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Performer: Iestyn Davies LAMENTO: (Review by Bertil van Boer) | countertenor | ADÈS: The lover in Winter. Coffee-spoon Cavatina (Review by David Cutler) | countertenor | BACH, CARL PHILIPP EMANUEL: Magnificat, H 772 (Review by Bertil van Boer) | countertenor | BACH, JOHANN CHRISTIAN: Magnificat, E 22 (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas Nos. 169, 35 (Review by J. F. Weber) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas Nos. 170, 54, 82. Sinfonias; BWV 52, BWV 174 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Christmas Oratorio (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Easter Oratorio. Ascension Oratorio (Cantata No. 11) (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Magnificat, BWV 243 (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: Mass in b (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Michael De Sapio) | countertenor | BLOW, JOHN: Ah heav’n, what is’t I hear. Paratum cor meum. No, Lesbia, no. An Ode on the Death of Mr Henry Purcell (Review by J. F. Weber) | countertenor | BUTTERWORTH: 6 Songs from A Shropshire Lad (Review by David Cutler) | countertenor | BUXTEHUDE: Klag-Lied, BuxWV 76b (Review by J. F. Weber) | countertenor | CROFT: A hymn on divine music (Review by David Cutler) | countertenor | DOWLAND, JOHN: Songs and Lute Solos (Review by Barry Brenesal) | countertenor | FAURÉ, GABRIEL: Au cimetière, op. 51/2 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Chanson d’amour, op. 27/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: C’est la paix, op. 114 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: En prière. La rançon, op. 8/2 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: La bonne chanson, op. 61 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Larmes, op. 51/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Les presents, op. 46/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: L’absent, op. 5/3 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: L’horizon chimérique, op. 118 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Nocturne, op. 43/2 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Pleurs d’or, op. 72 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Prison, op. 83/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Puisque j’ai mis ma levre. Noël, op. 43/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Seule!, op. 3/1 (Review by David Cutler) | countertenor | FAURÉ, GABRIEL: Vocalise (Review by David Cutler) | countertenor | GLUCK: Orfeo ed Euridice (Review by Bertil van Boer) | ORFEO | HANDEL, GEORGE FRIDERIC: 9 German Arias, HWV 202–10 (Review by Ron Salemi) | countertenor | HANDEL, GEORGE FRIDERIC: Aci, Galatea e Polifemo (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Aggripina (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Amadigi di Gaula (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Henry Fogel) | Daniel | HANDEL, GEORGE FRIDERIC: Flavio (Review by Ron Salemi) | Guido | HANDEL, GEORGE FRIDERIC: Flavio (Review by Barry Brenesal) | Guido | HANDEL, GEORGE FRIDERIC: Giulo Cesare (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: La resurrezione (Review by James A. Altena) | Mary Cleophas | HANDEL, GEORGE FRIDERIC: Let God arise. My song shall be always. O praise the Lord with one consent (Review by Ron Salemi) | countertenor | HANDEL, GEORGE FRIDERIC: Messiah (1751) (Review by Melanie Eskenazi) | countertenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi) | countertenor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Bertil van Boer) | Bertarido | HANDEL, GEORGE FRIDERIC: Rodrigo (Review by Bertil van Boer) | countertenor | HANDEL, GEORGE FRIDERIC: Sento la gioia; Atalanta (Review by Michael Ullman) | countertenor | HANDEL, GEORGE FRIDERIC: Teseo (Review by Bertil van Boer) | countertenor | HOWELLS, HERBERT: King David (Review by David Cutler) | countertenor | HUMFREY: Magnificat (Review by Michael Ullman) | countertenor | HUMFREY: Nunc dimittis (Review by Michael Ullman) | countertenor | HUMFREY: O Lord my God (Review by Michael Ullman) | countertenor | LUKASZEWSKI: Via crucis (Review by Ronald E. Grames) | countertenor | LUKASZEWSKI: Via crusis (Review by Colin Clarke) | countertenor | MENDELSSOHN, FELIX: Ich wollt’, mein Lieb’. Gruss. Volkslied. Maiglöckchen. Scheidend. Neue Liebe. Sonntagsmorgen. Das Ährenfeld. Lied aus “Ruy Blas” (Review by Raymond Beegle) | countertenor | MONTEVERDI: L’incoronazione di Poppea (Review by Barry Brenesal) | Ottone | MUHLY, NICO: New-made tongue. Old bones. Four Traditional Songs (Review by David Cutler) | countertenor | PORPORA, NICOLA: Cantatas Nos. 7–12 to His Royal Highness Frederick Prince of Wales (Review by Jerry Dubins) | countertenor | PURCELL, HENRY: Anthems (Review by Michael Ullman) | countertenor | PURCELL, HENRY: Chaconne (Review by J. F. Weber) | countertenor | PURCELL, HENRY: Dido and Aeneas (Review by James Reel) | Spirit | PURCELL, HENRY: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel) | treble | PURCELL, HENRY: Hark how the songsters. In vain the am’rous flute. O solitude (Review by J. F. Weber) | countertenor | PURCELL, HENRY: I’ll sail upon the dogstar (Review by David Cutler) | countertenor | PURCELL, HENRY: King Arthur (Review by Michael Ullman) | countertenor | PURCELL, HENRY: Lord, what is man? Four Songs (Review by David Cutler) | countertenor | PURCELL, HENRY: Sound the Trumpet. Lost is my Quiet. If Music be the Food of Love. Music for a While. No, Resistance is but Vain. Celemene (Review by Raymond Beegle) | countertenor | PURCELL, HENRY: Sound the Trumpet. The Fairy Queen (Review by Michael Ullman) | countertenor | PURCELL, HENRY: Sound the trumpet. Since the toils and the hazards. Sing, sing ye druids. Incassum Lesbiae. O dive custos (Review by J. F. Weber) | countertenor | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | countertenor | PURCELL, HENRY: Timon of Athens (Review by Michael Ullman) | treble | QUILTER: It was a Lover and his Lass. Weep you no more, sad Fountains. Music, when soft Voices Die. Drink to me only with thine Eyes. Love’s Philosophy. Love Calls through the Summer Night (Review by Raymond Beegle) | countertenor | SCHÜTZ, HEINRICH: Erbarm dich mein, o Herre Gott, SWV 447 (Review by J. F. Weber) | countertenor | SCHUMANN: Wenn ich ein Vöglein wär. Herbstlied schön Blümelein. Nachtlied. Stille Liebe. Der Einsiedler. Aufträge. So wahr die Sonne scheinet (Review by Raymond Beegle) | countertenor | STEFFANI, AGOSTINO: Niobe, Regina di Tebe (Review by Barry Brenesal) | Creonte | VIVALDI, ANTONIO: Griselda (Review by Brian Robins) | Corrado | VIVALDI, ANTONIO: Griselda (Review by Barry Brenesal) | Corrado |
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