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Performer: Joachim Grubich

THE DARIUS MILHAUD CENTENARY, Volume 2: THE “LYRIC“ MUSICIAN: Two Poems of Blaise Cendrars, op. 113. Three Negro Songs, op. 148b. Pastorale for Organ, op. 229. Four Visages for Viola and Piano, op. 238*. Sonata No. 1 for Viola and Piano, op. 240. Suite after Corrette for Trio of Reeds, op. 161b. Sonatine for Oboe and Piano, op. 337 (Review by James H. North)

organ 

BACH, JOHANN SEBASTIAN: Toccata, Adagio, and Fugue. Fugue on the Magnificat. Fantasia and Fugue in C minor (Review by Haig Mardirosian)

organ 

BLOCH, AUGUSTYN: Organ Sonata (Review by Haig Mardirosian)

organ 

BOEHM, GEORG: Prelude and Fugue in C (Review by Haig Mardirosian)

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BRUHNS, NICOLAUS: Prelude and Fugue in G (Review by Haig Mardirosian)

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BUXTEHUDE: Prelude and Fugue in E Minor. Prelude and Fugue in G Minor (Review by Haig Mardirosian)

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FRESCOBALDI: Toccata in D minor. Toccata per I'Elevatione. Toccata per Organo (Review by Haig Mardirosian)

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FREYER: Fugue in E♭ (Review by Haig Mardirosian)

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HOFHAIMER: Salve Regína (Review by Haig Mardirosian)

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JARGON: Triptychon per organo (Review by Haig Mardirosian)

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LUBIN, DE: Sieben Tänze. Nuz my dziatki, za-spiewajmy (Review by Haig Mardirosian)

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LÜBECK: Prelude and Fugue in E (Review by Haig Mardirosian)

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MACHL: Études (Review by Haig Mardirosian)

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MONIUSZKO: Prelude on the Theme “Bitter Sorrows. “ Prelude on the Theme of Psalm 90 (Review by Haig Mardirosian)

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NOWOWIEJSKI: Noël en Pologne, Op. 31 (Review by Haig Mardirosian)

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NOWOWIEJSKI: Polish Fantasy. Symphony No. 1 in A Minor (Review by Haig Mardirosian)

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PACHELBEL, JOHANN: Aria Sebaldina (Review by Haig Mardirosian)

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PACIORKIEWICZ: Organ Sonata (Review by Haig Mardirosian)

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PODBIELSKI: Preludium (Review by Haig Mardirosian)

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ROGUSKI: Prelude in A Minor (Review by Haig Mardirosian)

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SOWA: Salve Regina (Review by Haig Mardirosian)

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SURZYNSKI: Improvisation on Swiety Boze, Op. 38 (Review by Haig Mardirosian)

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ZELENSKI: Prelude on “Holy God.“ Prelude on a Christmas Carof (Review by Haig Mardirosian)

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ZIPOLI: Pastorale (Review by Haig Mardirosian)

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