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Performer: Paul Agnew 200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter) | tenor | KNIGHTLY PASSIONS: THE SONGS OF OSWALD VON WOLKENSTEIN: Ain guet geporen edelman (monophonie, polyphonic). Der oben swebt. Fröhlich, zärtlich, liplich. Der mai mit lieber zal. Der mai mit lieber zal (organ solo). Wolauf gesell. Du ausserweltes schöns mein herz. Frölich geschrai so well vir machen. Ach senliches leiden. Stand auff, Maredel. Grasselick lif. Wach auff, mein hört. Wach auff, mein hört (organ solo). “Nu huss“sprach der Michel von Wolkenstein. Durch Barbarei, Arabia (Review by Tom Moore) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | tenor | ENGLAND, MY ENGLAND: (Review by Robert Markow) | tenor | O SWEET WOODS, THE DEIGHT OF SOLITARIENESSE. Love...: (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Ach Herr, mich armen Sünder, BWV 742 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Cantata No. 63 (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: Cantata No. 63. Sanctus in D, BWV 238. Magnificat in E♭, BWV 243a (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas No. 155, No. 3, No. 13, No. 26, No. 81, No. 14. Jesu meine Freude (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas No. 169, No. 32, No. 58, No. 84, No. 19, No. 13, No. 56, No. 35, No. 17, No. 57 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas No. 68, No. 6, No. 74, No. 126, No. 26, No. 125, No. 178, No. 103, No. 42, No. 123. Konzertsatz in D, BWV 1045 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas No. 76; No. 75; No. 190; No. 179; No. 59; No. 69; No. 50; No. 186; No. 104; No. 69a (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas for Marian Feasts (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 11 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 13 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 15 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 16 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 19 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 1 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Christ lag in Todes Banden, BWV 4 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 718 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Complete Cantatas, Vol. 10 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Complete Cantatas, Vol. 6 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Easter Oratorio, BWV 249 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Easter Oratorio. Magnificat in D (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Gloria in excelsis Deo, BWV 191 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Gottes Zeit ist die allterbeste Zeit, BWV 106 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Jesu, meines Lebens Leben, BWV 1107 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Magnificat (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien) | performance, want list | BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Nach dir, Herr, verlanget mich, BWV 150 (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Sanctus, BWV 238 (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: St Matthew Passion (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by J. F. Weber) | tenor | BACH, JOHANN SEBASTIAN: St. Mark Passion (Review by James A. Altena) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Joshua Cohen) | tenor | BACH/KOOPMAN: Markus-Passion, BWV 247 (Review by William Zagorski) | tenor | BEETHOVEN, LUDWIG VAN: Irish, Welsh, and Scottish Songs (Review by Henry Fogel) | tenor | BEETHOVEN, LUDWIG VAN: Womankind. The Sweetest Lad Was Jamie. The Kiss, Dear Maid. Come Draw We Round a Cheerful Ring. Come Fill, Fill, My Good Fellow. On the Massacre of Glencoe. What Shall I Do to Shew How Much I Love Her? The Farewell Song. The Lovely Lass of Inverness. Oh! Thou Art the Lad of My Heart, Willy. The Dream. The Pulse of an Irishman. The Return to Ulster. Constancy. To the Aeolian Harp. Since Greybeards Inform Us that Youth Will Decay. The Parting Kiss. Wife, Children, and Friends. Again, My Lyre. God Save the King! The Vale of Clwyd. The Monks of Bangor’s March. Faith fu’ Johnie. The Soldier’s Dream (Review by Henry Fogel) | tenor | BERLIOZ: L'Enfance du Christ (Review by Adrian Corleonis) | narrator | BERLIOZ: L’Enfance du Christ (Review by Haig Mardirosian) | performance, want list | BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis) | récitant | BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley) | tenor | BOCCHERINI, LUIGI: Stabat Mater, op. 61 (Review by Brian Robins) | tenor | BOUTEILLER: Missa pro defunctis (Review by Bertil van Boer) | conductor | BROSSARD: Miserere mei Deus. Stabat mater. Ave verum corpus (Review by Bertil van Boer) | conductor | CALDARA, A: Crucifixus à 16 (Review by Bertil van Boer) | conductor | CAMPRA: Aforos ¡n Judea Deus. De profundis. Exaudiat te Dominus. Requiem (Review by Brian Robins) | tenor | CHARPENTIER, MARC-ANTOINE: Divertissements, Airs, and Concerts (Review by Brian Robins) | countertenor | CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins) | countertenor | CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North) | Orphée | CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North) | tenor | CHARPENTIER, MARC-ANTOINE: La Pierre philosophale, H 501. Tristes désertes H 469. Rentrez, trop indiscrets soupirs, H 464. Quoi! Je ne verrais plus, H 461. Ah, qu’ils sont courts, H 442. Charmantes fleurs, H449b. Quoi! rien ne peut, H 462. En vain rivaux assidus, H 452. Ah! qu’on est malheureux, H 443. Ah! laissez-moi rêver, H 441. Non, non, je ne l’aime plus, H 455. Sans frayeur dans ce bois, H 467. Auprès du feu, H 446. Ayant bu du vin clairet, H 447. Fenchon, la gentille Fenchon, H 454. Dispute des bergers, H 484. Concert pour quatre parties de violes, H 545 (Review by Brian Robins) | countertenor | CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins) | countertenor | CHARPENTIER, MARC-ANTOINE: Te Deum. Messe pour les trépassés. Motet pour les trépassés. Prose des morts (Review by Brian Robins) | tenor | CROFT: What art thou? (Review by Lynn René Bayley) | tenor | D’ASTORGA: Stabat Mater (Review by Brian Robins) | tenor | DESMAREST: Motets (Review by Brian Robins) | tenor | DESMAREST: Usquequo Domine. Lauda Jerusalem. Domine, ne in furore (Review by Brian Robins) | tenor | DOWLAND, JOHN: From A Musicali Banquet, 1610 (Review by Brian Robins) | tenor | DOWLAND, JOHN: From the First Book of Songs 1597 (Review by Brian Robins) | tenor | DOWLAND, JOHN: In Darknesse Let Me Dwell—Lute Songs, Volume 2 (Review by Brian Robins) | tenor | DOWLAND, JOHN: Lute Songs (Review by Brian Robins) | tenor | GALUPPI, BALDASSARE: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins) | performance, want list | GALUPPI, BALDASSARE: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins) | tenor | GESUALDO: Madrigals, Books 3 and 4 (Review by J. F. Weber) | conductor | GESUALDO: Madrigals (Review by J. F. Weber) | director | GESUALDO: Tenebrae Responsoria, Feria Quinta (Review by J. F. Weber) | director | GESUALDO: Tenebrae Responsories (Review by J. F. Weber) | performance, want list | GURNEY: A Cradle Song. 5 Elizabethan Songs (Review by Martin Anderson) | tenor | GURNEY: An Epitaph. The fields are full. Down by the sally gardens. The Cloths of Heaven. The Singer. I will go with my father a-ploughing (Review by Martin Anderson) | tenor | GURNEY: Epitaph in Old Mode. You are my sky. All night under the moon. The folly of being comported. By a bierside. Severn Meadows. In Flanders. Even such is time. Ha’nacker Mill. Bread and Cherries. Most Holy Night. Desire in Spring. Nine of the clock (Review by Martin Anderson) | tenor | GURNEY: Severn Meadows (Review by Martin Anderson) | tenor | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson) | Acis | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by James Reel) | Damon | HANDEL, GEORGE FRIDERIC: Ahi, nelle sorte umane, HWV 179; Wo, di voi non vo' fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all'alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son Intento, HWV 178; Sono liete, fortunate (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by Henry Fogel) | tenor | HANDEL, GEORGE FRIDERIC: Arcadian Duets (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins) | High Priest | HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson) | High Priest | HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins) | Witch Of Endor | HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson) | Witch Of Endor | HANDEL, GEORGE FRIDERIC: Solomon (Review by Joel Kasow) | performance, want list | HANDEL, GEORGE FRIDERIC: Solomon (Review by Bernard Jacobson) | The High Priest | HANDEL, GEORGE FRIDERIC: Solomon (Review by Bernard Jacobson) | Zadok | HANDEL, GEORGE FRIDERIC: Solomon (Review by James A. Altena) | Zadok | HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | Septimius | HANDEL, GEORGE FRIDERIC: Theodora (Review by James A. Altena) | Septimus | HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley) | tenor | KUHNAU: Christ lag in Todesbanden (Review by Bertil van Boer) | conductor | LALANDE: Te Deum, S 32. Venite, exultemus, S 58 S¿ (Review by Brian Robins) | tenor | LANIER: Hero and Leander (Review by Tom Moore) | tenor | LANIER: Weep no more my wearied eyes. Neither sighs, nor tears. Stay silly heart. Hero’s complaint to Leander. Come, thou glorious object of my sight. Amorosa pargoletta. Qual musico gentil. Do not expect to hear. Fire, fire. Mark how the blushful morn. No more shall meads be deck’d with flowers. Like hermit poor (Review by Tom Moore) | tenor | LEGRENZI: Quam amarum est, Maria (Review by Bertil van Boer) | conductor | LEO, LEONARDO: Miserere (Review by Bertil van Boer) | conductor | LOCKE, MATTHEW: Psyche (Review by Brian Robins) | tenor | LOTTI: Crucifixus à 10. Crucifixus à 8 (Review by Bertil van Boer) | conductor | LULLY: Atys (Review by James A. Altena) | Dieu du Sommeil | LULLY: Persée (Review by Brian Robins) | Persée | MONTEVERDI: Madrigals, Books 1–8 (Review by J. F. Weber) | conductor | MOZART: Mass in C, K. 317 (“Coronation“). Ave verum corpus, K. 618. Solemn Vespers of a Confessor, K. 339. Exsultate, jubilate, K. 165 (Review by J. F. Weber) | tenor | PURCELL, HENRY: Dido and Aeneas (Review by Brian Robins) | Sailor | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Sailor | PURCELL, HENRY: Funeral Sentences (Musique funebre pour la reine Mary) (Review by Michael Ullman) | tenor | PURCELL, HENRY: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley) | tenor | PURCELL, HENRY: Rejoice in the Lord aiway, Z. 49. Remember not, Lord, our offences, Z. 50. Blow up the trumpet in Sion, Z. 10. Hear my prayer, O Lord, Z. 15. My heart is inditing, Z. 30. Funeral Sentences; March; Canzona, Z 860,Man that is born of woman, Z 27; In the midst of life, Z 17; Thou knowest, Lord, Z 58c. O Lord God of hosts, Z 37. Te Dêum, Z. 232 (Review by Michael Ullman) | tenor | PURCELL, HENRY: The Complete Anthems and Services, Volume 6 (Review by Michael Ullman) | tenor | PURCELL, HENRY: Why do the heathen so furiously rage together, Z. 65. Lord, who can tell how oft he offendeth?, Z. 26. O Lord, grant the King a long life, Z. 38. Hear me, O Lord, the great support, Z. 133. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z. 198. Who hath believed our report?, Z. 64.1 will love thee, OLord,Z. 67. Great God and just, Z. 186. Plung'd in the confines of despair, Z. 142. O praise the Lord, all ye heathen, Z. 43. My heart is fixed, O God, Z. 29 (Review by Michael Ullman) | tenor | RAISON: Kyrie del la Messe du Premier Ton. Kyrie de la Messe du Deuxième Ton (Review by Bertil van Boer) | conductor | RAMEAU, JEAN-PHILIPPE: Dardanus (Review by Barry Brenesal) | Dardanus | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | tenor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | Un Amour | RAMEAU, JEAN-PHILIPPE: La Guirlande (Review by Brian Robins) | Myrtil | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by Barry Brenesal) | Abaris | RAMEAU, JEAN-PHILIPPE: Les Fêtes d’Hébé (Review by David Johnson) | Le Ruisseau | RAMEAU, JEAN-PHILIPPE: Les Fêtes d’Hébé (Review by David Johnson) | Lycurgue | RAMEAU, JEAN-PHILIPPE: Les Fêtes d’Hébé (Review by David Johnson) | Momus | RAMEAU, JEAN-PHILIPPE: Les Grands Motets (Review by David Johnson) | tenor | RAMEAU, JEAN-PHILIPPE: Les indes galantes (Review by Brian Robins) | Valère | RAMEAU, JEAN-PHILIPPE: Platée (Review by Barry Brenesal) | Platée | RAMEAU, JEAN-PHILIPPE: Zéphire (Review by Brian Robins) | Myrtil | SCARLATTI, ALESSANDRO: Oratorio per la Santissima Trinità (Review by Brian Robins) | Infedeltà | SCARLATTI, DOMENICO: Stabat Mater (Review by Bertil van Boer) | conductor | SCHÜTZ, HEINRICH: Die Sieben Worte Jesu Christi am Kreuz (Review by James A. Altena) | Evangelist | SCHÜTZ, HEINRICH: Madrigals, op. 1 (Review by J. F. Weber) | director | VIVALDI, ANTONIO: Atenaide (Review by Barry Brenesal) | Leontino | VIVALDI, ANTONIO: Credo, RV 591 (Review by Bertil van Boer) | conductor | VIVALDI, ANTONIO: Credo, RV 591 (Review by J. F. Weber) | conductor | VIVALDI, ANTONIO: Dixit Dominus (Review by Brian Robins) | performance, want list | VIVALDI, ANTONIO: Dixit Dominus, RV 807 (Review by Brian Robins) | tenor | VIVALDI, ANTONIO: Domine ad adiuvandum me festina—Response (Review by George Chien) | bass | VIVALDI, ANTONIO: Gloria, RV 589 (Review by Bertil van Boer) | conductor | VIVALDI, ANTONIO: Gloria, RV 589 (Review by J. F. Weber) | conductor | VIVALDI, ANTONIO: Kyrie, RV 587 (Review by Bertil van Boer) | conductor | VIVALDI, ANTONIO: Kyrie, RV 587 (Review by J. F. Weber) | conductor | VIVALDI, ANTONIO: Ostro picta, armata spina, RV 642 (Review by Bertil van Boer) | conductor | VIVALDI, ANTONIO: Ostro picta, armata spina, RV 642 (Review by J. F. Weber) | conductor | VIVALDI, ANTONIO: Sanctus. Benedictus. Agnus Dei (Review by Bertil van Boer) | conductor | VIVALDI, ANTONIO: Sanctus. Benedictus. Agnus Dei (Review by J. F. Weber) | conductor | VIVALDI, ANTONIO: Tieteberga (Review by John Story) | tenor | VIVALDI, ANTONIO: Vespers (Review by George Chien) | bass | WECKMANN: Sacred Concertos (Review by Brian Robins) | tenor |
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