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Performer: Eberhard Blum JAPAN FLUTE 1997: (Review by Robert Carl) | alto flute | JAPAN FLUTE 1997: (Review by Robert Carl) | bass flute | JAPAN FLUTE 1997: (Review by Robert Carl) | flute | BROWN, EARLE: 1991 (two versions). For Ann (two versions). 1980 (two versions) (Review by Mike Silverton) | flute | BROWN, EARLE: 1991 (two versions). For Ann (two versions). 1980 (two versions) (Review by Mike Silverton) | sound objects | BROWN, EARLE: Folio. Music for Cello and Piano (Review by Mike Silverton) | flute | BROWN, EARLE: Four Systems (Realization for Flutes). Folio II, Versions 1 and 2 (Realization for Flutes) (Review by Mike Silverton) | flute | BROWN, EARLE: Hodograph 1 (Versions 1 and 2). Four Systems. Octet 1 (Review by Mike Silverton) | flute | BROWN, EARLE: Hodograph 1 (Versions 1 and 2). Four Systems. Octet 1 (Review by Mike Silverton) | sound objects | CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton) | flute | CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton) | voice | CAGE, JOHN: Atlas Eclipticalis, for Three Flutes (Review by Alex Ross) | alto flute | CAGE, JOHN: Atlas Eclipticalis, for Three Flutes (Review by Alex Ross) | flute | CAGE, JOHN: Atlas Eclipticalis, for Three Flutes (Review by Alex Ross) | piccolo | CAGE, JOHN: Composed Improvisation. Variations II (Review by Mike Silverton) | flute | CAGE, JOHN: Composed Improvisation. Variations II (Review by Mike Silverton) | sound objects | CAGE, JOHN: Fontana Mix/Solo for Voice 2 (Review by Mike Silverton) | flute | CAGE, JOHN: Fontana Mix/Solo for Voice 2 (Review by Mike Silverton) | voice | CAGE, JOHN: Ryoanji (Review by Mike Silverton) | flute | CAGE, JOHN: Sixty-Two Mesostics Re Merce Cunningham (Review by Mike Silverton) | voice | CAGE, JOHN: Variations I. Seven Haiku. Solo for Flute, Alto Flute, and Piccolo (Review by Mike Silverton) | flute | CAGE, JOHN: Variations III (two versions) (Review by Mike Silverton) | flute | CAGE, JOHN: Variations III (two versions) (Review by Mike Silverton) | sound objects | CAGE, JOHN: Winter Music'. Winter Music with Atlas Eclipticalis (Review by Mike Silverton) | alto flute | CAGE, JOHN: Winter Music'. Winter Music with Atlas Eclipticalis (Review by Mike Silverton) | flute | CAGE, JOHN: Winter Music'. Winter Music with Atlas Eclipticalis (Review by Mike Silverton) | piccolo | FELDMAN, MORTON: For Christian Wolff (Review by Mike Silverton) | flute | FELDMAN, MORTON: For Philip Guston (Review by Alex Ross) | alto flute | FELDMAN, MORTON: For Philip Guston (Review by Mike Silverton) | alto flute | FELDMAN, MORTON: For Philip Guston (Review by Alex Ross) | flute | FELDMAN, MORTON: For Philip Guston (Review by Mike Silverton) | flute | FELDMAN, MORTON: For Philip Guston (Review by Alex Ross) | piccolo | FELDMAN, MORTON: For Philip Guston (Review by Mike Silverton) | piccolo | FELDMAN, MORTON: Give My Regards to Eighth Street (Review by Mike Silverton) | flute | FELDMAN, MORTON: Give My Regards to Eighth Street (Review by Mike Silverton) | sound objects | FELDMAN, MORTON: Intersections 2 and 3. The King of Denmark (Review by Mike Silverton) | flute | FELDMAN, MORTON: Intersections 2 and 3. The King of Denmark (Review by Mike Silverton) | sound objects | FELDMAN, MORTON: Projection I. Extension 3. Intersection 4. Duration 2 (Review by Mike Silverton) | flute | FELDMAN, MORTON: The Viola in My Life. False Relationships and the Extended Ending. Why Patterns? (Review by Alex Ross) | flute | FELDMAN, MORTON: Why Patterns? (Review by Robert Carl) | flute | FELDMAN, MORTON: Why patterns? Crippled Symmetry (Review by Mike Silverton) | alto flute | FELDMAN, MORTON: Why patterns? Crippled Symmetry (Review by Mike Silverton) | bass flute | FELDMAN, MORTON: Why patterns? Crippled Symmetry (Review by Mike Silverton) | flute | FUKUSHIMA: Works for Flute, Piano, and Flute and Piano (Review by Peter Burwasser) | alto flute | FUKUSHIMA: Works for Flute, Piano, and Flute and Piano (Review by Peter Burwasser) | flute | HAUBENSTOCK-RAMATI: Alone I (Review by Mike Silverton) | flute | HAUBENSTOCK-RAMATI: Alone I (Review by Mike Silverton) | vocal | HAUBENSTOCK-RAMATI: Graphic Music. Kreise. Batterie. Décisions. Kreise (2nd realization) (Review by Mike Silverton) | flute | HAUBENSTOCK-RAMATI: Graphic Music. Kreise. Batterie. Décisions. Kreise (2nd realization) (Review by Mike Silverton) | vocal | HAUBENSTOCK-RAMATI: Interpolation, for One, Two, and Three Flutes (two versions) (Review by Mike Silverton) | alto flute | HAUBENSTOCK-RAMATI: Interpolation, for One, Two, and Three Flutes (two versions) (Review by Mike Silverton) | bass flute | HAUBENSTOCK-RAMATI: Interpolation, for One, Two, and Three Flutes (two versions) (Review by Mike Silverton) | flute | JOHNSON, TOM: Rational Melodies (Review by Mike Silverton) | alto flute | JOHNSON, TOM: Rational Melodies (Review by Mike Silverton) | bass flute | JOHNSON, TOM: Rational Melodies (Review by Mike Silverton) | flute | JOHNSON, TOM: Rational Melodies (Review by Mike Silverton) | piccolo | PABLO, LUIS DE: Condicionado, for Alto Flute, op, 13 (two versions) (Review by Mike Silverton) | alto flute | PABLO, LUIS DE: Condicionado, for Alto Flute, op, 13 (two versions) (Review by Mike Silverton) | bass flute | PABLO, LUIS DE: Condicionado, for Alto Flute, op, 13 (two versions) (Review by Mike Silverton) | flute | SCHERCHEN, TONA: in, for Flute Solo (Review by Mike Silverton) | alto flute | SCHERCHEN, TONA: in, for Flute Solo (Review by Mike Silverton) | bass flute | SCHERCHEN, TONA: in, for Flute Solo (Review by Mike Silverton) | flute | SCHWITTERS: Ursonate, The real disuda of the nightmare. Ribble Bobble Pimlico. Ri Ribble (Review by Scott Wheeler) | voice | STIEBLER: Three in One, for Bass Flute and Tape. Trio '89, for Cello, Piano, and Percussion. Sequenz II, for Celio and Tape (Review by Mike Silverton) | bass flute | STOCKHAUSEN, KARL-HEINZ: Spiral (Review by Mike Silverton) | flute | STOCKHAUSEN, KARL-HEINZ: Spiral (Review by Mike Silverton) | short-wave receiver | STOCKHAUSEN, KARL-HEINZ: Spiral (Review by Mike Silverton) | voice | WOLFF, CHRISTIAN G.: Edges (two versions) (Review by Mike Silverton) | flute | WOLFF, CHRISTIAN G.: Edges (two versions) (Review by Mike Silverton) | sound objects | WOLFF, CHRISTIAN G.: Exercises (Review by Mike Silverton) | flute | WOLFF, CHRISTIAN G.: For Prepared Piano. For 1,2, or 3 People (Review by Mike Silverton) | flute | WOLFF, CHRISTIAN G.: Pairs (Versions 1 and 2) (Review by Mike Silverton) | flute | WOLFF, CHRISTIAN G.: Pairs (Versions 1 and 2) (Review by Mike Silverton) | sound objects | ZIMMERMANN, BERND ALOIS: Tempus loquendi (two versions) (Review by Mike Silverton) | alto flute | ZIMMERMANN, BERND ALOIS: Tempus loquendi (two versions) (Review by Mike Silverton) | bass flute | ZIMMERMANN, BERND ALOIS: Tempus loquendi (two versions) (Review by Mike Silverton) | flute |
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