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Performer: Richard Fitz AREL, BÜLENT: Stereo Electronic Music No. 2 (Review by Robert Carl) | percussion | BACH, P. D. Q.: Concerto for Two Pianos vs. Orchestra, S. 2 are better than one'. Trio (sic) Sonata, S. 3(4). The Musical Sacrifice, S. 50% off (Review by John Bauman) | tambourine | CARTER, ELLIOTT: Symphony of Three Orchestras. A Mirror on Which to Dwell (Review by Paul Turok) | conductor | CHIHARA: Ceremony II (Review by Peter Frank) | percussion | CHOU: Suite for Harp and Wind Quintet (Review by Peter Frank) | percussion | CRUMB, GEORGE: Ancient Voices of Children. Music for a Summer Evening (Makrokosmos III) (Review by Kyle Gann) | percussion | DAVIDOVSKY, MARIO: Synchronisms No. 5. (Review by Robert Carl) | percussion | FELDMAN, MORTON: False Relationships and the Extended Ending (Review by Robert Carl) | percussion | FELDMAN, MORTON: The Viola in My Life (Review by Robert Carl) | percussion | FELDMAN, MORTON: The Viola in My Life. False Relationships and the Extended Ending. Why Patterns? (Review by Alex Ross) | percussion | KIM, EARL: Earthlight (Review by Peter Frank) | percussion | LUENING: Low Speed. Invention in Twelve Notes. Fantasy in Space. Moonflight (Review by Robert Carl) | percussion | REYNOLDS, ROGER: From Behind the Unreasoning Mask (Review by Peter Frank) | percussion | SCHICKELE: Chaconne à son Gouť (Review by John Bauman) | tambourine | SHIELDS: The Transformation of Ani (Review by Robert Carl) | percussion | SMILEY: Kolyosa (Review by Robert Carl) | percussion | STARER, ROBERT: Evanescence. Hudson Valley Suite (Review by Lawrence A. Johnson) | percussion | TAKEMITSU: Cantos (Review by Art Lange) | vibraphone | TAKEMITSU: Fantasma/Cantos . Water-Ways. Waves. Quatrain II (Review by Art Lange) | vibraphone | THORNE, FRANCIS: Symphony No. 7, “Along the Hudson.“ Simultaneities (Review by Lawrence A. Johnson) | percussion | USSACHEVSKY: Sonic Contours. Piece for Tape Recorder. Computer Piece No.1. 2 Sketches for a Computer Piece (Review by Robert Carl) | percussion | USSACHEVSKY/LUENING: Incantation (Review by Robert Carl) | percussion |
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