|
|
Performer: John Constable INVOCATIONS: CONTEMPORARY VIOLA WORKS (Silverthome) (Review by Michael Fine) | performance, want list | ADAMS, A. EMMETT: The Bells of St. Mary's (Review by James Miller) | piano | ALWYN: Invocations—Song Cycle for Soprano and Piano. A Leave-Taking—Song Cycle for Tenor and Piano (Review by Henry Fogel) | piano | ARLEN: What’s Good about Goodbye?. Last Night When We Were Young. When the Sun Comes Out. It Was Written in the Stars. Right as the Rain. I Had Myself a True Love. Fun To Be Fooled (Review by Michael Ullman) | piano | BACH, JOHANN SEBASTIAN: French Suite No. 5 in G, BWV 816 (Review by Steven E. Ritter) | harpsichord | BACH, JOHANN SEBASTIAN: Keyboard Concertos (Review by Steven E. Ritter) | harpsichord | BENNETT, RICHARD RODNEY: After Ariadne (Review by William Zagorski) | piano | BERLIOZ: Les Nuits d'été, op. 7 (Review by Adrian Corleonis) | piano | BISHOP, HENRY: Home Sweet Home (Review by James Miller) | piano | BRAHE: Bless This House (Review by James Miller) | piano | BRITTEN: Early Chamber Music. Temporal Variations, for Oboe and Piano. Phantasy in F minor, for String Quintet. Alla marcia; Three Divertimenti, for String Quartet. Two Insect Pieces, for Oboe and Piano (Grasshopper, Wasp). Phantasy Quartet for Oboe and Strings, Op. 2 (Review by John D. Wiser) | piano | BRITTEN: Lachrymae (Review by Royal S. Brown) | piano | BRITTEN: Lachrymae—Reflections on a Song of Dowland, op. 48 (Review by Robert Carl) | piano | BRITTEN: The Little Sweep, Op. 45 (Review by John Ditsky) | piano | CAPEL: Love, Could I Only Tell Thee (Review by James Miller) | piano | CARTER, ELLIOTT: 3 Poems of Robert Frost. Warble for Lilac-Time. Voyage. Of Challenge and Love (Review by Robert Carl) | piano | COLERIDGE-TAYLOR: Big Lady Moon (Review by James Miller) | piano | D’HARDELOT: I Knote a Lovely Garden (Review by James Miller) | piano | FALLA, MANUEL DE: Master Peter's Puppet Show. Psyche. Concerto for Harpsichord and Orchestra (Review by John Ditsky) | harpsichord | GERHARD: Libra for 6 Instruments. Gemini for Violin and Piano. Leo for 10 Instrumentalists (Review by Stephen Ellis) | piano | GERMAN, EDWARD: Daffodils A-Blowing (Review by James Miller) | piano | GERSHWIN: Poppyland; Isn’t It a Pity? Love Is Sweeping the Country. Boy! What Love Has Done to Me! How Long Has This Been Going On? (Review by Michael Ullman) | piano | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | harpsichord | HARRISON, ANNIE FORTESCUE: In the Gloaming (Review by James Miller) | piano | HAWKINS, JOHN: Uřízen (Review by William Zagorski) | piano | HAYDN, FRANZ JOSEPH: Arianna a Naxos (Review by Bernard Jacobson) | piano | HENZE, HANS WERNER: Compases Para Preguntas Ensimismadas. Violin Concerto No. 2. Apollo et Hyazinthus (Review by James H. North) | harpsichord | HINDEMITH, PAUL: Sonata for Viola and Piano, op. 11, no. 4 (Review by Robert Carl) | piano | HINDEMITH, PAUL: Sonata for Viola and Piano, op. 11, no. 4 (Review by Royal S. Brown) | piano | HONEGGER, ARTHUR: Concerto da camera, for Flute, English horn, and String Orchestra. Petite suite, for Flute, English horn, and Piano. Antigone, for Oboe, English horn, and Harp (Review by John D. Wiser) | piano | JACOBS-BOND, CARRIE: A Perfect Day (Review by James Miller) | piano | KAHN, GUS: Happy Summer Song (Review by James Miller) | piano | KAMPELA: Bridges (Review by William Zagorski) | piano | KNUSSEN: Flourish with Fireworks, op. 22. The Ride to Castle Yonder, op. 21a. Two Organa, op. 27. Concerto for Horn and Orchestra, op. 28. Music for a Puppet Court, op. 11. Whitman Settings, op. 25a.... upon one note“—Fantázia after Purcell (Review by Robert Carl) | piano | LAMBERT, FRANK: God's Garden (Review by James Miller) | piano | LECUONA, ERNESTO: Siempre en mi corazón. Como presiento. Allá en la sierra. Tu no tienes corazón. Mi corazón se fué. Dame de tus rosas. ¡No es por ti! ¡Mira! Dame el amor. Que risa me da. La comparsa. Al fin. Se abrieron las flores. Conga Cuba. Amor tardío. En una noche asi. Devuélveme el corazón. Primavera de ilusión. Un amor vendrá. Me has dejado. No me engañarás. Rumba mejoral. No me mires ni nime hables. Mi amor fue una flor. Canción del amor triste (Review by Bernard Jacobson) | piano | LECUONA, ERNESTO: Siempre en mi corazón. Como presiento. Allá en la sierra. Tu no tienes corazón. Mi corazón se fué. Dame de tus rosas. ¡No es por ti! ¡Mira! Dame el amor. Que risa me da. La comparsa. Al fin. Se abrieron las flores. Conga Cuba. Amor tardío. En una noche asi. Devuélveme el corazón. Primavera de ilusión. Un amor vendrá. Me has dejado. No me engañarás. Rumba mejoral. No me mires ni nime hables. Mi amor fue una flor. Canción del amor triste (Review by Raymond Tuttle) | piano | LEHMANN, LIZA: In a Persian Garden (Review by John Ditsky) | piano | LEWIS, ROBERT HALL: Invenzione. Diptychon for Nine Players. Kantaten. Symphony No. 4 (Review by Scott Wheeler) | piano | LISZT: Im Rhein (second version), S. 272. Bist du!, S. 277. Freudvoll und Leidvol (first setting, second version), S. 280. Die Vätergruft, S. 281. Vergiftet sind meine Lieder, S. 289. Three Songs from Schiller's “Wilhelm Tell“ (second version), S. 292. Ich möchte Hingehn, S. 296. Wer nie sein Brot (first setting), S. 297. Kling leise, mein Lied (second version), S. 301. Die Macht der Musik, S. 302. Über allen Gipfeln ist ruh (second version), S. 306. Ich Scheide, S. 319. Die drei Zigeuner, S. 320. Jugendglück, S. 323. Ihr Glocken von Marling, S. 328. Der Glückliche, S. 334 (Review by Peter J. Rabinowitz) | piano | LISZT: Songs (Review by Peter J. Rabinowitz) | piano | LUTYENS, ELIZABETH: Echo of the Wind (Review by William Zagorski) | piano | MACRAE: The City Inside (Review by William Zagorski) | piano | MARTIN, FRANK: Trois Danses for Oboe, Harp, String Quintet, and Orchestra. Petite complainte, for Oboe and Piano. Pièce brève, for Flute, Oboe, and Harp (Review by John D. Wiser) | piano | MARTINŮ: Concerto for Oboe and Small Orchestra (Review by John D. Wiser) | piano | MATTHEWS, COLIN: Oscuro (Review by William Zagorski) | piano | MESSIAEN: Harawi (Review by John Story) | performance, want list | MESSIAEN: Harawi (Review by John Story) | piano | MILHAUD: Alissa. Poèmes juifs. L’amour chanté (Review by Paul Orgel) | piano | MOZART: Vesperae solennes de confessore, K. 339. Exsultate, jubilate, K. 165. Kyrie, K. 341. Ave verum corpus, K. 618 (Review by John Bauman) | organ | MUSGRAVE: In the Still of the Night (Review by William Zagorski) | piano | PAYNE, ANTHONY: Amid the Winds of Evening (Review by William Zagorski) | piano | PEEL: The Early Morning (Review by James Miller) | piano | PHILIPS: Sing, Joyous Bird (Review by James Miller) | piano | ROSSINI: Petite Messe Solennelle (Review by Elliott Kaback) | piano | SATIE: The Diva of “The Empire. “ Let's Get On With It Chochotte. I Want You (Review by John Ditsky) | piano | SAXTON, ROBERT: Invocation Dance and Meditation (Review by William Zagorski) | piano | SCHOENBERG, ARNOLD: Cabaret Songs (Review by John Ditsky) | piano | SCHWARTZ: You and the Night and the Music. Dancing in the Dark. I See Your Face before Me. Something to Remember You By (Review by Michael Ullman) | piano | SHOSTAKOVICH: Sonata for Viola and Piano, op. 147 (Review by Robert Carl) | piano | SHOSTAKOVICH: Sonata for Viola and Piano, op. 147 (Review by Royal S. Brown) | piano | SQUIRE: In an Old fashioned Town (Review by James Miller) | piano | STRAUSS, RICHARD: Morgen! (Review by Bernard Jacobson) | piano | STRAVINSKY, IGOR: 2 Poems of Konstantin Balmont. 3 Little Songs (Review by Robert Carl) | piano | STRAVINSKY, IGOR: 2 Songs, op. 6 (Review by Robert Carl) | piano | STRAVINSKY, IGOR: Pastorale (Review by Robert Carl) | piano | STRAVINSKY, IGOR: Storm-Cloud (Review by Robert Carl) | piano | TARTINI: Violin Sonata in g, “Devil’s Trill” (Review by Robert Maxham) | harpsichord | TATE, PHYLLIS: Somewhere a Voice Is Calling (Review by James Miller) | piano | TIENSUU: Oddjob (Review by William Zagorski) | piano | VIVALDI, ANTONIO: Concertos (Review by Tom Moore) | harpsichord | VIVALDI, ANTONIO: Four Seasons (Review by Robert Maxham) | harpsichord | VIVALDI, ANTONIO: Introduzione al Gloria, RV.642; Gloria, RV.589; Credo, RV.591 ; Sacrum (Mass in C), RV.586; In exitu Israel, RV.604; Credidi propter quod, RV.605; Laudate Dominum, RV.606; Laetatus sum, RV. 607 (Review by Nils Anderson) | organ | WARLOCK: And Wilt Thou Leave Me Thus? (Review by Adrian Corleonis) | piano | WARLOCK: Away to Twiver (Review by Adrian Corleonis) | piano | WARLOCK: Bethlehem Down (Review by Adrian Corleonis) | piano | WARLOCK: Bright Is the Ring of Words (Review by Adrian Corleonis) | piano | WARLOCK: Captain Stratton’s Fancy (Review by Adrian Corleonis) | piano | WARLOCK: Lillygay (Review by Adrian Corleonis) | piano | WARLOCK: Mr Belloc’s Fancy (Review by Adrian Corleonis) | piano | WARLOCK: My Gostly Fader (Review by Adrian Corleonis) | piano | WARLOCK: Peter Warlock’s Fancy (Review by Adrian Corleonis) | piano | WARLOCK: Peterisms (Review by Adrian Corleonis) | piano | WARLOCK: Songs (Review by Adrian Corleonis) | piano | WARLOCK: Sweet and Twenty (Review by Adrian Corleonis) | piano | WARLOCK: The Bachelor (Review by Adrian Corleonis) | piano | WARLOCK: The Cloths of Heaven (Review by Adrian Corleonis) | piano | WARLOCK: The Curlew (Review by Adrian Corleonis) | piano | WARLOCK: The Frostbound Wood (Review by Adrian Corleonis) | piano | WEILL, KURT: Love in a Mist. The Romance of a Lifetime. Unforgettable. The River Is So Blue. The Picture on the Wall (Review by Michael Ullman) | piano | WEILL, KURT: Marie Galante (Review by John Ditsky) | piano | WOLF, HUGO: Geh (Review by Bernard Jacobson) | piano | WOOLRICH: 3 Pieces for Viola (Review by William Zagorski) | piano | ZEMLINSKY: Twelve Songs, Op. 27 (Review by John Ditsky) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
