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Performer: Georgie Auld Georgie Auld: Homage (Georgie Auld) (Review by Andrew Sussman) | tenor saxophone | ADAMSON-MCHUGH: Here Comes Heaven Again (Review by Lynn René Bayley) | alto saxophone | ADAMSON-MCHUGH: Here Comes Heaven Again (Review by Lynn René Bayley) | soprano saxophone | ADAMSON-MCHUGH: Here Comes Heaven Again (Review by Lynn René Bayley) | tenor saxophone | ADAMSON-MCHUGH: Here Comes Heaven Again (Review by Lynn René Bayley) | vocal | ARLEN-KOEHLER: Stormy Weather (Review by Lynn René Bayley) | alto saxophone | ARLEN-KOEHLER: Stormy Weather (Review by Lynn René Bayley) | soprano saxophone | ARLEN-KOEHLER: Stormy Weather (Review by Lynn René Bayley) | tenor saxophone | ARLEN-KOEHLER: Stormy Weather (Review by Lynn René Bayley) | vocal | AULD-GALE-GALLOP: I’ve Got a Right to Know (Review by Lynn René Bayley) | alto saxophone | AULD-GALE-GALLOP: I’ve Got a Right to Know (Review by Lynn René Bayley) | soprano saxophone | AULD-GALE-GALLOP: I’ve Got a Right to Know (Review by Lynn René Bayley) | tenor saxophone | AULD-GALE-GALLOP: I’ve Got a Right to Know (Review by Lynn René Bayley) | vocal | AULD-JOHNSON: Daily Double (2 versions) (Review by Lynn René Bayley) | alto saxophone | AULD-JOHNSON: Daily Double (2 versions) (Review by Lynn René Bayley) | soprano saxophone | AULD-JOHNSON: Daily Double (2 versions) (Review by Lynn René Bayley) | tenor saxophone | AULD-JOHNSON: Daily Double (2 versions) (Review by Lynn René Bayley) | vocal | AULD: Jump, Georgie, Jump. Chicken Lickin’ (Review by Lynn René Bayley) | alto saxophone | AULD: Jump, Georgie, Jump. Chicken Lickin’ (Review by Lynn René Bayley) | soprano saxophone | AULD: Jump, Georgie, Jump. Chicken Lickin’ (Review by Lynn René Bayley) | tenor saxophone | AULD: Jump, Georgie, Jump. Chicken Lickin’ (Review by Lynn René Bayley) | vocal | CHRISTIAN-GOODMAN: Airmail Special (Review by Lynn René Bayley) | alto saxophone | CHRISTIAN-GOODMAN: Airmail Special (Review by Lynn René Bayley) | soprano saxophone | CHRISTIAN-GOODMAN: Airmail Special (Review by Lynn René Bayley) | tenor saxophone | CHRISTIAN-GOODMAN: Airmail Special (Review by Lynn René Bayley) | vocal | ELLINGTON/STRAYHORN/GAINES: Just A-Settin’ and A-Rockin’ (Review by Lynn René Bayley) | alto saxophone | ELLINGTON/STRAYHORN/GAINES: Just A-Settin’ and A-Rockin’ (Review by Lynn René Bayley) | soprano saxophone | ELLINGTON/STRAYHORN/GAINES: Just A-Settin’ and A-Rockin’ (Review by Lynn René Bayley) | tenor saxophone | ELLINGTON/STRAYHORN/GAINES: Just A-Settin’ and A-Rockin’ (Review by Lynn René Bayley) | vocal | GREER-KLAGES: Just You, Just Me (Review by Lynn René Bayley) | alto saxophone | GREER-KLAGES: Just You, Just Me (Review by Lynn René Bayley) | soprano saxophone | GREER-KLAGES: Just You, Just Me (Review by Lynn René Bayley) | tenor saxophone | GREER-KLAGES: Just You, Just Me (Review by Lynn René Bayley) | vocal | JAMES-MILLER: Come to Baby, Do (Review by Lynn René Bayley) | alto saxophone | JAMES-MILLER: Come to Baby, Do (Review by Lynn René Bayley) | soprano saxophone | JAMES-MILLER: Come to Baby, Do (Review by Lynn René Bayley) | tenor saxophone | JAMES-MILLER: Come to Baby, Do (Review by Lynn René Bayley) | vocal | JONES, ROBERT: It Had to Be You (Review by Lynn René Bayley) | alto saxophone | JONES, ROBERT: It Had to Be You (Review by Lynn René Bayley) | soprano saxophone | JONES, ROBERT: It Had to Be You (Review by Lynn René Bayley) | tenor saxophone | JONES, ROBERT: It Had to Be You (Review by Lynn René Bayley) | vocal | KILLIAN: Let’s Jump (Review by Lynn René Bayley) | alto saxophone | KILLIAN: Let’s Jump (Review by Lynn René Bayley) | soprano saxophone | KILLIAN: Let’s Jump (Review by Lynn René Bayley) | tenor saxophone | KILLIAN: Let’s Jump (Review by Lynn René Bayley) | vocal | LERNER/LOEWE, FREDERICK: You Haven’t Changed at All (Review by Lynn René Bayley) | alto saxophone | LERNER/LOEWE, FREDERICK: You Haven’t Changed at All (Review by Lynn René Bayley) | soprano saxophone | LERNER/LOEWE, FREDERICK: You Haven’t Changed at All (Review by Lynn René Bayley) | tenor saxophone | LERNER/LOEWE, FREDERICK: You Haven’t Changed at All (Review by Lynn René Bayley) | vocal | LOMBARDO-LOEB: Seems Like Old Times (Review by Lynn René Bayley) | alto saxophone | LOMBARDO-LOEB: Seems Like Old Times (Review by Lynn René Bayley) | soprano saxophone | LOMBARDO-LOEB: Seems Like Old Times (Review by Lynn René Bayley) | tenor saxophone | LOMBARDO-LOEB: Seems Like Old Times (Review by Lynn René Bayley) | vocal | RODGERS-HART: Blue Moon (2 versions) (Review by Lynn René Bayley) | alto saxophone | RODGERS-HART: Blue Moon (2 versions) (Review by Lynn René Bayley) | soprano saxophone | RODGERS-HART: Blue Moon (2 versions) (Review by Lynn René Bayley) | tenor saxophone | RODGERS-HART: Blue Moon (2 versions) (Review by Lynn René Bayley) | vocal | TROUP, BOBBY: Route 66 (Review by Lynn René Bayley) | alto saxophone | TROUP, BOBBY: Route 66 (Review by Lynn René Bayley) | soprano saxophone | TROUP, BOBBY: Route 66 (Review by Lynn René Bayley) | tenor saxophone | TROUP, BOBBY: Route 66 (Review by Lynn René Bayley) | vocal | TURK-AHLERT: I Don’t Know Why (Review by Lynn René Bayley) | alto saxophone | TURK-AHLERT: I Don’t Know Why (Review by Lynn René Bayley) | soprano saxophone | TURK-AHLERT: I Don’t Know Why (Review by Lynn René Bayley) | tenor saxophone | TURK-AHLERT: I Don’t Know Why (Review by Lynn René Bayley) | vocal | WEBB-SAMPSON-GOODMAN: Stompin’ At the Savoy (Review by Lynn René Bayley) | alto saxophone | WEBB-SAMPSON-GOODMAN: Stompin’ At the Savoy (Review by Lynn René Bayley) | soprano saxophone | WEBB-SAMPSON-GOODMAN: Stompin’ At the Savoy (Review by Lynn René Bayley) | tenor saxophone | WEBB-SAMPSON-GOODMAN: Stompin’ At the Savoy (Review by Lynn René Bayley) | vocal | WHITING-SIMONS-GLLESPIE: Honey (Review by Lynn René Bayley) | alto saxophone | WHITING-SIMONS-GLLESPIE: Honey (Review by Lynn René Bayley) | soprano saxophone | WHITING-SIMONS-GLLESPIE: Honey (Review by Lynn René Bayley) | tenor saxophone | WHITING-SIMONS-GLLESPIE: Honey (Review by Lynn René Bayley) | vocal | YOUMANS-ADAMSON-GORDON: Time On My Hands (Review by Lynn René Bayley) | alto saxophone | YOUMANS-ADAMSON-GORDON: Time On My Hands (Review by Lynn René Bayley) | soprano saxophone | YOUMANS-ADAMSON-GORDON: Time On My Hands (Review by Lynn René Bayley) | tenor saxophone | YOUMANS-ADAMSON-GORDON: Time On My Hands (Review by Lynn René Bayley) | vocal | YOUNG, VICTOR/WASHINGTON, NED: A Hundred Years From Today (Review by Lynn René Bayley) | alto saxophone | YOUNG, VICTOR/WASHINGTON, NED: A Hundred Years From Today (Review by Lynn René Bayley) | soprano saxophone | YOUNG, VICTOR/WASHINGTON, NED: A Hundred Years From Today (Review by Lynn René Bayley) | tenor saxophone | YOUNG, VICTOR/WASHINGTON, NED: A Hundred Years From Today (Review by Lynn René Bayley) | vocal |
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