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Performer: Barry Guy

BARRY GUY/HOWARD RILEY/PHILIPP WACHSMANN: IMPROVISATIONS... (Barry Guy) (Review by Art Lange)

performance, want list 

IN DARKNESS LET ME DWELL: MUSIC OF JOHN DOWLAND (John Potter) (Review by Tom Moore)

double bass 

ORR, B.: String Quartets... (Beethoven Str Tr of London) (Review by Colin Clarke)

double bass 

THE CAMBRIDGE BUSKERS COLLECTION: (Review by Carla Maria Verdino-Süllwold)

bass 

ANONYMOUS: Adoro te devote (Review by Mike Silverton)

double bass 

ANONYMOUS: Adoro te devote (Review by Robert Carl)

double bass 

BUSATTI: Angela siete (Review by Michael Ullman)

double bass 

CASKEN: Sharp Thome (Review by Mike Silverton)

double bass 

CASKEN: Sharp Thome (Review by Robert Carl)

double bass 

FELDMAN, MORTON: Only (Review by Mike Silverton)

double bass 

FELDMAN, MORTON: Only (Review by Robert Carl)

double bass 

FINNISSY: Stabant autem iuxta crucem (Review by Mike Silverton)

double bass 

FINNISSY: Stabant autem iuxta crucem (Review by Robert Carl)

double bass 

GLINKA: Grand Sextet in E for Piano, String Quartet, and Double Bass (Review by John D. Wiser)

double bass 

GUY, BARRY: Breathing Earth (Review by Robert Kirzinger)

double bass 

GUY, BARRY: Folio (Review by Phillip Scott)

double bass 

GUY, BARRY: Immeasurable Sky (Review by Robert Kirzinger)

double bass 

GUY, BARRY: Still (Review by Robert Kirzinger)

double bass 

GUY, BARRY: Un Coup de dés (Review by Mike Silverton)

double bass 

GUY, BARRY: Un Coup de dés (Review by Robert Carl)

double bass 

GUY, BARRY/PARKER, EVAN: Marxbrüder. Botta Segreta. Ecliptic. Slope. Belacqua. Lurch. Balestra. Punta Reversa. Fleam (Review by Art Lange)

acoustic bass 

GUY, BARRY/PARKER, EVAN: Obliquities (Review by Art Lange)

acoustic bass 

HELLAWELL: True Beautie. On Black and White. True Beautie. Emerodde. True Beautie. lasent. True Beautie. By Falsehood (Review by Mike Silverton)

double bass 

HELLAWELL: True Beautie. On Black and White. True Beautie. Emerodde. True Beautie. lasent. True Beautie. By Falsehood (Review by Robert Carl)

double bass 

JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman)

double bass 

LIDDLE: Whale Rant (Review by Mike Silverton)

double bass 

LIDDLE: Whale Rant (Review by Robert Carl)

double bass 

MACHOVER: Light Soft Morning, City! (Review by Dean P. Suzuki)

double bass 

MACHOVER: Soft Morning, City! (Review by Carson Cooman)

double bass 

MACHOVER: Soft Morning, City! (Review by David DeBoor Canfield)

double bass 

MACMILLAN, JAMES: ... here in hiding .. (Review by Mike Silverton)

double bass 

MACMILLAN, JAMES: ... here in hiding .. (Review by Robert Carl)

double bass 

METCALF: Music for the Star of the Sea (Review by Mike Silverton)

double bass 

METCALF: Music for the Star of the Sea (Review by Robert Carl)

double bass 

MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman)

double bass 

MOODY: Endechas y Canciones (Review by Mike Silverton)

double bass 

MOODY: Endechas y Canciones (Review by Robert Carl)

double bass 

MOZART: Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Notturno for Four Orchestras, K. 286 (269a). Serenata notturna, K. 239 (Review by Mortimer H. Frank)

double bass 

OCHS, LARRY: The Secret Magritte (Review by Art Lange)

bass 

PARKER, EVAN: Fiftieth Birthday Concert (Review by Art Lange)

acoustic bass 

PARKER, EVAN: Hero of Nine Fingers'. Bowed Stiffly and Went Free. In Exultation. Not Backwards, as in Doubt. The Echoing Border Zones (Review by Art Lange)

acoustic bass 

PURCELL, HENRY: She loves and she confesses (Review by Michael Ullman)

double bass 

RIMSKY-KORSAKOV: Quintet in B♭ for Piano, Flute, Clarinet, Horn, and Bassoon (Review by John D. Wiser)

double bass 

ROBINSON, THOMAS: Incantation (Review by Mike Silverton)

double bass 

ROBINSON, THOMAS: Incantation (Review by Robert Carl)

double bass 

RORE, CIPRIANO DE: Ancor che col partire (Review by Michael Ullman)

double bass 

SANCES: Accenti queruli (Review by Michael Ullman)

double bass 

STUBBS: Refrains 1-3 (Review by Michael Ullman)

double bass 

TORMIS: Kullervo's Message (Review by Mike Silverton)

double bass 

TORMIS: Kullervo's Message (Review by Robert Carl)

double bass 

WILBYE, JOHN: Weep, weep, mine eyes (Review by Michael Ullman)

double bass 

 

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