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Performer: Emily van Evera ANONYMOUS: Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) (Review by Elliott S. Hurwitt) | soprano | ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins) | recorder | ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins) | soprano | BACH, CARL PHILIPP EMANUEL: Marche. Polonaise. Marche. Polonaise (Review by Elliott S. Hurwitt) | soprano | BACH, JOHANN SEBASTIAN: Mass in B minor, BWV 232 (Review by Edward Strickland) | soprano | BACH, JOHANN SEBASTIAN: Notenbüchlein für Anna Magdalena Bach (1725) (Review by Elliott S. Hurwitt) | soprano | BACH, JOHANN SEBASTIAN: St. John Passion, BWV 245. Easter Oratorio, BWV 249. Ascension Oratorio, BWV 11. Mass in b, BWV 232“ (Review by Brian Robins) | soprano | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | soprano | BACH, JOHANN SEBASTIAN: Trauer-Music, BWV 244a (Review by Alan Swanson) | soprano | BACH, JOHANN SEBASTIAN: Wachet auf, ruft uns die Stimme. O Ewigkeit du Donnerwort. Wer nur den lieben Gott läßt walten. Gib dich zufrieden und sei stille. Prelude and Fugue in C (The Well-Tempered Clavier). Dir, dir Jehova (Chorale No. 39). Aria No. 26 (Goldberg Variations). Ich habe genug!—Schlummert ein, ihr matten Augen (Review by Elliott S. Hurwitt) | soprano | BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins) | recorder | BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins) | soprano | BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins) | recorder | BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins) | soprano | CAVALLI: Vespro della Beata Vergine (Review by Barry Brenesal) | soprano | CAVALLI: Vespro della beata Vergine (Review by Brian Robins) | soprano | CHANT, GREGORIAN: Kyrie “cum jubilo.“ Hymnus (Review by George Chien) | soprano | COPRARIO: Funeral Teares (Review by Brian Robins) | recorder | COPRARIO: Funeral Teares (Review by Brian Robins) | soprano | COUPERIN, FRANÇOIS: Rondeau No. 6 (“Les Bergeries“) (Review by Elliott S. Hurwitt) | soprano | DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins) | recorder | DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins) | soprano | HANDEL, GEORGE FRIDERIC: Carmelite Vespers (1707) (Review by Ralph V. Lucano) | soprano | HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Ralph V. Lucano) | soprano | HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Michael Carter) | soprano | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | soprano | HOLBORNE, ANTHONY: The funerals (Review by Brian Robins) | recorder | HOLBORNE, ANTHONY: The funerals (Review by Brian Robins) | soprano | JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins) | recorder | JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins) | soprano | MAIER-RÖNTGEN, AMANDA: Atalanta Fugiens (Review by Bertil van Boer) | soprano | MARAZZOLI: Oratorio di Santa Caterina (Review by James A. Altena) | Cain | MARAZZOLI: Oratorio di Santa Caterina (Review by James A. Altena) | Fede | PASQUINI, BERNARDO: Cain e Abel (Review by James A. Altena) | Cain | PASQUINI, BERNARDO: Cain e Abel (Review by James A. Altena) | Fede | PETZOLD: Menuet No. 4. Menuet No. 5 (Review by Elliott S. Hurwitt) | soprano | PURCELL, HENRY: Come ye sons of art, Z.323. Welcome to all the pleasures, Z.339. Funeral Music for Queen Mary. Funeral Sentences (Review by J. F. Weber) | soprano | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Dido | PURCELL, HENRY: Dido and Åeneas (Review by Michael Ullman) | Dido | PURCELL, HENRY: Pavane for 3 Violins and Continuo in g, Z 752 (Review by Michael Ullman) | Dido | SCARLATTI, DOMENICO: Fille, già più non parlo. Se ti dicesse un core. Di Fille vendicarmi vorrei. Sospendi o man per poco. Se per un sol momento—Cantata for Two Sopranos and Continuo (Review by David Johnson) | soprano | SCARLATTI, DOMENICO: Late Cantatas, Volume 3. No, non fuggire o Nice; Ti ricorda o bella Irene; Qual pensier, qual ardire; Con qual cor; Tirsi caro (Review by David Johnson) | soprano | SCARLATTI, DOMENICO: Late Cantatas, Volume 4 (Review by David Johnson) | soprano | STOELZEL: Bist du bei mir (Review by Elliott S. Hurwitt) | soprano | TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins) | recorder | TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins) | soprano | VIVALDI, ANTONIO: Gloria, RV. 589. Sinfonia “al Santo Sepolcro,“ RV. 169. Laetussum, RV. 607. Magnificat, RV. 610b. Laudate dominum omnes gentes, RV. 607. Sonata “al Santo Sepolcro,“ RV. 130, In exitu Israel, RV. 604 (Review by George Chien) | soprano | VIVALDI, ANTONIO: Gloria. Magnificat (Review by George Chien) | soprano |
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