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Performer: Robert Black CARL, ROBERT: Updraft... (Robert Carl) (Review by Robert Schulslaper) | double bass | CARL, ROBERT: Updraft... (Robert Carl) (Review by Colin Clarke) | double bass | NEW MUSIC FOR VIRTUOSOS: (Review by Robert Kirzinger) | piano | RICHARDS, ERIC: A Fanfare for Diebenkorn... (Jeffrey Gavett) (Review by Huntley Dent) | double bass | SHENG: Northern Lights. Melodies of a... (Dan Zhu) (Review by Ronald E. Grames) | double bass | ADAMS, JOHN LUTHER: 3 Nocturnes (Review by Raymond Tuttle) | double bass | ADAMS, JOHN LUTHER: 3 Nocturnes (Review by Marc Medwin) | double bass | ADAMS, JOHN LUTHER: Arctic Dreams (Review by Raymond Tuttle) | double bass | ADAMS, JOHN LUTHER: Arctic Dreams (Review by Marc Medwin) | double bass | ADAMS, JOHN LUTHER: Earth and the Great Weather (Review by James H. North) | double bass | ADAMS, JOHN LUTHER: Earth and the Great Weather (Review by James H. North) | percussion | ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light (Review by Raymond Tuttle) | double bass | ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light (Review by Marc Medwin) | double bass | ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light. 3 Nocturnesigh Places. Darkness and Scattered Light. High (Review by Robert Carl) | double bass | ALTHANS: Valse excentrique (Review by Martin Anderson) | conductor | ANDERSON, ALLEN: Charette (Review by Mike Silverton) | conductor | ASHTON, JOHN H.: Fairmont Overture (Review by Lawrence A. Johnson) | conductor | BABBITT: Composition for Viola and Piano (Review by Paul Rapoport) | piano | BARKER NELSON, MARIE: TheMedead (Review by Richard Burke) | conductor | BAUMAN: Adagio for Orchestra (Review by Lawrence A. Johnson) | conductor | BEETHOVEN, LUDWIG VAN: Piano Sonatas (Review by John D. Wiser) | piano | BEYER, JOHANNA: Movement (Review by Colin Clarke) | double bass | BLACK, JOHN: Underground Judges (Review by William Zagorski) | conductor | BLACK, ROBERT: Capriccio (Blown Apart. Foramen Habet!. Three Pieces for Violin and Piano (Review by Mike Silverton) | conductor | BLAUSTEIN: Commedia (Review by Mike Silverton) | conductor | BLAUSTEIN: Sexfef (Review by William Wians) | conductor | BRISMAN: Concerto for Piano and Strings (Review by Richard Burke) | conductor | BURWASSER: A Well-Traveled Road (Review by Richard Burke) | conductor | BUSCH, DENNIS: Symphony No. 67 in D. Piano Concerto No. 27 in F. Flute Concerto No. 2 in G (Review by William Zagorski) | conductor | CAGE, JOHN: 59 1/2 for a String Player (Review by Colin Clarke) | double bass | CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | double bass | CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | electricbassguitar | CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | electronic upright bass | CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | MIDI bass | CAGE, JOHN: Ryoanji (Review by Mike Silverton) | double bass | CARBON: Inner Voices (Review by William Zagorski) | conductor | CARL, ROBERT: El canto de los asesinados. Lesgedowdaheah. Bells Dance, Drums Ring. Die Berliner Hornisse. Roundabout. Haiku of Buson. Nell Miller, op. 1 (Review by Robert Kirzinger) | double bass | CARL, ROBERT: From the Ground Up. Surge. Blues Box. Excavating the Present Farewell. What’s Underfoot (Review by Colin Clarke) | double bass | CHAITKIN: Seasons Such as These. Serenade (Review by David Sachs) | conductor | CHAITKIN: Summersong, for Twenty-three Wind Instruments. Scattering Dark and Bright, for Percussion and Piano. Serenade, for Seven Players. Études, for Piano. Seasons Such as These (Review by Mike Silverton) | conductor | CHILD, PETER: Wind Quintet. Sonatina for Oboe. Clare Cycle (Review by James H. North) | conductor | CHILDS, BARNEY: Sonata for Bass Alone (Review by Colin Clarke) | double bass | CLEMENT: Chamber Concerto (Review by Mike Silverton) | conductor | COLSON: Searching Schubert (Review by Robert Carl) | conductor | COOPER, PAUL: Symphony in Two Movements (Review by William Zagorski) | conductor | CROWELL: Black Holes and Antimatters' (Review by Richard Burke) | conductor | DEMBSKI: Alta'. Albař. Dígiř, Trio*. Stacked Deck. Alta Mirar. Spectra (Review by William Wians) | conductor | DEMBSKI: Spectra. Stacked Deck (Review by John Ditsky) | conductor | DIDKOVSKY, NICK: Amalia's Secret (Review by Robert Carl) | double bass | DIX, J. AIRLIE: Three Movements for Orchestra (Review by William Zagorski) | conductor | DRESHER, PAUL: Mirrors (Review by Mike Silverton) | double bass | DRESHER, PAUL: Mirrors (Review by Mike Silverton) | electricbassguitar | DRESHER, PAUL: Mirrors (Review by Mike Silverton) | electronic upright bass | DRESHER, PAUL: Mirrors (Review by Mike Silverton) | MIDI bass | DRESHER, PAUL: Underground. Other Fire. Mirrors. Casa Vecchia (Review by Robert Carl) | electric bass | DRESHER, PAUL: Underground. Other Fire. Mirrors. Casa Vecchia (Review by Robert Carl) | electronics | DREYBLATT: International Dateline. The Adding Machine. Lapse. House of Twang. Meantime (Review by Robert Kirzinger) | double bass | DREYBLATT: International Dateline. The Adding Machine. Lapse. House of Twang. Meantime (Review by Robert Kirzinger) | es bass | DRUCKMAN, JACOB: Valentine (Review by Colin Clarke) | double bass | EDWARDS, GEORGE: Veined Variety, for soprano and chamber ensemble (Review by John Ditsky) | conductor | ELKANA: A Color in Time' (Review by Richard Burke) | conductor | ELLISON: Henry V (Review by William Zagorski) | conductor | ERICKSON, ELAINE: A Shipwrecked Landscape (Review by Richard Burke) | conductor | ERNST, DAVID: Crossover (Review by Robert Carl) | conductor | FEIST: Fog of Clusters (Review by Lawrence A. Johnson) | conductor | FUGARINO: Riding on a Cloud (Review by Richard Burke) | conductor | GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | double bass | GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | electricbassguitar | GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | electronic upright bass | GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | MIDI bass | GHENT, EMMANUEL: Entelechy for Viola and Piano (Review by Paul Rapoport) | piano | GIDEON: Piano Sonata (Review by Leslie Gerber) | piano | GIDEON: Sonnets from Shakespeare, for Baritone and Orchestra. Wing'd Hour, for Tenor and Orchestra (Review by John Ditsky) | conductor | GIDEON: Spirit Above the Dust. The Resounding Lyre (Review by David Sachs) | conductor | GIDEON: Symphonia Brevis (Review by William Zagorski) | conductor | GIOBBI: Khe Sann (Review by William Zagorski) | conductor | GIUSTO: Peace Cow (it's not a habit, I'm used to it) (Review by Richard Burke) | conductor | GOLDENBERG, SHLOMI: Landscapes (Review by William Zagorski) | conductor | GOOCH: CLockwork (Review by Lawrence A. Johnson) | conductor | GORDON, MICHAEL: River (Review by Joe Cadagin) | double bass | GOSFIELD, ANNIE: The Manufacture of Tangle Ivory (Review by Robert Carl) | double bass | HAMPTON, MITCH: Three Minute Waltz (Review by William Zagorski) | conductor | HARSH: accomodating commonplaces (Review by Mike Silverton) | double bass | HARTLEY, WALTER S.: Psalm for Strings (Review by William Zagorski) | conductor | HOJNACKI: New Orleans March (Review by William Zagorski) | conductor | HOOSE: Gestures and Intimations (Review by Richard Burke) | conductor | HOOSE: Right of Passage (Review by William Zagorski) | conductor | IADONE, JOSEPH: Double-Bass Sonata (Review by Colin Clarke) | double bass | IERARDI: Symphonic Essay No. 1 (Review by William Zagorski) | conductor | JAFFE, STEPHEN: The Rhythm of the Running Plough. Four Songs with Ensemble. Double Sonata (Review by Mike Silverton) | conductor | KAHN, ERICH ITOR: Short Piano Piece. Inventions Op. 7, nos. 1, 2, 3, 5, 6. Ciaccona. String Quartet Op. 13 (Review by David Sachs) | piano | KELLY, PETER: Aldeds Retreat (Review by William Zagorski) | conductor | KELLY, PETER: Symphony No. 1 (Review by Stephen Ellis) | conductor | KESSLER, MINUETTA: Alberto Concerto (Review by Martin Anderson) | conductor | KIDDE: Quest (Review by Robert Carl) | conductor | KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | double bass | KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | electricbassguitar | KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | electronic upright bass | KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | MIDI bass | KO, GITA LULIN KO: Kyi Nu Bwe (Review by Robert Carl) | double bass | KONDO, MIKAKO: Waltz (Review by William Zagorski) | conductor | KORDE: Chamber Piece for Six Soloists (Review by John Ditsky) | double bass | KOYKKAR: Composite (Review by William Zagorski) | conductor | LANG, D.: Girl with Mountain (Review by Joe Cadagin) | double bass | LANG, DAVID: Cheating, Lying, Stealing (Review by Robert Carl) | double bass | LAVENDA: Look, See (Review by Lawrence A. Johnson) | conductor | LECLAIR, JEAN-MARIE: Haikus (Review by Martin Anderson) | conductor | LENNON, JOHN ANTHONY: Symphonic Rhapsody—Concerto for Alto Saxophone and Orchestra (Review by William Zagorski) | conductor | LEVY, FRANK EZRA: Symphony No. 4 ("Structures of the Mind“) (Review by Raymond Tuttle) | conductor | LEVY, FRANK EZRA: Symphony No. 4 (“Structures of the Mind“) (Review by Joanne Forman) | conductor | LEWIS, MALCOLM: Etesian Zephyrs (Review by Lawrence A. Johnson) | conductor | LIEBERSON, PETER: Latita—Chamber Variations (Review by Kyle Gann) | conductor | LIPPE, CORT: Solo Tuba Music (Review by John Ditsky) | double bass | LISZT: Harmonies poétiques et religieuses (Version of 1834). Glanes de Woronince. Die Zelle in Nonnenwerth (Version of 1883). Fünf kleine Klavierstücke (Review by Peter J. Rabinowitz) | piano | LUENING: Suite (Review by Colin Clarke) | double bass | LUO, LAO: Yun Zhong Jun. He Bo. Shan Gui. Tan Te (Review by Joe Cadagin) | double bass | MABRY: 12.5.83, for Alto Recorder. (Review by John Ditsky) | double bass | MACBRIDE, DAVID: Nocturnes de la Ventana (Review by Mike Silverton) | conductor | MACHOVER: Flora (Review by Mike Silverton) | conductor | MACHOVER: Nature's Breath. Spectres Parisiens (Review by Kyle Gann) | conductor | MASCARI: Hymnody No. 3 (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Andante and Scherzo (Review by Martin Anderson) | conductor | MCKINLEY, WILLIAM THOMAS: Boston Overture (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Concerto Domestica (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Concerto for Flute and String Orchestra (1986) (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Concerto for Flute and Strings (Review by Mike Silverton) | conductor | MCKINLEY, WILLIAM THOMAS: Dallas (Review by David Denton) | conductor | MCKINLEY, WILLIAM THOMAS: Fantasia Variazioni (Review by Richard Burke) | conductor | MCKINLEY, WILLIAM THOMAS: New York Overture. Symphony No. 5 (“Irish“) (Review by Stephen Ellis) | conductor | MCKINLEY, WILLIAM THOMAS: Silent Whispers (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: SinfoNova (Review by David Denton) | conductor | MCKINLEY, WILLIAM THOMAS: Sinfonova (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Symphony No. 3 (“Romantic“) (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Symphony No. 4. Concerto No. 3 for Piano and Orchestral. Three Poems of Pablo Neruda* (Review by Robert McColley) | conductor | MCKINLEY, WILLIAM THOMAS: Wind, Fire, and ice. Mostly Mozart. Silent Whispers (Review by William Zagorski) | conductor | MELLONI: Piano Symphony (Review by Stephen Ellis) | conductor | MOLNÁR: Hyacinths (Review by Lawrence A. Johnson) | conductor | MOROSS: Bass Sonatina (Review by Colin Clarke) | double bass | MOYER: Adagio (Review by William Zagorski) | conductor | MUNCY: Paean (Review by Robert Carl) | conductor | NAEGER: Storm Clouds (Review by William Zagorski) | conductor | NAING, KHAW KHAW: Hsaing Kyaik De maung. Seik Kyu Mila 1 & 2. Sein Ozi (Review by Robert Carl) | double bass | NAY MYO BALA THU-ALINKAR KYAW SWAR U-ANON: Ka Pya Chi (Review by Robert Carl) | double bass | NYTCH: Novas' (Review by Richard Burke) | conductor | OLMSTEAD: Night Fishing (Review by William Zagorski) | conductor | PACKALES: I Was on the Sea (Review by Joanne Forman) | conductor | PACKELES: I Was On the Sea (Review by Raymond Tuttle) | conductor | PASCOAL: Arapua (Review by Robert Carl) | double bass | PERLE, GEORGE: Monody II (Review by Colin Clarke) | double bass | PERLONGO: Concerto for Piano and Orchestra (Review by Stephen Ellis) | conductor | PERSICHETTI: Parable XVI for Solo Viola, Op. 130 (Review by Paul Rapoport) | piano | POLIN: O, Aderyn Pur, for flute, saxophone, and tape, (Review by John Ditsky) | conductor | POLLOCK: Violament for Solo Viola (Review by Paul Rapoport) | piano | PORTER, QUINCY: Lyric Piece (Review by Colin Clarke) | double bass | RAHBEE, GOOLKASIAN: Tapestry No. 1 (“Proclamation“) (Review by Martin Anderson) | conductor | RAKOWSKI, DAVID: Imaginary Dances (Review by Mike Silverton) | conductor | RAN: Apprehensions (Review by Dean P. Suzuki) | conductor | RANDOLPH: Exordium (Review by Lawrence A. Johnson) | conductor | RENDLEMAN: Chorale and Toccata for Strings (Review by Martin Anderson) | conductor | RENZ: Symphonic Poem (Review by William Zagorski) | conductor | RICHARDS, ERIC: Owls, Too. Fire! Fire!. Hymn to Santa Muerte. The Consent of Sound and Meaning (Review by Huntley Dent) | double bass | RISSET, JEAN-CLAUDE: Contours, for Electronic Tape (Review by John Ditsky) | double bass | ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto (Review by Stephen Ellis) | conductor | ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto, “Mosaics“ (Review by Jerry Dubins) | conductor | ROSS, WALTER: Concerto for Piano and Orchestra (“Mosaics“) (Review by Stephen Ellis) | conductor | RUBIN, ANNA: Crying the Laughing and Golden, for Electronic Tape (Review by John Ditsky) | double bass | RULON: Res Facta (Review by Robert Kirzinger) | conductor | RZEWSKI, FREDERIC: Piano Piece No- IV (Review by Robert Carl) | double bass | SCELSI: Three Pieces for Solo Trombone (Review by John Ditsky) | double bass | SCHOENBERG, ARNOLD: Pierrot Lunaire, op. 21 (Review by James H. North) | conductor | SCHREINER: Symphonic Journey (Review by William Zagorski) | conductor | SCHWANTNER: Music of Amber (Review by William Wians) | conductor | SEIN CHIT TEE-U THAN KYIN: Sein Chit Tee A Mhat Ta Ya (Review by Robert Carl) | double bass | SELLARS: Radio Sonata (Review by Mike Silverton) | double bass | SELLARS: Radio Sonata (Review by Mike Silverton) | electricbassguitar | SELLARS: Radio Sonata (Review by Mike Silverton) | electronic upright bass | SELLARS: Radio Sonata (Review by Mike Silverton) | MIDI bass | SESSIONS: Five Pieces for Piano (Review by Leslie Gerber) | piano | SHAPEY: Fromm Variations (Review by Colin Clarke) | piano | SHAPEY: Fromm Variations—31 Variations for Piano (Review by Paul Rapoport) | piano | SHAPEY: Three for Six (Review by Dean P. Suzuki) | conductor | SHAPEY: Three for Six (Review by Colin Clarke) | conductor | SHATIN: Piping the Earth. Stringing the Bow. Ruah The Passion of St. Cecilia (Review by Peter Burwasser) | conductor | SHATIN: Ruah (Review by James H. North) | conductor | SHEA: Wyoming (Review by William Zagorski) | conductor | SHIFRIN: The Nick of Time (Review by Kyle Gann) | conductor | SHORE: July Remembrances (Review by Mike Silverton) | conductor | SKUPINSKY: Wild N'Sexy (Review by Robert Carl) | conductor | SLÁDEK: Allegro (Review by William Zagorski) | conductor | STANGO: Sol' per Dirti (Review by Martin Anderson) | conductor | STANLEY, HELEN: Fanfare (Review by William Zagorski) | conductor | STEIGER: 13 Loops (Review by Robert Kirzinger) | conductor | STEVENS, HALSEY: Arioso and Etude (Review by Colin Clarke) | double bass | STRAVINSKY, IGOR: Concerto in E♭ (Dumbarton Oaks) (Review by Mike Silverton) | conductor | STRAVINSKY, IGOR: Octet (Review by James H. North) | conductor | SYDEMAN: For Double-Bass Alone (Review by Colin Clarke) | double bass | TALMA: The Ambient Air, for Flute, Violin, Cello, and Piano. Full Circle, for Piano and Orchestra. Lament, for Cello and Piano. Three Bagatelles, for Piano. Kaleidoscopic Variations, for Piano. Four-Handed Fun, for Piano, four-hands (Review by John Ditsky) | conductor | TENNEY: Beast (Review by Colin Clarke) | double bass | TORELLO, CHRIS: Energetic Transformations (Review by Lawrence A. Johnson) | conductor | UHLA PE-U THAN KYIN: Japan Patsan. Taethit Muhan Gita Than (Review by Robert Carl) | double bass | VALI: Seven Persian Folk Songs (Set No. 7) (Review by Raymond Tuttle) | conductor | VALI: Seven Persian Folk Songs (Set No. 7) (Review by Joanne Forman) | conductor | VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by David DeBoor Canfield) | conductor | VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by Robert Carl) | conductor | VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by Colin Clarke) | conductor | VIENS: Les Insects dansants , ColorScope (Review by David Denton) | conductor | VIERK: Red Shift (Review by Robert Carl) | double bass | WARSHAUER: Revelation (Review by William Zagorski) | conductor | WEBER, CARL MARIA VON: Variazioni quasi una Fantasia (Review by Leslie Gerber) | piano | WHITAKER: Prayers of Habakkuk (Review by William Zagorski) | conductor | WOLFE, JULIA: Into the Clouds (Review by Joe Cadagin) | double bass | WOLKING: Forests (Review by William Zagorski) | conductor | WOLKING: Forests (Review by William Zagorski) | conductor | WOLKING: Forests (Review by Raymond Tuttle) | conductor | WOLKING: Letting Midnight Out On Bail (Review by William Zagorski) | conductor | WOLKING: Powell Canyons (Review by William Zagorski) | conductor | WUORINEN, CHARLES: New York Notes (Review by William Wians) | conductor | WUORINEN, CHARLES: Spinoff (Review by Kyle Gann) | conductor | XENAKIS, IANNIS: Theraps, for Double Bass. (Review by John Ditsky) | double bass | ZAHLER, NOEL: Regions 1, for solo piano (Review by John Ditsky) | conductor | ZIFFRIN: Symphony for Voice and Orchestra (“Letters“)“ (Review by Robert Carl) | conductor | ZIPORYN: Amok! (Review by Robert Kirzinger) | double bass | ZIPORYN: Tsmindao Ghmêrto (Review by Robert Carl) | double bass | ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | double bass | ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | electricbassguitar | ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | electronic upright bass | ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | MIDI bass |
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