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Performer: Michael George KNIGHTLY PASSIONS: THE SONGS OF OSWALD VON WOLKENSTEIN: Ain guet geporen edelman (monophonie, polyphonic). Der oben swebt. Fröhlich, zärtlich, liplich. Der mai mit lieber zal. Der mai mit lieber zal (organ solo). Wolauf gesell. Du ausserweltes schöns mein herz. Frölich geschrai so well vir machen. Ach senliches leiden. Stand auff, Maredel. Grasselick lif. Wach auff, mein hört. Wach auff, mein hört (organ solo). “Nu huss“sprach der Michel von Wolkenstein. Durch Barbarei, Arabia (Review by Tom Moore) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | bass | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | bass | BACH, JOHANN SEBASTIAN: Cantata No. 208 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Cantata No. 63 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Cantata No. 63. Sanctus in D, BWV 238. Magnificat in E♭, BWV 243a (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (“Hunt Cantata“) (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (“Hunt Cantata“) (Review by George Chien) | Pan | BACH, JOHANN SEBASTIAN: Cantatas (Review by Andrew Quint) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV248 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins) | bass | BACH, JOHANN SEBASTIAN: Magnificat (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Magnificat, BWV243 (Review by Andrew Quint) | bass | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Sanctus in C,BWV237. Suite No. 3 in D (Review by Andrew Quint) | bass | BACH, JOHANN SEBASTIAN: Sanctus, BWV 238 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | bass | BACH, JOHANN SEBASTIAN: Was mir behagt, BWV 208 (Hunt Cantata) (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Was mir behagt, BWV 208 (Hunt Cantata) (Review by Edward Strickland) | Pan | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123 (Review by Elliott Kaback) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 5 in C Minor, op. 67. Symphony No. 9 in D Minor, op. 125 (Review by Michael Ullman) | baritone | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125, ("Choral") (Review by John Bauman) | bass | BEETHOVEN, LUDWIG VAN: The Nine Symphonies (Review by Richard Taruskin) | bass | BOCCHERINI, LUIGI: String Quintetin E (Review by Michael Ullman) | baritone | BOYCE: David’s Lamentation over Saul and Jonathan. The Charms of Harmony Display—Ode on St. Cecilia’s Day (Review by Brian Robins) | bass | BOYCE: David’s Lamentations over Saul and Jonathan. Ode for St. Cecilia’s Day, “The Charms of Harmony Display” (Review by Michael Carter) | bass | BOYCE: Ode for St Cecilia’s Day (Review by Brian Robins) | bass | BOYCE: Ode for St. Cecilia’s Day (Review by Michael Carter) | bass | BOYCE: Pindar’s Ode. Ode for the New Year (1774) (Review by Michael Carter) | bass | BOYCE: Pindar’s Ode. Ode for the New Year, 1774 (Review by Brian Robins) | bass | BOYCE: Pindar’s Ode. Ode for the New Year, 1774 (Review by Martin Anderson) | bass baritone | BROWNE, WILLIAM DENIS: Songs (4) (Review by John Ditsky) | bass | BRUCKNER, ANTON: Requiem in D minor. Psalm 114 (116). Psalm 112 (Review by Peter J. Rabinowitz) | bass | BUTTERWORTH: Requiescat (Review by John Ditsky) | bass | CALDARA, A: Stabat Mater (Review by George Chien) | bass | CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis) | bass | CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson) | bass | CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis) | Stratoklès | CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson) | Stratoklès | CHERUBINI, LUIGI: Anacreon (Review by Michael Ullman) | baritone | DODGSON, STEPHEN: Concerto for Flute and Strings. Last of the Leaves—Cantata for Bass, Clarinet, and Strings. Duo Concerto for Violin, Guitar, and Strings (Review by Raymond Tuttle) | bass baritone | FARRAR, ERNEST: Vagabond Songs, Op. 10. Songs (3), Op. 21 (Review by John Ditsky) | bass | FAURÉ, GABRIEL: Requiem (1893 version) (Review by Adrian Corleonis) | baritone | FINZI: Let Us Garlands Bring (Review by Walter Simmons) | bass baritone | FINZI: Requiem da Camera (Review by John Ditsky) | bass | FRASER-SIMSON, HAROLD: The Maid of the Mountains (Review by David Denton) | Baldassare | GURNEY: Songs (28) (Review by John Ditsky) | bass | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano) | Polyphemus | HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by David Johnson) | Ptolomee | HANDEL, GEORGE FRIDERIC: Alexander's Feast (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Alexander's Feast. Concerto in 8b for Harp, Strings, and Continuo, op. 4, no. 6. Concerto in G Minor for Organ, Strings, and Continuo, op. 4, no. J (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Alexander’s Feast. Harp Concerto in B♭, op. 4/6 (Review by Brian Robins) | bass | HANDEL, GEORGE FRIDERIC: Apollo e Dafne. Crudel tiranno Amor (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Birthday Ode for Queen Anne. Te Deum in D. Wedding Anthem for HRH Prince Frederick (Review by Michael Carter) | bass | HANDEL, GEORGE FRIDERIC: Chanclos Anthems (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: Chandos Anthems, Nos. 1, 2, 3 (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: Coronation Anthems (Review by Bernard Jacobson) | bass | HANDEL, GEORGE FRIDERIC: Deborah (Review by Ralph V. Lucano) | Abinoam | HANDEL, GEORGE FRIDERIC: Deborah (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Esther (Review by Bernard Jacobson) | Haman | HANDEL, GEORGE FRIDERIC: Eternal Source of Light Divine. Te Deum in D ("Queen Caroline"). Wedding Anthem ("Sing Unto God") (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano) | Zebul | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | Pharoah | HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson) | Reuben | HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano) | Caleb | HANDEL, GEORGE FRIDERIC: Judas Maccabaeus (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Judas Maccabaeus (Review by Ralph V. Lucano) | Simon | HANDEL, GEORGE FRIDERIC: La Resurrezione (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: La Resurrezione (Review by Ralph V. Lucano) | Lucifero | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass | HANDEL, GEORGE FRIDERIC: Music for Royal Occasions (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter) | bass | HANDEL, GEORGE FRIDERIC: O be joyful. In the Lord put I my trust. Have mercy upon me (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia's Day (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Organ Concerto in g, op. 4/1 (Review by Brian Robins) | bass | HANDEL, GEORGE FRIDERIC: Ottone, Re di Germania (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Ottone, Re di Germania (Review by David Johnson) | Emireno | HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena) | Manoa | HANDEL, GEORGE FRIDERIC: The Occasional Oratorio (Review by Ralph V. Lucano) | bass | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | bass | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | Polyphem | HAYDN, FRANZ JOSEPH: Harmoniemesse, Hob XXII (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: Missa Brevis Sandi Joannis de Deo in Bb, Hob. XXII (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 94 in G (Review by Michael Ullman) | baritone | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | bass baritone | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | bass | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | Poins | KELLY, FREDERICK SEPTIMUS: Shall I Compare Thee? (Review by John Ditsky) | bass | KNÜPFER: Sacred Music (Review by Martin Anderson) | bass | KNÜPFER: Vom Himmel hoch, da komm ich her. Was mine Gott will, das gescheh allzeit. Wenn mein Stündlein vorhanden ist. Ach Herr, strafe mich nicht in deinem Zorn. Quaemadmodum desiderai cervus. Super flumina Babylonis. Jesus Christus, unser Heiland. Die Turteltaube lässt sich hören (Review by Martin Anderson) | bass | LOCKE, MATTHEW: Psyche (Review by Brian Robins) | bass | MENDELSSOHN, FELIX: Symphony No. 4 in A, op. 90 ("Italian") (Review by Michael Ullman) | baritone | MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber) | bass | MOZART: Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber) | bass | MOZART: idomeneo (Review by Michael Ullman) | baritone | NEUKOMM, SIGISMUND RITTER VON: Napoleon's Midnight Review (Review by Michael Ullman) | baritone | PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Paul Rapoport) | bass | PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Edward Strickland) | bass | PURCELL, HENRY: Behold, I bring you glad tidings, Z. 2. Since God so tender a regard, Z. 143. Early, O Lord, my fainting soul, Z. 132. Sleep, Adam, sleep and take thy rest, Z. 195. Awake, ye dead, Z. 182. The earth trembled, Z. 197. The Way of God Is an undeflled way, Z. 56. Lord, not to us but to thy name, Z. 137. Lord, what is man?, Z. 192. Sing unto God, Z. 52. O all ye people, clap your hands, Z. 138. My heart is inditing, Z. 30 (Review by Michael Ullman) | bass | PURCELL, HENRY: Blow up the trumpet in Sion, Z. 10. The Lord is king, be the people never so impatient, Z. 53. Begin the song, and strike the living lyre, Z. 183. Thy word is a lantern unto my feet, Z. 61. Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z. 196. Hear my prayer, O Lord, Z. 15. Lord, I can suffer thy rebukes, Z. 136. O Lord, our Governor, Z. 141. Remember not, Lord, our offences, Z. 50. Hosanna to the highest, Z. 187. O God, thou hast cast us out, Z. 36 (Review by Michael Ullman) | bass | PURCELL, HENRY: Complete Odes and Welcome Songs, Volume 5 (Review by Heuwell Tircuit) | bass | PURCELL, HENRY: Complete Odes and Welcome Songs, Volume 6 (Review by Michael Ullman) | bass | PURCELL, HENRY: Complete Odes and Welcome Songs, Volume 7 (Review by Michael Ullman) | bass | PURCELL, HENRY: Dido and Aeneas (Review by Ralph V. Lucano) | bass | PURCELL, HENRY: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson) | bass | PURCELL, HENRY: Draw near, you lovers, Z. 462 . While Thirsis, wrapp'd in downy sleep, Z.437. Love, thou canst hear, Z. 396. I loved fair Celia, Z. 381“. What hope for us remains, Z. 472. Pastora's beauties when unblown, Z. 407. A thousand sev'ral ways I tried, Z. 359. Urge me no more, Z. 426. Farewell, all joys, Z. 368. If music be the food oř to ve (setting 1), Z 379B“. Amidst the shades, Z. 355. They say you're angry, Z. 422. Let each gallant heart, Z. 390. This poet sings the Trojan wars, Z. 423. Ah, how pleasant 'tis to love, Z. 353. My heart, whenever you appear, Z. 399*. On the brow of Richmond Hill, Z. 405. Rashly I swore, Z. 411. Since the pox or the plague, Z. 471. Beneath a dark and melancholy grove, Z. 461. Musing on cares of human fate, Z. 467. Whilst Cynthia sung, Z. 438. How I sigh when I think, Z. 374. Ye happy swains, Z. 443. Beware, poor shepherds, Z. 361. See how the fading glories of the year, Z. 470. Cease, anxious world, Z. 362. 0! fair Cedaria,Z. 402 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: I was glad when they said unto me, 1685. O consider my adversity, Z32. Beati omnes qui tlment Dominum, Z131.1 was glad when they said unto me, Z19. In the black dismal dungeon of despair, Z190. Save me, O God, Z51. Te Deum and Jubilate in B♭, Z230. Thy way, O God, is holy, Z60. The Music for the Funeral of Queen Mary, 1695 (Review by Michael Ullman) | bass | PURCELL, HENRY: I will give thanks unto the Lord, Z. 21“ -1 will sing unto the Lord as long as I live, Z. 22- -. How have I stray'd, Z. 188. Benedlctus In B♭, Z. 230/2 . Hear my prayer, O God, Z. . Kyrie In B♭, Z. 230/5. Out of the deep, Z. 45. Nicene Creed In B♭, Z. 23. Blessed Is he that considered the poor, Z. 7. The Lord Is king, and hath put on glorious apparel, Z. N69. Unto thee will I cry, Z. 63 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: In thee, O Lord, Z. Í6 . Blessed is the man that feareth the Lord, Z. 9***. Benedicite in B♭, Z 230(3) . Jehova, quam multi sunt hostes mei, Z. 135 . Full of wrath, his threatening breath, Z. 185 [by Humphrey Brailsford]. Bow down thine ear, O Lord, Z. 11. Evening Service in G Minor, Z. 29Í*** Be merciful unto me, Z. 4. They that go down to the sea in ships, Z. 57 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: O Lord, rebuke me not, Z. 40. With sick and famish'd eyes, Z. 200. How long, great God, Z. 189. Awake, and with attention hear, Z. 181. O God, thou art my God, Z. 35. We sing to him, whose wisdom form'd the ear, Z. 199. Praise the Lord, O my soul, and all that is within me, Z. 47. O, I'm sick of life, Z. 140. O God, the king of glory, Z. 34. Let the night perish (Job's Curse), Z. 191. When on my sick bed I languish, Z. 144. Rejoice in the Lord alway (“The Bell Anthem“), Z. 49 (Review by Michael Ullman) | bass | PURCELL, HENRY: Ode for Queen Mary's Birthday, 1692,1. 334 (“Love's goddess sure was blind“). Ode for St. Cecilia's Day, Z. 334 (“Raise, raise the voice“). Ode for St. Cecilia's Day, Z. 329 (“Laudate Cecíliám“). Welcome Song for Charles II, Z. 326 (“From those serene and rapturous joys“) (Review by Michael Ullman) | bass | PURCELL, HENRY: Ode for the Birthday of Queen Mary II, 1694 (“Come, Ye Sons of Art, Away“). Ode for St. Cecilia's Day, 1683 (“Welcome to All the Pleasures“). The Yorkshire Feast Song, 1690(“OfOld, When Heroes Thought It Base“) (Review by Michael Ullman) | bass | PURCELL, HENRY: Ode for the Birthday of Queen Mary, Z. 338 (“Welcome, welcome, glorious morn“). Welcome Song for King Charles II, Z. 337 (“The summer's absence unconcerned we bear“). Ode for the Centenary of Trinity College Dublin, Z. 327 (“Great Parent, Hail!“) (Review by Heuwell Tircuit) | bass | PURCELL, HENRY: OdeforSt. Cecilia's Day, 1692 (“Hail! Bright Cecilia“). Ode for the Birthday of the Duke of Gloucester, 1695 (“Who Can From Joy Refrain?“) (Review by Michael Ullman) | bass | PURCELL, HENRY: Odes for Queen Mary (Review by Michael Ullman) | bass | PURCELL, HENRY: Praise the Lord, O my should (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 10 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 11 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 2 (Review by Michael Ullman) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 5 (Review by Michael Ullman) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 6 (Review by Michael Ullman) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 8 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume 9 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume Four (Review by Michael Ullman) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume I (Review by Heuwell Tircuit) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume Seven (Review by Michael Ullman) | bass | PURCELL, HENRY: The Complete Anthems and Services, Volume Three (Review by Michael Ullman) | bass | PURCELL, HENRY: The Fairy Queen (Review by Heuwell Tircuit) | bass | PURCELL, HENRY: The Lord is my light, Z. 55. The Lord is King, the earth may be glad thereof, Z. 54. Blessed Is he whose unrighteousness is forgiven, Z. 823.7.9.10.12 0 Lord God of nosts z 3753.11.7.9 12 Lgt God grjse 7 239,io Cantate Domino and Deus misereatur in B♭, Z. 230/9-10. Blessed be the Lord my strength, Z. e. O Lord our governor, Z. 141 In guilty nighti. i34- (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Secular Solo Songs, Volume 1 (Review by Eric Van Tassel) | bass | PURCELL, HENRY: The Yorkshire Feast Song, Z. 333 (“Of old, when heroes thought it base“). Welcome Song for Charles II, Z. 336 (“Swifter, Isis, swifter flow“). Welcome Song for the Duke of York, Z. 341 (“What, what shall be done in behalf of the man?“) (Review by Michael Ullman) | bass | PURCELL, HENRY: Timon of Athens (Review by Michael Ullman) | bass | PURCELL, HENRY: Verse Anthem, Z. 5 (“Blessed are they that fear the Lord“). Verse Anthem, Z. 3 (“Behold now, praise the Lord“). Verse Anthem, Z. 20 (“I will give thanks unto Thee, O Lord“). Verse Anthem, Z. 31 (“My song shall be alway“). Verse Anthem, Z. 232 (Te Deum and Jubilate Deo in D) (Review by Michael Ullman) | bass | PURCELL, HENRY: Verse Anthems (Review by Heuwell Tircuit) | bass | PURCELL, HENRY: Why do the heathen so furiously rage together, Z. 65. Lord, who can tell how oft he offendeth?, Z. 26. O Lord, grant the King a long life, Z. 38. Hear me, O Lord, the great support, Z. 133. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z. 198. Who hath believed our report?, Z. 64.1 will love thee, OLord,Z. 67. Great God and just, Z. 186. Plung'd in the confines of despair, Z. 142. O praise the Lord, all ye heathen, Z. 43. My heart is fixed, O God, Z. 29 (Review by Michael Ullman) | bass | PURCELL, HENRY: Ye Tuneful Muses—Welcome Song for James II, Z 344 (1686). Celestial Music Did the Gods Inspire—Ode for a Performance at Mr. Maidwell's School, Z. 322 (1689). From Hardy Climes and Dangerous Toils of War—Ode for the Wedding of Prince George of Denmark and Princess Anne, Z 325 (1683) (Review by Michael Ullman) | bass | SACCHINI: Nell'orror (Review by Michael Ullman) | baritone | SCHUBERT: Complete Songs, Vol. 28 (Review by David Johnson) | bass | SCHUBERT: Complete Songs, Volume 20 (Review by David Johnson) | bass | SCHUBERT: Complete Songs, Volume 24 (Review by David Johnson) | bass | SCHUBERT: Mass in A♭, D 678. Hymnus an den Heiligen Geist, D 948. Psalm 92, D 953 (Review by Joel Kasow) | bass | SCHUBERT: Schäfers Klagelied, D. 121. An Mignon, D. 161. Geistes-Gruss (two versions), D. 142. Rastlose Liebe, D. 138. Der Gott und die Bajadere, D. 254. Tischlied, D. 234. Der Schatzgräber, D. 256. Der Rattenfänger, D. 255. Bundeslied, D. 258. Erlkönig, D. 328. Jägers Abendlied (two versions), D. 215, 368. Wer nie sein Brot mit Tränen ass (two versions), D. 478. Sehnsucht (Nur were die Sehnsucht kennt) (three versions), D. 359, 481, 656. Mignon (So lasst mich scheinen) (two versions), D. 469A, 469B. An Schwager Kronos, D. 369. Hoffnung (Schaff' das Tagwerk meiner Hände), D. 295. Mahomets Gesang, D. 549. Das Goldschmiedsgesell, D. 560. Gesang der Geister über den Wassern (two versions), D. 484, 705 (Review by David Johnson) | bass | SCHUBERT: Stabat Mater, D 175 (Review by Joel Kasow) | bass | SCHUBERT: Versunken. Im Gegenwärtigen Vergangenes. Mahomets Gesang. Geheimes. Johanna Sebus. Mignon (Heiss mich nicht reden). Die Nachtigall. Sei mir gegrüsst! Frühlingsgesang. Der Wachtelschlag. Geist der Lieve. Die Liebe hat gelogen. Du liebst mich nicht. Todesmusik. Selige Welt. Ihr Grab. Schatzgräbers Begehr. Der Musensohn. Am Flusse. An die Entfernte. Willkommen und Abschied. Des Tages Weihe (Review by David Johnson) | bass | SCHUBERT: Winterlied, D. 242a. Das Mädchen von Inistore, D. 281. Ossians Lied nach dem Falle Nathos, D. 278. Als ich sie erröten sah, D. 153. Schwangesang, D. 318. Totenkranz für ein Kind, D. 275. Die Fröhlichkeit, D. 262. Der Zufriedene, D. 320. Alles um Liebe, D. 241. Geist der Liebe, D. 233. Die erste Liebe, D. 182. Die Täuschung, D. 230. Liebesrausch, D. 164. Huldigung, D. 240. Heidenröslein, D. 257. Nachtgesang, D. 314. Der Morgenstern, D. 172. Bergknappenlied, D. 268. Trinklied von der Schlacht, D. 169. Schwertlied, D. 170. Begräbnislied, D. 168. Grablied, D. 218. Osterlied, D. 168a. Hoffnung, D. 251. Punschlied (Im Norden zu singen), D. 253. Klage um Ali Bey, D. 140. Abendständchen ( “An Lina“), D. 265. Tischlerlied, D. 274. Wiegenlied (Schlumm're sanft), D. 304. Die Macht der Liebe, D. 308. Trinklied (Ihr Freunde und du, gold'ner Wein), D. 183. Trinklied (Auf! Jeder sei nun froh), D. 267 (Review by David Johnson) | bass | STAINER: The Crucifixion (Review by John Bauman) | bass | STAINER: The Crucifixion (Review by John Bauman) | bass | STAINER: The Crucifixion—A Meditation on the Sacred Passion of the Holy Redeemer (Review by John Ditsky) | bass | STRAVINSKY, IGOR: Le Rossignol—Lyric Tale After H. C. Andersen (Review by John D. Wiser) | bass | STRAVINSKY, IGOR: Le Rossignol—Lyric Tale After H. C. Andersen (Review by John D. Wiser) | The Bonzo | TELEMANN, GEORG PHILIPP: Die Donner-Ode. Deus judicium tuum (Review by Tom Moore) | bass | VAUGHAN WILLIAMS: Partsongs, Folksongs, and Shakespeare Settings (Review by Martin Anderson) | bass | VAUGHAN WILLIAMS: Three Shakespeare Songs. Five English Folksongs. Three Elizabethan Partsongs. Other settings (Review by Martin Anderson) | bass | VERDI, GIUSEPPE: Macbeth (Review by Joel Kasow) | Servant | VERDI, GIUSEPPE: Simon Boccanegra (1857) (Review by Joel Kasow) | Servant | VERDI, GIUSEPPE: Simon Boccanegra (1857) (Review by James Miller) | Servant | VIVALDI, ANTONIO: Dixit Dominus, RV 595. Domine ad adjuvandum, RV 593. Credidi propter quod, RV 605. Beatus vir, RV 597. Beatus vir, RV 598 (Review by Joel Kasow) | bass | VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by George Chien) | bass | VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by Brian Robins) | bass | VIVALDI, ANTONIO: Orlando (Review by Ralph V. Lucano) | bass | VIVALDI, ANTONIO: SACRED MUSIC, Vol. 3 (Review by Joel Kasow) | bass | WEBER, CARL MARIA VON: Concertino in E for Horn and Orchestra (Review by Michael Ullman) | baritone | WELDON: The Tempest (Review by Ralph V. Lucano) | bass | ZELENKA: Litaniae de Venerabili Sacramento. Regina caeli laetare. Salve Regina, mater misericordiae. Officium defunctorum (Review by Barry Brenesal) | bass | ZELENKA: Litany (Review by Brian Robins) | bass | ZELENKA: The Lamentations of Jeremiah (Review by David Johnson) | bass |
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