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Performer: Steve Davislim BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Easter Cantatas (Review by George Chien) | tenor | BAUMGARTNER: From Eine Frühlingsliebe, Liederkreis, op. 12 (Review by William H. Youngren) | tenor | BAUMGARTNER: Wenn du lächeist, wenn du blickst, op. 20/7 (Review by William H. Youngren) | tenor | BEETHOVEN, LUDWIG VAN: Christus am ölberge (Review by James H. North) | tenor | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by Huntley Dent) | tenor | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Raymond Tuttle) | tenor | BRITTEN: Folk Song Arrangements (Review by Peter J. Rabinowitz) | tenor | BRITTEN: The Salley Gardens. Little Sir William. The Bonny Earl o’Moray. The Trees They Grow So High. The Ash Grove. Oliver Cromwell. The Plough Boy. Sweet Polly Oliver. The Miller of Dee. The Foggy, Foggy Dew. O Waly Waly. Come You Not From Newcastle. The Brisk Young Widow. Sally in Our Alley. Early One Morning. Ca’ the Yowes. Tom Bowling. Greensleeves. Avenging and Bright. How Sweet the Answer. The Minstrel Boy. Dear Harp of My Country. Oft in the Stilly Night. The Last Rose of Summer (Review by Peter J. Rabinowitz) | tenor | CHAUSSON: Poème de l’amour et de la mer (Review by Adrian Corleonis) | tenor | ESCHMANN: From 4 Lieder, op. 5 (Review by William H. Youngren) | tenor | ESCHMANN: From Aus dem Liederbuch eines Malers, op. 34 (Review by William H. Youngren) | tenor | ESCHMANN: From Lieder, op. 7 (Review by William H. Youngren) | tenor | ESCHMANN: From Tagebuchblatter für Kiavier, op. 26 (Review by William H. Youngren) | tenor | ESCHMANN: Im Waldchen; Viel rosenrote Wölklien; Störung (Review by William H. Youngren) | tenor | ESCHMANN: Romanze und Allegro für Klavier, op. 24 (Review by William H. Youngren) | tenor | HANDEL, GEORGE FRIDERIC: Lotario (Review by Brian Robins) | Berengario | HANDEL, GEORGE FRIDERIC: Lotario (Review by Bernard Jacobson) | Berengario | HANDEL, GEORGE FRIDERIC: Messiah (Review by Huntley Dent) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson) | tenor | HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Brian Robins) | Grimoaldo | HAYDN, FRANZ JOSEPH: Die Schöpfung (Review by James H. North) | Uriel | HAYDN, FRANZ JOSEPH: Stabat mater (Review by James H. North) | tenor | HERSCH, MICHAEL: Poppaea (Review by Huntley Dent) | Nero | HOLLIGER, HEINZ: Schneewittchen (Review by Robert Kirzinger) | Prince | HOLLIGER, HEINZ: Schneewittchen (Review by John Story) | Prince | HOLLIGER, HEINZ: Schneewittchen (Review by Robert Carl) | Prince | KIRCHNER, THEODOR: From 4 Lieder, op. 4 (Review by William H. Youngren) | tenor | LISZT: A Faust Symphony (Review by Raymond Tuttle) | tenor | MARTIN, FRANK: Le vin herbé (Review by Joel Kasow) | Tristan | MARTÍN Y SOLER, VICENTE: L’arbore di Diana (Review by Lynn René Bayley) | Endemion | MOZART: Coronation Mass. Epistel-Sonate. Alma Dei creatoris. Vespere solennes de Dominica (Review by William Kempster) | tenor | MOZART: Great Mass in c, K 427 (Review by J. F. Weber) | tenor | MOZART: Requiem (compl. Süssmayr) (Review by George Chien) | tenor | MOZART: Requiem (ed. Süssmayr) (Review by George Chien) | tenor | MOZART: Requiem (Review by George Chien) | tenor | PUCCINI II, GIACOMO: Turandot (compl. Berio) (Review by Raymond Tuttle) | Pong | RABE, CHRISTIAN GOTTLIEB: From 4 Lieder (Review by William H. Youngren) | tenor | RÖCKEL: From 9 Klavierstucke (Review by William H. Youngren) | tenor | ROSSINI: Petite Messe solennelle (Review by Joel Kasow) | tenor | ROSSINI: Petite Messe solennelle (Review by Henry Fogel) | tenor | SAINT-SAËNS: Hélène. Nuit persane (Review by Henry Fogel) | tenor | SCHUBERT: Winterreise (Review by Henry Fogel) | tenor | SCHUBERT: Winterreise (Review by Steven E. Ritter) | tenor | SCHULZ-BEUTHEN: Der Singeschwan (Review by William H. Youngren) | tenor | SCHUMANN: Manfred— Dramatic Poem in Three Acts after Lord Byron, for Soli, Speakers, Chorus, and Orchestra, op. 115 (Review by David Johnson) | tenor | STRAUSS, RICHARD: Allerseelen. Standchen. Ruhe meine Seele. Meimliche Aufforderung. Zueignung. Traum durch die Dämmerung. Ich trage meine Minne. Liebeshymnus. Verführung. Das Rosenband. Befreit. Wiegenlied. Freundliche Vision. Waldseligkeit. Die Heiligen drei Könige aus Morgenland. Capriccio (Review by Henry Fogel) | tenor | STRAUSS, RICHARD: Der Rosenkavalier (Review by Henry Fogel) | tenor | STRAUSS, RICHARD: Songs (Review by Henry Fogel) | tenor | TIPPETT, MICHAEL: A Child of Our Time (Review by Peter J. Rabinowitz) | tenor | VAUGHAN WILLIAMS: On Wenlock Edge (Review by Lynn René Bayley) | tenor | VAUGHAN WILLIAMS: The Lark Ascending. Flos Campi. On Wenlock Edge (Review by James A. Altena) | tenor | VAUGHAN WILLIAMS: The Lark Ascending. Flos Campi. On Wenlock Edge (Review by Maria Nockin) | tenor | VIERNE: Le djinns. Eros. Ballade du désespéré. Psyché (Review by Adrian Corleonis) | tenor | WAGNER, RICHARD: Der fliegende Holländer (Review by Andrew Quint) | Steersman | WAGNER, RICHARD: Der fliegende Holländer (Review by Colin Clarke) | Steersman | WAGNER, RICHARD: Siegfrieds Tod (Composition Sketch from 1850, arr. Werner Breig) (Review by William H. Youngren) | tenor | WEBER, CARL MARIA VON: Oberon (Review by James H. North) | Oberon |
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