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Performer: Stuart Burrows AN ANTHOLOGY OF ENGLISH SONG: (Review by James A. Altena) | tenor | DONIZETTI: 3 QUEENS Anna Bolena (Julius Rudel) (Review by Joel Kasow) | Percy | Maria Stuarda: (Review by Joel Kasow) | Leicester | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–9 (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 8 in F, Op. 93; Symphony No. 9 in D Minor, Op. 125 (“Choral“) (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, Op. 125 (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, Op. 125. Symphony No. 8 in F, Op. 93 (Review by Howard Kornblum) | tenor | BEETHOVEN, LUDWIG VAN: The Nine Symphonies. Coriolan Overture, Op. 62. Egmont Overture, Op. 84. Fidelio Overture, Op. 72. Leonore Overture No. 3, Op. 72a (Review by Mortimer H. Frank) | tenor | BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis) | Faust | BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis) | Faust | BERLIOZ: La Damnation de Faust (Review by Christopher Abbot) | Faust | BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis) | tenor | BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis) | tenor | BERLIOZ: La damnation de Faust (Review by Lynn René Bayley) | Faust | BERLIOZ: Les Nuits D'Eté; La Mort De Cleopatre (Review by Richard Nash) | tenor | BERLIOZ: Requiem, op. 5. La Mort de Cléopâtre. Roméo et Juliette, op. 17 (Review by Adrian Corleonis) | tenor | DONIZETTI: Anna Bolena (Review by David L. Kirk) | Percy | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | Leicester | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | tenor | GOUNOD, CHARLES: Faust (Review by C. -P. Gerald Parker) | Faust | GOUNOD, CHARLES: Faust (Review by C. -P. Gerald Parker) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Anthony D. Coggi) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by J. F. Weber) | tenor | HODDINOTT: Overture “Jack Straw.“ Nocturnes and Cadenzas for Cello and Orchestra. Sinfonia Fidei—Cantata for Soprano, Tenor, Chorus, and Orchestra (Review by John Ditsky) | tenor | MAHLER, GUSTAV: Das klagende Lied (Review by David Hurwitz) | tenor | MOZART: Così fan tutte (Review by Lynn René Bayley) | Ferrando | MOZART: Don Giovanni (Review by Huntley Dent) | Don Ottavio | MOZART: Don Giovanni (Review by Raymond Beegle) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Royal S. Brown) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Royal S. Brown) | tenor | MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank) | tenor | MOZART: Don Giovanni, K. 527 (Review by James Miller) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by James Miller) | tenor | MOZART: La Clemenza di Tito, K. 621 (Review by Mortimer H. Frank) | tenor | MOZART: La Clemenza di Tito, K. 621 (Review by Mortimer H. Frank) | Titus | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | Belmonte | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | tenor | MOZART: The Abduction from the Seraglio, K. 384. Welch ängstliches Beben, K. 389. Schon lacht der holde Frühling, K. 580. Männer suchen stets zu naschen, K. 433. Musst ich auch durch tausend Drachen, K. 435. Ich möchte wohl der Kaiser sein, K. 539 (K. 389 and K. 433 completed and orchestrated by Eric Smith) (Review by Mortimer H. Frank) | Belmonte | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | Belmonte | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | tenor | MOZART: The Magic Flute (Review by Vincent Alfano) | Tamino | MOZART: The Magic Flute (Review by Vincent Alfano) | tenor | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Hoffmann | PUCCINI II, GIACOMO: La Bohème (Review by C. -P. Gerald Parker) | Faust | PUCCINI II, GIACOMO: La Bohème (Review by C. -P. Gerald Parker) | tenor | TCHAIKOVSKY: Eugene Onegin (Review by Joel Kasow) | Lensky | TIPPETT, MICHAEL: The Midsummer Marriage (Review by Raymond Tuttle) | Jack | TIPPETT, MICHAEL: The Midsummer Marriage (Review by Raymond Tuttle) | tenor |
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