|
Performer: Al Cohn Al Cohn: Overtones (Al Cohn) (Review by Andrew Sussman) | tenor saxophone | Al Cohn: Standards of Excellence. CONCORD (Al Cohn) (Review by Andrew Sussman) | tenor saxophone | Art Blakey: The Finest of Art Blakey Big Band (Art Blakey) (Review by Andrew Sussman) | tenor saxophone | ADAMSON-MCHUGH: Here Comes Heaven Again (Review by Lynn René Bayley) | tenor saxophone | ARLEN-KOEHLER: Stormy Weather (Review by Lynn René Bayley) | tenor saxophone | AULD-GALE-GALLOP: I’ve Got a Right to Know (Review by Lynn René Bayley) | tenor saxophone | AULD-JOHNSON: Daily Double (2 versions) (Review by Lynn René Bayley) | tenor saxophone | AULD: Jump, Georgie, Jump. Chicken Lickin’ (Review by Lynn René Bayley) | tenor saxophone | CHRISTIAN-GOODMAN: Airmail Special (Review by Lynn René Bayley) | tenor saxophone | DOLPHY: 245. Richard (Review by Lynn René Bayley) | tenor saxophone | ELLINGTON/STRAYHORN/GAINES: Just A-Settin’ and A-Rockin’ (Review by Lynn René Bayley) | tenor saxophone | GREER-KLAGES: Just You, Just Me (Review by Lynn René Bayley) | tenor saxophone | JAMES-MILLER: Come to Baby, Do (Review by Lynn René Bayley) | tenor saxophone | JONES, ROBERT: It Had to Be You (Review by Lynn René Bayley) | tenor saxophone | KILLIAN: Let’s Jump (Review by Lynn René Bayley) | tenor saxophone | LERNER/LOEWE, FREDERICK: You Haven’t Changed at All (Review by Lynn René Bayley) | tenor saxophone | LOMBARDO-LOEB: Seems Like Old Times (Review by Lynn René Bayley) | tenor saxophone | RODGERS-HART: Blue Moon (2 versions) (Review by Lynn René Bayley) | tenor saxophone | TROUP, BOBBY: Route 66 (Review by Lynn René Bayley) | tenor saxophone | TURK-AHLERT: I Don’t Know Why (Review by Lynn René Bayley) | tenor saxophone | WEBB-SAMPSON-GOODMAN: Stompin’ At the Savoy (Review by Lynn René Bayley) | tenor saxophone | WHITING-SIMONS-GLLESPIE: Honey (Review by Lynn René Bayley) | tenor saxophone | WOLPE, STEFAN: First Recordings 1954 (Review by Mike Silverton) | tenor saxophone | WOLPE, STEFAN: Sonata for Violin and Piano''. Passacaglia for Piano. Ûuartet for Trumpet, Tenor Saxophone, Percussion, and Piano (Review by Mike Silverton) | tenor saxophone | YOUMANS-ADAMSON-GORDON: Time On My Hands (Review by Lynn René Bayley) | tenor saxophone | YOUNG, VICTOR/WASHINGTON, NED: A Hundred Years From Today (Review by Lynn René Bayley) | tenor saxophone |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|