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Performer: Neal Davies AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | bass | ALAIN, JEHAN: (orch. Dutilleux) Prière pour nous autres charnels (Review by Royal S. Brown) | baritone | ANONYMOUS: Kontakion of the Dead (Review by Ronald E. Grames) | bass | BACH, JOHANN SEBASTIAN: Easter Oratorio, BWV 249 (Review by Brian Robins) | bass | BACH, JOHANN SEBASTIAN: Easter Oratorio. Magnificat in D (Review by Brian Robins) | bass | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins) | bass | BACH, JOHANN SEBASTIAN: Mass in b (Review by Bertil van Boer) | bass | BACH, JOHANN SEBASTIAN: St. John Passion (Review by George Chien) | Jesus | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Michael De Sapio) | Jesus | BEETHOVEN, LUDWIG VAN: Ah! Perfido (Review by Brian Robins) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot) | baritone | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Ken Meltzer) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Raymond Tuttle) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9, “Choral” (Review by Andrew Quint) | bass baritone | BOUGHTON: The Queen of Cornwall (Review by Barry Brenesal) | King Mark | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | baritone | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | Starveling | BRITTEN: Billy Budd (Review by James A. Altena) | Mr. Redburn | CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by Bertil van Boer) | Saül | CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins) | bass | CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins) | bass | DURUFLÉ, MAURICE: Requiem (Review by Ronald E. Grames) | bass | DUTILLEUX: L'Arbe des songes—Concerto for Violin and Orchestra, Timbres, espace, mouvement; Two Sonnets by Jean Cassou (Review by Royal S. Brown) | baritone | ELGAR: They are at rest (Review by Ronald E. Grames) | bass | FARRANT, RICHARD: Call to remembrance (Review by Ronald E. Grames) | bass | GILBERT AND SULLIVAN: H.M.S. Pinafore (Review by Huntley Dent) | Dick Deadeye | HANDEL, GEORGE FRIDERIC: Agrippina (Review by Ron Salemi) | Pallante | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Ron Salemi) | Gobrias | HANDEL, GEORGE FRIDERIC: Jephtha (Review by William Kempster) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by Raymond Tuttle) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by Bertil van Boer) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by Mark Gabrish Conlan) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by William Kempster) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by Ken Meltzer) | Zebul | HANDEL, GEORGE FRIDERIC: Let God arise. My song shall be always. O praise the Lord with one consent (Review by Ron Salemi) | bass baritone | HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson) | bass | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | baritone | HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson) | bass | HANDEL, GEORGE FRIDERIC: Messiah (Review by James Reel) | bass | HANDEL, GEORGE FRIDERIC: Messiah (Review by Huntley Dent) | bass baritone | HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson) | bass baritone | HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins) | Saul | HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson) | Saul | HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | Valens | HANDEL, GEORGE FRIDERIC: Theodora (Review by James A. Altena) | Valens | HANDEL, GEORGE FRIDERIC: Xerxes, HWV 40 (Review by Bertil van Boer) | Ariodate | HANDEL, GEORGE FRIDERIC: “Dettingen” Te Deum (Review by Alan Swanson) | bass | HARRIS, WILLIAM H.: Bring us, O Lord God (Review by Ronald E. Grames) | bass | HAYDN, FRANZ JOSEPH: Berenice, che fai? (Review by Brian Robins) | bass | HUMFREY: Magnificat (Review by Michael Ullman) | bass | HUMFREY: Nunc dimittis (Review by Michael Ullman) | bass | HUMFREY: O Lord my God (Review by Michael Ullman) | bass | JANÁČEK, LEOŠ: The Makropulos Case (Review by James H. North) | Dr. Kolenatý | MONK, WILLIAM H.: Abide with me (Review by Ronald E. Grames) | bass | MOZART: Mass in c (Review by Brian Robins) | bass | OFFENBACH: Fantasio (Review by Joel Kasow) | Sparck | PARRY, HUBERT: Blest Pair of Sirens (Review by Henry Fogel) | Prometheus | PARRY, HUBERT: Job (Review by David Johnson) | narrator | PARRY, HUBERT: Job (Review by Lawrence A. Johnson) | narrator | PARRY, HUBERT: Scenes from Shelley’s “Prometheus Unbound” (Review by Henry Fogel) | Prometheus | PURCELL, HENRY: Anthems (Review by Michael Ullman) | bass | RAMSEY, ROBERT: How are the mighty fallen (Review by Ronald E. Grames) | bass | SCARLATTI, ALESSANDRO: Il Véspero di Santa Cecilia. Nisi Dominus. Salve Regina. Audi, filia (Review by Brian Robins) | bass | SCARLATTI, ALESSANDRO: The Cecilian Vespers (Review by J. F. Weber) | baritone | SMETANA: The Bartered Bride (Review by Barry Brenesal) | Krušina | SULLIVAN: Ivanhoe (Review by Ronald E. Grames) | Richard Lionheart | SULLIVAN: Ivanhoe (Review by Barry Brenesal) | Richard Lionheart | SULLIVAN: The Light of the World (Review by Gil French) | A Pharisee | SULLIVAN: The Light of the World (Review by James A. Altena) | A Pharisee | SULLIVAN: The Light of the World (Review by Gil French) | A Shepherd | SULLIVAN: The Light of the World (Review by James A. Altena) | A Shepherd | SULLIVAN: The Light of the World (Review by Gil French) | Nicodemus | SULLIVAN: The Light of the World (Review by James A. Altena) | Nicodemus | SULLIVAN: Trial by Jury. Cox and Box (Review by Barry Brenesal) | Cox | SULLIVAN: Trial by Jury. Cox and Box (Review by Barry Brenesal) | Usher | TAVENER, JOHN: Song for Athene (Review by Ronald E. Grames) | bass | TOMKINS: When David Heard (Review by Ronald E. Grames) | bass | VAUGHAN WILLIAMS: Job - A Masque for Dancing (Review by William Kempster) | bass baritone | VAUGHAN WILLIAMS: Songs of Travel (orch. Vaughan Williams and Douglas) (Review by William Kempster) | bass baritone | VAUGHAN WILLIAMS: The Poisoned Kiss (Review by Barry Brenesal) | Dipsacus | VAUGHAN WILLIAMS: The Poisoned Kiss (Review by James H. North) | Dipsacus | VIVALDI, ANTONIO: Confitebor tibi, Domine, RV 596 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: Deus tuorum militum, RV 612 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: Dixit Dominus, RV 595. Domine ad adjuvandum, RV 593. Credidi propter quod, RV 605. Beatus vir, RV 597. Beatus vir, RV 598 (Review by Joel Kasow) | bass | VIVALDI, ANTONIO: In turbato mare, RV 627 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: Non in pratis aut in hortis, RV 641 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: O qui coeli terraeque seren-itas, RV 631 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: SACRED MUSIC, Vol. 3 (Review by Joel Kasow) | bass | VIVALDI, ANTONIO: Sacred Music, Vol. 5 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: Stabat mater, RV 621 (Review by Brian Robins) | bass | WEELKES: When David Heard (Review by Ronald E. Grames) | bass | WOLF, HUGO: Goethe Lieder (Review by David Cutler) | bass baritone | WOLF, HUGO: Spottlied. Mignon I, II, III. Philine. Mignon. Der Sänger. Der Rattenfänger. Ritter Kurts Brautfahrt. Guttmann und Gutweib. Cophtische Lieder I, II. Frech und Froh I, II. Beherzigung. Epiphanias (Review by David Cutler) | bass baritone |
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