|
|
Performer: Jill Gomez JILL GOMEZ- SOUTH OF THE BORDER: The Lady in Red. Begin the Beguine. The Peanut Vendor. Perfidia. The Carioca. Amor, amor, amor. Tico Tico. Orchids in the Moonlight. Malagueña. Cielito lindo. Nina from Argentina. Tango-Pasadoble. South of the Border. Poinciana. La Cucaracha. La Paloma. Frenesi. Flying Down to Rio (Review by James Miller) | soprano | ADÈS: Powder Her Face (Review by Robert Kirzinger) | Duchess | ADÈS: Powder Her Face (Review by Robert Carl) | Duchess | ALBÉNIZ, ISAAC: (orch. Arbos) Iberia Suite (Review by William Zagorski) | soprano | ALWYN: Invocations—Song Cycle for Soprano and Piano. A Leave-Taking—Song Cycle for Tenor and Piano (Review by Henry Fogel) | soprano | ALWYN: Miss Julie—Opera in Two Acts (Review by John Ditsky) | Miss Julie | ALWYN: Miss Julie—Opera in Two Acts (Review by John Ditsky) | soprano | BACH/VILLA-LOBOS: Preludes and Fugues from the Well-Tempered Clavier (Review by James Miller) | soprano | BARBER, SAMUEL: Knoxville (Review by Robert McColley) | soprano | BRITTEN: 4 Chansons françaises. Scottish Ballad. Occasional Overture. Sinfonia da Requiem (Review by James Miller) | soprano | BRITTEN: A Midsummer Night's Dream (Review by James Miller) | Helena | BRITTEN: A Midsummer Night's Dream (Review by James Miller) | soprano | BRITTEN: An American Overture. Ballad of Heroes (Review by James Miller) | soprano | BRITTEN: Canadian Carnival, Op. 19. Young Apollo for Piano Solo, String Quartet, and String Orchestra, Op. 16. Four French Songs for Soprano and Orchestra. Scottish Ballad for Two Pianos and Orchestra, Op. 26 (Review by John Ditsky) | soprano | BRITTEN: Canadian Carnival. Young Apollo (Review by James Miller) | soprano | BRITTEN: Diversions for Piano and Orchestra. The Building of the House. Praise We Great Men (Review by James Miller) | soprano | BRITTEN: Phaedra, Op. 93. Les Illuminations, Op. 18. Five French Folksong Arrangements' (Review by David Johnson) | soprano | BRITTEN: Suite on English Folk Tunes (Review by James Miller) | soprano | CANTELOUBE: L'aio de rotso, Ouno“ onorèn gorda? Obal din fou Limouzi, Jou l'pount do Mirabel. Chut, chut. Lou boussu. Postouro, sé tu m'aymo. La deláissádo. L'Antouèro. Passo pel prat. Lo fìolairé. Brezairola. Pastourelle. Louz coucut. Tè, l'co, tè. Malutous qu'o uno f enno (Review by James Miller) | soprano | CANTELOUBE: Songs of the Auvergne (17) (Review by James Miller) | soprano | CANTELOUBE: Songs of the Auvergne (Review by James Miller) | soprano | COPLAND, AARON: Appalachian Spring (Review by Robert McColley) | soprano | DONIZETTI: Il giovedì grasso (Review by Robert Levine) | Nina | DONIZETTI: Il giovedì grasso (Review by Robert Levine) | Nina | DONIZETTI: Il giovedì grasso (Review by Robert Levine) | soprano | DONIZETTI: Il giovedì grasso (Review by Robert Levine) | soprano | FALLA, MANUEL DE: El amor brujo (1915 version). El corregidor y la malinara (Review by James Miller) | soprano | FALLA, MANUEL DE: The Three-Cornered Hat (Review by William Zagorski) | soprano | FAURÉ, GABRIEL: Pelléas and Mélisande (Review by Peter J. Rabinowitz) | soprano | FAURÉ, GABRIEL: Pelléas et Mélisande, Op. 80 (Review by John Bauman) | soprano | FAURÉ, GABRIEL: Pelléas et Mélisande (Review by George Chien) | soprano | GASPARIM: Adoramus re(K. Anh. 109IH) (Review by George Chien) | soprano | GERSHWIN: Rhapsody in Blue (Arrangement for the Paul Whiteman Orchestra) (Review by Robert McColley) | soprano | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | Galatea | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | voice | HANDEL, GEORGE FRIDERIC: Admeto, Re di Tessaglia (Review by John Yohalem) | Antigona | HANDEL, GEORGE FRIDERIC: Admeto, Re di Tessaglia (Review by John Yohalem) | soprano | HANDEL, GEORGE FRIDERIC: Admeto, re di Tessaglia (Review by Bernard Jacobson) | Antigona | HANDEL, GEORGE FRIDERIC: Alcina (Review by Ken Meltzer) | soprano | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bertil van Boer) | soprano | HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia's Day (Review by J. F. Weber) | soprano | HODDINOTT: Overture “Jack Straw.“ Nocturnes and Cadenzas for Cello and Orchestra. Sinfonia Fidei—Cantata for Soprano, Tenor, Chorus, and Orchestra (Review by John Ditsky) | soprano | KETTING: The Light of the Sun, for Soprano and Orchestra (Review by Stephen Ellis) | soprano | MATTHEWS, DAVID: Cantiga? September Music, op. 24. Introit, op. 28. Symphony No. 4, op. 51 (Review by Jerry Dubins) | soprano | MCCABE, JOHN: Notturni ed Alba. Symphony No. 2. The Chagall Windows (Review by Stephen Ellis) | soprano | MCCABE, JOHN: The Chagall Windows. Variations on a Theme of Karl Amadeus Hartmann. Notturni ed Albi (Review by John Ditsky) | soprano | MOZART: Don Giovanni, K. 527 (Review by James Miller) | Donna Elvira | MOZART: Don Giovanni, K. 527 (Review by James Miller) | soprano | MOZART: Don Giovanni] K. 527 (Review by Paul Turok) | Donna Elvira | MOZART: Don Giovanni] K. 527 (Review by Paul Turok) | soprano | MOZART: God Is Our Refuge, for Four-part Choir, K. 20. Ergo interest, an quis—Recitative and Aria for Soprano, Strings, and Organ, K. 73a. Kyrie, for Five Sopranos, K. 73k. Regina coeli, tor Soprano, Choir, and Orchestra, K. 74d. De profundis clamavi, for Choir and Organ, K. 93. Justum deduxit, Dominus, for Choir and Organ, K. 93d. Ave verum corpus, K. 618 (Review by George Chien) | soprano | MOZART: Sacred Music (Review by George Chien) | soprano | NIELSEN, CARL: Symphonies (Review by Peter J. Rabinowitz) | soprano | RAMEAU, JEAN-PHILIPPE: Les Fêtes d'Hébé (Review by Paul Turok) | soprano | RAVEL: Shéhérazade (Harper). Trois Poèmes de Stéphane Mallarmé (Gomez). Chansons madécasses (Norman). Don Quichotte a Dulcinée (van Dam). Cinq Mélodies Populaire Grecques (van Dam) (Review by James Miller) | soprano | RAVEL: Shéhérazade . Trois Poèmes de Stéphane Mallarmé . Chansons madécasses ; Don Quichotte à Dulcinée . Cinq Mélodies Populaire Grecques (Review by Vincent Alfano) | soprano | RAVEL: Shéhérazade. Trois Poèmes de Stéphane Mallarmé. Chansons madécasses. Don Quichotte à Dulcinée. Cinq Mélodies populaires grecques (Review by David Johnson) | soprano | RAVEL: Songs (Review by James Miller) | soprano | RAVEL: Songs (Review by Vincent Alfano) | soprano | RESPIGHI, OTTORINO: Deità Silvane. Trittico Botticelliano. Lauda per la Natività del Signore (Review by J. F. Weber) | soprano | SATIE: The Diva of “The Empire. “ Let's Get On With It Chochotte. I Want You (Review by John Ditsky) | soprano | SCHOENBERG, ARNOLD: Cabaret Songs (Review by John Ditsky) | soprano | SCHOENBERG, ARNOLD: Pelléas and Mélisande, Op. 5 (Review by Peter J. Rabinowitz) | soprano | SCHOENBERG, ARNOLD: Pelléas und Melisande, Op. 5 (Review by John Bauman) | soprano | SIBELIUS: Pelléas and Mélisande (Review by Peter J. Rabinowitz) | soprano | SIBELIUS: Pelléas et Mélisande, Op. 46 (Review by John Bauman) | soprano | TIPPETT, MICHAEL: The Knot Garden (Review by John Ditsky) | Flora | TIPPETT, MICHAEL: The Knot Garden (Review by John Ditsky) | soprano | VILLA-LOBOS, HEITOR: Bachianas brasileiras (Review by James Miller) | soprano | WAGNER, RICHARD: Die Feen (Review by Paul Turok) | Lora | WAGNER, RICHARD: Die Feen (Review by Paul Turok) | soprano | WALTON-PALMER: Christopher Columbus Suite. Songs after Edith SitwelP (Review by James Miller) | soprano | WALTON, WILLIAM: Anon in Lover. A Song for the Lord Mayor's Table. The Twelve (Review by James Miller) | soprano | WEILL, KURT: Marie Galante (Review by John Ditsky) | soprano | ZEMLINSKY: Twelve Songs, Op. 27 (Review by John Ditsky) | soprano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
