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Performer: Doug Balliett AUCOIN, MATTHEW: Piano Concerto. The Orphic Moment. Its Own Accord. Dual. Face. This Earth. Gallup (Na’nízhoozhí) (Review by David DeBoor Canfield) | bass | BALLIETT: The Bonnie House o’ Airlie (Review by Ken Meltzer) | double bass | BEETHOVEN, LUDWIG VAN: Dermot & Shelah. Come Draw We Round a Cheerful Ring. Sunset. On the Massacre of Glencoe. Bonny Laddie, Highland Laddie. Come Fill, Fill My Good Fellow (Review by Ken Meltzer) | double bass | CLEMENTI, MUZIO: Lochaber (Review by Ken Meltzer) | double bass | HAYDN, FRANZ JOSEPH: I Do Confess Thou Art Sae Fair. My Love She’s But a Lassie Yet. My Boy Tammy (Review by Ken Meltzer) | double bass | HUMMEL, JOHANN NEPOMUK: Jock o’ Hazeldean (Review by Ken Meltzer) | double bass | KOZELUCH, LEOPOLD: Should Auld Acquaintance be Forgot (Review by Ken Meltzer) | double bass | KUHLAU: The Last Rose of Summer (Review by Ken Meltzer) | double bass | NEUKOMM, SIGISMUND RITTER VON: Jenny Dang the Weaver (Review by Ken Meltzer) | double bass | PLEYEL, IGNACE JOSEPH: The Ewe Bughts. Sweet Annie. From Thee, Eliza (Review by Ken Meltzer) | double bass | SCHUBERT: Edward (Review by Ken Meltzer) | double bass | TRADITIONAL: The Burning of Auchindoun (Review by Ken Meltzer) | double bass | WEBER, CARL MARIA VON: True-hearted Was He. Pho Pox o’ this Nonsense. The Soothing Shade of Gloaming (Review by Ken Meltzer) | double bass |
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