|
Performer: Clipper Erickson ALTMAN: Five Variations on Rachmaninoff. Through the Cracks. No Hay Olvido (Sonata). Filaments. Brahms Takes. Selfless Gifts (Review by David DeBoor Canfield) | piano | ALTMAN: Five Variations on Rachmaninoff. Through the Cracks. No Hay Olvido (Sonata). Filaments. Brahms Takes. Selfless Gifts (Review by Colin Clarke) | piano | ALTMAN: Five Variations on Rachmaninoff. Through the Cracks. No Hay Olvido (Sonata). Filaments. Brahms Takes. Selfless Gifts (Review by Marc Medwin) | piano | ALTMAN: Piano Sonata No. 5. Antarctic Convergence. Pedro’s Story. Romare Bearden (Review by David DeBoor Canfield) | piano | ALTMAN: Piano Sonata No. 5. Antarctic Convergence. Pedro’s Story. Romare Bearden (Review by Lynn René Bayley) | piano | ALTMAN: Piano Sonata No. 5. Antarctic Convergence. Pedro’s Story. Romare Bearden (Review by Colin Clarke) | piano | ALTMAN: Piano Sonata No. 7, “Tanzania”. Laments of the Homeless Women. Sonic Drifts. Shirakawa River Song. Ten Miniatures (Review by David DeBoor Canfield) | piano | ALTMAN: Piano Sonata No. 7, “Tanzania”. Laments of the Homeless Women. Sonic Drifts. Shirakawa River Song. Ten Miniatures (Review by Colin Clarke) | piano | ALTMAN: Piano Sonata No. 7, “Tanzania”. Laments of the Homeless Women. Sonic Drifts. Shirakawa River Song. Ten Miniatures (Review by Marc Medwin) | piano | BACH, JOHANN SEBASTIAN: Jesu, Joy of Man's Desiring (arr. Myra Hess). Beloved Jesu, We Are Here (arr. Harriet Cohen). Chaconne in d (trans. Robert Strassburg) (Review by Patrick Meanor) | piano | BONDS, MARGARET: Troubled Water (Review by Patrick Meanor) | piano | BRODHEAD: Sonata Notturna (Piano Sonata No. 2) (Review by David DeBoor Canfield) | piano | BRODHEAD: Sonata Notturna (Piano Sonata No. 2) (Review by Colin Clarke) | piano | BRODHEAD: Sonata Notturna (Piano Sonata No. 2) (Review by Peter Burwasser) | piano | BRODHEAD: Sonata Notturna (Piano Sonata No. 2) (Review by David DeBoor Canfield) | piano | BRODHEAD: Una Carta de Buenos Aires (Review by David DeBoor Canfield) | piano | BRODHEAD: Una Carta de Buenos Aires (Review by Colin Clarke) | piano | BRODHEAD: Una Carta de Buenos Aires (Review by Peter Burwasser) | piano | BRODHEAD: Una Carta de Buenos Aires (Review by David DeBoor Canfield) | piano | FINKO: Fantasia on a Medieval Russian Theme (Review by David DeBoor Canfield) | piano | FINKO: Fantasia on a Medieval Russian Theme (Review by Colin Clarke) | piano | FINKO: Fantasia on a Medieval Russian Theme (Review by Peter Burwasser) | piano | FINKO: Fantasia on a Medieval Russian Theme (Review by David DeBoor Canfield) | piano | FINKO: Piano Sonatas (Review by David DeBoor Canfield) | piano | FINKO: Piano Sonatas (Review by Colin Clarke) | piano | FINKO: Piano Sonatas (Review by Peter Burwasser) | piano | FINKO: Piano Sonatas (Review by David DeBoor Canfield) | piano | GERSHWIN: The Man I Love. Strike Up the Band. I'll Build a Stairway to Heaven. Who Cares? That Certain Feeling. Fascinating Rhythm. I Got Rhythm (Review by Patrick Meanor) | piano | KREISLER, FRITZ: (trans. Rachmaninoff) Liebesfreud (Review by Patrick Meanor) | piano | LISZT: Waltz from Gounod's “Faust“ (Review by Patrick Meanor) | piano | MUSSORGSKY: Boris Godunov (Review by Patrick Meanor) | piano | MUSSORGSKY: Pictures at an Exhibition (Review by David DeBoor Canfield) | piano | MUSSORGSKY: Pictures at an Exhibition (Review by Colin Clarke) | piano | MUSSORGSKY: Pictures at an Exhibition (Review by Peter Burwasser) | piano | MUSSORGSKY: Pictures at an Exhibition (Review by David DeBoor Canfield) | piano | QUILTER: Studies for Piano, op. 4. Pieces for Piano, op. 16. Impressions, op. 19. Country Pieces, op. 27 (Review by Barry Brenesal) | piano | RACHMANINOFF: Lilacs, op. 21/5. Daisies, op. 38/3 (Review by Patrick Meanor) | piano | SCOTT, CYRIL: Carillon. Rainbow Trout. Zoo, “Animals for Piano.“ Piano Sonata No. 2 (Review by Barry Brenesal) | piano | SCOTT, CYRIL: Violin Sonatas (Review by Jerry Dubins) | piano |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|