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Performer: Claes H. Ahnsjö ALFVÉN, HUGO: Hör I Orphei Drängar. Gryning vidhavet. Papillon. Gustaf Frödings jordafärd. Berceuse. Roslagsvår. Sverges flagga. Min kära. Serenad. Aftonen. Vaggvisa. Saa tag mit Hjerte'. Du år stilla ro'. Jag längtar dig'. Skogen sover' . Próvningen'. glädjens blomster. Värmlandsvisan'. Oxbergsmarschen. Kulldansen. Trind-skallarna. Vallgossens visa'. Anders, han var en hurtiger dräng. Och jungfrun hon går i ringen. Uti vår hage. Stemning (Review by Henry Fogel) | tenor | ALFVÉN, HUGO: Symphony No. 4, op. 39 (“Från havsbandety. En skärgardssägen, op. 20 (Review by Henry Fogel) | tenor | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Edward Strickland) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | Evangelist | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | tenor | BRUCKNER, ANTON: Symphony No. 6 (1881 version, ed. Haas). Te Deum (1883–84 version). Mass No. 3 (1881 version, ed. Haas) (Review by Huntley Dent) | tenor | BRUCKNER, ANTON: Symphony No. 7. Te Deum (Review by Robert McColley) | tenor | DONIZETTI: Lucia di Lammermoor (Review by Kenn Harris) | Arturo | DONIZETTI: Lucia di Lammermoor (Review by Joel Kasow) | Arturo | DONIZETTI: Lucia di Lammermoor (Review by Kenn Harris) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HAYDN, FRANZ JOSEPH: Armida (Review by John Bauman) | Rinaldo | HAYDN, FRANZ JOSEPH: Armida (Review by William H. Youngren) | Rinaldo | HAYDN, FRANZ JOSEPH: Armida (Review by John Bauman) | tenor | HAYDN, FRANZ JOSEPH: L'incontro improvviso (The Unforeseen Encounter) (Review by John Bauman) | Ali | HAYDN, FRANZ JOSEPH: L'incontro improvviso (The Unforeseen Encounter) (Review by John Bauman) | tenor | HAYDN, FRANZ JOSEPH: L'incontro improvviso (Review by William H. Youngren) | Ali | HAYDN, FRANZ JOSEPH: L'infedeltà delusa (Review by William H. Youngren) | Nencio | HAYDN, FRANZ JOSEPH: L'infedeltà delusa. Arias and Trio for insertion into other works (Review by John Bauman) | Nencio | HAYDN, FRANZ JOSEPH: L'infedeltà delusa. Arias and Trio for insertion into other works (Review by John Bauman) | tenor | HAYDN, FRANZ JOSEPH: La vera costanza (Review by William H. Youngren) | Il conte Errico | HAYDN, FRANZ JOSEPH: Mass No. 7 in C, Missa in tempore belli (“Paukenmesse“) (Review by Mortimer H. Frank) | tenor | HAYDN, FRANZ JOSEPH: Missa in tempore belli (Review by James A. Altena) | tenor | HAYDN, FRANZ JOSEPH: Orlando palodino (Review by William H. Youngren) | Medoro | HAYDN, FRANZ JOSEPH: Stabat Mater in G Minor; Mass No. 7 in F "Missa Brevis" Salve Regina in E-Flat; Mass No. 2 in E-Flat (“Grosse Orgelmesse“) (Review by Elliott Kaback) | tenor | HAYDN, FRANZ JOSEPH: Symphonies (Review by Peter J. Rabinowitz) | tenor | HAYDN, FRANZ JOSEPH: “Ah, tu non senti, amico . . . Qual destra omicida“ for Traetta's Infigenia in Tauride. (Ahnsjö). “Tergi i vezzosi rai“ for the second version of Haydn's Acide e Galantea (Devlin). “Se tu mi sprezzi, ingrata“ for Sarti's I finti eredi (Baldin). Trio “Lavatevi presto“ for La Circe, ossia l'isola incanta, pasticcio, attributed to Haydn (Ahnjö, Baldin, Devlin) (Review by John Bauman) | Nencio | HAYDN, FRANZ JOSEPH: “Ah, tu non senti, amico . . . Qual destra omicida“ for Traetta's Infigenia in Tauride. (Ahnsjö). “Tergi i vezzosi rai“ for the second version of Haydn's Acide e Galantea (Devlin). “Se tu mi sprezzi, ingrata“ for Sarti's I finti eredi (Baldin). Trio “Lavatevi presto“ for La Circe, ossia l'isola incanta, pasticcio, attributed to Haydn (Ahnjö, Baldin, Devlin) (Review by John Bauman) | tenor | KRAUS, JOSEPH MARTIN: Arias, Cantatas, and Overtures (Review by David Johnson) | tenor | KRAUS, JOSEPH MARTIN: Prosperili (Review by David Johnson) | tenor | MENDELSSOHN, FELIX: Elias. Paulus (Review by Jerry Dubins) | tenor | MOZART: Bastien und Bastienne, K. 50 (Review by John Bauman) | Bastien | MOZART: Bastien und Bastienne, K. 50 (Review by John Bauman) | tenor | MOZART: Die Schuldigkeit des ersten Gebots, K. 35 (Review by Ralph V. Lucano) | Christ | MOZART: Die Schuldigkeit des ersten Gebots, K. 35 (Review by Ralph V. Lucano) | tenor | MOZART: Il Sogno di Scipione, K. 126 (Review by Leonard J. Brandt) | Publio | MOZART: Il Sogno di Scipione, K. 126 (Review by Leonard J. Brandt) | tenor | MOZART: La Betulia Liberata, KV/K. 118 [74c] (Review by John Yohalem) | Ozia | MOZART: La Betulia Liberata, KV/K. 118 [74c] (Review by John Yohalem) | tenor | MOZART: Le nozze dl Figaro, K. 492 (Review by Ralph V. Lucano) | Curzio | MOZART: Le nozze dl Figaro, K. 492 (Review by Ralph V. Lucano) | tenor | MOZART: Symphony No. 40. Requiem (Review by Henry Fogel) | tenor | NICOLAI: The Merry Wives of Windsor (Review by John Yohalem) | Fenton | NICOLAI: The Merry Wives of Windsor (Review by John Yohalem) | tenor | NORMAN, LUDVIG: Waldliedeř. Valda Sånger (Review by Henry Fogel) | tenor | NYSTRÖM: Songs By the Sea'. The Merchant of Venice (Review by John Ditsky) | tenor | PUCCINI II, GIACOMO: Gianni Schicchi (Review by Henry Fogel) | Rinuccio | SÖDERMAN: Catholic Mass (Review by Richard Burke) | tenor | SÖDERMAN: Digte og Sange (Review by Henry Fogel) | tenor | SÖDERMAN: I månans skimmer (Review by Henry Fogel) | tenor | SÖDERMAN: The Pilgrimage to Kevlaar (Review by Richard Burke) | tenor | VIVALDI, ANTONIO: Tito Manlio, RV 738 (Review by Nils Anderson) | Geminio | VIVALDI, ANTONIO: Tito Manlio, RV 738 (Review by Nils Anderson) | tenor | WAGNER, RICHARD: Tristan und Isolde (Review by Lynn René Bayley) | Melot |
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