|
|
Performer: Gerald Finley HAYDN; Die Schöpfung, Hob. XXI;2: (Review by James H. North) | bass | HAYDN; Die Schöpfung, Hob. XXI;2: (Review by James H. North) | Raphael | SONGS BY SCHUBERT’S FRIENDS AND CONTEMPORARIES: (Review by Joel Kasow) | baritone | ADAMS, JOHN: Doctor Atomic (Review by Ronald E. Grames) | Oppenheimer | ADAMS, JOHN: Doctor Atomic (Review by Peter J. Rabinowitz) | Oppenheimer | ADAMS, JOHN: Doctor Atomic (Review by Phillip Scott) | Robert Oppenheimer | ADAMS, JOHN: Doctor Atomic (Review by Huntley Dent) | Robert Oppenheimer | ADAMS, JOHN: Doctor Atomic (Review by Andrew Desiderio) | Robert Oppenheimer | ADAMS, JOHN: Doctor Atomic (Review by Henry Fogel) | baritone | BACH, JOHANN SEBASTIAN: Cantatas No. 155, No. 3, No. 13, No. 26, No. 81, No. 14. Jesu meine Freude (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BARBER, SAMUEL: Sure on this shining night. Dover Beach (Review by Alan Swanson) | baritone | BARBER, SAMUEL: There’s nae lark. The Beggar’s Song. In the dark pinewood. Bessie Bobtail. Hermit Songs. 3 Songs. Mélodies passagères. The daisies. With rue my heart is laden. Nocturne, op. 13/4 (Review by Alan Swanson) | baritone | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by James A. Altena) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Huntley Dent) | baritone | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Jerry Dubins) | bass | BEETHOVEN, LUDWIG VAN: Triple Concerto (Review by Huntley Dent) | baritone | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | baritone | BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis) | Joseph | BERLIOZ: L’enfance du Christ (Review by Adrian Corleonis) | Joseph | BIZET: Carmen (Review by Henry Fogel) | baritone | BRAHMS, JOHANNES: Ein Deutsches Requiem, op. 45 (Review by David Mason Greene) | baritone | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by Huntley Dent) | baritone | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by Jerry Dubins) | baritone | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by James H. North) | bass | BRAHMS, JOHANNES: Vier ernste Gesänge (Review by Huntley Dent) | baritone | BRAHMS, JOHANNES: Vier ernste Gesänge (Review by Raymond Beegle) | baritone | BRIDGE, FRANK: The Songs of Frank Bridge (Review by Joel Kasow) | baritone | BRITTEN: Albert Herring (Review by James Miller) | baritone | BRITTEN: Albert Herring (Review by James Miller) | Sid | BRITTEN: Canticles (Review by Paul Ingram) | baritone | BRITTEN: Owen Wingrave (Review by Paul Ingram) | Owen Wingrave | BRITTEN: Owen Wingrave (Review by Lynn René Bayley) | Owen Wingrave | BRITTEN: Songs and Proverbs of William Blake. Lemady. She’s Like the Swallow. I Wonder as I Wander. Tom Bowling. Tit for Tat. Um Mitternacht. A Poison Tree. Evening. Morning. Night. David of the White Rock. Greensleeves. The Crocodile. The Deaf Woman’s Courtship. Bird Scarer’s Song (Review by Henry Fogel) | baritone | BRITTEN: War Requiem (Review by J. F. Weber) | baritone | DEBUSSY: Pelléas et Mélisande (Review by Huntley Dent) | Golaud | DONIZETTI: Linda di Chamounix (Review by Henry Fogel) | baritone | DUPARC: Mélodies (Review by Adrian Corleonis) | baritone | DUPARC: Sérénade. Romance de Mignon.' Soupir.' Chanson tristes Le Galop. La Fuite' La Vague et la cloche. Le Manoir de Rosemonde. Au Pays où se fait la guerre.' L'Invitation au voyagea Exstase.'Elégie.'Phidylé. Sérénade Florentine. Testament.' Lamento.' La Vie antérieure (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Cantique de Jean Racine. Messe Basse (Review by George Chien) | baritone | FAURÉ, GABRIEL: Cantique de Jean Racine. Messe Basse (Review by J. F. Weber) | baritone | FAURÉ, GABRIEL: Requiem (ed. Rigaudière) (Review by George Chien) | baritone | FAURÉ, GABRIEL: Requiem (ed. Rigaudière) (Review by J. F. Weber) | baritone | FOULDS, JOHN: A World Requiem (Review by Barry Brenesal) | baritone | FOULDS, JOHN: A World Requiem (Review by Martin Anderson) | baritone | HANDEL, GEORGE FRIDERIC: Messiah (Review by James Reel) | bass | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | Argante | IVES, CHARLES: A Song—for Anything; When stars are in the quiet skies; Memories; Berceuse; The Cage; Ich grolle nicht; Die alte Mutter; Feldeinsamkeit; Weil' auf Mir; Elégie; Walking; Tolerance; Thoreau; The Things our Fathers Loved; Tom Sails Away; Serenity; Like a Sick Eagle; Ann Street; Remembrance; From “Swimmers“; The New River; “1,2,3“; West London; The Housatonic at Stockbridge; The Side Show; Yellow Leaves; The Greatest Man; Where the eagle cannot see; Slugging a Vampire; Charlie Rutlage; General William Booth Enters into Heaven (Review by Paul Ingram) | baritone | IVES, CHARLES: On the Counter. The Circus Band. Two Little Flowers (and dedicated to them). Ilmenau. A Night Song. Down East. Premonitions. The See’r. Songs my mother taught me. In the Alley. Mists. They Are There! In Flanders Fields. The South Wind. My Native Land. Watchman! The Children’s Hour. Evidence. The World’s Wanderers. Slow March. Omens and Oracles. Those Evening Bells. Allegro. Evening. The Last Reader. To Edith. At the River. A Christmas Carol. The Light that Is Felt. Romanzo (di Central Park) (Review by James H. North) | baritone | IVES, CHARLES: Songs (Review by Paul Ingram) | baritone | IVES, CHARLES: Songs (Review by James H. North) | baritone | LIEBERSON, PETER: The Six Realms. Songs of Love and Sorrow (Review by Robert Carl) | baritone | LISZT: COMPLETE SONGS VOLUME 3 (Review by Carla Maria Verdino-Süllwold) | bass baritone | MENDELSSOHN, FELIX: Elijah (Review by Huntley Dent) | Elijah | MOZART: Così fan tutte (Review by James A. Altena) | Don Alfonso | MOZART: Die Zauberflöte, K. 620 (Review by David Mason Greene) | baritone | MOZART: Die Zauberflöte, K. 620 (Review by David Mason Greene) | Papageno | MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner) | baritone | MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner) | Masetto | MOZART: Don Giovanni (Review by Henry Fogel) | Don Giovanni | MOZART: Don Giovanni (Review by Henry Fogel) | baritone | MOZART: Le nozze di Figaro (Review by Barry Brenesal) | Count Almaviva | MOZART: Le nozze di Figaro (Review by Lynn René Bayley) | Count Almaviva | MOZART: Le nozze di Figaro (Review by Peter J. Rabinowitz) | Count Almaviva | MOZART: Le nozze di Figaro (Review by James A. Altena) | Count Almaviva | MOZART: Requiem (Review by James Reel) | bass | MOZART: Requiem (Review by Lynn René Bayley) | bass | MOZART: Requiem (Review by Jerry Dubins) | bass | PUCCINI II, GIACOMO: Tosca (Review by Henry Fogel) | baritone | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Aeneas | PURCELL, HENRY: Dido and Aeneas (Review by Barry Brenesal) | Aeneas | PURCELL, HENRY: King Arthur (Review by Michael Ullman) | baritone | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Follower Of Cupid | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Hymen | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | Ismerőn | RAUTAVAARA: Rubáiyát. Into the Heart of Light (Canto V). Balada. 4 Songs from the Opera Rasputin (Review by Peter J. Rabinowitz) | baritone | RAUTAVAARA: Rubáiyát. Into the Heart of Light (Canto V). Balada. 4 Songs from the Opera Rasputin (Review by Barry Brenesal) | baritone | RAVEL: Histoires naturelles. Ronsard à son âme. Don Quichotte à Dulcinée. Un grand sommeil noir. Les grands vents venus d’outremer. Sur l’herbe. Noël des jouets. 2 épigrammes de Clément Marot. 5 mélodies populaires grecques. 2 mélodies hébraïques. Chants populaires (Review by Jerry Dubins) | baritone | RAVEL: Songs (Review by Jerry Dubins) | baritone | RODGERS, RICHARD: South Pacific (Review by Henry Fogel) | baritone | ROSSINI: Guillaume Tell (Review by Joel Kasow) | Guillaume Tell | ROSSINI: Guillaume Tell (Review by Bill White) | Guillaume Tell | SAARIAHO: L'amour de loin (Review by John Story) | Jaufré Rudel | SCHUBERT: Cantate zur Feier der Genesung der Irene Kiesewetter, D 936 (Review by Joel Kasow) | baritone | SCHUBERT: Das Weinen, D 926 (Review by Joel Kasow) | baritone | SCHUBERT: Der Hochzeitsbraten, D 930 (Review by Joel Kasow) | baritone | SCHUBERT: Der Kreuzzug, D 932 (Review by Joel Kasow) | baritone | SCHUBERT: Der Wallensteiner Lanzknecht beim Trunk, D 931 (Review by Joel Kasow) | baritone | SCHUBERT: Die Sterne, D 939 (Review by Joel Kasow) | baritone | SCHUBERT: Die schöne Müllerin (Review by Huntley Dent) | baritone | SCHUBERT: Die schöne Müllerin (Review by James A. Altena) | baritone | SCHUBERT: Fröhliches Scheiden, D 896 (Review by Joel Kasow) | baritone | SCHUBERT: Frühlingslied, D 919 (Review by Joel Kasow) | baritone | SCHUBERT: Heimliches Lieben, D 922 (Review by Joel Kasow) | baritone | SCHUBERT: Il modo di prender moglie, D 902/3 (Review by Joel Kasow) | baritone | SCHUBERT: Il traditor deluso, D 902/2 (Review by Joel Kasow) | baritone | SCHUBERT: Jägers Liebeslied, D 909 (Review by Joel Kasow) | baritone | SCHUBERT: L’incanto degli occhi, D 902/1 (Review by Joel Kasow) | baritone | SCHUBERT: Romanze des Richard Löwenherz, D 907 (Review by Joel Kasow) | baritone | SCHUBERT: Schiffers Scheidelied, D 910 (Review by Joel Kasow) | baritone | SCHUBERT: Schwanengesang. Die Taubenpost (Review by Huntley Dent) | baritone | SCHUBERT: Schwanengesang. Die Taubenpost (Review by Raymond Beegle) | baritone | SCHUBERT: Sie im jedem Liede, D 896A (Review by Joel Kasow) | baritone | SCHUBERT: Winterreise (Review by James A. Altena) | baritone | SCHUBERT: Winterreise (Review by Raymond Beegle) | baritone | SCHUBERT: Wolke und Quelle, D 896B (Review by Joel Kasow) | baritone | SCHUMANN: Belsatzar. Myrthen (Review by Evan Dickerson) | baritone | SCHUMANN: Das Paradies und die Peri. Requiem für Mignon. Nachtlied (Review by Marc Mandel) | baritone | SCHUMANN: Dichterliebe (Review by Evan Dickerson) | baritone | SCHUMANN: Gesange, op. 142 (Review by Evan Dickerson) | baritone | SCHUMANN: Lieder un Gesange, op. 127 (Review by Evan Dickerson) | baritone | SCHUMANN: Lieder (Review by Marc Mandel) | baritone | SCHUMANN: Liederkreis, Opp. 24; 39 (Review by James A. Altena) | baritone | SCHUMANN: Romances and Ballades (Review by Evan Dickerson) | baritone | SCHUMANN: Sechs Gedichte aus dem Liederbuch eines Malers, Op. 36 (Review by James A. Altena) | baritone | SCHUMANN: Tragödie. Die beiden Grenadiere. Abends am Strand. Die feindlichen Brüder. Der arme Peter. Belsatzar. Die Lotosblume. Was will die einsame Träne? Du bist wie eine Blume. Lehn’ deine Wang’ an meine Wang’. Es leuchtet meine Liebe. Dein Angesicht so lieb und schön. Mein Wagen rollet langsam. Dichterliebe (Review by Marc Mandel) | baritone | SHOSTAKOVICH: 6 Romances on Verses by Raleigh, Burns, and Shakespeare, op. 62a (Review by Peter J. Rabinowitz) | bass baritone | SHOSTAKOVICH: Suite on Poems by Michelangelo Buonarroti, op. 145a (Review by Peter J. Rabinowitz) | bass baritone | SIBELIUS: Demanten på marssnön, op. 36/6 (orch. Hellman). Hertig Magnus, op. 57/6 (orch. Helasvuo). På verandan på vid havet, op. 38/2. I natten, op. 38/3. Kom nu hit, Död, op. 60/1 (Review by Huntley Dent) | baritone | SIBELIUS: Koskenlaskijan morsiamet (The Rapids-Rider’s Brides), op. 33. Hymn to Thaïs (Review by Huntley Dent) | baritone | STANFORD, CHARLES VILLIERS: Songs of the Fleet. The Revenge (Review by Henry Fogel) | baritone | TCHAIKOVSKY: Iolanta (Review by Henry Fogel) | baritone | TRADITIONAL: Annie Laurie (Review by Peter J. Rabinowitz) | bass baritone | TRADITIONAL: Irish, Scottish, and Welsh Folksongs; Londonderry Air (arr. Kreisler) (Review by Huntley Dent) | baritone | TURNAGE: Anna Nicole (Review by Henry Fogel) | Stern | TURNAGE: Anna Nicole (Review by James H. North) | Stern | TURNAGE: The Silver Tassie (Review by Henry Fogel) | baritone | VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony” (Review by James Reel) | baritone | VAUGHAN WILLIAMS: The Pilgrim’s Progress (Review by Martin Anderson) | The Pilgrim | VAUGHAN WILLIAMS: The Wasps (Review by James Reel) | baritone | VERDI, GIUSEPPE: Otello (Review by Henry Fogel) | Iago | VERDI, GIUSEPPE: Otello (Review by Henry Fogel) | baritone | WAGNER, RICHARD: Die Meistersinger von Nürnberg (Review by James A. Altena) | Hans Sachs | WAGNER, RICHARD: Die Meistersinger von Nürnberg (Review by Andrew Quint) | Hans Sachs | WAGNER, RICHARD: Die Meistersinger von Nürnberg (Review by Lynn René Bayley) | Hans Sachs | WAGNER, RICHARD: Die Meistersinger von Nürnberg (Review by Andrew Quint) | Sachs | WAGNER, RICHARD: Parsifal (Review by Andrew Quint) | Amfortas | WAGNER, RICHARD: Tannhäuser (Review by Henry Fogel) | baritone | WEBERN: Five Pieces for Orchestra (1913). Three Orchestral Songs (1913-1914). Symphony, op. 21. Das Augenlicht, op. 26. Cantata No. 1, op. 29. Variations for Orchestra, op. 30. Cantata No. 2, op. 3?'' (Review by James H. North) | bass |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
