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Performer: Elizabeth A. Baker BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | electronics | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | electronics | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | guitar | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | guitar | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | percussion | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | percussion | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | piano | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | piano | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | toy piano | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | toy piano | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle) | vocal | BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke) | vocal | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | electronics | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | electronics | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | guitar | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | guitar | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | percussion | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | percussion | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | piano | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | piano | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | toy piano | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | toy piano | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle) | vocal | BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke) | vocal | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | electronics | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | electronics | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | guitar | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | guitar | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | percussion | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | percussion | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | piano | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | piano | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | toy piano | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | toy piano | CORDER, FREDERICK: Sashay (Review by Raymond Tuttle) | vocal | CORDER, FREDERICK: Sashay (Review by Colin Clarke) | vocal |
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