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Performer: Ian Bostridge SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | tenor | PURCELL: Orpheus Britannicus;... (Felicity Lott) (Review by Martin Anderson) | tenor | REQUIEM–THE PITY OF WAR: (Review by Barnaby Rayfield) | performance, want list | SCHUBERT LIEDER, Volume II: (Review by Marc Mandel) | tenor | SCHUBERT LIEDER, Volume II: (Review by Bernard Jacobson) | tenor | SCHUBERT’S WINTER JOURNEY: Anatomy of an Obsession (Ian Bostridge) (Review by Paul Orgel) | performance, want list | SHAKESPEARE SONGS: (Review by Barnaby Rayfield) | performance, want list | THREE BAROQUE TENORS: (Review by Ron Salemi) | tenor | VAUGHAN WILLIAMS: Symphony No. 6... (Bernard Haitink) (Review by James Miller) | tenor | ADÈS: The Tempest (Review by Robert Carl) | Caliban | ANONYMOUS: When that I Was but a Little Tiny Boy (Review by Huntley Dent) | tenor | BACH, JOHANN SEBASTIAN: Arias from (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | performance, want list | BACH, JOHANN SEBASTIAN: Cantatas (Review by Andrew Quint) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Magnificat, BWV243 (Review by Andrew Quint) | tenor | BACH, JOHANN SEBASTIAN: Saint Matthew Passion (Review by George Chien) | Evangelist | BACH, JOHANN SEBASTIAN: Sanctus in C,BWV237. Suite No. 3 in D (Review by Andrew Quint) | tenor | BACH, JOHANN SEBASTIAN: Sinfonias from (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by George Chien) | Evangelist | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Brian Robins) | Evangelist | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Andrew Quint) | performance, want list | BEETHOVEN, LUDWIG VAN: An die ferne Geliebte. Adelaide. Sehnsucht, WoO 134 (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Aus Goethes Faust (Mephistos Flohlied). Zärtliche Liebe ‘Ich liebe dich’, WoO 123 (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Folksong arrangements (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: In questa tomba oscura, WoO.133 (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Maigesang. Andenken, WoO 136 (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Marmotte (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Resignation, WoO 149 (Review by Huntley Dent) | tenor | BERLIOZ: Les nuits d’été (Review by Huntley Dent) | tenor | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | flute | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | tenor | BRITTEN: Billy Budd (Review by James A. Altena) | Captain Vere | BRITTEN: Canticles l-V (Review by Bernard Jacobson) | tenor | BRITTEN: Fancie (Review by Huntley Dent) | tenor | BRITTEN: Les illuminations. Serenade. Nocturne (Review by David Wolman) | tenor | BRITTEN: O Waly, Waly (Review by James Miller) | tenor | BRITTEN: Oliver Cromwell (Review by James Miller) | tenor | BRITTEN: Our Hunting Fathers (Review by James Miller) | tenor | BRITTEN: Serenade for Tenor Solo, Horn, and Strings (Review by Bernard Jacobson) | tenor | BRITTEN: Serenade for Tenor, Horn, and Strings (Review by James Miller) | tenor | BRITTEN: The Rape of Lucretia (Review by Alan Swanson) | Male Chorus | BRITTEN: The Rape of Lucretia (Review by Lynn René Bayley) | Male Chorus | BRITTEN: The Turn of the Screw (Review by Bernard Jacobson) | Peter Quint | BRITTEN: The Turn of the Screw (Review by Huntley Dent) | Peter Quint | BRITTEN: The Turn of the Screw (Review by Bernard Jacobson) | Prologue | BRITTEN: The Turn of the Screw (Review by Huntley Dent) | Prologue | BRITTEN: War Requiem (Review by Ronald E. Grames) | performance, want list | BRITTEN: War Requiem (Review by Barnaby Rayfield) | performance, want list | BRITTEN: War Requiem (Review by J. F. Weber) | tenor | BRITTEN: War Requiem (Review by J. F. Weber) | tenor | BRITTEN: War Requiem (Review by Phillip Scott) | tenor | BRITTEN: War Requiem (Review by Raymond Tuttle) | tenor | BROWNE, JOHN: To Gratiana Dancing and Singing (Review by Bernard Jacobson) | tenor | BUTTERWORTH: A Shropshire Lad (Review by Huntley Dent) | tenor | BUTTERWORTH: A Shropshire Lad (Review by Raymond Beegle) | tenor | BYRD, WILLIAM: Callino casturame (Review by Huntley Dent) | tenor | COWARD: I Travel Alone; London Calling (Review by Bernard Jacobson) | tenor | DEBUSSY: Le livre de Baudelaire (Review by Huntley Dent) | tenor | DELIUS: Twilight Fancies (Review by Bernard Jacobson) | tenor | DUNHILL: The Cloths of Heaven (Review by Bernard Jacobson) | tenor | FINZI: Let Us Garlands Bring, op. 18 (Review by Huntley Dent) | tenor | FINZI: The Dance continued. Since we loved (Review by Bernard Jacobson) | tenor | GERMAN, EDWARD: Orpheus with his lute (Review by Bernard Jacobson) | tenor | GRAINGER: Bold William Taylor. Brigg Fair (Review by Bernard Jacobson) | tenor | GURNEY: Sleep. I will go with my father a-ploughing (Review by Bernard Jacobson) | tenor | GURNEY: Under the greenwood tree (Review by Huntley Dent) | tenor | HANDEL, GEORGE FRIDERIC: Israel in Egypt (original version in 3 parts) (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson) | performance, want list | HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Michael Carter) | tenor | HAYDN, FRANZ JOSEPH: She Never Told Her Love, Hob XXVIa (Review by Huntley Dent) | tenor | HAYDN, FRANZ JOSEPH: The Creation (Review by James Reel) | Uriel | HENZE, HANS WERNER: 6 Songs from the Arabian. 3 Auden Songs (Review by Robert Kirzinger) | tenor | HENZE, HANS WERNER: 6 Songs from the Arabian. 3 Auden Songs (Review by James H. North) | tenor | JANÁČEK, LEOŠ: A Reminiscence (Review by Bernard Jacobson) | tenor | JANÁČEK, LEOŠ: Andante. Moderato (Review by Bernard Jacobson) | tenor | JANÁČEK, LEOŠ: In memoriam (Review by Bernard Jacobson) | tenor | JANÁČEK, LEOŠ: Moravian Folk Songs. 7 Piano Pieces (Review by James H. North) | tenor | JANÁČEK, LEOŠ: Moravian Folk-Songs (Review by Bernard Jacobson) | tenor | JANÁČEK, LEOŠ: The Diary of One Who Disappeared (Review by Bernard Jacobson) | tenor | JANÁČEK, LEOŠ: The Diary of One Who Disappeared (Review by James H. North) | tenor | JANÁČEK, LEOŠ: The Golden Ring. I wait for you. Christ the Lord Is Born (Review by Bernard Jacobson) | tenor | JOHNSON, ROBERT: Full fathom five (Review by Huntley Dent) | tenor | JOHNSON, ROBERT: Where the bee sucks (Review by Huntley Dent) | tenor | KORNGOLD, ERICH: Come away, death (Review by Huntley Dent) | tenor | KORNGOLD, ERICH: Four Shakespeare Songs, op. 31 (Review by Huntley Dent) | tenor | KORNGOLD, ERICH: Songs of the Clown, op. 29 (Review by Huntley Dent) | tenor | MAHLER, GUSTAV: Das klagende Lied. Lieder eines fahrenden Gesellen. Lieder und Gesänge. Des Knaben Wunderhorn. Kindertotenlieder. Rückert-Lieder. Das Lied von der Erde (Review by Christopher Abbot) | tenor | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Huntley Dent) | tenor | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Raymond Beegle) | tenor | MAHLER, GUSTAV: Symphonies Nos. 1–10. Piano Quartet in a (Review by Christopher Abbot) | tenor | MAHLER, GUSTAV: THE COMPLETE WORKS (Review by Christopher Abbot) | tenor | MANN/HILLIARD: In the Wee Small Hours of the Morning (Review by Peter Burwasser) | tenor | MEHLDAU: The Folly of Desire (Review by Peter Burwasser) | tenor | MENDELSSOHN, FELIX: Symphony No. 2, “Lobgesang” (Review by Steven Kruger) | tenor | MONTEVERDI: L'Orfeo (Review by J. F. Weber) | ORFEO | MORLEY: It was a lover and his lass (Review by Huntley Dent) | tenor | MORLEY: O mistress mine (Review by Huntley Dent) | tenor | MOZART: Die Entführung aus dem Serail (Review by Bernard Jacobson) | Belmonte | MOZART: Die Entführung aus dem Serail (Review by Brian Robins) | Belmonte | MOZART: Idomeneo, rè di Creta, K 366 (Review by George Jellinek) | Idomeneo | MUSTONEN: Symphonies (Review by Phillip Scott) | tenor | PORTER, COLE: Every Time We Say Goodbye, Night and Day (Review by Peter Burwasser) | tenor | POULENC, FRANCIS: Fancie (Review by Huntley Dent) | tenor | PURCELL, HENRY: Dido and Aeneas (Review by Brian Robins) | Aeneas | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Aeneas | PURCELL, HENRY: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel) | tenor | PURCELL, HENRY: Timon of Athens (Review by Michael Ullman) | tenor | QUILTER: Come away, Death. Now Sleeps the Crimson Petal (Review by Bernard Jacobson) | tenor | QUILTER: Come away, death (Review by Huntley Dent) | tenor | RAVEL: Shéhérazade (Review by Huntley Dent) | tenor | RESPIGHI, OTTORINO: Dietà silvane. Six Lyrics, P90 (Review by Phillip Scott) | tenor | RESPIGHI, OTTORINO: Five Canti all’antica (Review by Phillip Scott) | tenor | RESPIGHI, OTTORINO: Nebbia. La statua. Four Lyrics (Review by Phillip Scott) | tenor | RESPIGHI, OTTORINO: Six Lyrics, P98 (Review by Phillip Scott) | tenor | RESPIGHI, OTTORINO: Six Pieces for Piano (Review by Phillip Scott) | tenor | RESPIGHI, OTTORINO: Stornellatrice. Four Scottish Songs. Canzone sarda. La funtanelle (Canzoni dell’Abruzzo) (Review by Phillip Scott) | tenor | SCHOECK, OTHMAR: Am Walde (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: An Philomele (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Antike Poesie (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Auf dem Krankenbette (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Auf der Teck. Das Mädchen an den Mai. Im Park. Mein Fluss (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Auf eine Lampe (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Die Schwestern. Schön-Rohtrauf. Peregrina (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Gesang zu zweien in der Nacht (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Impromptu (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: In ein Autographenalbum (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Johann Keple’ (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Lose Ware (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Nachts am Schreibpulf. Aus der Ferne (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Nachts (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Restauration (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Ritterliche Werbung (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Trost (Review by Adrian Corleonis) | tenor | SCHOECK, OTHMAR: Zu einer Konfirmation . Muse und Dichter (Review by Adrian Corleonis) | tenor | SCHUBERT: An Sylvia, D 891 (Review by Huntley Dent) | tenor | SCHUBERT: An die Freunde, D 654 (Review by David Cutler) | tenor | SCHUBERT: An die Laute, D 905 (Review by David Cutler) | tenor | SCHUBERT: An mein Klavier, D 342 (Review by David Cutler) | tenor | SCHUBERT: Bei dir allein! Der Wanderer an den Mond, D 870 (Review by David Cutler) | tenor | SCHUBERT: Complete Songs, Volume 20 (Review by David Johnson) | tenor | SCHUBERT: Complete Songs, Volume 25 (Review by David Johnson) | tenor | SCHUBERT: Das Heimweh, D 456 (Review by David Cutler) | tenor | SCHUBERT: Das Lied im Grünen, D 917 (Review by David Cutler) | tenor | SCHUBERT: Das Zügenglöcklein, D 871 (Review by David Cutler) | tenor | SCHUBERT: Der Einsame, D 800 (Review by David Cutler) | tenor | SCHUBERT: Der Jüngling an der Quelle, D 300 (Review by David Cutler) | tenor | SCHUBERT: Der Wanderer, D 489 (D 493) (Review by David Cutler) | tenor | SCHUBERT: Der zürnenden Diana, D 707 (2nd version) (Review by David Cutler) | tenor | SCHUBERT: Die Forelle. Ganymed. Im Frühling. An den Mond. Heidenröslein. Wandrers Nachtlied Ini. Erster Verlust. Der Fischer. Nacht und Traume. Der Zwerg. An die Musik. Du bist die Ruh. Auf dem Wasser zu singen. An Silvia. Litanei auf das Fest Allerseelen. Frühlingsglaube. Im Haine. Der Musensohn. Seligkeit. Erlkönig (Review by Ralph V. Lucano) | tenor | SCHUBERT: Die Perle, D 466 (Review by David Cutler) | tenor | SCHUBERT: Die schöne Müllerin (Review by Huntley Dent) | tenor | SCHUBERT: Fragments (Review by Steven E. Ritter) | tenor | SCHUBERT: Freiwilliges Versinken, D 700 (Review by David Cutler) | tenor | SCHUBERT: Gesänge des Harfners. Totengräbers Heimweh (Review by Steven E. Ritter) | tenor | SCHUBERT: Hippolits Lied, D 890 (Review by David Cutler) | tenor | SCHUBERT: Im Abendrot, D 799 (Review by David Cutler) | tenor | SCHUBERT: Im Freien, D 880 (Review by David Cutler) | tenor | SCHUBERT: Im Frühling, D 882. Über Wildemann, D 884. Der liebliche Stern, D 861. Tiefes Leid (Im Jänner), D 876. Auf der Brücke, D 853. Aus Heliopolis I, D 753. Aus Heliopolis II, D 754. Abendbilder, D 650. Ins stille Land, D 413.Totengräbers Heimweh, D 842. Auf der Riesenkoppe, D 611. Sei mir gegrusst!, D 741. Dass sie hier gewesen, D 775. Die Forelle, D 550. Des Fischers Liebesglück, D 933. Fischerweise, D 881. Atys, D 585. Nachtviolen, D 752. Geheimnis, D 491. Im Walde (Waldesnacht), D 708 (Review by Joel Kasow) | tenor | SCHUBERT: Klage an den Mond, D 436 (Review by David Cutler) | tenor | SCHUBERT: Lied des Gefangenen Jägers, D 843 (Review by David Cutler) | tenor | SCHUBERT: Lieder (Review by Bernard Jacobson) | performance, want list | SCHUBERT: Lieder (Review by Ralph V. Lucano) | tenor | SCHUBERT: Lieder (Review by Melanie Eskenazi) | tenor | SCHUBERT: Lieder, Vol. II (Review by Bernard Jacobson) | performance, want list | SCHUBERT: Lieder (Review by Jerry Dubins) | tenor | SCHUBERT: Nacht und Träume (Review by Peter Burwasser) | tenor | SCHUBERT: Normans Gesang, D 846 (Review by David Cutler) | tenor | SCHUBERT: Nähe des Geliebten. Nachtgesang. Liebhaber in allen Gestalten. Meeres Stille. Auf dem See. An Mignon. Erster Verlust. Ganymed (Review by Huntley Dent) | tenor | SCHUBERT: Piano Sonata in A, D 959. Pilgerweise. Der Unglückliche. Auf dem Strom? Die Sterne, D 939 (Review by Bernard Jacobson) | tenor | SCHUBERT: Piano Sonata in A, D 959. Pilgerweise. Der Unglückliche. Auf der Stroma Die Sterne (Review by Charles Timbrell) | tenor | SCHUBERT: Piano Sonata in B♭ Viola. Der Winterabend. Abschied von der Erde (Review by Bernard Jacobson) | tenor | SCHUBERT: Piano Sonata in B♭ Viola. Der Winterabend. Abschied von der Erde (Review by Charles Timbrell) | tenor | SCHUBERT: Piano Sonata in c, D 958 (Review by Steven E. Ritter) | tenor | SCHUBERT: Schlaflied, D 527 (Review by David Cutler) | tenor | SCHUBERT: Schwanengesang. Einsamkeit, D 620 (Review by Huntley Dent) | tenor | SCHUBERT: Sehnsucht, D 879 (Review by David Cutler) | tenor | SCHUBERT: Songs, D 467, 478–480, 531, 547, 632, 633, 649, 708, 713, 728, 777, 786, 789, 829, 842, 853–855, 861, 876, 889, 905, 937–939, 943 (Review by Jerry Dubins) | tenor | SCHUBERT: Vier Refrainlieder, D 866/2 (Review by David Cutler) | tenor | SCHUBERT: Wehmut. Der Zwerg. Nacht und Träume. Der Musensohn. An die Entfernte. Am Fluße. Willkommen und Abschied. Wandrers Nachtlied II. An die Leier. Am See. Im Haine. Erlkönig. An den Mond (D 259 and D 296) (Review by Huntley Dent) | tenor | SCHUBERT: Wie Ulfru fischt, D 525 (Review by David Cutler) | tenor | SCHUBERT: Winterlied, D. 242a. Das Mädchen von Inistore, D. 281. Ossians Lied nach dem Falle Nathos, D. 278. Als ich sie erröten sah, D. 153. Schwangesang, D. 318. Totenkranz für ein Kind, D. 275. Die Fröhlichkeit, D. 262. Der Zufriedene, D. 320. Alles um Liebe, D. 241. Geist der Liebe, D. 233. Die erste Liebe, D. 182. Die Täuschung, D. 230. Liebesrausch, D. 164. Huldigung, D. 240. Heidenröslein, D. 257. Nachtgesang, D. 314. Der Morgenstern, D. 172. Bergknappenlied, D. 268. Trinklied von der Schlacht, D. 169. Schwertlied, D. 170. Begräbnislied, D. 168. Grablied, D. 218. Osterlied, D. 168a. Hoffnung, D. 251. Punschlied (Im Norden zu singen), D. 253. Klage um Ali Bey, D. 140. Abendständchen ( “An Lina“), D. 265. Tischlerlied, D. 274. Wiegenlied (Schlumm're sanft), D. 304. Die Macht der Liebe, D. 308. Trinklied (Ihr Freunde und du, gold'ner Wein), D. 183. Trinklied (Auf! Jeder sei nun froh), D. 267 (Review by David Johnson) | tenor | SCHUBERT: Winterreise (Review by Bernard Jacobson) | tenor | SCHUBERT: Winterreise (Review by Raymond Beegle) | tenor | SCHUBERT: Winterreise (Review by Huntley Dent) | tenor | SCHUBERT: Winterreise (Review by Raymond Beegle) | tenor | SCHUBERT: Winterreise (Review by Jerry Dubins) | tenor | SCHUMANN: Dichterliebe. Liederkreis, op. 24. 7 Lieder (Review by Marc Mandel) | tenor | SCHUMANN: Lieder (Review by Marc Mandel) | tenor | SCHUMANN: Myrten, op. 25. 4 Duets, op. 34. 4 Duets, op. 78.' John Anderson, op. 145/4“ (Review by Marc Mandel) | tenor | SOMERVELL: To Lucasta, on going to the Wars (Review by Bernard Jacobson) | tenor | STANFORD, CHARLES VILLIERS: La Belle Dame Sans Merci (Review by Bernard Jacobson) | tenor | STEPHAN: Ich will dir singen ein Hohelied (Review by Huntley Dent) | tenor | STEPHAN: Ich will dir singen ein Hohelied (Review by Raymond Beegle) | tenor | STRACHEY & MASCHWITZ: These Foolish Things (Review by Peter Burwasser) | tenor | STRAUSS, RICHARD: Horn Concertos (Review by Bernard Jacobson) | tenor | STRAVINSKY, IGOR: 3 Sacred Songs. Anthem. Introitus. Cantata (Review by James H. North) | tenor | STRAVINSKY, IGOR: 3 Songs from William Shakespeare (Review by Huntley Dent) | tenor | STRAVINSKY, IGOR: Mass (Review by James H. North) | tenor | STRAVINSKY, IGOR: Pater Noster. Credo. Ave Maria (Review by James H. North) | tenor | STRAVINSKY, IGOR: Pulcinella (complete ballet music). Danses concertantes (Review by John D. Wiser) | tenor | STRAVINSKY, IGOR: Sacred Choral Works (Review by James H. North) | tenor | STRAVINSKY, IGOR: The Rake's Progress (Review by Peter J. Rabinowitz) | Seilern | STRAVINSKY, IGOR: The Rake's Progress (Review by Peter J. Rabinowitz) | tenor | STRAVINSKY, IGOR: The Rake’s Progress (Review by James H. North) | Tom Rakewell | TIPPETT, MICHAEL: Songs for Ariel (Review by Huntley Dent) | tenor | TRADITIONAL: My love’s an arbutus (arr. Stanford) (Review by Bernard Jacobson) | tenor | TRADITIONAL: The Death of Queen Jane (coll. Sharp) (Review by Bernard Jacobson) | tenor | TRADITIONAL: The Little Turtle Dove (coll. Sharp) (Review by Bernard Jacobson) | tenor | TRADITIONAL: The Salley Gardens (arr. Britten) (Review by Bernard Jacobson) | tenor | VAUGHAN WILLIAMS: Linden Lea. Silent Noon (Review by Bernard Jacobson) | tenor | VAUGHAN WILLIAMS: Partsongs, Folksongs, and Shakespeare Settings (Review by Martin Anderson) | tenor | VAUGHAN WILLIAMS: Symphony No. 6; On Wenlock Edge; In the Fen Country (Review by James Miller) | performance, want list | VAUGHAN WILLIAMS: The Lark Ascending. In the Fen Country. On Wenlock Edge (Review by Phillip Scott) | tenor | VAUGHAN WILLIAMS: Three Shakespeare Songs. Five English Folksongs. Three Elizabethan Partsongs. Other settings (Review by Martin Anderson) | tenor | WAGNER, RICHARD: Tristan und Isolde (excerpts) (Review by Huntley Dent) | tenor | WAGNER, RICHARD: Tristan und Isolde (Review by Andrew Quint) | Shepherd | WAGNER, RICHARD: Tristan und Isolde (Review by James Miller) | Shepherd | WARLOCK: Cradle Song (Review by Bernard Jacobson) | tenor | WARLOCK: Julian of Berry (Review by Bernard Jacobson) | tenor | WARLOCK: Pretty Ring Time (Review by Huntley Dent) | tenor | WARLOCK: Rest sweet Nymphs (Review by Bernard Jacobson) | tenor | WARLOCK: Sweet and twenty (Review by Huntley Dent) | tenor | WEILL, KURT: Four Walt Whitman Songs (Review by Huntley Dent) | tenor | WEILL, KURT: Four Walt Whitman Songs (Review by Raymond Beegle) | tenor | WILSON, JOHN: Take, O take those lips away (Review by Huntley Dent) | tenor | WOLF, HUGO: Eichendorff Lieder (Review by Adrian Corleonis) | tenor | WOLF, HUGO: Goethe Lieder (Review by Adrian Corleonis) | tenor | WOLF, HUGO: Lieder (Review by Michael Fine) | performance, want list | WOLF, HUGO: Mörike Lieder (Review by Adrian Corleonis) | tenor |
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