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Performer: Simon Estes Simon Estes. Spirituals: Ride on, King Jesus. Swing low, sweet chariot. Ezekiel saw the wheel. City called Heaven. Plenty good room. Let us break bread. Go down, Moses. No hiding place. Nobody knows the trouble I've seen. Every time I feel the Spirit. Steal away to Jesus. Witness. Sometimes I feel like a motherless child. Standin' in the need of prayer. He's got the whole world in His hands (Review by Vincent Alfano) | bass | SIMON ESTES- STEAL AWAY—MY FAVORITE NEGRO SPIRITUALS: Steal away. Go down, Moses. Heav'n, Heav'n. Nobody knows the trouble I've seen. He's got the whole world in His hand. Weeping Mary. Little David, play on your harp. Deep river. Wade in the water. Balm in Gilead. Ev'ry time I feel the spirit. Sometimes I feel like a motherless child. Joshua fought the battle of Jericho. Stand still Jordan. Great day. Lord, I want to be a Christian. Roll, Jordan, roll. City called Heaven. Ride on, King Jesus (Review by James Camner) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D minor, Op. 125(“Choral“) (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in d, op. 125 (Review by Mortimer H. Frank) | bass | BERLIOZ: Roméo et Juliette, Op. 1 7 (Review by Adrian Corleonis) | bass | BIZET: Carmen (Review by James Miller) | bass | BIZET: Carmen (Review by James Miller) | Escamillo | DONIZETTI: Lucia di Lammermoor (Review by David L. Kirk) | Raimondo | FALLA, MANUEL DE: Atlantida (Review by James Miller) | bass baritone | FALLA, MANUEL DE: Atlantida (Review by James Miller) | narrator | FAURÉ, GABRIEL: Requiem, Op. 48 (Review by Adrian Corleonis) | bass | GERSHWIN: Porgy and Bess (Review by James Miller) | bass baritone | GERSHWIN: Porgy and Bess (Review by James Miller) | Porgy | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass | HANDEL, GEORGE FRIDERIC: Messiah (Review by J. F. Weber) | bass | HAYDN, FRANZ JOSEPH: Mass No. 9 in D Minor (“Lord Nelson“) (Review by Mortimer H. Frank) | baritone | HAYDN, FRANZ JOSEPH: Mass No. 9 in D minor ( “Lord Nelson “). The Creation (Review by Mortimer H. Frank) | bass | HAYDN, FRANZ JOSEPH: Mass in B♭, “Harmoniemesse” (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: Mass in d, “Nelsonmesse” (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: Missa in tempore belli in C, Hob.XXII (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: The Creation. Mass [No. 14] in Bb, Hob. XXII (Review by Mortimer H. Frank) | baritone | MAHLER, GUSTAV: Symphony No. 8 in Eb (“ of a Thousand“) (Review by Benjamin Pernick) | bass | MAHLER, GUSTAV: Symphony No. 8 in Eb (“ of a Thousand“) (Review by Benjamin Pernick) | Pater Prorundus | MENDELSSOHN, FELIX: Die Erste Walpurgisnacht; Hebrides Overture (Review by John Yohalem) | baritone | MEYERBEER: L'Africaine (Review by Ralph V. Lucano) | bass | MEYERBEER: L'Africaine (Review by Ralph V. Lucano) | Don Pedro | MOZART: Idomeneo, K. 366 (Review by Robert Levine) | La Voce | MOZART: Requiem (Review by George Chien) | bass | MOZART: Requiem, K. 626 (Review by J. F. Weber) | bass | RACHMANINOFF: Aleko (Review by James H. North) | bass | SAINT-SAËNS: Samson et Dalila (Review by James Miller) | Abimélech | SAINT-SAËNS: Samson et Dalila (Review by James Miller) | bass baritone | SAINT-SAËNS: Samson et Dalila (Review by Ralph V. Lucano) | bass | SAINT-SAËNS: Samson et Dalila (Review by Ralph V. Lucano) | Don Pedro | SHOSTAKOVICH: Symphony No. 14 (Review by Richard A. Kaplan) | bass | SHOSTAKOVICH: Symphony No. 14 (Review by Phillip Scott) | bass | STRAVINSKY, IGOR: Oedipus Rex (Review by John D. Wiser) | baritone | STRAVINSKY, IGOR: Oedipus Rex (Review by John D. Wiser) | Creon | STRAVINSKY, IGOR: Oedipus Rex (Review by John D. Wiser) | Messenger | STRAVINSKY, IGOR: Pulcinella (Ballet with voices; 1919-20). Concertino for 12 Instruments (1952 version) (Review by ROGER DETTMER) | bass baritone | VERDI, GIUSEPPE: Aida (Review by C. -P. Gerald Parker) | Amonasro | VERDI, GIUSEPPE: Aida (Review by Raymond Tuttle) | Amonasro | VERDI, GIUSEPPE: Aida (Review by John Story) | Amonasro | VERDI, GIUSEPPE: Aida (Review by C. -P. Gerald Parker) | baritone | VERDI, GIUSEPPE: Don Carlo (Review by James Miller) | bass | VERDI, GIUSEPPE: Don Carlo (Review by James Miller) | King Phillip | VERDI, GIUSEPPE: Don Carlos (Review by James Miller) | a Monk | VERDI, GIUSEPPE: Don Carlos (Review by James Miller) | bass | VERDI, GIUSEPPE: Oberto, Conte di San Bonifacio (Review by David Mason Greene) | baritone | VERDI, GIUSEPPE: Oberto, Conte di San Bonifacio (Review by David Mason Greene) | Oberto | VERDI, GIUSEPPE: Requiem (Review by David Claris) | bass | WAGNER, RICHARD: Der Fliegende Holländer (Review by Henry Fogel) | bass baritone | WAGNER, RICHARD: Der fliegende Hollander (Review by William H. Youngren) | Dutchman | WAGNER, RICHARD: Der fliegende Holländer (Review by Andrew Quint) | The Dutchman | WAGNER, RICHARD: Der fliegende Holländer (Review by Evan Dickerson) | The Dutchman | WAGNER, RICHARD: Parsifal (Review by William H. Youngren) | Amfortas | WAGNER, RICHARD: Scenes for bass-baritone (Review by Henry Fogel) | bass baritone |
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