Opera Samori, op. 6, J. 43. Seven Variations on a Gypsy Song, op. 55, J. 219. Grande Polonaise, op. 21, J. 59 |
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Sonata No. 3 in D Minor for Violin and Piano: Air Russe; Rondo |
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Sonata No. 3 in D Minor, op. 49, J. 206. Eight Variations on the Air de Ballet from Castore e Polluce by Abbé Vogler, op. 5, J. 40. Seven Variations on an Original Theme, op. 9, J. 55. Momento Capriccioso, op. 12, J. 56 |
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Sonata No. 3 in D Minor, Op. 49. Sonata No. 4 in E Minor, Op. 70 |
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Sonata No. 4 in D |
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Sonata No. 4 In E Minor, op. 70, J. 287. Seven Variations on a Theme from Méhul's Opera Joseph, op. 28, J. 141. Les Adieux, op. 81 posth. Rondo Brimante, “La gaité,“ op. 62, J. 252. Polacca Brimante, “L'hilarité, “ op. 72, J. 268 |
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Sonata No. 6 in D for Cello and Piano, op. 10 B |
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Sonata No. 7 in C, Op. 24; Sonata No. 2 in A-Flat, Op. 39 |
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Sonatas for Flute and Piano, op. 10 |
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Sonatas: No. 1 in F; No. 2 in G; No. 3 in D Minor; No. 4 in E♭; No. 5 in A; No. 6 in C |
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Songs |
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Songs and arias by |
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Songs by |
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Symphonies No. 1 in C; No. 2 in C |
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Symphonies: No. 1 in C, J. 50; No. 2 in C, J. 51 |
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Symphonies: No. 1 in C, J. 50; No. 2 in C, J. 57 |
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Symphonies: No. 1 in C, J. 50; No. 2 in C,J.51 |
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Symphonies: No. 1 in C, No. 2 in C; Horn Concertino in E |
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Symphonies: No. 1 in C; No. 2 in C |
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Symphonies: No. 1 in C; No. 2 in C. Der Freischütz: Overture |
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Symphonies: No. 1 in C; No. 2 in C. Konzertstück in f, op. 79. Piano Concertos: No. 1 in C; No. 2 in E,. Overtures: Euryanthe; Abu Hassan; Preziosa; Rübezahl; Oberon; Jubel-Overtüre; Der Freischütz |
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Symphonies: No. 1 in C; No. 2 in C. Konzertstück, op. 79 |
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Symphonies: No. 1 in C; No. 2 in C. Turandot: Overture; Funeral March from Act V; March from Act II. Silvana: Dance of the Young Nobles; Torch Dance |
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Symphonies: No. 1 in C; No. 2 in E♭. Konzertstück in F Minor for Piano and Orchestra, op. 79 |
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Symphonies: No. 1; No. 2 |
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Symphonies: No. 1; No. 2. Horn Concertino. Oboe Concertino |
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Symphony No. 1 |
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Symphony No. 1 in C |
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Symphony No. 1 in C, Op. 17 |
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Symphony No. 1 in C, op. 19 |
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Symphony No. 1, Symphony No. 2 |
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Symphony No. 1. Clarinet Concerto No. 1. Clarinet Quintet |
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Symphony No. 2 |
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The Complete Works for Clarinet |
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The Four Piano Sonatas |
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The Freeshooter: On this earth we could not bear. Go! Go! The fatal die is cast |
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The Happy Soldier. Robin is My Joy. Where Has Ye Been a' the Day. My Love Is Like the Red, Red Rose. John Anderson, My Jo. The Soothing Shades oř Gloaming. Ves Thou Mayst Walk. True Hearted Was He. O Poor Tith Cauld and Restless Love. The Gallant Troubadour |
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The Ruler of the Spirits Overture. Abu Hassan: Overture |
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The Ruler of the Spirits Overture. Preciosa Overture |
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The Ruler of the Spirits. Peter Schmoll and His Neighbors. Preciosa. Abu Hassan. Jubilee Overture. Turandot: Overture and March |
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The Ruler of the Spirits: Overture |
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The Ways |
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Three Canzonettas |
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Three Duets for Two Sopranos, Op. 31 |
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Three Sonatas for Piano and Violin: in E♭, op. 10, no. 4; in A, op. 10, no. 5; in C, op. 10, no. 6 |
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Trio |
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Trio for Flute, Cello and Piano in g, op. 63 |
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Trio in g for Flute, Cello, and Piano, op. 63 |
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Trio in g for Piano, Flute, and Cello, op. 63 |
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Trio in G Minor for Flute, Cello, and Piano, Op. 63 |
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Trio in G Minor for Flute, Cello, and Piano, op. 63 |
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Trio in G minor for Flute, Cello, and Piano, Op. 63, J. 259. Sonatas for Flute and Piano: in F, Op. 10, No. 3, J. 99: in D, Op. 10, No. 4, J. 101; in E♭, Op. 10, No. 5, J. 102; in C, Op. 10, No. 6, J. 106 |
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Trio in G Minor for Flute, Cello, and Piano, op. 63, Sonatas for Flute and Piano, op. 10: No. 2; No. 5; No. 6 |
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Trio in G Minor for Flute, Cello, and Piano, op. 63. Six Sonatas for Piano and Flute, op. 10 |
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Trio in G Minor for Flute, Cello, and Piano, Op. 63. Sonata in C for Piano and Violin, Op. 10, no. 6. Momento capriccioso in B-Flat for Piano, Op. 12. Adagio and Rondo in E-Flat for Two Clarinets, Two Horns, and Two Bassoons |
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Trio in G Minor, op. 63 |
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True-hearted Was He. Pho Pox o’ this Nonsense. The Soothing Shade of Gloaming |
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Turandot: Overture |
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Variations for Clarinet and Piano, Op. 33 |
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Variations on a Theme from Silvana |
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Variations on a Theme from Silvana (arr. Schottstädt) |
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Variations on a Theme from the Opera Silvana. Grand Duo concertant |
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Variations on a Theme from “Sylvána,“ Op. 33 |
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Variations on an Austrian Folk Song. Andante and Hungarian Rondo for Viola and Orchestra |
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Variations on an Original Theme, op. 2 |
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Variazioni quasi una Fantasia |
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Violin Sonata No. 3 in d, op. 10: Air Russe; Rondo |
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Violin Sonata No. 3: Rondo |
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Virtuoso Concert Arias and Arias from Unknown Operas |
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Wehl Dass geschieden. Sanñes Licht. Die Schäferstunde. Lass mich schlummern. Heitere Tage. In euren Bücken |
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Wiegenlied, J96 |
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Wiegenlied, op. 13, no. 2 |
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Wiegenlied; Saftes Licht; Die Shaferstunde; Liebeszauber; Einsam bin ich; Heitere Tage; In euren Blicken; Weh! Dass geschieden; Ein könig einst gefangen sass; Die Zeit; Ich sah ein Röschen; Der kleine Fritz; Was zieht zu deinem Zauberkreise; Bach, Echo und Kuss; Liebe; Glühen; Der arme Minnesänger; Lass mich schlummern; Betterlied; Des künstlers Abschied |
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Works of |
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Works by |
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Works for Piano Four-Hands |
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