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Performer: David Goode ADÈS: Catch. Darknesse Visible. Still Sorrowings. Under Hamelin Hill. 5 Eliot Landscapes. Traced Overhead. Life Story (Review by Martin Anderson) | organ | ADÈS: Life Story (Review by Martin Anderson) | organ | BACH, JOHANN SEBASTIAN: Leipzig Chorales, BWV 651–668a (Review by James A. Altena) | organ | BACH/REGER: Prelude and Fugue in G, BWV 884; in c♯, BWV 849 (Review by James A. Altena) | organ | BRIAN: Symphony No. 1, “Gothic” (Review by Phillip Scott) | organ | GOODALL: Missa Aedis Christi. In Memoriam Anne Frank. Psalm 23. Ecce Homo. They Were Not Here. Marlborough Canticles (Review by David Denton) | organ | JACKSON, NICHOLAS: Magnificat and Nunc dimittis in the Lydian mode (Review by Ronald E. Grames) | organ | JACKSON, NICHOLAS: Requiem (Review by Ronald E. Grames) | organ | JANÁČEK, LEOŠ: Glagolitic Mass (Review by Patrick Rucker) | organ | LOCKLAIR, DAN: In the Cross of Christ I Glory. The Lord Ascendeth up on High. Spirit of Mercy, Truth, and Love. The Spirit of Creation (Review by Colin Clarke) | organ | PICKARD, JOHN: Tesserae (Review by Henry Fogel) | organ | REGER, MAX: 5 Easy Preludes and Fugues, op. 56 (Review by James A. Altena) | organ | REGER, MAX: Fantasia and Fugue in c, op. 29 (Review by James A. Altena) | organ | REGER, MAX: Fantasia and Fugue on B.A.C.H., op. 46 (Review by James A. Altena) | organ | REGER, MAX: Fantasia and Fugue, op. 135b (Review by James A. Altena) | organ | REGER, MAX: Introduction, Passacaglia and Fugue, op. 127 (Review by James A. Altena) | organ | REGER, MAX: Symphonic Fantasia and Fugue, op. 57 (Review by James A. Altena) | organ | REGER, MAX: Variations and Fugue on an Original Theme, op. 73 (Review by James A. Altena) | organ |
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