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Performer: Julian Bream AGUADO: Adagio, Op. 2, No. 1. Polonaise, Op. 2, No. 2. Introduction and Rondo, Op. 2, No. 3 (Review by John Bauman) | guitar | AGUADO: Adagio, Op. 2, No. 1. Polonaise, Op. 2, No. 2. introduction and Rondo, Op. 2, No. 3 (Review by M.J. Albacete) | guitar | AGUADO: Rondo in A minor, Op. 2, No. 3 (Review by John Bauman) | baroque guitar | AGUADO: Rondo in A minor, Op. 2, No. 3 (Review by John Bauman) | guitar | AGUADO: Rondo in A minor, Op. 2, No. 3 (Review by John Bauman) | Renaissance guitar | AGUADO: Rondo in A minor, Op. 2, No. 3 (Review by John Bauman) | vihuela | AGUADO: Rondo in a, op. 2 (Review by Michael Ullman) | guitar | AGUADO: Rondo in a, op. 2 (Review by Michael Ullman) | lute | ALBÉNIZ, ISAAC: Cádiz. Córdoba (Review by John Bauman) | baroque guitar | ALBÉNIZ, ISAAC: Cádiz. Córdoba (Review by John Bauman) | guitar | ALBÉNIZ, ISAAC: Cádiz. Córdoba (Review by John Bauman) | Renaissance guitar | ALBÉNIZ, ISAAC: Cádiz. Córdoba (Review by John Bauman) | vihuela | ALBÉNIZ, ISAAC: Mallorca, Op. 202. Suite Española, Op. 47. Cantos de Espana (Review by James Miller) | guitar | ALBÉNIZ, ISAAC: Mallorca, Op. 202. Suite española, Op. 47 (Review by John Bauman) | guitar | ALBÉNIZ/LLOBET: Suite Española (Review by John Ditsky) | guitar | ALBÉNIZ, MATEO: Guitar Sonata (Review by Mortimer H. Frank) | guitar | ANONYMOUS: Greensleeves (Review by James Miller) | guitar | ARNOLD, MALCOLM: Concerto for Guitar and Orchestra (Review by Art Lange) | guitar | ARNOLD, MALCOLM: Guitar Concerto, Op. 67 (Review by Mortimer H. Frank) | guitar | BACH/BREAM: Trio Sonatas (Review by John W. Lambert) | lute | BACH, JOHANN SEBASTIAN: Jesu, Joy of Man's Desiring. Sheep May Safely Graze. Brandenburg Concerto No. 2 (Review by James Miller) | guitar | BACH, JOHANN SEBASTIAN: Selections for Guitar (Review by Mortimer H. Frank) | guitar | BACH, JOHANN SEBASTIAN: Suites (Review by John W. Lambert) | guitar | BACH, JOHANN SEBASTIAN: Suites (Review by Vincent Alfano) | guitar | BACH, JOHANN SEBASTIAN: Suites (Review by Vincent Alfano) | lute | BACH, JOHANN SEBASTIAN: Trio Sonatas (Review by Paul Turok) | lute | BACH, JOHANN SEBASTIAN: Violin Sonata No. 1 (Review by Michael Ullman) | guitar | BACH, JOHANN SEBASTIAN: Violin Sonata No. 1 (Review by Michael Ullman) | lute | BENNETT, RICHARD RODNEY: Five Impromptus (Review by John Ditsky) | guitar | BENNETT, RICHARD RODNEY: Five Impromptus (Review by John Ditsky) | guitar | BENNETT, RICHARD RODNEY: Sonata for Solo Guitar (Review by Michael Ullman) | guitar | BENNETT, RICHARD RODNEY: Sonata for Solo Guitar (Review by Michael Ullman) | lute | BERKELEY, LENNOX: Concerto for Guitar and Orchestra (Review by John Ditsky) | guitar | BERKELEY, LENNOX: Sonata for Guitar (1958) (Review by Mortimer H. Frank) | guitar | BERLIOZ: L'Enfance du Christ (Review by James Miller) | guitar | BOCCHERINI-BREAM: Quintet in D, G. 448 (Review by John W. Lambert) | guitar | BOCCHERINI, LUIGI: Fandango (Review by John Bauman) | baroque guitar | BOCCHERINI, LUIGI: Fandango (Review by John Bauman) | guitar | BOCCHERINI, LUIGI: Fandango (Review by John Bauman) | Renaissance guitar | BOCCHERINI, LUIGI: Fandango (Review by John Bauman) | vihuela | BOCCHERINI, LUIGI: Guitar Quintet. Introduction and Fandango (Review by Paul Turok) | guitar | BOCCHERINI, LUIGI: Quintet in e, G. 45.1 (Review by John W. Lambert) | guitar | BRAHMS-WILLIAMS: Theme and Variations, Op. 18 (Review by John Ditsky) | guitar | BRAHMS, JOHANNES: Es tönt ein voller Harfenklang (Review by James Miller) | guitar | BRITTEN: Folk Song Arrangements (Review by Lynn René Bayley) | guitar | BRITTEN: Gloriana (Review by Lynn René Bayley) | guitar | BRITTEN: Nocturnal after John Dowland (Review by Michael Ullman) | guitar | BRITTEN: Nocturnal after John Dowland (Review by Michael Ullman) | lute | BRITTEN: Nocturnal after John Dowland, op. 70 (Review by Art Lange) | guitar | BRITTEN: Nocturnal (Review by Lynn René Bayley) | guitar | BRITTEN: Songs from the Chinese (Review by Lynn René Bayley) | guitar | BROUWER, LEO: Concerto No. 3 for Guitar and Orchestra (“Concerto Elegiaco“) (Review by John Ditsky) | guitar | BROUWER, LEO: Sonata for Guitar (Review by Art Lange) | guitar | CASTELNUOVO-TEDESCO: Sonata, op. 77 (“Omaggio a Boccherini“) (Review by William Zagorski) | guitar | CIMAROSA: Sonatas (Review by Mortimer H. Frank) | guitar | CLARKE, JEREMIAH: Trumpet Voluntary (Review by James Miller) | guitar | DAVIES, PETER MAXWELL: Hill Runes (Review by John Ditsky) | guitar | DAVIES, PETER MAXWELL: Hill Runes (Review by John Ditsky) | guitar | DEBUSSY-BATCHELAR/BREAM/WILLIAMS: Rêverie; Golliwog's Cakewalk; Clair de Lune (Review by John Ditsky) | guitar | DEBUSSY: Clair de lune. Reverie (Review by James Miller) | guitar | DOWLAND, JOHN: Come Heavy Sleep (Review by Michael Ullman) | guitar | DOWLAND, JOHN: Come Heavy Sleep (Review by Michael Ullman) | lute | DOWLAND, JOHN: Dances of Dowland (Review by Mortimer H. Frank) | lute | DOWLAND, JOHN: I Saw My Lady Weep. Dear, If You Change. Stay,Time. Weep You No More. Shall I Sue? Sweet, Stay Awhile. Can She Excuse. Come, Heavy Sleep. Wilt Thou Unkind, Thus Leave Me? Sorrow, Stay. The Lowest Trees Have Tops. Time’s Eldest Son, Old Age. In Darkness Let Me Dwell. Say, Love, If Ever Thou Did’st Find (Review by Michael Ullman) | lute | DOWLAND, JOHN: My Lady Hunsdon's Puffe. The King of Denmark's Galliard. Mignarda. Queen Elizabeth's Galliard. Loth to Depart. The Earl of Derby's Galliard. Lachrimae. Tarleton's Resurrection. Tarleton's Resurrection (2). A Fancy. Melancholy Galliard. Semper Dowland, semper dolens. Orlando sleepeth (Review by Michael Ullman) | lute | DOWLAND, JOHN: Queen Elizabeth's Galliard. Lachrimae Antlquae Pavan. Mrs. White's Nothinge. Mrs. Vaux's Gigge. Farewell (A Fancy). Orlando Sleepeth. Fantasia. King of Denmark's Galliard. Melancholy Galliard. My Ladye Hundson's Puffe. Semper Dowland, Semper Dolens. An Unnamed Piece. Sir Henry Ump-ton's Funeral. Forlorne Hope Fancy (Review by Leslie Gerber) | guitar | DOWLAND, JOHN: Queen Elizabeth's Galliard. Lachrimae Antlquae Pavan. Mrs. White's Nothinge. Mrs. Vaux's Gigge. Farewell (A Fancy). Orlando Sleepeth. Fantasia. King of Denmark's Galliard. Melancholy Galliard. My Ladye Hundson's Puffe. Semper Dowland, Semper Dolens. An Unnamed Piece. Sir Henry Ump-ton's Funeral. Forlorne Hope Fancy (Review by Leslie Gerber) | lute | DOWLAND, JOHN: Selections for Lute (Review by Mortimer H. Frank) | lute | FALLA, MANUEL DE: Homage for the Tomb of Claude Debussy. The Three-Cornered Hat (Review by John Ditsky) | guitar | FALLA, MANUEL DE: Homenajae (Review by Michael Ullman) | guitar | FALLA, MANUEL DE: Homenajae (Review by Michael Ullman) | lute | FALLA, MANUEL DE: Homenaje “Le Tombeau de Claude Debussy” (Review by Phillip Scott) | guitar | FALLA, MANUEL DE: Homenaje, pour le Tombeau de Claude Debussy. The Three Cornered Hat (Review by John Bauman) | baroque guitar | FALLA, MANUEL DE: Homenaje, pour le Tombeau de Claude Debussy. The Three Cornered Hat (Review by John Bauman) | guitar | FALLA, MANUEL DE: Homenaje, pour le Tombeau de Claude Debussy. The Three Cornered Hat (Review by John Bauman) | Renaissance guitar | FALLA, MANUEL DE: Homenaje, pour le Tombeau de Claude Debussy. The Three Cornered Hat (Review by John Bauman) | vihuela | FALLA, MANUEL DE: Homenaje, pour le Tombeau de Claude Debussy. Three Cornered Hat (Review by John Bauman) | guitar | FALLA, MANUEL DE: Le Tombeau de Claude Debussy (Review by Leslie Gerber) | guitar | FALLA, MANUEL DE: Le Tombeau de Claude Debussy (Review by Leslie Gerber) | lute | FAURÉ-BREAM: Dolly, Op. 56 (Review by John Ditsky) | guitar | FORD, THOMAS: Come, Phyllis. Fair, Sweet, Cruel (Review by Michael Ullman) | lute | FRESCOBALDI: Aria detta “La Frescobaldi“ con Variazioni (Review by Mortimer H. Frank) | guitar | GERHARD: Fantasia (Review by John Ditsky) | guitar | GERHARD: Fantasia (Review by John Bauman) | guitar | GIULIANI, MAURO: Concerto for Guitar and Strings (Review by Mortimer H. Frank) | guitar | GIULIANI, MAURO: Guitar Concerto in A, op. 30 (Review by John W. Lambert) | guitar | GRANADOS, ENRIQUE: Cuentos para la Juventud (Review by James Miller) | guitar | GRANADOS, ENRIQUE: Dedicatoria. Tonadilla (“La Maja de Goya“). Danzas española Nos. 4 and 5. Valses poéticos (Review by John Bauman) | guitar | GRANADOS, ENRIQUE: La Maya de Goya. Danza Española No. 5 (Review by John Bauman) | baroque guitar | GRANADOS, ENRIQUE: La Maya de Goya. Danza Española No. 5 (Review by John Bauman) | guitar | GRANADOS, ENRIQUE: La Maya de Goya. Danza Española No. 5 (Review by John Bauman) | Renaissance guitar | GRANADOS, ENRIQUE: La Maya de Goya. Danza Española No. 5 (Review by John Bauman) | vihuela | GUERAU: Villano. Canario (Review by John Bauman) | baroque guitar | GUERAU: Villano. Canario (Review by John Bauman) | guitar | GUERAU: Villano. Canario (Review by John Bauman) | Renaissance guitar | GUERAU: Villano. Canario (Review by John Bauman) | vihuela | HANDEL, GEORGE FRIDERIC: Concerto in B♭ for 2 Lutes, Strings, and Recorders (Review by Michael Ullman) | guitar | HANDEL, GEORGE FRIDERIC: Concerto in B♭ for 2 Lutes, Strings, and Recorders (Review by Michael Ullman) | lute | HANDEL, GEORGE FRIDERIC: Water Music (Review by James Miller) | guitar | HAYDN, FRANZ JOSEPH: Guitar Quartet (Review by Paul Turok) | guitar | HAYDN, FRANZ JOSEPH: Quartet in E, op. 2/2 (Review by John W. Lambert) | guitar | HENRY VIII: Orpheus with his lute. Sonnets (Review by Michael Ullman) | lute | HENZE, HANS WERNER: Royal Winter Music (Sonata No. 1 on Shakespearean Characters) (Review by John Ditsky) | guitar | HENZE, HANS WERNER: Royal Winter Music (Review by John Ditsky) | guitar | JOHNSON-BREAM: Pavan and Galliard (Review by John Ditsky) | guitar | JOSÉ: Sonata (Review by William Zagorski) | guitar | KOHAUT: Concerto in F for Lute and Strings (Review by Michael Ullman) | guitar | KOHAUT: Concerto in F for Lute and Strings (Review by Michael Ullman) | lute | LLOBET: Canciones populäres Catalanas (Review by Kevin Bazzana) | guitar | LUTOSŁAWSKI: Melodie ludowe (Review by Art Lange) | guitar | MÅLATS: Serenata (Review by Kevin Bazzana) | guitar | MARTIN, FRANK: Quatre pièces brèves (Review by Art Lange) | guitar | MENDELSSOHN, FELIX: Wedding March (Review by James Miller) | guitar | MILAN: El Maestro (Review by John Ditsky) | lute | MILAN: Fantasia XXII (Review by John Bauman) | baroque guitar | MILAN: Fantasia XXII (Review by John Bauman) | guitar | MILAN: Fantasia XXII (Review by John Bauman) | Renaissance guitar | MILAN: Fantasia XXII (Review by John Bauman) | vihuela | MILAN: Selections from “El Maestro.“ (Review by Mortimer H. Frank) | lute | MOMPOU: Suite Compostelana (Review by John Ditsky) | guitar | MOMPOU: Suite Compostelana (Review by John Bauman) | guitar | MORENO-TORROBA: Sonatina (Review by John Bauman) | guitar | MORLEY: Absence. It Was a Lover and His Lass. Who is It? (Review by Michael Ullman) | lute | MORLEY: Galliard to the Sacred End (Review by Michael Ullman) | guitar | MORLEY: Galliard to the Sacred End (Review by Michael Ullman) | lute | MORLEY: Pavan (Review by Michael Ullman) | guitar | MORLEY: Pavan (Review by Michael Ullman) | lute | MOURET: Rondeau (Review by James Miller) | guitar | MUDARRA: Fantasias XIV and X (Review by John Bauman) | baroque guitar | MUDARRA: Fantasias XIV and X (Review by John Bauman) | guitar | MUDARRA: Fantasias XIV and X (Review by John Bauman) | Renaissance guitar | MUDARRA: Fantasias XIV and X (Review by John Bauman) | vihuela | MURCIA, SANTIAGO DE: Prelude y Allegro (Review by John Bauman) | baroque guitar | MURCIA, SANTIAGO DE: Prelude y Allegro (Review by John Bauman) | guitar | MURCIA, SANTIAGO DE: Prelude y Allegro (Review by John Bauman) | Renaissance guitar | MURCIA, SANTIAGO DE: Prelude y Allegro (Review by John Bauman) | vihuela | NARVÁEZ, DE: La Canción del Emperador. Conde Claros (Review by John Bauman) | baroque guitar | NARVÁEZ, DE: La Canción del Emperador. Conde Claros (Review by John Bauman) | guitar | NARVÁEZ, DE: La Canción del Emperador. Conde Claros (Review by John Bauman) | Renaissance guitar | NARVÁEZ, DE: La Canción del Emperador. Conde Claros (Review by John Bauman) | vihuela | NARVÁEZ, DE: Los Seys Libros del Delphin de Música; Excerpts (11) (Review by John Ditsky) | lute | NARVÁEZ, DE: Selections from “Losseys Libros del Delphin de Música" (Review by Mortimer H. Frank) | lute | OHANA: Tiento (Review by John Ditsky) | guitar | OHANA: Tiento (Review by John Bauman) | guitar | PACHELBEL, JOHANN: Canon (Review by James Miller) | guitar | PAGANINI: Grand Sonata, op. 39 (Review by William Zagorski) | guitar | PUJOL: Tango espagnol. Guaina (Review by Kevin Bazzana) | guitar | PURCELL, HENRY: Trumpet Tune and Air (Review by James Miller) | guitar | RAVEL: Pavane pour une infante défunte (Review by Mortimer H. Frank) | guitar | RODRIGO: Concierto de Aranjuez (Review by Art Lange) | guitar | RODRIGO: Concierto de Aranjuez (Review by Michael Ullman) | guitar | RODRIGO: Concierto de Aranjuez (Review by Michael Ullman) | lute | RODRIGO: Concierto de Aranjuez, for Guitar and Orchestra (Review by John Ditsky) | guitar | RODRIGO: Concierto de Aranjuez, for Guitar and Orchestra. Tres Piezas Españolas, for Guitar solo. Invocation et Danse (Hommage à Manuel de Falla), for Guitar solo (Review by John Ditsky) | guitar | RODRIGO: Concierto de Aranjuez (Review by John Bauman) | baroque guitar | RODRIGO: Concierto de Aranjuez (Review by John Bauman) | guitar | RODRIGO: Concierto de Aranjuez (Review by John Bauman) | Renaissance guitar | RODRIGO: Concierto de Aranjuez (Review by John Bauman) | vihuela | RODRIGO: En los Trigales (Review by Mortimer H. Frank) | guitar | RODRIGO: Fantasía para un Gentilhombre (Review by John Ditsky) | guitar | ROSSETER: What Then is Love? If She Forsake Me. When Laura Smiles (Review by Michael Ullman) | lute | ROUSSEL: Segovia (Review by Mortimer H. Frank) | guitar | SANZ: Galifardas. Passacalles. Canarios (Review by John Bauman) | baroque guitar | SANZ: Galifardas. Passacalles. Canarios (Review by John Bauman) | guitar | SANZ: Galifardas. Passacalles. Canarios (Review by John Bauman) | Renaissance guitar | SANZ: Galifardas. Passacalles. Canarios (Review by John Bauman) | vihuela | SCARLATTI, DOMENICO: Two Sonatas in E Minor (Review by Mortimer H. Frank) | guitar | SEIBER: 4 French Folk Songs (Review by Lynn René Bayley) | guitar | SHAKESPEARE, WILLIAM: If music and sweet poetry agree. The Phoenix and the Turtle (Review by Michael Ullman) | lute | SOR: Fantaisie, Op. 30. Fantaisie, Op. 7. Variations on a Theme of Mozart, Op. 9 (Review by M.J. Albacete) | guitar | SOR: Fantaisie, Op. 30. Fantaisie, Op. 7. Variations on a Theme of Mozart, Op. 9 (Review by John Bauman) | guitar | SOR: Fantasy, Op. 54 (Review by John Ditsky) | guitar | SOR: Sonata in D, Op. 14 (“Gran Solo“). Variations on a Theme of Mozart, Op. 9 (Review by John Bauman) | baroque guitar | SOR: Sonata in D, Op. 14 (“Gran Solo“). Variations on a Theme of Mozart, Op. 9 (Review by John Bauman) | guitar | SOR: Sonata in D, Op. 14 (“Gran Solo“). Variations on a Theme of Mozart, Op. 9 (Review by John Bauman) | Renaissance guitar | SOR: Sonata in D, Op. 14 (“Gran Solo“). Variations on a Theme of Mozart, Op. 9 (Review by John Bauman) | vihuela | SOR: Works for Guitar (Review by Phillip Scott) | guitar | SOR: Études (Review by Leslie Gerber) | guitar | SOR: Études (Review by Leslie Gerber) | lute | TAKEMITSU: All in Twilight (Review by Art Lange) | guitar | TAKEMITSU: To the Edge of Dream (Review by Art Lange) | guitar | TÁRREGA: Mazurka In G. Study in A. Marietta. Caprlcho àrabe. Prelude in A Minor. Recuerdos de la Alhambra (Review by Kevin Bazzana) | guitar | TÁRREGA: Study in A. Prelude In A minor. Recuerdos de la Alhambra (Review by John Bauman) | baroque guitar | TÁRREGA: Study in A. Prelude In A minor. Recuerdos de la Alhambra (Review by John Bauman) | guitar | TÁRREGA: Study in A. Prelude In A minor. Recuerdos de la Alhambra (Review by John Bauman) | Renaissance guitar | TÁRREGA: Study in A. Prelude In A minor. Recuerdos de la Alhambra (Review by John Bauman) | vihuela | TELEMANN-BREAM: Polish Partita (Review by John Ditsky) | guitar | TORROBA: Preludio in E. Sonatina in A. Nocturno in A Minor. Burgalesca In FS Minor (Review by Leslie Gerber) | guitar | TORROBA: Preludio in E. Sonatina in A. Nocturno in A Minor. Burgalesca In FS Minor (Review by Leslie Gerber) | lute | TORROBA: Sonatina in A; Allegretto (Review by John Bauman) | baroque guitar | TORROBA: Sonatina in A; Allegretto (Review by John Bauman) | guitar | TORROBA: Sonatina in A; Allegretto (Review by John Bauman) | Renaissance guitar | TORROBA: Sonatina in A; Allegretto (Review by John Bauman) | vihuela | TORROBA: Sonatina (Review by John Ditsky) | guitar | TORROBA: Works for Guitar (Review by Phillip Scott) | guitar | TURINA: Fandanguillo, Op. 36 (Review by John Bauman) | baroque guitar | TURINA: Fandanguillo, Op. 36 (Review by John Bauman) | guitar | TURINA: Fandanguillo, Op. 36 (Review by John Bauman) | Renaissance guitar | TURINA: Fandanguillo, Op. 36 (Review by John Bauman) | vihuela | TURINA: Fandanguillo, Op. 36. Sevillana, Op. 29 (Review by John Ditsky) | guitar | TURINA: Fandanguillo, Op. 36. Sevillana, Op. 29 (Review by John Bauman) | guitar | TURINA: Hommage a Tarrega. Fandanguillo. Sonatina in D (Review by Leslie Gerber) | guitar | TURINA: Hommage a Tarrega. Fandanguillo. Sonatina in D (Review by Leslie Gerber) | lute | TURINA: Works for Guitar (Review by Phillip Scott) | guitar | VILLA-LOBOS, HEITOR: 5 Preludes (Review by Phillip Scott) | guitar | VILLA-LOBOS, HEITOR: Concerto for Guitar and Chamber Orchestra. Preludes (5). Study in C♯ minor. Brazilian Popular Suite (Review by John Ditsky) | guitar | VILLA-LOBOS, HEITOR: Five Preludes (Review by Leslie Gerber) | guitar | VILLA-LOBOS, HEITOR: Five Preludes (Review by Leslie Gerber) | lute | VILLA-LOBOS, HEITOR: Studies for Guitar (12); Suite populaire brésilienne (Review by John Ditsky) | guitar | VILLA-LOBOS, HEITOR: Study No. 11 (Review by Michael Ullman) | guitar | VILLA-LOBOS, HEITOR: Study No. 11 (Review by Michael Ullman) | lute | VIVALDI, ANTONIO: Concerto in D for Lute and Strings. Concerto in G for 2 Lutes and Strings (Review by Michael Ullman) | guitar | VIVALDI, ANTONIO: Concerto in D for Lute and Strings. Concerto in G for 2 Lutes and Strings (Review by Michael Ullman) | lute | VIVALDI, ANTONIO: Sonatas for Lute and Harpsichord (Review by Paul Turok) | lute | WAGNER, RICHARD: Lohengrin (Review by James Miller) | guitar | WALTON, WILLIAM: Anon in Love (Review by Lynn René Bayley) | guitar | WALTON, WILLIAM: Bagatelle No. 5 (Review by Michael Ullman) | guitar | WALTON, WILLIAM: Bagatelle No. 5 (Review by Michael Ullman) | lute | WALTON, WILLIAM: Five Bagatelles (Review by John Ditsky) | guitar | WALTON, WILLIAM: Five Bagatelles (Review by John Ditsky) | guitar | WALTON, WILLIAM: Johannesburg Festival Overture (excerpts). The Wise Virgins (excerpts) (Review by Lynn René Bayley) | guitar | WIDOR: Toccata (Review by James Miller) | guitar | WILLIAMS, GRANADOS-BREAM/: Spanish Dance No. 2 (Oriental) (Review by John Ditsky) | guitar |
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