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Performer: Monica Gaylord COLERIDGE-TAYLOR: Valse-Suite, op. 71 (Review by James H. North) | piano | COLERIDGE-TAYLOR: Valse-Suite, op. 71 (Review by Peter J. Rabinowitz) | piano | DETT: In the Bottoms (Review by James H. North) | piano | DETT: In the Bottoms (Review by Peter J. Rabinowitz) | piano | ELLINGTON: Come Sunday (Review by James H. North) | piano | ELLINGTON: Come Sunday (Review by Peter J. Rabinowitz) | piano | KAY, ULYSSES: 3 Inventions (Review by Peter J. Rabinowitz) | piano | KAY, ULYSSES: Three Inventions (Review by James H. North) | piano | PETERSON, OSCAR: The Gentle Waltz (Review by James H. North) | piano | PETERSON, OSCAR: The Gentle Waltz (Review by Peter J. Rabinowitz) | piano | STILL, WILLIAM GRANT: 3 Visions. 7 Traceries (Review by Peter J. Rabinowitz) | piano | STILL, WILLIAM GRANT: Three Visions. Seven Traceries (Review by James H. North) | piano | SWANSON, HOWARD: The Cuckoo (Review by James H. North) | piano | SWANSON, HOWARD: The Cuckoo (Review by Peter J. Rabinowitz) | piano | SWANSON, HOWARD: Ulysses (Review by Peter J. Rabinowitz) | piano | WEINZWEIG: Private Collection. Contrasts for Guitar (Review by Scott Wheeler) | piano | WORK, JOHN WESLEY: Big Bunch of Roses (Review by James H. North) | piano | WORK, JOHN WESLEY: Big Bunch of Roses (Review by Peter J. Rabinowitz) | piano |
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Interviews, Music Matters, & Reviews
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