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Performer: Elmira Darvarova

MUSIC FROM FIVE CENTURIES: (Review by Michael De Sapio)

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RUDIN, ANDREW: Portrait Miniatures... (Nancy Bean) (Review by James H. North)

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ALFANO: Concerto for Violin, Cello and Piano. Cello Sonata (Review by Robert Markow)

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ALFANO: Concerto for Violin, Cello, and Piano. Cello Sonata (Review by William Zagorski)

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ALFANO: Concerto for Violin, Cello, and Piano. Cello Sonata (Review by Jerry Dubins)

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ALFANO: Nenia and Scherzino (Review by James A. Altena)

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ALFANO: String Quartets (Review by Robert Schulslaper)

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ALFANO: String Quartets (Review by Henry Fogel)

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ALFANO: String Quartets (Review by Ken Meltzer)

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ALFANO: String Quartets (Review by Peter Burwasser)

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ALFANO: String Quartets (Review by Colin Clarke)

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AMRAM: Bulgarian Wedding (Review by Robert Markow)

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BACH, JAN: 4 Two-Bit Contraptions (Review by Robert Markow)

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BACH, JAN: Calliope; III (Review by Robert Markow)

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BACH, JAN: Gramophone (Review by Robert Markow)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Hana Gubenko)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Huntley Dent)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Colin Clarke)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Ken Meltzer)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Henry Fogel)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Mark Novak)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Raymond Tuttle)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Phillip Scott)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Hana Gubenko)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Huntley Dent)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Colin Clarke)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Ken Meltzer)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Henry Fogel)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Mark Novak)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Raymond Tuttle)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Phillip Scott)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Hana Gubenko)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Huntley Dent)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Colin Clarke)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Ken Meltzer)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Henry Fogel)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Mark Novak)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Raymond Tuttle)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Phillip Scott)

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BOWER: Bop Duos (Review by Robert Markow)

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BRAHMS, JOHANNES: Horn Trio (Review by Hana Gubenko)

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BRAHMS, JOHANNES: Horn Trio (Review by Colin Clarke)

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BRAHMS, JOHANNES: Horn Trio (Review by Raymond Tuttle)

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BRAHMS, JOHANNES: Horn Trio (Review by Mark Novak)

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BRAHMS, JOHANNES: Horn Trio (Review by Mark Gabrish Conlan)

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BRAHMS, JOHANNES: Violin Sonatas Nos. 1–3. “F-A-E” Sonata (Review by Jerry Dubins)

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BROWN, STEPHEN: I See the Moon (Review by Hana Gubenko)

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BROWN, STEPHEN: I See the Moon (Review by Colin Clarke)

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BROWN, STEPHEN: I See the Moon (Review by Raymond Tuttle)

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BROWN, STEPHEN: I See the Moon (Review by Mark Novak)

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BROWN, STEPHEN: I See the Moon (Review by Mark Gabrish Conlan)

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CERVETTO: Trios, op. 1 (Review by Alan Swanson)

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CLARKE, JEREMIAH: Lullaby. Grotesque (Review by Robert Markow)

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DOBRINESCU: Solitude (Review by Hana Gubenko)

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DOBRINESCU: Solitude (Review by Colin Clarke)

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DOBRINESCU: Solitude (Review by Raymond Tuttle)

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DOBRINESCU: Solitude (Review by Mark Novak)

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DOBRINESCU: Solitude (Review by Mark Gabrish Conlan)

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DUBOIS, THÉODORE: Trio cantabile (Review by Hana Gubenko)

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DUBOIS, THÉODORE: Trio cantabile (Review by Colin Clarke)

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DUBOIS, THÉODORE: Trio cantabile (Review by Raymond Tuttle)

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DUBOIS, THÉODORE: Trio cantabile (Review by Mark Novak)

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DUBOIS, THÉODORE: Trio cantabile (Review by Mark Gabrish Conlan)

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DUKE, VERNON: April in Paris (Review by Robert Markow)

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DUKE, VERNON: Capriccio Méxicano (Review by Lynn René Bayley)

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DUKE, VERNON: Sonata in D (Review by Lynn René Bayley)

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DUKE, VERNON: Violin Concerto (Review by Lynn René Bayley)

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DUKE, VERNON: Violin Concerto. Violin Sonata in D. Étude for Violin and Bassoon. Homage to Offenbach. Capriccio Méxicano (Review by Robert Maxham)

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DUKE, VERNON: Étude for Violin and Bassoon. Hommage to Offenbach (Review by Lynn René Bayley)

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DUKE, VERNON: Étude (Review by Robert Markow)

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ELLINGTON: Black Beauty (Review by Robert Markow)

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GOLDMARK: Ballade in G, op. 54 (Review by Hana Gubenko)

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GOLDMARK: Ballade in G, op. 54 (Review by Huntley Dent)

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GOLDMARK: Ballade in G, op. 54 (Review by Colin Clarke)

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GOLDMARK: Ballade in G, op. 54 (Review by Ken Meltzer)

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GOLDMARK: Ballade in G, op. 54 (Review by Henry Fogel)

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GOLDMARK: Ballade in G, op. 54 (Review by Mark Novak)

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GOLDMARK: Ballade in G, op. 54 (Review by Raymond Tuttle)

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GOLDMARK: Ballade in G, op. 54 (Review by Phillip Scott)

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HICKEY: Mala Strana (Review by Robert Markow)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Hana Gubenko)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Huntley Dent)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Colin Clarke)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Ken Meltzer)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Henry Fogel)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Mark Novak)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Raymond Tuttle)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Phillip Scott)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Hana Gubenko)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Colin Clarke)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Raymond Tuttle)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Mark Novak)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Mark Gabrish Conlan)

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KODÁLY: Adagio for Violin and Piano (Review by Hana Gubenko)

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KODÁLY: Adagio for Violin and Piano (Review by Huntley Dent)

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KODÁLY: Adagio for Violin and Piano (Review by Colin Clarke)

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KODÁLY: Adagio for Violin and Piano (Review by Ken Meltzer)

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KODÁLY: Adagio for Violin and Piano (Review by Henry Fogel)

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KODÁLY: Adagio for Violin and Piano (Review by Mark Novak)

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KODÁLY: Adagio for Violin and Piano (Review by Raymond Tuttle)

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KODÁLY: Adagio for Violin and Piano (Review by Phillip Scott)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Hana Gubenko)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Colin Clarke)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Raymond Tuttle)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Mark Novak)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Mark Gabrish Conlan)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Hana Gubenko)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Huntley Dent)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Colin Clarke)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Ken Meltzer)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Henry Fogel)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Mark Novak)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Raymond Tuttle)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Phillip Scott)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Hana Gubenko)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Huntley Dent)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Colin Clarke)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Ken Meltzer)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Henry Fogel)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Mark Novak)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Raymond Tuttle)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Phillip Scott)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Hana Gubenko)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Huntley Dent)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Colin Clarke)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Ken Meltzer)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Henry Fogel)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Mark Novak)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Raymond Tuttle)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Phillip Scott)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Hana Gubenko)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Colin Clarke)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Raymond Tuttle)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Mark Novak)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Mark Gabrish Conlan)

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NERO: Pitzi-Cats (Review by Robert Markow)

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PIAZZOLLA, ASTOR: Oblivión (Review by Hana Gubenko)

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PIAZZOLLA, ASTOR: Oblivión (Review by Colin Clarke)

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PIAZZOLLA, ASTOR: Oblivión (Review by Raymond Tuttle)

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PIAZZOLLA, ASTOR: Oblivión (Review by Mark Novak)

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PIAZZOLLA, ASTOR: Oblivión (Review by Mark Gabrish Conlan)

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POULENC, FRANCIS: Elegie. Bagatelle (Review by Paul Orgel)

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POULENC, FRANCIS: Flute Sonata. Oboe Sonata. Clarinet Sonata (Review by Myron Silberstein)

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POULENC, FRANCIS: Flute Sonata. Oboe Sonata. Clarinet Sonata. Violin Sonata. Sonata for Piano Four Hands (Review by Paul Orgel)

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POULENC, FRANCIS: Violin Sonata. Bagatelle for Violin and Piano (Review by Myron Silberstein)

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POULENC, FRANCIS: Élégie for Horn and Piano. Sonata for Piano Four-Hands (Review by Myron Silberstein)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Hana Gubenko)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Colin Clarke)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Raymond Tuttle)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Mark Novak)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Mark Gabrish Conlan)

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PRODANOV: Trio (Review by Hana Gubenko)

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PRODANOV: Trio (Review by Colin Clarke)

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PRODANOV: Trio (Review by Raymond Tuttle)

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PRODANOV: Trio (Review by Mark Novak)

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PRODANOV: Trio (Review by Mark Gabrish Conlan)

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RAMEY: 2 Duos (Review by Robert Markow)

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RAMEY: 2 Duos. Dialogue. Sonata-Ballade (Review by Carson Cooman)

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RAMEY: Concerto Episodes for Violin, Horn and Piano (Review by Robert Markow)

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RAMEY: Dolesome Duo (Review by Robert Markow)

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RAMEY: Lyric Duo; VIII (Review by Robert Markow)

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RAMEY: Trio Concertant. Elegy. Gargoyles (Review by Carson Cooman)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Hana Gubenko)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Colin Clarke)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Raymond Tuttle)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Mark Novak)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Mark Gabrish Conlan)

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RAUM, ELIZABETH: Pantheon (Review by Hana Gubenko)

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RAUM, ELIZABETH: Pantheon (Review by Colin Clarke)

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RAUM, ELIZABETH: Pantheon (Review by Raymond Tuttle)

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RAUM, ELIZABETH: Pantheon (Review by Mark Novak)

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RAUM, ELIZABETH: Pantheon (Review by Mark Gabrish Conlan)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Hana Gubenko)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Colin Clarke)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Raymond Tuttle)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Mark Novak)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Mark Gabrish Conlan)

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SEREBRIER: If I Can Stop One Heart from Breaking, I Shall Not Live in Vain (Review by Robert Markow)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Hana Gubenko)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Colin Clarke)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Raymond Tuttle)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Mark Novak)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Mark Gabrish Conlan)

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THOMPSON, BRUCE: Fragment from “Un diario español, página 92” (Review by Robert Markow)

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TRESTER: Prohodna (Review by Robert Markow)

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WEAVER, THOMAS: Stanzas (Review by Hana Gubenko)

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WEAVER, THOMAS: Stanzas (Review by Colin Clarke)

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WEAVER, THOMAS: Stanzas (Review by Raymond Tuttle)

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WEAVER, THOMAS: Stanzas (Review by Mark Novak)

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WEAVER, THOMAS: Stanzas (Review by Mark Gabrish Conlan)

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YSAŸE: Solo Violin Sonata No. 3, “Ballade”. String Trios (Review by Ken Meltzer)

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YSAŸE: Solo Violin Sonata No. 3, “Ballade”. String Trios (Review by Peter Burwasser)

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YSAŸE: Solo Violin Sonata No. 3, “Ballade”. String Trios (Review by Henry Fogel)

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YSAŸE: Solo Violin Sonata No. 3, “Ballade”. String Trios (Review by James H. North)

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