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Performer: Roberto Abbondanza ANFOSSI: La Maga Circe (Review by David Johnson) | baritone | ANFOSSI: La Maga Circe (Review by David Johnson) | Barone di Nocesecca | CAVALIERI: Rappresentatione di Anima e di Corpo (Review by Brian Robins) | Consiglio | CAVALLI: La Didone (Review by Barry Brenesal) | Giove | CAVALLI: La Didone (Review by Barry Brenesal) | Nettuno | CAVALLI: La Didone (Review by Barry Brenesal) | Un Cacciatore | CAVALLI: La virtù de’ strali d’Amore (Review by Bertil van Boer) | Saturn | CAVALLI: La virtù de’ strali d’Amore (Review by Bertil van Boer) | Second Sailor | DALLAPICOLLA: Rencesvals, 3 Fragments from “La chanson de Roland”. Quattro liriche di Antonio Machado. 30 Italian Songs of the 17th and 18th centuries (realization of the figured bass and editing by Luigi Dallapiccola) (Review by James H. North) | baritone | HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano) | Timagene | MOSCA: Signor Goldoni (Review by Colin Clarke) | Goldoni | MOZART: Three Arias for Insertion in Anfossi's Operas (Review by David Johnson) | baritone | MOZART: Three Arias for Insertion in Anfossi's Operas (Review by David Johnson) | Barone di Nocesecca | SCARLATTI, ALESSANDRO: Carlo Re d’Alemagna (Review by Barry Brenesal) | Bleso | SCARLATTI, ALESSANDRO: Oratorio per la Santissima Trinità (Review by Brian Robins) | Tempo | VACCAI: La caccia—Chorus. Il cosacco della Volga—Arietta. I pellegrini—Romanza. I sospiri—Arietta pastorale. Un martel mi batte in testa—Canon for Four Tenors. L'orfanella—Romanza. Il crociato—Romanza. L'esule— Cantata for Mezzo-Soprano, Chorus, and Piano. Variations on a Theme of Haydn, “Sento una dolce speme“ (arr. clarinet and piano). Andromeda—Cantata for Soprano and Orchestra (Review by David Johnson) | baritone | VACCAI: Vocal and Instrumental Works (Review by David Johnson) | baritone |
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