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Performer: Barry Guy BARRY GUY/HOWARD RILEY/PHILIPP WACHSMANN: IMPROVISATIONS... (Barry Guy) (Review by Art Lange) | performance, want list | IN DARKNESS LET ME DWELL: MUSIC OF JOHN DOWLAND (John Potter) (Review by Tom Moore) | double bass | ORR, B.: String Quartets... (Beethoven Str Tr of London) (Review by Colin Clarke) | double bass | THE CAMBRIDGE BUSKERS COLLECTION: (Review by Carla Maria Verdino-Süllwold) | bass | ANONYMOUS: Adoro te devote (Review by Mike Silverton) | double bass | ANONYMOUS: Adoro te devote (Review by Robert Carl) | double bass | BUSATTI: Angela siete (Review by Michael Ullman) | double bass | CASKEN: Sharp Thome (Review by Mike Silverton) | double bass | CASKEN: Sharp Thome (Review by Robert Carl) | double bass | FELDMAN, MORTON: Only (Review by Mike Silverton) | double bass | FELDMAN, MORTON: Only (Review by Robert Carl) | double bass | FINNISSY: Stabant autem iuxta crucem (Review by Mike Silverton) | double bass | FINNISSY: Stabant autem iuxta crucem (Review by Robert Carl) | double bass | GLINKA: Grand Sextet in E for Piano, String Quartet, and Double Bass (Review by John D. Wiser) | double bass | GUY, BARRY: Breathing Earth (Review by Robert Kirzinger) | double bass | GUY, BARRY: Folio (Review by Phillip Scott) | double bass | GUY, BARRY: Immeasurable Sky (Review by Robert Kirzinger) | double bass | GUY, BARRY: Still (Review by Robert Kirzinger) | double bass | GUY, BARRY: Un Coup de dés (Review by Mike Silverton) | double bass | GUY, BARRY: Un Coup de dés (Review by Robert Carl) | double bass | GUY, BARRY/PARKER, EVAN: Marxbrüder. Botta Segreta. Ecliptic. Slope. Belacqua. Lurch. Balestra. Punta Reversa. Fleam (Review by Art Lange) | acoustic bass | GUY, BARRY/PARKER, EVAN: Obliquities (Review by Art Lange) | acoustic bass | HELLAWELL: True Beautie. On Black and White. True Beautie. Emerodde. True Beautie. lasent. True Beautie. By Falsehood (Review by Mike Silverton) | double bass | HELLAWELL: True Beautie. On Black and White. True Beautie. Emerodde. True Beautie. lasent. True Beautie. By Falsehood (Review by Robert Carl) | double bass | JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman) | double bass | LIDDLE: Whale Rant (Review by Mike Silverton) | double bass | LIDDLE: Whale Rant (Review by Robert Carl) | double bass | MACHOVER: Light Soft Morning, City! (Review by Dean P. Suzuki) | double bass | MACHOVER: Soft Morning, City! (Review by Carson Cooman) | double bass | MACHOVER: Soft Morning, City! (Review by David DeBoor Canfield) | double bass | MACMILLAN, JAMES: ... here in hiding .. (Review by Mike Silverton) | double bass | MACMILLAN, JAMES: ... here in hiding .. (Review by Robert Carl) | double bass | METCALF: Music for the Star of the Sea (Review by Mike Silverton) | double bass | METCALF: Music for the Star of the Sea (Review by Robert Carl) | double bass | MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman) | double bass | MOODY: Endechas y Canciones (Review by Mike Silverton) | double bass | MOODY: Endechas y Canciones (Review by Robert Carl) | double bass | MOZART: Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Notturno for Four Orchestras, K. 286 (269a). Serenata notturna, K. 239 (Review by Mortimer H. Frank) | double bass | OCHS, LARRY: The Secret Magritte (Review by Art Lange) | bass | PARKER, EVAN: Fiftieth Birthday Concert (Review by Art Lange) | acoustic bass | PARKER, EVAN: Hero of Nine Fingers'. Bowed Stiffly and Went Free. In Exultation. Not Backwards, as in Doubt. The Echoing Border Zones (Review by Art Lange) | acoustic bass | PURCELL, HENRY: She loves and she confesses (Review by Michael Ullman) | double bass | RIMSKY-KORSAKOV: Quintet in B♭ for Piano, Flute, Clarinet, Horn, and Bassoon (Review by John D. Wiser) | double bass | ROBINSON, THOMAS: Incantation (Review by Mike Silverton) | double bass | ROBINSON, THOMAS: Incantation (Review by Robert Carl) | double bass | RORE, CIPRIANO DE: Ancor che col partire (Review by Michael Ullman) | double bass | SANCES: Accenti queruli (Review by Michael Ullman) | double bass | STUBBS: Refrains 1-3 (Review by Michael Ullman) | double bass | TORMIS: Kullervo's Message (Review by Mike Silverton) | double bass | TORMIS: Kullervo's Message (Review by Robert Carl) | double bass | WILBYE, JOHN: Weep, weep, mine eyes (Review by Michael Ullman) | double bass |
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