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Performer: John Aler ADAM, ADOLPHE: Le Postillon de Lonjumeau (Review by David Johnson) | Chapelou | ADAM, ADOLPHE: Le Postillon de Lonjumeau (Review by David Johnson) | tenor | ADAM, ADOLPHE: Le Toréador (Review by David Johnson) | Tracolin | ADAM, ADOLPHE: Le toréador (Review by Henry Fogel) | Tracolin | ADOLPHE, BRUCE: Ladino Songs of Love and Sufferings Noches, noches; Avrix mi galantea; El mi querido; Camini por altas torres; La rosa enflorece; Alta, alta, va la luna. Mikhoels the Wise-) A Train Station in Birobidzhan at Midnight. Out of the Whirlwind (Review by Jerry Dubins) | tenor | AUBER, DANIEL FRANCOIS ESPRIT: La Muette de Portici (Review by David Johnson) | Alphonse | AUBER, DANIEL FRANCOIS ESPRIT: La Muette de Portici (Review by David Johnson) | tenor | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | tenor | BARTÓK: The Wooden Prince, Sz 60. Cantata Profana, Sz 94 (Review by James H. North) | tenor | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123 (Review by Elliott Kaback) | tenor | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, op. 123 (Review by Marc Mandel) | tenor | BEETHOVEN, LUDWIG VAN: Missa Solemnis (Review by Richard Burke) | tenor | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | narrator | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | narrator | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | tenor | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | tenor | BERLIOZ: L’enfance du Christ (Review by Adrian Corleonis) | narrator | BERLIOZ: Requiem (Grand Messe des morts), Op. 5 (Review by Adrian Corleonis) | tenor | BERLIOZ: Roméo et Juliette, Op. 1 7 (Review by Adrian Corleonis) | tenor | BERLIOZ: Te Deum, op. 22 (Review by Adrian Corleonis) | tenor | BIZET: The Pearl Fishers (Review by Henry Fogel) | Nadir | BIZET: The Pearl Fishers (Review by Henry Fogel) | tenor | BOEHM, CARL/DOLE, NATHAN: Calm as the Night (Review by James Miller) | tenor | BOITO, ARRIGO: Mefistofele (Review by Adrian Corleonis) | tenor | CAPEL/BINGHAM: Love, Could I Only Tell Thee (Review by James Miller) | tenor | CHARLES, ERNEST: When I Have Sung My Songs (Review by James Miller) | tenor | CHARPENTIER, MARC-ANTOINE: Te Deum, H. 146. Magnificat, H. 74 (Review by J. F. Weber) | tenor | COATES/BARRIE: Bird Songs at Eventide (Review by James Miller) | tenor | DUNHILL/YEATS: The Cloths of Heaven (Review by James Miller) | tenor | DVOŘÁK, ANTONIN: Requiem (Review by James H. North) | tenor | DVOŘÁK, ANTONIN: Stabat Mater, op. 58. Psalm CXLIX, (Review by James H. North) | tenor | DVOŘÁK, ANTONIN: The Spectre's Bride, op. 69 (Review by James H. North) | tenor | ENESCU, GEORGE: Oedipe (Review by David Johnson) | Laios | ENESCU, GEORGE: Oedipe (Review by David Johnson) | tenor | FIRESTONE/MARSHALL: If I Could Tell You (Review by James Miller) | tenor | GAZZANIGA: Don Giovanni (Review by David Johnson) | Don Giovanni | GAZZANIGA: Don Giovanni (Review by David Johnson) | tenor | GLUCK: Iphighénie en Tauride (Review by David Johnson) | Pylades | GLUCK: Iphighénie en Tauride (Review by David Johnson) | tenor | GLUCK: Iphigénle en Aulide (Review by James Camner) | Achille | GLUCK: Iphigénle en Aulide (Review by James Camner) | tenor | GOUNOD, CHARLES: Mors et vita (Review by David Mason Greene) | tenor | GRIFFES/LANIER: Evening Song (Review by James Miller) | tenor | HAGEMAN, RICHARD/TAGORE: Do Not Go, My Love (Review by James Miller) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Overture; Comfort Ye; Every Valley; And He Shall Purify; 0 Thou That Tellest; For Unto Us; He Shall Feed; Come Unto Him; Hallelujah; I Know That My Redeemer; The Trumpet; Worthy Is the Lamb (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Semele (Review by Ralph V. Lucano) | Jupiter | HANDEL, GEORGE FRIDERIC: Semele (Review by James Camner) | Jupiter | HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena) | Jupiter | HANDEL, GEORGE FRIDERIC: Semele (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Semele (Review by James Camner) | tenor | HAYDN, FRANZ JOSEPH: Die Jahreszeiten, Hob. XXi.3 (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: La fedeltà premiata (Review by James H. North) | Fileno | HONEGGER, ARTHUR: Jeanne d’Arc au bûcher (Review by Peter J. Rabinowitz) | tenor | HONEGGER, ARTHUR: Jeanne d’Arc au bûcher (Review by Huntley Dent) | tenor | JACOBS-BOND, CARRIE: A Perfect Day (Review by James Miller) | tenor | JOHNS, CLAYTON/COATES, FLORENCE EARL: I Love, and the World Is Mine (Review by James Miller) | tenor | LEHÁR: Die lustige Witwe (Review by Bob Rose) | Camille | LEHÁR: Die lustige Witwe (Review by Christopher Williams) | Camille | LEHÁR: Die lustige Witwe (Review by Bob Rose) | tenor | LESLIE/POE: Annabelle Lee (Review by James Miller) | tenor | LISZT: A Faust Symphony (Review by Peter J. Rabinowitz) | tenor | LISZT: A Faust Symphony. Two Episodes from Lenau's Faust (Review by Peter J. Rabinowitz) | tenor | MANA-ZUCCA: I Love Life (Review by James Miller) | tenor | MARSHALL, CHARLES/HARFORD: I Hear You Calling Me (Review by James Miller) | tenor | MESSIAEN: Saint François d’Assise (Review by Robert Carl) | Frère Massée | MESSIAEN: Saint François d’Assise (Review by John Story) | Frère Massée | MOZART: Cosi fan tutte, K. 588 (Review by Mortimer H. Frank) | Ferrando | MOZART: Cosi fan tutte, K. 588 (Review by Mortimer H. Frank) | tenor | MOZART: Der Schauspieldirektor,K 486 (Review by Brian Robins) | M Vogelsang | MOZART: Der Schauspieldirektor,K 486 (Review by Bernard Jacobson) | M Vogelsang | MOZART: Der Schauspieldirektor,K 486 (Review by Brian Robins) | Sofrano | MOZART: Der Schauspieldirektor,K 486 (Review by Bernard Jacobson) | Sofrano | MOZART: Mass in C minor, K. 427 (Review by Elliott Kaback) | tenor | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Brian Robins) | M Vogelsang | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Bernard Jacobson) | M Vogelsang | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Brian Robins) | Sofrano | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Bernard Jacobson) | Sofrano | MUNRO: My Lovely Celia (Review by James Miller) | tenor | NEVIN/FIELD: Little Boy Blue (Review by James Miller) | tenor | NEWMAN-CHARLES: The Green-Eyed Dragon (Review by James Miller) | tenor | OFFENBACH: La Belle Hélène—Complete Operetta (Review by John Ditsky) | Pans | OFFENBACH: La Belle Hélène—Complete Operetta (Review by John Ditsky) | Paris | ORFF: Carmina Burana (Review by J. F. Weber) | tenor | PERERA: Alternate Routes. Crossing the Meridian. 3 Poems of Günter Grass. Visions (Review by John Story) | tenor | PURCELL/HERRICK, E.: Passing By (Review by James Miller) | tenor | QUILTER/SHELLEY: Loire's Philosophy (Review by James Miller) | tenor | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by David Johnson) | Calisis | RASBACH: Trees (Review by James Miller) | tenor | RIEGO, TERESA DEL/SALMON, ARTHUR: Homing (Review by James Miller) | tenor | ROSSINI: Le Comte Ory (Review by David Johnson) | Le Comte Ory | ROSSINI: Le Comte Ory (Review by David Johnson) | tenor | SANDERSON/TESCHEMACHER: Until (Review by James Miller) | tenor | SCHUMANN: Spanish Love Songs. Andante and Variations, for Two Pianos, Two Cellos, and Horn (Review by Paul Turok) | tenor | SEITZ-LOCKHART: The World Is Waiting for the Sunrise (Review by James Miller) | tenor | STEFFANI, AGOSTINO: La libertà contenta (Review by Henry Fogel) | Pericle | STEFFANI, AGOSTINO: La libertà contenta (Review by Henry Fogel) | tenor | STRAUSS II, JOHANN: Der Zigeunerbaron (Review by Christopher Williams) | Camille | STRAUSS II, JOHANN: Kunstlerleben. Roses aus dem Süden. Geschichten aus dem Wienerwald. Kaiser-Walzer. An der schönen blauen Donau (Review by Christopher Williams) | Camille | STRAVINSKY, IGOR: Apollo' Concerto in D for Strings. Cantata (Review by John D. Wiser) | tenor | STRAVINSKY, IGOR: Pulcinella (complete ballet music). Renard. Suites Nos. 1 and 2 for Small Orchestra. Ragtime for Eleven Instruments (Review by John D. Wiser) | tenor | STRAVINSKY, IGOR: Pulcinella (complete ballet). Ragtime for Eleven Instruments. Renard. Octet for Winds (Review by John D. Wiser) | tenor | STRAVINSKY, IGOR: Renard (Review by Art Lange) | tenor | SULLIVAN/PROCTOR: The Lost Chord (Review by James Miller) | tenor | TOSELLI/SILVESTRI: Serenade (Review by James Miller) | tenor | VERDI, GIUSEPPE: Te Deum (Review by Adrian Corleonis) | tenor | WOODFORDE-FINDEN/HOPE: Kashmiri Song (Review by James Miller) | tenor | ZAIMONT, JUDITH LANG: Sacred Service for the Sabbath Evening (Review by Jerry Dubins) | tenor |
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