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Performer: Carole Farley ARLEN: What’s Good about Goodbye?. Last Night When We Were Young. When the Sun Comes Out. It Was Written in the Stars. Right as the Rain. I Had Myself a True Love. Fun To Be Fooled (Review by Michael Ullman) | soprano | BADINGS: Armageddon, for Soprano, Wind Ensemble, and Tape (Review by James H. North) | soprano | BARBER, SAMUEL: Souvenirs. Canzonetta for Oboe and Strings (Review by Walter Simmons) | soprano | BARBER, SAMUEL: Souvenirs (Review by Phillip Scott) | soprano | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–9 (Review by Huntley Dent) | soprano | BEETHOVEN, LUDWIG VAN: Symphony No. 8 in F, Op. 93; Symphony No. 9 in D Minor, Op. 125 (“Choral“) (Review by Mortimer H. Frank) | soprano | BOESMANS: The Passion of Gilles (Review by John Ditsky) | Joan | BOESMANS: The Passion of Gilles (Review by John Ditsky) | soprano | BOESMANS: The Passion of Gilles (Review by John Ditsky) | the false Joan | BOLCOM, WILLIAM: You Cannot Have Me Now. Night, Make My Day. The Digital Wonder Watch. Casino Paradise (Review by Robert Carl) | soprano | BRITTEN: Les Illuminations. Young Apollo (Review by Walter Simmons) | soprano | CHAUSSON: Chanson perpétuelle (Review by Adrian Corleonis) | soprano | CHAYNES: Noces de sang (Review by Anthony D. Coggi) | The Fiancée | CONDON, FERNANDO: Impresiones sobre Astor. (Review by Phillip Scott) | soprano | DELIUS: 7 Danish Songs (Review by Adrian Corleonis) | soprano | DELIUS: Air and Dance, for String Orchestra (Review by Adrian Corleonis) | soprano | DELIUS: Irmelin (Review by Adrian Corleonis) | soprano | DELIUS: Orchestral Songs (Review by Adrian Corleonis) | soprano | DUPARC: Le Manoir de Rosamonde. La Vie antérieuere. Extase. L'Invitation au voyage. Chanson triste (Review by Adrian Corleonis) | soprano | FAURÉ, GABRIEL: La Bonne chanson (Review by Adrian Corleonis) | soprano | GADE, JACOB: Jalousie (Review by Phillip Scott) | soprano | GERSHWIN: Poppyland; Isn’t It a Pity? Love Is Sweeping the Country. Boy! What Love Has Done to Me! How Long Has This Been Going On? (Review by Michael Ullman) | soprano | GOULD, MORTON: Stringmusic (Review by Phillip Scott) | soprano | GRIEG, EDVARD: A Dream. To the Motherland. The Princess. Little Kirsten. Mother’s Lament (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: On the Water. A Bird Cried Out (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Orch. Byl (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Orch. Grieg (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Orch. Reger (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Orch. Serebrier (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Orch. Søderlind (Review by Bernard Jacobson) | soprano | GRIEG, EDVARD: Songs with Orchestra (Review by Bernard Jacobson) | soprano | KÁLMÁN, EMMERICH: Countess Marïtza (Review by John Ditsky) | soprano | LECUONA, ERNESTO: Siempre en mi corazón. Como presiento. Allá en la sierra. Tu no tienes corazón. Mi corazón se fué. Dame de tus rosas. ¡No es por ti! ¡Mira! Dame el amor. Que risa me da. La comparsa. Al fin. Se abrieron las flores. Conga Cuba. Amor tardío. En una noche asi. Devuélveme el corazón. Primavera de ilusión. Un amor vendrá. Me has dejado. No me engañarás. Rumba mejoral. No me mires ni nime hables. Mi amor fue una flor. Canción del amor triste (Review by Bernard Jacobson) | soprano | LECUONA, ERNESTO: Siempre en mi corazón. Como presiento. Allá en la sierra. Tu no tienes corazón. Mi corazón se fué. Dame de tus rosas. ¡No es por ti! ¡Mira! Dame el amor. Que risa me da. La comparsa. Al fin. Se abrieron las flores. Conga Cuba. Amor tardío. En una noche asi. Devuélveme el corazón. Primavera de ilusión. Un amor vendrá. Me has dejado. No me engañarás. Rumba mejoral. No me mires ni nime hables. Mi amor fue una flor. Canción del amor triste (Review by Raymond Tuttle) | soprano | LEHÁR: The Merry Widow (Review by John Ditsky) | soprano | LEMELAND: Concert Nocturne, op. 137 (Review by Barnaby Rayfield) | soprano | LEMELAND: Dieppe (Review by Barnaby Rayfield) | soprano | LEMELAND: Mémorial, op. 158 (Review by Barnaby Rayfield) | soprano | LEMELAND: Symphony No. 6, “Les Eléments” (Review by Barnaby Rayfield) | soprano | LEMELAND: Time Landscapes, op. 153 (Review by Barnaby Rayfield) | soprano | MARSCHNER: Der Vampyr (Review by Anthony D. Coggi) | soprano | MAYUZUMI: Concerto for Percussion and Winds (Review by James H. North) | soprano | MENOTTI: The Telephone (Review by Joel Kasow) | Elle | MENOTTI: The Telephone (Review by Joel Kasow) | Lucy | MILHAUD: Alissa. Poèmes juifs. L’amour chanté (Review by Paul Orgel) | soprano | PENDERECKI: Pittsburgh Overture, for Wind Ensemble (Review by James H. North) | soprano | PFLÜGER: Concerto for Horn and Orchestra 1983 (Review by James H. North) | soprano | PIAZZOLLA, ASTOR: Oblivion. Tangazo (Review by Phillip Scott) | soprano | POULENC, FRANCIS: La voix humaine (Review by Joel Kasow) | Elle | POULENC, FRANCIS: La voix humaine (Review by Joel Kasow) | Lucy | POULENC, FRANCIS: The Human Voice (La Voix humaine)—Opera in One Act (Review by John Ditsky) | soprano | POULENC, FRANCIS: The Human Voice(La Voix humaine)—Opera in One Act (Review by John Ditsky) | soprano | PROKOFIEV, SERGEI: The Ugly Duckling, op. 18. Five Poems, op. 23. Five Melodies, op. 35. Three Children's Songs, op. 68. Russian Songs, op. 104 (Review by Peter J. Rabinowitz) | soprano | PROKOFIEV, SERGEI: Two Poems, Op. 9. Five Poems of Anna Akhmatova, Op. 27. Five Poems of Konstantin Balmont, Op. 36. Three Romances, Op. 73 (Review by Peter J. Rabinowitz) | soprano | RODRIGUEZ, MARCELA: La cumparsita (Review by Phillip Scott) | soprano | ROREM: Selected Songs (Review by Bernard Jacobson) | soprano | ROREM: The Waking; Root Cellar, My Papa’s Waltz; I strolled across an open field; Memory, Orchids; The Serpent, Night Crow; Snake; Little Elegy; The Nightingale; Nantucket, Lullaby of the Woman of the Mountain; Love in a life; What if some little pain ... ; Visits to St. Elizabeth’s; Stopping by Woods on a Snowy Evening; Spring; See how they love me; Now sleeps the crimson petal; I am Rose; Ask me no more; Far-Far-Away, Early in the morning; Alleluia; Such beauty as hurts to behold; Sally’s Smile; Youth, Day, Old Age, and Night, O you whom I often and silently come; Full of life now; As Adam early in the morning; Are you the new person? (Review by Bernard Jacobson) | soprano | SATIE: Les Anges (orch. Caby). Chanson médiévale (orch. Caby). Elégie (orch. Caby). Les Fleurs (orch. Caby) (Review by Adrian Corleonis) | soprano | SATIE: Sports et divertissements (Review by Phillip Scott) | soprano | SCHWARTZ: You and the Night and the Music. Dancing in the Dark. I See Your Face before Me. Something to Remember You By (Review by Michael Ullman) | soprano | SEREBRIER: Symphony No. 3, “Symphonie mystique.“ Passacaglia and Perpetuum mobile. Variations on a Theme from Childhood. Elegy for Strings. Momento psicològico. Fantasia. Dorothy and Carminef George and Murieř (Review by Paul Rapoport) | soprano | SEREBRIER: Symphony No. 3, “Symphonie mystique” (Review by Peter J. Rabinowitz) | soprano | SEREBRIER: Tango in Blue. Casi un Tango (Review by Phillip Scott) | soprano | SIECZYNSKI: Wien, Wien nur du allein (Review by John Ditsky) | soprano | STRAUSS II, JOHANN: The Blue Danube Waltz, Op. 314; Tritsch-Tratsch Polka, Op. 214; Die Fledermaus (Review by John Ditsky) | soprano | STRAUSS, RICHARD: Capriccio (Review by ROGER DETTMER) | soprano | STRAUSS, RICHARD: Guntram (Review by Richard A. Kaplan) | Freihild | STRAVINSKY, IGOR: Tango (Review by Phillip Scott) | soprano | TCHAIKOVSKY: Cherevichki (Review by Donald Seibert) | soprano | TCHAIKOVSKY: Opera Arias (Review by Donald Seibert) | soprano | TCHAIKOVSKY: Soprano Arias (Review by Henry Fogel) | soprano | WEILL, KURT: Der neue Orpheus, for Soprano and Orchestra. Der Silbersee (Review by Adrian Corleonis) | soprano | WEILL, KURT: Love in a Mist. The Romance of a Lifetime. Unforgettable. The River Is So Blue. The Picture on the Wall (Review by Michael Ullman) | soprano | WEILL, KURT: Songs (Review by Nicholas Deutsch) | soprano | WEILL, KURT: This Time Next Year. Speak Low. Is It Him or Is It Me? The Saga of Jenny. That's Him. One Life to Live. Foolish Heart. Matrosen-Tango. Alabama Song. Havanna-Lied. In der Jugend goid'nem Schimmer. Die Ballade von der Höllen-Lili. Polly's Lied. Ballade von der sexuelle Hörigkeit. Das schöne Kind. Materi. Reiterlied. Fürchte dich nicht. Denn wie man sich better, so liegt man (Review by Nicholas Deutsch) | soprano | WEILL, KURT: Youkali? Happy End (Review by Phillip Scott) | soprano |
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