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Performer: William Anderson BRICKLE; BUSONI, FERRUCCIO; PEROTINUS: (Review by Lynn René Bayley) | theorbo | BRICKLE; BUSONI, FERRUCCIO; PEROTINUS: (Review by David DeBoor Canfield) | theorbo | BRICKLE; BUSONI, FERRUCCIO; PEROTINUS: (Review by Colin Clarke) | theorbo | VAUGHAN WILLIAMS; TRADITIONAL: (Review by James A. Altena) | Constable | ANDERSON, WILLIAM: Guitar Variations (Review by Ronald E. Grames) | guitar | ANDERSON, WILLIAM: Guitar Variations (Review by Colin Clarke) | guitar | ANDERSON, WILLIAM: J’entends le moulin. Grüne Heinrich. Djuna Barnes Settings. Poema armónico. Les fraises et les framboises. Afterlight (for Dottie). Of Course. The Job of Journeywork. Quant L’herba Fresq. My Morphine. Various Roses. Melusine (Review by David DeBoor Canfield) | guitar | ANDERSON, WILLIAM: Variations (Review by Robert Kirzinger) | guitar | APOSTEL: 6 Musiken (Review by Robert Kirzinger) | guitar | APOSTEL: 6 Musiken (Review by Ronald E. Grames) | guitar | APOSTEL: 6 Musiken (Review by Colin Clarke) | guitar | BABBITT: Danci (Review by Robert Kirzinger) | guitar | BABBITT: Danci (Review by Ronald E. Grames) | guitar | BABBITT: Danci (Review by Colin Clarke) | guitar | BABBITT: Quatrains. My Ends Are My Beginnings. Manifold Music. Soli e duettini. Swan Song No. 1 (Review by Robert Kirzinger) | guitar | BABBITT: Quatrains. My Ends Are My Beginnings. Manifold Music. Soli e duettini. Swan Song No. 1 (Review by Robert Kirzinger) | mandolin | BABBITT: Soli e Duetti—Guitar Duo (Review by Mike Silverton) | guitar | BISCARDI: Resisting Stillness (Review by Robert Schulslaper) | guitar | BISCARDI: Resisting Stillness (Review by Colin Clarke) | guitar | BISCARDI: Resisting Stillness (Review by Maria Nockin) | guitar | BISCARDI: Resisting Stillness (Review by Lynn René Bayley) | guitar | BRICKLE: Denk Es, O Seele! (Review by Lynn René Bayley) | guitar | BRICKLE: Denk Es, O Seele! (Review by David DeBoor Canfield) | guitar | BRICKLE: Denk Es, O Seele! (Review by Colin Clarke) | guitar | BRICKLE: Denk Es, O Seele! (Review by Lynn René Bayley) | mandolin | BRICKLE: Denk Es, O Seele! (Review by David DeBoor Canfield) | mandolin | BRICKLE: Denk Es, O Seele! (Review by Colin Clarke) | mandolin | BRICKLE: Genius Loci (Review by Robert Schulslaper) | guitar | BRICKLE: Genius Loci (Review by Colin Clarke) | guitar | BRICKLE: Genius Loci (Review by Maria Nockin) | guitar | BRICKLE: Genius Loci (Review by Lynn René Bayley) | guitar | CLAMAN: Variations on “Amba Kamakshi”. Piece of Work Liberties Taken. Avaley Taan. Like This. Loomings. Brit. Loose Cannons II–IV (Review by David DeBoor Canfield) | mandolin | CORBETT, SIDNEY: Archipel Chagall II (Review by Robert Schulslaper) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Colin Clarke) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Maria Nockin) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Lynn René Bayley) | guitar | CORELLI, ARCANGELO: 3 Duos (Review by Robert Kirzinger) | guitar | CORELLI, ARCANGELO: 3 Duos (Review by Ronald E. Grames) | guitar | CORELLI, ARCANGELO: 3 Duos (Review by Colin Clarke) | guitar | DAVIDOVSKY, MARIO: Synchronisms No. 10, for Guitar and Electronic Sounds (Review by Mike Silverton) | guitar | DAWE: Under the Tafelmusik (Review by Robert Kirzinger) | guitar | DAWE: Under the Tafelmusik (Review by Ronald E. Grames) | guitar | DAWE: Under the Tafelmusik (Review by Colin Clarke) | guitar | FLAHERTY: Cross-Currents, for Guitar Duo" (Review by Mike Silverton) | guitar | HINDEMITH, PAUL: Rondo for 3 Guitars (Review by Robert Kirzinger) | guitar | HINDEMITH, PAUL: Rondo for Three Guitars (Review by Ronald E. Grames) | guitar | HINDEMITH, PAUL: Rondo for Three Guitars (Review by Colin Clarke) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Robert Schulslaper) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Colin Clarke) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Maria Nockin) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Lynn René Bayley) | guitar | KREIGER, ARTHUR: Meeting Places. Caprice. Voyage. Uncommon Bonds. In Short Crystal Moments. Close Encounters. Electronic Study, In Memoriam (Review by Peter Burwasser) | guitar | KRENEK, ERNST: Hausmusik (Review by Robert Kirzinger) | guitar | KRENEK, ERNST: Hausmusik. Suite for Guitar (Review by Ronald E. Grames) | guitar | KRENEK, ERNST: Hausmusik. Suite for Guitar (Review by Colin Clarke) | guitar | KRENEK, ERNST: Suite (Review by Robert Kirzinger) | guitar | KUPFERMAN, MEYER: Aristo Variations. Night Voices. Dark Orpheus. Blue Sonata (Review by Alex Ross) | guitar | KUPFERMAN, MEYER: Echoes from Barcelona. Exordium. Poetics #3 (Review by John Story) | guitar | KUPFERMAN, MEYER: Music for Guitar, Vol. 1 (Review by John Story) | guitar | KUPFERMAN, MEYER: Poetics (Review by David Denton) | guitar | KUPFERMAN, MEYER: Strumming (Review by David Denton) | guitar | KUPFERMAN, MEYER: Strumming. Through a Glass Darkly (Review by John Story) | guitar | KUPFERMAN, MEYER: Through a Glass Darkly. Echoes from Barcelona. Exordium (Review by David Denton) | guitar | KUPFERMAN, MEYER: Tuba Concerto. Going Home. Into the Breach. Percussion Symphony, “. . . On Tibet and Tiannanrnan Square . . .“ Structures (Review by William Zagorski) | guitar | KUPFERMAN, MEYER: Tuba Concerto. Going Home. Into the Breach. Percussion Symphony, “. . . On Tibet and Tiannanrnan Square . . .“ Structures (Review by John Story) | guitar | LANG, DAVID: Warmth (Review by Robert Schulslaper) | guitar | LANG, DAVID: Warmth (Review by Colin Clarke) | guitar | LANG, DAVID: Warmth (Review by Maria Nockin) | guitar | LANG, DAVID: Warmth (Review by Lynn René Bayley) | guitar | LENNON, JOHN ANTHONY: Zingari— Concerto for Guitar and Orchestra (Review by Mike Silverton) | guitar | MARTIN, ROBERT: Henry’s Lullaby (Review by Robert Kirzinger) | guitar | MARTIN, ROBERT: Henry’s Lullaby (Review by Ronald E. Grames) | guitar | MARTIN, ROBERT: Henry’s Lullaby (Review by Colin Clarke) | guitar | NAITO: Winter Shadow (Review by Art Lange) | guitar | POLLOCK: Entertwined (Review by Robert Schulslaper) | guitar | POLLOCK: Entertwined (Review by Colin Clarke) | guitar | POLLOCK: Entertwined (Review by Maria Nockin) | guitar | POLLOCK: Entertwined (Review by Lynn René Bayley) | guitar | POLLOCK: Romance-Fantasy. Cygnature Piece. Entertwined. Metaphor. Chamber Setting No. 2. Revolution. Metaphor (Review by Colin Clarke) | guitar | POWELL, MEL: Setting—for Solo Guitar (Review by Mike Silverton) | guitar | REYNOLDS, ROGER: The Behavior of Mirrors, for Solo Guitar (Review by Mike Silverton) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Robert Schulslaper) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Colin Clarke) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Maria Nockin) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Lynn René Bayley) | guitar | VAUGHAN WILLIAMS: Hugh the Drover (Review by Ronald E. Grames) | Constable | VAUGHAN WILLIAMS: Hugh the Drover (Review by James A. Altena) | Constable | WELCH: My Morphine (Review by Robert Schulslaper) | guitar | WELCH: My Morphine (Review by Colin Clarke) | guitar | WELCH: My Morphine (Review by Maria Nockin) | guitar | WELCH: My Morphine (Review by Lynn René Bayley) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Robert Schulslaper) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Colin Clarke) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Maria Nockin) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Lynn René Bayley) | guitar | WUORINEN, CHARLES: Guitar Sonata (Review by Colin Clarke) | guitar | WUORINEN, CHARLES: Psalm 39 (Review by Colin Clarke) | guitar |
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