|
|
Performer: Harry Bicket BACH, JOHANN SEBASTIAN: Cantata 203 (Review by Lynn René Bayley) | conductor | BACH, JOHANN SEBASTIAN: Cantata 208 (Review by Lynn René Bayley) | conductor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | conductor | BLOW, JOHN: Chaconne in G (Review by Bertil van Boer) | conductor | BRITTEN: A Midsummer Night's Dream (Review by Michael Fine) | conductor | DOWLAND, JOHN: Come Again, Sweet Love. What If I Never Speed? (Review by Lynn René Bayley) | conductor | FINZI: Choral Music (Review by Robert McColley) | organ | FINZI: God Is Gone Up, op. 27, no. 2. Welcome Sweet and Sacred Feast, op. 27, no. 3. Three Short Elegies, op. 5. Thou Didst Delight My Eyes, op. 32. My Lovely One, op. 27, no. 1. Let Us Now Praise Famous Men, op. 35. Seven Partsongs, op. 17. Magnificat, op. 36. White-flowering Days, op. 37. All This Night, op. 33. Lo, the Full, Final Sacrifice, op. 26 (Review by Robert McColley) | organ | GIBBONS, ORLANDO: Fantasy Suite in d (Review by Bertil van Boer) | conductor | GLUCK: Arias from Paride ed Elena; Iphigenie en Tauride; Orphee et Eurydice (Review by James Camner) | conductor | GLUCK: Telemaco (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Alpestre monte, HWV 81 (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Arias from Aminta e Fillide, HWV 83; Clori, Tirsi e Fileno, HWV 96; La Resurrezione, HWV 47; Il trionfo del Tempo e del Disinganno, HWV 46a (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Arias from (Review by Bill White) | conductor | HANDEL, GEORGE FRIDERIC: Arias from (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Arias (Review by Bill White) | conductor | HANDEL, GEORGE FRIDERIC: Arias (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Armida abbandonata, HWV 105 (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Cantatas and Arias (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: La resurrezione (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Oratorio Airs and Opera Arias (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Henry Fogel) | conductor | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Bertil van Boer) | conductor | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Bertil van Boer) | harpsichord | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Salve Regina, HWV 241 (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Samson (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Semele (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Sonata à 5, HWV 288 (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Sonatas from Delirio amoroso, HWV 99; Tu fedel? Tu costante?, HWV 171 (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | chitarra battente | HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | harpsichord | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | chitarra battente | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | harpsichord | HANDEL, GEORGE FRIDERIC: Tolomeo (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Xerxes, HWV 40 (Review by Bertil van Boer) | conductor | LOCKE, MATTHEW: The Tempest (Review by Bertil van Boer) | conductor | MARTÍN Y SOLER, VICENTE: L’arbore di Diana (Review by Lynn René Bayley) | conductor | MONTEVERDI: L’incoronazione di Poppea (Review by Lynn René Bayley) | conductor | MONTEVERDI: Scherzi musicali (Review by Lynn René Bayley) | conductor | MOZART: Arias from Le nozze di Figaro; La clemenza di Tito; Idomeneo; Lucio Silla (Review by James Camner) | conductor | MOZART: Ascanio in Alba (Review by Bernard Jacobson) | conductor | MOZART: Mitridate, re di Ponto (Review by Bernard Jacobson) | conductor | PERGOLESI: Stabat Mater (Review by Lynn René Bayley) | conductor | PURCELL, HENRY: Chaconne (Review by Bertil van Boer) | conductor | PURCELL, HENRY: Dido and Aeneas (Review by Lynn René Bayley) | conductor | PURCELL, HENRY: Draw near, you lovers. If music be the food of love. Love, thou art best. My dearest, may fairest. Music for a while. O solitude, my sweetest choice. Oh, fair Cedaria. Oh, the sweet delights of love. One charming night. Sweeter than roses. The plaint. They shall be as happy (Review by Bertil van Boer) | conductor |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
