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Performer: Xavier Depraz ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan) | bass | BERLIOZ: L'Enfance du Christ, Op. 25 (Review by ROGER DETTMER) | bass | BERLIOZ: L'Enfance du Christ—Trilogie sacrée, op. 25 (Review by Adrian Corleonis) | bass | BERLIOZ: L'Enfance du Christ—Trilogie sacrée, op. 25 (Review by Adrian Corleonis) | Paterfamilias | BERLIOZ: L'Enfance du Christ—Trilogie sacrée, op. 25 (Review by Adrian Corleonis) | Polydorus | BERLIOZ: Les Troyens à Carthage (Review by Adrian Corleonis) | bass | BERLIOZ: Les Troyens à Carthage (Review by Adrian Corleonis) | Narbal | BIZET: Les Pêcheurs de perles (Review by Lynn René Bayley) | Nourabad | BIZET: The Pearl Fishers (Review by Leonard J. Brandt) | bass | BIZET: The Pearl Fishers (Review by Leonard J. Brandt) | Nourabad | CHABRIER: Arias and Songs (Review by John Ditsky) | bass | CHABRIER: Arias and Songs (Review by John Ditsky) | Pausanias | CHABRIER: Mélodies. Chanson pour Jeanne. L'Île heureuse. Ballade des gros dindons. Pastorale des cochons roses. Gwendoline (Review by Adrian Corleonis) | bass | CHABRIER: Mélodies. Chanson pour Jeanne. L'Île heureuse. Ballade des gros dindons. Pastorale des cochons roses. Gwendoline (Review by Adrian Corleonis) | Pausanias | CHABRIER: Une Education manquee (An Unfinished Education)—Operetta in One Act. Arias and Songs (Review by John Ditsky) | bass | CHABRIER: Une Education manquee (An Unfinished Education)—Operetta in One Act. Arias and Songs (Review by John Ditsky) | Pausanias | CHABRIER: Une Éducation manques. Mélodies (Review by Adrian Corleonis) | bass | CHABRIER: Une Éducation manques. Mélodies (Review by Adrian Corleonis) | Pausanias | DUKAS: Ariane et Barbe-Bleue (Review by C. -P. Gerald Parker) | Bluebeard | FRANCK, CÉSAR: Les Béatitudes (Review by Adrian Corleonis) | bass | GOUNOD, CHARLES: Faust (Review by Anthony D. Coggi) | bass | GOUNOD, CHARLES: Faust (Review by Anthony D. Coggi) | Mephistopheles | GOUNOD, CHARLES: Prelude and Opening scene; Valentin's Air; The Calf of Gold; Flower Song; Salut, demeure; Air of the King of Thulé; Jewel Song; Méphisto's Serenade; Final Trio (Review by Anthony D. Coggi) | bass | GOUNOD, CHARLES: Prelude and Opening scene; Valentin's Air; The Calf of Gold; Flower Song; Salut, demeure; Air of the King of Thulé; Jewel Song; Méphisto's Serenade; Final Trio (Review by Anthony D. Coggi) | Mephistopheles | HONEGGER-IBERT: The Eaglet (L'Aiglon). Geori Boué, soprano (The Eaglet, Duke of Reichstadt); (Review by John Ditsky) | bass | HONEGGER-IBERT: The Eaglet (L'Aiglon). Geori Boué, soprano (The Eaglet, Duke of Reichstadt); (Review by John Ditsky) | Flambeau | LANDOWSKI: Le Ventriloque. La Femme sans passé. L'Horloge. Les Notes de nuit. Les Haut de hurlevant. Mouvement pour cordes. Souvenir d'un jardin d'enfance. Concerto for Ondes Martenot and Orchestra. Concerto for Bassoon and Orchestra (Review by Paul A. Snook) | bass | MILHAUD: Les Malheurs d'Orphée. Le Pauvre Matelot (Review by Peter J. Rabinowitz) | bass | POULENC, FRANCIS: Dialogues des Carmélites (Review by Joel Kasow) | Le Marquis | POULENC, FRANCIS: Dialogues of the Carmelites—Complete Opera (Review by John Ditsky) | The Marquis de la Force | PROKOFIEV, SERGEI: The Fiery Angel (Review by Peter J. Rabinowitz) | Ruprecht | PROKOFIEV, SERGEI: The Flaming Angel, op. 37 (Review by Peter J. Rabinowitz) | Ruprecht | ROSSINI: Le Comte Ory (Review by David Johnson) | bass | ROSSINI: Le Comte Ory (Review by David Johnson) | Le Gouveneur | ROSSINI: Le Comte Ory (Review by David Johnson) | Tutor to Comte Ory | ROSSINI: The Barber of Seville (Review by Anthony D. Coggi) | bass | ROSSINI: The Barber of Seville (Review by Anthony D. Coggi) | Don Basilio |
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