|
|
Performer: Daniel Druckman CRUMB, GEORGE: The Ghosts of the Alhambra (Spanish... (James Freeman) (Review by David DeBoor Canfield) | percussion | MUSIC TO MY EARS : (Review by Ralph V. Lucano) | vibraphone | RUDERS, POUL: New Rochelle Suite... (David Starobin) (Review by Phillip Scott) | percussion | BEIDERBECKE: Candlelights (Review by Peter J. Rabinowitz) | marimba | BLOOM, RUBE: Spring Fever. Silhouette (Review by Peter J. Rabinowitz) | marimba | CARTER, ELLIOTT: 8 Pieces for 4 Timpani (Review by Robert Kirzinger) | timpani | CARTER, ELLIOTT: 8 Pieces for 4 Timpani (Review by Robert Carl) | timpani | CERVANTES, IGNACIO: Por que, eh? (Review by Peter J. Rabinowitz) | marimba | CHIHARA: Minidoka (Review by Robert Carl) | percussion | CHILDS, BARNEY: A Question of Summer (Review by John Ditsky) | percussion | CONFREY: Kitten on the Keys (Review by Peter J. Rabinowitz) | marimba | COWELL, HENRY: Woof I and II (Review by Peter J. Rabinowitz) | marimba | CRUMB, GEORGE: Night Music I (Review by David DeBoor Canfield) | percussion | CRUMB, GEORGE: Songs, Drones, and Refrains of Death. A Little Suite for Christmas, A.D. 1979. Apparition (Review by Mike Silverton) | percussion | CRUMB, GEORGE: The Ghosts of the Alhambra. Voices From a Forgotten World (Review by Robert Carl) | percussion | DRUCKMAN, JACOB: String Quartets (Review by Robert Carl) | marimba | ELLINGTON: Solitude (arr Tucker) (Review by Peter J. Rabinowitz) | marimba | FELDER, DAVID: In Between (Review by John Story) | percussion | FENNELLY: Tesserae II (Fantasy for Cello) (Review by John Ditsky) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Ronald E. Grames) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Colin Clarke) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Ronald E. Grames) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Robert Carl) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Peter J. Rabinowitz) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by David DeBoor Canfield) | percussion | FOSS: Tashi. Solo Observed. Echoi (Review by Marc Medwin) | percussion | FULMER, DAVID: Sky’s Acetylene (Review by Huntley Dent) | percussion | GERSHWIN: Fascinatin' Rhythm (arr. Wild). That Certain Feeling (arr. Wodehouse). Clap Yo' Hands (arr. Wodehouse). Promenade. The Man I Love (arr. Grainger) (Review by Peter J. Rabinowitz) | marimba | GOTTSCHALK, LOUIS MOREAU: Bamboula. Columbia (Review by Peter J. Rabinowitz) | marimba | GRAINGER: In Dahomey (Review by Peter J. Rabinowitz) | marimba | JOHNSON, JAMES P.: The Mule Walk (arr. Scivales) (Review by Peter J. Rabinowitz) | marimba | JOPLIN: Magnetic Rag (Review by Peter J. Rabinowitz) | marimba | KERNIS: Brilliant Sky, Infinite Sky. Love Scenes. Morningsongs (Review by Alex Ross) | percussion | KREIGER, ARTHUR: Meeting Places. Caprice. Voyage. Uncommon Bonds. In Short Crystal Moments. Close Encounters. Electronic Study, In Memoriam (Review by Peter Burwasser) | steel drum | LEVI: Five Progressions for Three Instruments (Review by John Ditsky) | percussion | MORTON, JELLY ROLL: Mamanita (arr. Dapogny) (Review by Peter J. Rabinowitz) | marimba | NANCARROW: Player Piano Study No. 6 (arr. Daniel Druckman) (Review by Peter J. Rabinowitz) | marimba | POWELL, BUD: Dusk in Sandi (arr Brody) (Review by Peter J. Rabinowitz) | marimba | RUDERS, POUL: New Rochelle Suite (Review by Robert Schulslaper) | percussion | STAROBIN, DAVID: 3 Places in New Rochelle (Review by Robert Schulslaper) | percussion | WALLER, FATS: Ain't Misbehavin' (arr. Distler). Squeeze Me (arr. Smith and Scivales) (Review by Peter J. Rabinowitz) | marimba | YTTREHUS: Angstwagen (Review by John Ditsky) | percussion | YTTREHUS: Angstwagen, for Soprano and Percussion (Review by John Story) | percussion | YTTREHUS: Angstwagen, for Soprano and Percussion (Review by Robert Kirzinger) | percussion |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
