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Performer: Patricia Bardon BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Raymond Tuttle) | alto | BIZET: Carmen (Review by James Miller) | Carmen | BRITTEN: Gloriana (Review by Lynn René Bayley) | Countess of Essex | BRITTEN: Gloriana (Review by Barry Brenesal) | Countess of Essex | DOVE, JONATHAN: Out of Winter. Cut My Shadow. Ariel. All You Who Sleep Tonight (Review by James Forrest) | mezzo-soprano | DUKAS: Ariane et Barbe-Bleue (Review by Adrian Corleonis) | La Nourrice | DUKAS: Ariane et Barbe-Bleue (Review by Joel Kasow) | La Nourrice | DUKAS: Ariane et Barbe-bleue (Review by James A. Altena) | Nurse | DURUFLÉ, MAURICE: Requiem. 4 Motets sur des thèmes grégoriens. Messe Cum Jubilo (Review by Ronald E. Grames) | mezzo-soprano | DVOŘÁK, ANTONIN: Rusalka (Review by James H. North) | Ježibaba | HANDEL, GEORGE FRIDERIC: Agrippina (Review by Ken Meltzer) | Agrippina | HANDEL, GEORGE FRIDERIC: Giulio Cesare in Egitto (Review by Barry Brenesal) | Cornelia | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal) | Cornelia | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by James Reel) | Cornelia | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Lynn René Bayley) | Cornelia | HANDEL, GEORGE FRIDERIC: Messiah (1750) (Review by Melanie Eskenazi) | alto | HANDEL, GEORGE FRIDERIC: Orlando (Review by Elliott S. Hurwitt) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Orlando (Review by Elliott S. Hurwitt) | Orlando | HANDEL, GEORGE FRIDERIC: Serse (Review by Brian Robins) | Amastre | HANDEL, GEORGE FRIDERIC: Serse (Review by Ron Salemi) | Amastre | HANDEL, GEORGE FRIDERIC: Serse (Review by Barry Brenesal) | Amastre | LEONCAVALLO, RUGGERO: Zazà (Review by Joel Kasow) | Anaide | MAHLER, GUSTAV: Symphony No. 8 (Review by Huntley Dent) | alto | MENDELSSOHN, FELIX: Elijah (Review by James Miller) | mezzo-soprano | PURCELL, HENRY: Dido and Aeneas (Review by Barry Brenesal) | Sorceress | ROSSINI: Ermione (Review by Joel Kasow) | Andromaca | ROSSINI: La donna del lago (Review by Joel Kasow) | Malcolm | WAGNER, RICHARD: The Flying Dutchman (Review by Andrew Quint) | Mary |
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Interviews, Music Matters, & Reviews
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