|
|
Performer: Oren Fader ANDERSON, WILLIAM: J’entends le moulin. Grüne Heinrich. Djuna Barnes Settings. Poema armónico. Les fraises et les framboises. Afterlight (for Dottie). Of Course. The Job of Journeywork. Quant L’herba Fresq. My Morphine. Various Roses. Melusine (Review by David DeBoor Canfield) | guitar | BABBITT: Quatrains. My Ends Are My Beginnings. Manifold Music. Soli e duettini. Swan Song No. 1 (Review by Robert Kirzinger) | guitar | BABBITT: Soli e Duetti—Guitar Duo (Review by Mike Silverton) | guitar | BETTISON, OSCAR: La Hija del Néon (Review by Henry Fogel) | electric guitar | BISCARDI: Resisting Stillness (Review by Robert Schulslaper) | guitar | BISCARDI: Resisting Stillness (Review by Colin Clarke) | guitar | BISCARDI: Resisting Stillness (Review by Maria Nockin) | guitar | BISCARDI: Resisting Stillness (Review by Lynn René Bayley) | guitar | BRICKLE: Denk Es, O Seele! (Review by Lynn René Bayley) | guitar | BRICKLE: Denk Es, O Seele! (Review by David DeBoor Canfield) | guitar | BRICKLE: Denk Es, O Seele! (Review by Colin Clarke) | guitar | BRICKLE: Genius Loci (Review by Robert Schulslaper) | guitar | BRICKLE: Genius Loci (Review by Colin Clarke) | guitar | BRICKLE: Genius Loci (Review by Maria Nockin) | guitar | BRICKLE: Genius Loci (Review by Lynn René Bayley) | guitar | CLAMAN: Variations on “Amba Kamakshi”. Piece of Work Liberties Taken. Avaley Taan. Like This. Loomings. Brit. Loose Cannons II–IV (Review by David DeBoor Canfield) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Robert Schulslaper) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Colin Clarke) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Maria Nockin) | guitar | CORBETT, SIDNEY: Archipel Chagall II (Review by Lynn René Bayley) | guitar | CORELLI, ARCANGELO: 3 Duos (Review by Robert Kirzinger) | guitar | DAVIDOVSKY, MARIO: Synchronisms No. 10, for Guitar and Electronic Sounds (Review by Mike Silverton) | guitar | FLAHERTY: Cross-Currents, for Guitar Duo" (Review by Mike Silverton) | guitar | HICKEY: Left at the Fork in the Road. Flute Sonata. Fool's Errand. Tango grotesceo. Fluff. To the Wars. Pair of Pants. Granfaloon. Sagesse (Review by Phillip Scott) | guitar | HINDEMITH, PAUL: Rondo for 3 Guitars (Review by Robert Kirzinger) | guitar | HINDEMITH, PAUL: Rondo for Three Guitars (Review by Ronald E. Grames) | guitar | HINDEMITH, PAUL: Rondo for Three Guitars (Review by Colin Clarke) | guitar | IVANOV-KRAMSKOI: I Am Sitting on a Rock. Lullaby (Review by John Bauman) | guitar | JEMNITZ, SÁNDOR: Trio for Guitar and Strings (Review by John Bauman) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Robert Schulslaper) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Colin Clarke) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Maria Nockin) | guitar | JOHNSON, SCOTT: Bowery Haunt (Review by Lynn René Bayley) | guitar | KOLB, BARBARA: Umbrian Colors (Review by Mike Silverton) | guitar | KORF: Presences from Aforetime (Review by William Zagorski) | guitar | KUPFERMAN, MEYER: Concerto for 4 Guitars and Orchestra (Review by Martin Anderson) | guitar | KUPFERMAN, MEYER: Concerto for 4 Guitars and Orchestra (Review by John Story) | guitar | KUPFERMAN, MEYER: Echoes from Barcelona. Exordium. Poetics #3 (Review by John Story) | guitar | KUPFERMAN, MEYER: Music for Guitar, Vol. 1 (Review by John Story) | guitar | KUPFERMAN, MEYER: Poetics #9 (Review by John Story) | guitar | KUPFERMAN, MEYER: Poetics (Review by David Denton) | guitar | KUPFERMAN, MEYER: Strumming (Review by David Denton) | guitar | KUPFERMAN, MEYER: Strumming. Through a Glass Darkly (Review by John Story) | guitar | KUPFERMAN, MEYER: Symphony for 6 (Review by John Story) | guitar | KUPFERMAN, MEYER: Through a Glass Darkly. Echoes from Barcelona. Exordium (Review by David Denton) | guitar | KUPFERMAN, MEYER: Tuba Concerto. Going Home. Into the Breach. Percussion Symphony, “. . . On Tibet and Tiannanrnan Square . . .“ Structures (Review by William Zagorski) | guitar | KUPFERMAN, MEYER: Tuba Concerto. Going Home. Into the Breach. Percussion Symphony, “. . . On Tibet and Tiannanrnan Square . . .“ Structures (Review by John Story) | guitar | KURTAG, G.: The Little Predicament, Op. 16b (Review by John Bauman) | guitar | LANG, DAVID: Warmth (Review by Robert Schulslaper) | guitar | LANG, DAVID: Warmth (Review by Colin Clarke) | guitar | LANG, DAVID: Warmth (Review by Maria Nockin) | guitar | LANG, DAVID: Warmth (Review by Lynn René Bayley) | guitar | LENNON, JOHN ANTHONY: Zingari— Concerto for Guitar and Orchestra (Review by Mike Silverton) | guitar | MACHOVER: Bug-Mudra (Review by Mike Silverton) | guitar | MACHOVER: Flora (Review by Mike Silverton) | electric guitar | NAITO: Winter Shadow (Review by Art Lange) | guitar | NEMEROVSKY: Étude in A minor (Review by John Bauman) | guitar | POLLOCK: Entertwined (Review by Robert Schulslaper) | guitar | POLLOCK: Entertwined (Review by Colin Clarke) | guitar | POLLOCK: Entertwined (Review by Maria Nockin) | guitar | POLLOCK: Entertwined (Review by Lynn René Bayley) | guitar | POLLOCK: Romance-Fantasy. Cygnature Piece. Entertwined. Metaphor. Chamber Setting No. 2. Revolution. Metaphor (Review by Colin Clarke) | guitar | POWELL, MEL: Setting—for Solo Guitar (Review by Mike Silverton) | guitar | REYNOLDS, ROGER: The Behavior of Mirrors, for Solo Guitar (Review by Mike Silverton) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Robert Schulslaper) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Colin Clarke) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Maria Nockin) | guitar | ROKEACH: Fantasy on 12 Strings (Review by Lynn René Bayley) | guitar | ROXBURY: Two Songs of Walt Whitman (Review by Mike Silverton) | guitar | SALERNI, PAUL: Turns. Bad Pets. The Animals Struck with the Plague. Regimen Sanitatis. Two Partita. Generations. Concertino (Review by David DeBoor Canfield) | guitar | SALERNI, PAUL: Turns. Bad Pets. The Animals Struck with the Plague. Regimen Sanitatis. Two Partita. Generations. Concertino (Review by Henry Fogel) | guitar | SAXTON, ROBERT: Night Dance (Review by Mike Silverton) | guitar | SEARLE, HUMPHREY: Two Practical Cats' (Review by Mike Silverton) | guitar | SOKOLOVSKY, MAREK: Étude in D (Review by John Bauman) | guitar | SOR: Souvenir de Russie (Review by John Bauman) | guitar | STAROBIN, MICHAEL: Chase (Review by Mike Silverton) | guitar | SUGÁR: Hungarian Children's Songs (Review by John Bauman) | guitar | WELCH: My Morphine (Review by Robert Schulslaper) | guitar | WELCH: My Morphine (Review by Colin Clarke) | guitar | WELCH: My Morphine (Review by Maria Nockin) | guitar | WELCH: My Morphine (Review by Lynn René Bayley) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Robert Schulslaper) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Colin Clarke) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Maria Nockin) | guitar | WUORINEN, CHARLES: Dodecadactyl (Review by Lynn René Bayley) | guitar |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
