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Performer: John Mark Ainsley THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Auf dem Strom, D 943 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Bei dir Allein, D 866/2 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Glaube, Hoffnung und Liebe, D 955 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Herbst, D 945 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Irdisches Glück, D 866/4 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Lebensmut, D 937 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor | SCHUBERT, THE FINAL YEAR: The Hyperion Schubert Edition, Vol. 37: Schwanengesang, D 957 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | tenor | SONGS BY PETER WARLOCK: The Wind from the West. To the Memory of a Great Singer. Take, O take those lips away. As ever I saw. The bay ley berith the bell away. There is a lady sweet and kind. Lullaby. Sweet Content. Late Summer. The Singer. Rest, sweet nymphs. Sleep. A Sad Song. In an Arbour Green. Autumn Twilight. I held love's head. Thou gav'st me leave to kiss. Yarmouth Fair. Pretty Ring Time. A Prayer to Saint Anthony. The Sick Heart. Robin Good-fellow. Julian of Berry. Fair and True. Ha 'nacker Mill. The Night. My Own Country. The First Mercy. The Lover's Maze. Cradle Song. Sigh no more, ladies. Passing by. The Contented Lover. The Fox (Review by Adrian Corleonis) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | tenor | BERLIOZ: L’Enfance du Christ... (Charles Dutoit) (Review by Adrian Corleonis) | tenor | L’INVITATION AU VOYAGE—MÉLODIES FROM LA BELLE...: (Review by Joel Kasow) | tenor | MUSIC FOR THE LION-HEARTED KING: (Review by J. F. Weber) | tenor | PURCELL: Orpheus Britannicus;... (Felicity Lott) (Review by Martin Anderson) | tenor | BACH, JOHANN SEBASTIAN: Cantata No. 208 (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: Magnificat, BWV243 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by J. F. Weber) | Evangelist | BEETHOVEN, LUDWIG VAN: Cantata on the Death of Emperor Joseph II, WoO 87. Cantata on the Accession of Emperor Leopold II, WoO 88. Opferlied, op. 121b. Meeresstille und glückliche Fahrt, op. 112 (Review by James H. North) | tenor | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Steven E. Ritter) | tenor | BEETHOVEN, LUDWIG VAN: Mass in C (Review by Steven E. Ritter) | tenor | BEETHOVEN, LUDWIG VAN: Mass in C, op. 86. Ah! perfido, op. 65. Ne' giorni tuoi felici, WoO 93. Tremate, empi, tremate, op. 116 (Review by James H. North) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot) | tenor | BERKELEY, LENNOX: 5 Poems of W. H. Auden (Review by Phillip Scott) | tenor | BERKELEY, LENNOX: 5 Poems of W. H. Auden, op. 53 (Review by Huntley Dent) | tenor | BERLIOZ: Grande Messe des morts (Review by Adrian Corleonis) | tenor | BERLIOZ: Huit scènes de Faust, op. 1.“ L'imperiale, op. 26.“ Nuits d'été, op 7 (Review by Adrian Corleonis) | tenor | BERLIOZ: Irlande, op. 2 (Review by Adrian Corleonis) | Le Récitant | BERLIOZ: Les Troyens (Review by Lynn René Bayley) | Hylas | BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis) | Le Récitant | BERLIOZ: Mélodies (Review by Adrian Corleonis) | Le Récitant | BERLIOZ: Mélodies (Review by Adrian Corleonis) | tenor | BERLIOZ: Quartetto e coro dei maggi, for chorus (1832) (Review by Adrian Corleonis) | Le Récitant | BERLIOZ: Sara la baigneuse, for triple chorus and orchestra (1850) (Review by Adrian Corleonis) | Le Récitant | BERLIOZ: Sara la baigneuse. Tristia (Review by Adrian Corleonis) | tenor | BLOW, JOHN: Fairest Work of Happy Nature—Songs and Keyboard Music (Review by Tom Moore) | tenor | BLOW, JOHN: No more, the dear lovely nymph's no more. Prelude in G. The self-banish'd. Lovely Selina, innocent and free. Morlake Ground. O turn not those fine eyes away. Sett No. 1 in D. Sett No. 3 in A Minor. Fairest work of happy nature. Flavia grown old. Ground in G Minor. Oh! that mine eyes would melt into a flood. Verse in G Minor. O mighty God, who sit'st on high. Sabina has a thousand charms. Of all the torments, all the cares. Ground in C. No, Lesbia, you ask in vain—Elegy on the Death of Queen Mary (Review by Tom Moore) | tenor | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | Lysander | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | tenor | BRITTEN: Billy Budd (Review by Alan Swanson) | Captain Vere | BRITTEN: Billy Budd (Review by James A. Altena) | Capt. Vere | BRITTEN: Billy Budd (Review by Alan Swanson) | Capt. Vere | BRITTEN: Deus In adjutorlum meum. Chorale on an old French carol. Cantata misericordium, op. 69 (Review by John D. Wiser) | tenor | BRITTEN: Fancy. The Holy Sonnets of John Donne, op. 35 (Review by Huntley Dent) | tenor | BRITTEN: Les Illuminations, op. 18. Nocturne, op. 60. Serenade for Tenor, Horn, and Strings, op. 31 (Review by James Miller) | tenor | BRITTEN: Spring Symphony. Hymn to St. Cecilia. Five Flower Songs (Review by Lawrence A. Johnson) | tenor | BRITTEN: The Holy Sonnets of John Donne. Fancie (Review by Phillip Scott) | tenor | BRITTEN: The Rape of Lucretia (Review by Lynn René Bayley) | Male Chorus | BRITTEN: The Rape of Lucretia (Review by Andrew Quint) | Male Chorus | BRITTEN: The Rescue of Penelope. Phaedra, op. 93 (Review by Joel Kasow) | tenor | BRITTEN: War Requiem (Review by Ronald E. Grames) | tenor | BRITTEN: War Requiem (Review by J. F. Weber) | tenor | BRITTEN: War Requiem (Review by Raymond Tuttle) | tenor | BRUCKNER, ANTON: Mass No. 3 in F Minor (Nowak edition). Psalm 150 (Review by Ron McDonald) | tenor | BRUCKNER, ANTON: The Masses (Review by Robert McColley) | tenor | BUXTEHUDE: Membra Jesu nostri (Review by Lynn René Bayley) | tenor | BUXTEHUDE: Membra Jesu nostri (Review by J. F. Weber) | tenor | CZERNOWIN, CHAYA: Adama (Review by Brian Robins) | Sultan Soliman | DE LISLE, ROUGET: (arr. Berlioz) Hymne des Marseillaise* (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Au cimetière, op. 51/2 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Chanson d’amour, op. 27/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: C’est la paix, op. 114 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: En prière. La rançon, op. 8/2 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: La bonne chanson, op. 61 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Larmes, op. 51/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Les matelots. Seule! Chanson du pêcheur. Barcarolle. Tarentelle. Au bord de l'eau. Les berceaux. Au cimetière. Larmes. 5 mélodies "de Venise." Pleurs d'or. Accompagnement. La fleur qui va sur l'eau. Mirages. C'est la paix. L'horizon chimérique (Review by Marc Mandel) | tenor | FAURÉ, GABRIEL: Les matelots. Seule. Chanson du pêcheur Barcarolle. Tarentelle.“ Au bord de l'ea. tes berceaux. Au cimitière. Larmes. 5 mélodies “de Venise.“ Pleurs d'or. Accompagnement. La fleur qui va sur l'eau.Mirages. C'est la paix. L'horizon chimérique (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Les presents, op. 46/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: L’absent, op. 5/3 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: L’horizon chimérique, op. 118 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Marc Mandel) | tenor | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Nocturne, op. 43/2 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Pleurs d’or, op. 72 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Prison, op. 83/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Puisque j'ai mis ma lèvre. Tristesse d'Olympio. Hymne, op. 7/2. Sylvie, op. 6/3. Poème d'un jour, op. 21 Nell, op. 18/1. Worre amour, op.23/2. Le secret, op. 23/3. Chanson d'amour, op. 27/1. Fleur jetée, op. 39/1. Les présents, op. 46/1. Shylock, op. 57 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Puisque j’ai mis ma levre. Noël, op. 43/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Seule!, op. 3/1 (Review by David Cutler) | tenor | FAURÉ, GABRIEL: Vocalise (Review by David Cutler) | tenor | FERGUSON, HOWARD: Sonatas for Violin and Piano (Review by John D. Wiser) | tenor | FINZI: In Years Defaced (Review by Ian Lace) | tenor | FINZI: In Years Defaced (Review by Walter Simmons) | tenor | FINZI: Intimations of lmmortality. Dies Natalis (Review by Walter Simmons) | tenor | FINZI: Requiem da Camera (Review by John D. Wiser) | tenor | GABRIELI, GIOVANNI: Quem vidistis pastores. Audite principes. O magnum mysterium. Salvator noster (Review by J. F. Weber) | Evangelist | GILBERT AND SULLIVAN: H.M.S. Pinafore (Review by Huntley Dent) | Sir Joseph Porter KCB | GOLDSCHMIDT, BERTHOLD: Der gewaltige Hahnrei. Mediterranean Songs (Review by James H. North) | tenor | GRAINGER: Jungle Book (Review by Joel Kasow) | tenor | GRAINGER: Shallow Brown. Kipling Settings (Review by Joel Kasow) | tenor | HADLEY, PATRICK: Lenten Cantata. I Sing of a Maiden. A Song for Easter. The Cup of Blessing. My Beloved Spake (Review by Haig Mardirosian) | tenor | HANDEL, GEORGE FRIDERIC: (arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day (Review by Michael Carter) | tenor | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano) | Acis | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Henry Fogel) | Oronte | HANDEL, GEORGE FRIDERIC: Birthday Ode for Queen Anne. Te Deum in D. Wedding Anthem for HRH Prince Frederick (Review by Michael Carter) | tenor | HANDEL, GEORGE FRIDERIC: Dixit Dominus. Nisi Dominus. Salve Regina (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Eternal Source of Light Divine. Te Deum in D ("Queen Caroline"). Wedding Anthem ("Sing Unto God") (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano) | Jephtha | HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | Judah | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | Simeon | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | tenor | HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano) | Joshua | HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: La resurrezione (Review by Ralph V. Lucano) | Giovanni | HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Brian Robins) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Music for Royal Occasions (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia's Day (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch) | JONATHAN | HANDEL, GEORGE FRIDERIC: Saul (Review by James A. Altena) | JONATHAN | HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch) | tenor | HANDEL, GEORGE FRIDERIC: Saul (Review by Patrick Rucker) | tenor | HANDEL, GEORGE FRIDERIC: Tamerlano (Review by Barry Brenesal) | Bajazet | HANDEL, GEORGE FRIDERIC: The Occasional Oratorio (Review by Ralph V. Lucano) | tenor | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | Acis | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | tenor | HAYDN, FRANZ JOSEPH: Arianna a Naxos. Das Leben ist ein Traum. Auch die Sprödeste der Schönen. Sailor's Song. Recollections The Wanderer. A Pastoral Song. Piercing Eyes. Despair.' Sympathy. Pleasing Pain) She never told her love. The Mermaid's Song.' Content. Fidelity.* The Spirit's Song. O Tuneful Voice (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: Songs (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: The Seasons (Review by James H. North) | tenor | HEGGIE: Friendly Persuasions (Review by Phillip Scott) | tenor | HEGGIE: Friendly Persuasions (Review by Huntley Dent) | tenor | HENZE, HANS WERNER: L'upupa (Review by James H. North) | The Demon | HOLST, GUSTAV: Psalm 86. Psalm 148 (Review by John D. Wiser) | tenor | HOWELLS, HERBERT: An Old Man's Lullaby. Here She Lies. O Garlands. Two South African Settings. Upon a Summer's Day. By the Hearth-stone. Blaweary. Three Folksongs'. Sweet Content''. A Garland for de la Mare“. Peacock Pie, op. 33. Four French Chansons, op. 29'. In Green Ways, op. 43'. Old Meg' Three Children's Songs'. Four Songs, op. 22. Lost Love. O, My Deir Hert. Come Sing and Dance. The Mugger's Song“. The Little Boy Lost“ The Restful Branches MallyO!“ Old Skinflint. King David Gavotte Flood Goddess of the Night (Review by Peter J. Rabinowitz) | tenor | HOWELLS, HERBERT: Hymnus Paradisi. An English Mass (Review by Robert McColley) | tenor | HOWELLS, HERBERT: Songs (Complete) (Review by Peter J. Rabinowitz) | tenor | JANÁČEK, LEOŠ: From the House of the Dead (Review by James H. North) | Skuratov | MARTINI, J. P. A.: (arr. Berlioz) Plaisir d'amour?* (Review by Adrian Corleonis) | tenor | MENDELSSOHN, FELIX: Elias, op. 70 (Review by James Miller) | tenor | MENDELSSOHN, FELIX: Elijah (Review by James Miller) | tenor | MONTEVERDI: L'Orfeo (Review by J. F. Weber) | ORFEO | MONTEVERDI: L'Orfeo (Review by J. F. Weber) | tenor | MOZART: Abendempfindung. Oiseaux, si tous les ans. Dans un boire solitaire. An die Freude. An die Einsamkeit. Wie unglücklich bin ich. Komm, liebe Zither. Die Zauberer. An Chloe. Das Lied der Trennung. Das Veilchen. Ridente ìa calma. An die Freundschaft. Die Zufriedenheit. Des kleinen Friedrichs Geburtstag. Die kleine Spinnerin. An die Hoffnung. Als Luise die Briefe. Das Traumbild. Lied der Freiheit. Die Alte. Das Kinderspiel. Sehnsucht nach dem Frühlinge. Im Frühlingsanfang. Die ihr des unermesslichen Weltalls (Review by Ralph V. Lucano) | tenor | MOZART: Ave verum corpus, K 618 (Review by George Chien) | tenor | MOZART: Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber) | tenor | MOZART: Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) (Review by Bernard Jacobson) | tenor | MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner) | Don Ottavio | MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner) | tenor | MOZART: Idomeneo (Review by David L. Kirk) | Idomeneo | MOZART: Idomeneo (Review by Bill White) | Idomeneo | MOZART: La finta giardiniera (Review by Joel Kasow) | Belfiore | MOZART: La finta giardiniera (Review by Christopher Williams) | Belfiore | MOZART: Masonic Funeral Music, K 477 (Review by George Chien) | tenor | MOZART: Mass in C Minor, K. 427 (Review by J. F. Weber) | tenor | MOZART: Requiem, K 626 (completed by Druce) (Review by George Chien) | tenor | MOZART: Requiem, K 626. Ave verum corpus, K 618. Maurerische Trauermusik, K 447 (Review by Michael Carter) | tenor | MOZART: Songs (Review by Ralph V. Lucano) | tenor | MOZART: Zaide (Review by Brian Robins) | Sultan Soliman | MOZART/DRUCE: Requiem, K. 626. Masonic Funeral Music, K. 477. Ave verum corpus, K. 618 (Review by J. F. Weber) | tenor | POULENC, FRANCIS: Cinq poèmes de Paul Eluard. Chansons villageoises (Review by Lynn René Bayley) | tenor | POULENC, FRANCIS: Tel jour telle nuit. Fancie. Bleuet (Review by Huntley Dent) | tenor | POULENC, FRANCIS: Tel jour telle nuit. Fancy. Bleuet (Review by Phillip Scott) | tenor | PURCELL, HENRY: Come ye sons of art, Z.323. Welcome to all the pleasures, Z.339. Funeral Music for Queen Mary. Funeral Sentences (Review by J. F. Weber) | tenor | PURCELL, HENRY: Complete Odes and Welcome Songs, Volume 5 (Review by Heuwell Tircuit) | tenor | PURCELL, HENRY: Dido and Aeneas (Review by Barry Brenesal) | Sailor | PURCELL, HENRY: Dido and Aeneas (Review by Ralph V. Lucano) | tenor | PURCELL, HENRY: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel) | tenor | PURCELL, HENRY: Ode for the Birthday of Queen Mary II, 1694 (“Come, Ye Sons of Art, Away“). Ode for St. Cecilia's Day, 1683 (“Welcome to All the Pleasures“). The Yorkshire Feast Song, 1690(“OfOld, When Heroes Thought It Base“) (Review by Michael Ullman) | tenor | PURCELL, HENRY: Ode for the Birthday of Queen Mary, Z. 338 (“Welcome, welcome, glorious morn“). Welcome Song for King Charles II, Z. 337 (“The summer's absence unconcerned we bear“). Ode for the Centenary of Trinity College Dublin, Z. 327 (“Great Parent, Hail!“) (Review by Heuwell Tircuit) | tenor | PURCELL, HENRY: OdeforSt. Cecilia's Day, 1692 (“Hail! Bright Cecilia“). Ode for the Birthday of the Duke of Gloucester, 1695 (“Who Can From Joy Refrain?“) (Review by Michael Ullman) | tenor | PURCELL, HENRY: The Fairy Queen (Review by Heuwell Tircuit) | tenor | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Aerial Spirit | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Fame | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Follower Of Cupid | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Indian Boy | PURCELL, HENRY: Timon of Athens (Review by Michael Ullman) | tenor | QUILTER: Songs (Review by Martin Anderson) | tenor | QUILTER: Three Shakespeare Songs, op. 6. Four Songs of Mirza Schaffy, op. 2. Autumn Evening, op. 14, no. 1. June. Two September Songs, op. 18; no. 5; no. 6. Arab Love Song, op. 25, no. 4. Music, when soft voices die, op. 25, no. 2. Love's Philosophy, op. 3, no. 1. Five Shakespeare Songs, op. 23. Now sleeps the crimson petal, op. 3, no. 2. Go, lovely Rose, op. 24, no. 3. A last year's Rose, op. 14, no. 3. Four Child Songs, op. 5 (Review by Martin Anderson) | tenor | RAMEAU, JEAN-PHILIPPE: Dardanus (Review by Brian Robins) | Dardanus | RAVEL: L’Heure espagnole. Rapsodie espagnole (Review by James Miller) | Gonsalve | RUBBRA, EDMUND: Three Motets, op. 76. Missa in Honorem Sancii Dominici, op. 66. Three Hymn Tunes, op. 14. Magnificat and Nunc Dimittis in A b, op. 65 (Review by Haig Mardirosian) | tenor | SCHUBERT: Complete Songs, Vol. 28 (Review by David Johnson) | tenor | SCHUBERT: Complete Songs, Volume 12 (Review by David Johnson) | tenor | SCHUBERT: Complete Songs, Volume 20 (Review by David Johnson) | tenor | SCHUBERT: Complete Songs, Volume 24 (Review by David Johnson) | tenor | SCHUBERT: Complete Songs, Volume 26 (Review by David Johnson) | tenor | SCHUBERT: Der Einsame, D. 800. Des Sängers Habe. Zwei Szenen aus dem Schauspiel “Lacrimas,“ D. 857 (Review by David Johnson) | tenor | SCHUBERT: Der Vatermörder, D. 10. Der Geistertanz (two versions), D. 15 and 15a. Die Advokaten, D. 3T. Die Schatten, D. 50. Ein Jugendlicher Malenschwung, D. 6Í. Verschwunden sind die Schmerzen, D. 88. Don Gayseros—I, D. 93, no. í. Don Gayseros—II, D. 93, no. 2. Don Gayseros—III, D. 93, no. 3. Adelaide, D. 95. Trost. An Elisa, D. 97. Andenken, D. 99. Lied der Liebe, D 109. Lied aus der Feme, D. 107. Die Betende, D. 102. An Laura, als sie Klopstocks Auferstehungslied sang, D. 115. Sehnsucht (Was Zieht mir das Herz so?), D. 123. Trost im Tränen, D. 119. Ballade, D. 134 (Review by David Johnson) | tenor | SCHUBERT: Lieder (Review by John D. Wiser) | tenor | SCHUBERT: Quintet in A for Piano, Violin, Viola, Cello, and Double bass, op. posth. 114, D. 667 (“Trout“). Seven Lieder (Review by John D. Wiser) | tenor | SCHUBERT: Schäfers Klagelied, D. 121. An Mignon, D. 161. Geistes-Gruss (two versions), D. 142. Rastlose Liebe, D. 138. Der Gott und die Bajadere, D. 254. Tischlied, D. 234. Der Schatzgräber, D. 256. Der Rattenfänger, D. 255. Bundeslied, D. 258. Erlkönig, D. 328. Jägers Abendlied (two versions), D. 215, 368. Wer nie sein Brot mit Tränen ass (two versions), D. 478. Sehnsucht (Nur were die Sehnsucht kennt) (three versions), D. 359, 481, 656. Mignon (So lasst mich scheinen) (two versions), D. 469A, 469B. An Schwager Kronos, D. 369. Hoffnung (Schaff' das Tagwerk meiner Hände), D. 295. Mahomets Gesang, D. 549. Das Goldschmiedsgesell, D. 560. Gesang der Geister über den Wassern (two versions), D. 484, 705 (Review by David Johnson) | tenor | SCHUBERT: Versunken. Im Gegenwärtigen Vergangenes. Mahomets Gesang. Geheimes. Johanna Sebus. Mignon (Heiss mich nicht reden). Die Nachtigall. Sei mir gegrüsst! Frühlingsgesang. Der Wachtelschlag. Geist der Lieve. Die Liebe hat gelogen. Du liebst mich nicht. Todesmusik. Selige Welt. Ihr Grab. Schatzgräbers Begehr. Der Musensohn. Am Flusse. An die Entfernte. Willkommen und Abschied. Des Tages Weihe (Review by David Johnson) | tenor | SCHUBERT: Winterlied, D. 242a. Das Mädchen von Inistore, D. 281. Ossians Lied nach dem Falle Nathos, D. 278. Als ich sie erröten sah, D. 153. Schwangesang, D. 318. Totenkranz für ein Kind, D. 275. Die Fröhlichkeit, D. 262. Der Zufriedene, D. 320. Alles um Liebe, D. 241. Geist der Liebe, D. 233. Die erste Liebe, D. 182. Die Täuschung, D. 230. Liebesrausch, D. 164. Huldigung, D. 240. Heidenröslein, D. 257. Nachtgesang, D. 314. Der Morgenstern, D. 172. Bergknappenlied, D. 268. Trinklied von der Schlacht, D. 169. Schwertlied, D. 170. Begräbnislied, D. 168. Grablied, D. 218. Osterlied, D. 168a. Hoffnung, D. 251. Punschlied (Im Norden zu singen), D. 253. Klage um Ali Bey, D. 140. Abendständchen ( “An Lina“), D. 265. Tischlerlied, D. 274. Wiegenlied (Schlumm're sanft), D. 304. Die Macht der Liebe, D. 308. Trinklied (Ihr Freunde und du, gold'ner Wein), D. 183. Trinklied (Auf! Jeder sei nun froh), D. 267 (Review by David Johnson) | tenor | SCHÜTZ, HEINRICH: Weihnachts-Histoire, SWV 435 (Review by J. F. Weber) | Evangelist | SULLIVAN: The Pirates of Penzance (Review by James Camner) | Frédéric | SULLIVAN: The Pirates of Penzance (Review by James Camner) | tenor | SWANN, D.: A collection of songs. 5 colourisations of Emily Dickinson. 2 sonnets by Edna St Vincent Millay. Stopping by woods. 2 poems by Thomas Hardy. 4 lyrics from In memoriam. 2 poems by Christina Rossetti. Dark rose of my heart. An invite to eternity. The harlot’s house. Six songs to poems by William Blake. Ya vas lyubil ‘I loved you once.’ She is all harmony, all wonder. Some people’s dreams. Marguerite. A red, red rose. It was a lover, and his lass. See, dearest, how the rose. Arcades. We’ll go no more a-roving. Longing. Oh, why are the roses so pale?. Old songs of lost love. In the mist. Raiders’ dawn. The youth of the heart. He wishes for the cloths of heaven. Bilbo’s Last Song (Review by Jim Svejda) | tenor | TAVENER, JOHN: We Shall See Him As He Is (Review by Alex Ross) | tenor | TAVENER, JOHN: We Shall See Him As He Is. Eis Thanaton. Theophany (Review by Ronald E. Grames) | tenor | TIPPETT, MICHAEL: Divertimento on “Sellinger's Round. “ Little Music for String Orchestra. The Heart's Assurance. Concerto for Double String Orchestra (Review by Raymond Tuttle) | tenor | VAUGHAN WILLIAMS: 2 English Folksongs. 10 Blake Songs (Review by Martin Anderson) | tenor | VAUGHAN WILLIAMS: 2 English Folksongs. 10 Blake Songs (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Along the Field. On Wenlock Edge (Review by Martin Anderson) | tenor | VAUGHAN WILLIAMS: Along the Field. On Wenlock Edge (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Dona nobis pacem . Toward the Unknown Region. O Clap Your Hands. Lord, Thou hast been our refuge. Four Hymns (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Merciless Beauty (Review by Martin Anderson) | tenor | VAUGHAN WILLIAMS: Merciless Beauty (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Serenade to Music. Five Mystical Songs. Fantasia on Christmas Carols. Flos Campi (Review by John D. Wiser) | tenor | VIVALDI, ANTONIO: Orlando (Review by Ralph V. Lucano) | tenor | VIVALDI, ANTONIO: Ostro picta, armata spina, RV. 642. Gloria, RV. 589 (Review by George Chien) | tenor | WALTON, WILLIAM: Toccata for Violin and Piano. Duets for Children. Façade (Review by Martin Anderson) | tenor | WARLOCK: Songs (Review by Adrian Corleonis) | tenor | WARLOCK: The Curlew. Capriol— Suite for String Orchestra. Serenade for String Orchestra. Songs for Tenor and String Quartet (Review by Adrian Corleonis) | tenor | WELDON: The Tempest (Review by Ralph V. Lucano) | tenor | ZELENKA: The Lamentations of Jeremiah (Review by David Johnson) | tenor |
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