|
|
Performer: David Daniels HANDEL, GEORGE FRIDERIC; BACH, JOHANN SEBASTIAN: (Review by Bernard Jacobson) | countertenor | HEAVENLY VOICES: THE LEGACY OF FARINELLI (Ernesto Tomasini) (Review by Lynn René Bayley) | countertenor | ANCHIETA, JUAN DE: Con amores, la mi madre (Review by Raymond Beegle) | countertenor | ARLEN: My Shining Hour (Review by Raymond Beegle) | countertenor | BACH/GOUNOD: Ave Maria (Review by Raymond Beegle) | countertenor | BACH, JOHANN SEBASTIAN: Arias (Review by Brian Robins) | countertenor | BACH, JOHANN SEBASTIAN: St Matthew Passion (Review by Brian Robins) | countertenor | BEETHOVEN, LUDWIG VAN: Adelaide (Review by David Denton) | countertenor | BELLINI, VINCENZO: Vaga luna, che Inargenti. Malinconia, ninfa gentile. Ma rendi pur contento (Review by Raymond Beegle) | countertenor | BERLIOZ: Les nuits d'étés Les Troyens (Review by Adrian Corleonis) | alto | BERNSTEIN, LEONARD: So Pretty. Mass (Review by Raymond Beegle) | countertenor | BRITTEN: A Midsummer Night's Dream (Review by Michael Fine) | Oberon | BRITTEN: Canticles l-V (Review by Bernard Jacobson) | countertenor | CALDARA, A: Selve amiche, ombrose piante (Review by David Denton) | countertenor | CESTI: I casti amori d’Orontea (Review by David Denton) | countertenor | DOWLAND, JOHN: Come againe, sweet love. Flow, my teares (Review by Raymond Beegle) | countertenor | FAURÉ, GABRIEL: En sourdine, op. 58/2 (arr. Shohat). Mandoline, op. 58/1 (arr. Shohat). Clair de lune, op. 46/2 (arr. Shohat). Elégie, op. 24 (Review by Adrian Corleonis) | alto | FOSTER, STEPHEN: Beautiful dreamer (Review by Raymond Beegle) | countertenor | GLUCK: Paride ed Elena (Review by David Denton) | countertenor | GLUCK: Telemaco (Review by Bernard Jacobson) | countertenor | GOUNOD, CHARLES: L’Absent. Où voulez-vous aller? Absence. Sérénade (Review by David Denton) | countertenor | HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Giulio Cesare in Egitto (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Hercules (Review by Bernard Jacobson) | Lichas | HANDEL, GEORGE FRIDERIC: Hercules (Review by James A. Altena) | Lichas | HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Brian Robins) | Lichas | HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Michael Carter) | countertenor | HANDEL, GEORGE FRIDERIC: Opera Arias (Review by Brian Robins) | countertenor | HANDEL, GEORGE FRIDERIC: Operatic Arias (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Oratorio Arias (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | Rinaldo | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Brian Robins) | Rinaldo | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Henry Fogel) | Rinaldo | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Scherza infida (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Serse (Review by Barry Brenesal) | Arsamene | HANDEL, GEORGE FRIDERIC: Serse (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Serse (Review by Brian Robins) | countertenor | HANDEL, GEORGE FRIDERIC: Tamerlano (Review by Bernard Jacobson) | countertenor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | Didymus | HANDEL, GEORGE FRIDERIC: Theodora (Review by Raymond Tuttle) | Didymus | HANDEL, GEORGE FRIDERIC: Tolomeo (Review by Bernard Jacobson) | countertenor | KANDER: A Quiet Thing (Review by Raymond Beegle) | countertenor | LOTTI: Pur dicesti, o bocca bella (Review by David Denton) | countertenor | MARTINI: Plaisir d'amour (Review by Raymond Beegle) | countertenor | MENA: A la caza (Review by Raymond Beegle) | countertenor | MOZART: Ascanio in Alba (Review by Bernard Jacobson) | countertenor | MOZART: Mitridate, re di Ponto (Review by Bernard Jacobson) | countertenor | POULENC, FRANCIS: C’est ainsi que tu es. Priez pour paix. Chansons gaillardes (Review by David Denton) | countertenor | PURCELL, HENRY: Dido and Aeneas (Review by Brian Robins) | Spirit | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Spirit | PURCELL, HENRY: Evening Hymn (Review by David Denton) | countertenor | PURCELL, HENRY: Oedipus (Review by Raymond Beegle) | countertenor | PURCELL, HENRY: Sweeter than roses. A Fool’s Preferment (Review by David Denton) | countertenor | RAVEL: 5 Mélodies populaires grecques. Pavane pour une infante défunte.“ (Review by Adrian Corleonis) | alto | SAMS: The Enchanted Island (Review by Barry Brenesal) | Prospero | SCARLATTI, ALESSANDRO: Cantatas, Vol. 2 (Review by David Johnson) | countertenor | SCARLATTI, ALESSANDRO: Il rosignolo (first setting) (Review by David Johnson) | countertenor | SCARLATTI, ALESSANDRO: Infirmata, vulnerata—Motet (Review by David Johnson) | countertenor | SCARLATTI, ALESSANDRO: Ombre tacite e sole. Il genio di Mitilde. Perche tacete, regolati concenti? O pace del mio cor (first setting) (Review by David Johnson) | countertenor | SCHUBERT: Ave Maria (Review by Raymond Beegle) | countertenor | SCHUBERT: Der Tod und das Mädchen. Auf dem Wasser zu singen. Nacht und Träume. Adelaide (Review by David Denton) | countertenor | TORRE, FRANCISCO DE LA: Pámpano verde (Review by Raymond Beegle) | countertenor | TRADITIONAL: Shenandoah (Review by Raymond Beegle) | countertenor | VAUGHAN WILLIAMS: 4 Last Songs (Review by David Denton) | countertenor | VAUGHAN WILLIAMS: Orpheus with his lute. Linden Lea (Review by David Denton) | countertenor | VIVALDI, ANTONIO: Bajazet (Review by John Story) | Tamerlano | VIVALDI, ANTONIO: Bajazet, RV 703 (Review by Brian Robins) | Tamerlano | VIVALDI, ANTONIO: Nisi Dominus, RV 608 So (Review by Brian Robins) | alto | VIVALDI, ANTONIO: Stabat Mater, RV 621 (Review by Brian Robins) | alto | WILDER, ALEC: Blackberry Winter (Review by Raymond Beegle) | countertenor |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
