|
Performer: Jean-Claude Casadesus ANCELIN: Filius Hominis (Review by James H. North) | conductor | AURIC/HONEGGER/MILHAUD/POULENC/TAILLEFERRE: Les Maries de la Tour Eiffel (Review by James Miller) | conductor | BERLIOZ: La Mort d'Orphée—Monologue et bacchanale pour ténor, choeur de femmes, et orchestre (1827)Herminie—Scène lyrique pour soprano et orchestre (1828). La Mort de Cléopâtre—Scène lyrique pour soprano et orchestre (1829) La Mort de Sardanaple—Cantate pour ténor, choeur d'hommes, et orchestre (1830) (Review by Adrian Corleonis) | conductor | BERLIOZ: La Mort d'Orphée—Monologue et bacchanale pour ténor, choeur de femmes, et orchestre (1827)Herminie—Scène lyrique pour soprano et orchestre (1828). La Mort de Cléopâtre—Scène lyrique pour soprano et orchestre (1829) La Mort de Sardanaple—Cantate pour ténor, choeur d'hommes, et orchestre (1830) (Review by David Johnson) | conductor | BERLIOZ: La Mort de Sardanaple—Cantates du Prix de Rome (Review by Adrian Corleonis) | conductor | BERLIOZ: La Mort de Sardanaple—Cantates du Prix de Rome (Review by David Johnson) | conductor | BERLIOZ: La damnation de Faust (Review by Adrian Corleonis) | conductor | BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis) | conductor | BERLIOZ: Symphonie fantastique, Op. 14 (Review by Henry Fogel) | conductor | BERLIOZ: Symphonie fantastique, Op. 14 (Review by Eric Goldberg) | conductor | BIZET: Carmen (Review by George Chien) | conductor | BIZET: Clovis et Clotilde. Te Deum (Review by Paul Orgel) | conductor | CANTELOUBE: Chants d'Auvergne (Review by Barry Brenesal) | conductor | DEBUSSY: La Mer. Nocturnes. La Damalselle élue (Review by Ron McDonald) | conductor | DEBUSSY: Pelléas et Mélisande (Review by James Miller) | conductor | DUTILLEUX: Métaboles. Les Citations (Review by Steven Kruger) | conductor | DUTILLEUX: Métaboles. Les Citations (Review by Andrew Morris) | conductor | DUTILLEUX: Symphony No. 1 (Review by Steven Kruger) | conductor | DUTILLEUX: Symphony No. 1 (Review by Andrew Morris) | conductor | LISZT: Hungarian Rhapsodies (Review by Peter J. Rabinowitz) | conductor | MAGNARD, ALBÉRIC: Chant funèbre (Review by Steven Kruger) | conductor | MAGNARD, ALBÉRIC: Chant funèbre (Review by Jerry Dubins) | conductor | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Benjamin Pernick) | baritone | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Benjamin Pernick) | conductor | MAHLER, GUSTAV: Symphony No. 4 in G (Review by Benjamin Pernick) | conductor | MAHLER, GUSTAV: Symphony No. 4 in G (Review by Benjamin Pernick) | soprano | MASSENET, JULES: Werther (Review by Joel Kasow) | conductor | MILHAUD: La création du monde. Le boeuf sur le toit. Suite provençale. L'homme et son désir (Review by Barry Brenesal) | conductor | MILHAUD: Le Boeuf sur le toit (Review by James Miller) | conductor | MUSSORGSKY: Pictures at an Exhibition (Review by David DeBoor Canfield) | conductor | POULENC, FRANCIS: La Voix humaine (Review by Peter J. Rabinowitz) | conductor | POULENC, FRANCIS: La Voix humaine (Review by Royal S. Brown) | conductor | PROKOFIEV, SERGEI: Alexander Nevsky, op. 78. Lieutenant Kije (Review by Michael Ullman) | conductor | PROKOFIEV, SERGEI: Alexander Nevsky. Lieutenant Kije (Review by Barry Brenesal) | conductor | RAVEL: Boléro. La Valse. Concerto in D for Piano (Left-Hand) and Orchestra. Concerto in G for Piano and Orchestra (Review by James Miller) | conductor | RAVEL: Daphnis and Chloe (Review by James Miller) | conductor | RAVEL: Daphnis et Chloé (Review by David DeBoor Canfield) | conductor | RAVEL: Daphnis et Chloé (Review by Henry Fogel) | conductor | RAVEL: La Valse (Review by David DeBoor Canfield) | conductor | STRAUSS, RICHARD: Ein Heldenleben (Review by Steven Kruger) | conductor | STRAUSS, RICHARD: Ein Heldenleben (Review by Jerry Dubins) | conductor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|