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Performer: Christopher Hogwood HAYDN’S MUSIC FOR ENGLAND: A Pastoral Song / The Mermaid’s Song. Lord Cathcart’s Welcome and Home. “London” Trio III, Hob. IV (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: A Pastoral Song / The Mermaid’s Song. Lord Cathcart’s Welcome and Home. “London” Trio III, Hob. IV (Review by James H. North) | fortepiano | BARBARA BONNEY SINGS MOZART: Arias and ensembles from (Review by Ralph V. Lucano) | conductor | HAYDN’S MUSIC FOR ENGLAND: CD1 (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: CD1 (Review by James H. North) | fortepiano | HAYDN’S MUSIC FOR ENGLAND: CD2 (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: CD2 (Review by James H. North) | fortepiano | HAYDN’S MUSIC FOR ENGLAND: English Canzonetta (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: English Canzonetta (Review by James H. North) | fortepiano | HAYDN’S MUSIC FOR ENGLAND: String Quartet in E♭, op. 71/3 (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: String Quartet in E♭, op. 71/3 (Review by James H. North) | fortepiano | HAYDN’S MUSIC FOR ENGLAND: Symphony No. 94 in G, “Surprise” (arr. Salomon) (Review by James H. North) | conductor | HAYDN’S MUSIC FOR ENGLAND: Symphony No. 94 in G, “Surprise” (arr. Salomon) (Review by James H. North) | fortepiano | ALBINON112 Concertos, op. 9: (Review by Robert Maxham) | director | AN EVENING WITH THE ROYAL OPERA: (Review by Lynn René Bayley) | soprano | DAVID MUNROW INTRODUCES AND PERFORMS MEDIAEVAL...: (Review by Edward Strickland) | keyboard | FITZWILLIAM VIRGINAL BOOK: (Review by Bertil van Boer) | keyboard | HAYDN, FRANZ JOSEPH: Symphonies Nos. A, B, 1–25, 27–34,... (Christopher Hogwood) (Review by James A. Altena) | conductor | HAYDN, FRANZ JOSEPH: Symphonies Nos. A, B, 1–25, 27–34,... (Christopher Hogwood) (Review by James A. Altena) | fortepiano | HOLST, GUSTAV: The Planets... (Bernard Herrmann) (Review by Richard A. Kaplan) | conductor | MEDIAEVAL AND RENAISSANCE SOUNDS, Volume One: (Review by Edward Strickland) | harpsichord | MEDIAEVAL AND RENAISSANCE SOUNDS, Volume One: (Review by Edward Strickland) | regal | MUSIQUE POUR LA CHAMBER DU ROY: Music at Versailles... (Christopher Hogwood) (Review by Bertil van Boer) | conductor | PORTRAIT OF EMMA KIRKBY: (Review by J. F. Weber) | director | THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland) | harpsichord | THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland) | organ | THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland) | spinet | THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland) | virginal | ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland) | chamber organ | ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland) | conductor | ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland) | fortepiano | ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland) | harpsichord | ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland) | virginal | ARNE, THOMAS: Keyboard Sonatas (Review by Bertil van Boer) | harpsichord | ARNE, THOMAS: Rosamond (Review by Ralph V. Lucano) | conductor | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | clavichord | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | fortepiano | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | harpsichord | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | organ | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | spinet | ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland) | virginal | BACH, CARL PHILIPP EMANUEL: Eight Symphonies, Wq. 174, 176, 182, nos. 1-6 (Review by John Bauman) | conductor | BACH, CARL PHILIPP EMANUEL: Eight Symphonies, Wq. 182, Nos. 1-6; Wq. 174; and Wq. 176 (Review by William H. Youngren) | director | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | clavichord | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | fortepiano | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | harpsichord | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | organ | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | spinet | BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland) | virginal | BACH, CARL PHILIPP EMANUEL: Flute Quartets in a and D, Wq 93–94. Nicholas McGegan (fl); Catherine Mackintosh (vn); Anthony Pleeth (vc) (Review by James A. Altena) | fortepiano | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | clavichord | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | harpsichord | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | square piano | BACH, CARL PHILIPP EMANUEL: Prussian Sonata in C, Wq 48 No. 5 (Review by James A. Altena) | harpsichord | BACH, CARL PHILIPP EMANUEL: Quartets for Flute, Viola, Cello and Piano (Review by William H. Youngren) | fortepiano | BACH, CARL PHILIPP EMANUEL: Quartets for Flute, Viola, Cello, and Piano (Review by George Chien) | fortepiano | BACH, CARL PHILIPP EMANUEL: Sinfonias in C and D, Wq 174, 176 (Review by James A. Altena) | conductor | BACH, CARL PHILIPP EMANUEL: Sinfonias in G, B♭, C, A, b, E, Wq 182 Nos. 1–6 (Review by James A. Altena) | conductor | BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland) | chamber organ | BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland) | conductor | BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland) | fortepiano | BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland) | harpsichord | BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland) | virginal | BACH, CARL PHILIPP EMANUEL: Sonatas and Sonatinas from “Essay on the True Art of Playing Keyboard Instruments“ (Review by William H. Youngren) | clavichord | BACH, CARL PHILIPP EMANUEL: Sonatas in C, D, A, b, E♭, f, Wq 63 Nos. 1–6 (Review by James A. Altena) | clavichord | BACH, CARL PHILIPP EMANUEL: Sonatine nuove in G, E, D, B♭, F, d, Wq 63 Nos. 7–12 (Review by James A. Altena) | clavichord | BACH, CARL PHILIPP EMANUEL: Trio in E for 2 Flutes and Continuo, Wq 162. Nicholas McGegan (fl); Catherine Mackintosh (vn); Anthony Pleeth (vc) (Review by James A. Altena) | harpsichord | BACH, CARL PHILIPP EMANUEL: Trio in E (Review by Royal S. Brown) | harpsichord | BACH, JOHANN CHRISTIAN: 4 Flute Sonatas, op. 18 (Review by James A. Altena) | fortepiano | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | clavichord | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | harpsichord | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | square piano | BACH, JOHANN CHRISTIAN: Nicholas McGegan (fl) (Review by James A. Altena) | fortepiano | BACH, JOHANN CHRISTIAN: No. 1 (Review by George Chien) | conductor | BACH, JOHANN CHRISTIAN: No. 1 (Review by George Chien) | harpsichord | BACH, JOHANN CHRISTIAN: Overtures in D, D, D, C, G, D for 2 Oboes/Flutes, 2 Horns, Strings, and Continuo (Review by James A. Altena) | conductor | BACH, JOHANN CHRISTIAN: Six Favourite Overtures (Review by George Chien) | conductor | BACH, JOHANN CHRISTIAN: Six Favourite Overtures (Review by George Chien) | harpsichord | BACH, JOHANN CHRISTIAN: Stephen Preston, Nicholas McGegan (fl); Clare Shanks, Sophia McKenna (ob); Alan Civil, Shirley Hopkins (hn); Hansjurg Lange, Jeremy Ward (bsn) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: (4) Trio Sonatas (Review by Michael Ullman) | harpsichord | BACH, JOHANN SEBASTIAN: (4) Trio Sonatas (Review by Michael Ullman) | organ | BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland) | chamber organ | BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland) | conductor | BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland) | fortepiano | BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland) | virginal | BACH, JOHANN SEBASTIAN: Allemande, BWV 819a (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Bist du bei mir, BWV 508 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Brandenburg Concertos Nos. 1–3 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Brandenburg Concertos Nos. 4–6 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Brandenburg Concertos (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: Cantatas Schweigt stille, plaudert nicht, BWV 211 (“Coffee Cantata'), Mer hahn en neue Oberkeet, BWV212 (“Peasant Cantata") (Review by Edward Strickland) | director | BACH, JOHANN SEBASTIAN: Cantatas, BWV 82, 210. Emma Kirkby (sop) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV 248 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Chromatic Fantasia and Fugue, BWV 903a (Rust version). Adagio in G, BWV 968. Fugue in g, BWV 1000. Allemande in g, BWV 836. Menuet 1, BWV 841. Menuet 3, BWV 843. Partite diverse sopra il Corale, “O Gott, du frommer Gott,“ BWV 767. Partita in a (after BWV 1004, arr. Mortensen) (Review by Jerry Dubins) | clavichord | BACH, JOHANN SEBASTIAN: Coffee Cantata, BWV 211 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for 2 Harpsichords, BWV 1060, 1062 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for 2 Harpsichords, BWV 1061a (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto for 2 Violins, BWV 1043. Jaap Schröder, Christopher Hirons, Catherine Mackintosh (vn); Stephen Hammer (ob); Christophe Rousset, Christopher Hogwood (hpd) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for 3 Violins (arr. Hogwood); BWV 1063 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for 4 Harpsichords, BWV 1065. Christopher Hirons, Monica Huggett, Catherine Mackintosh (vn); Christophe Rousset, Davitt Moroney, Colin Tilney, Christopher Hogwood (hpd) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for Flute, Violin, and Harpsichord, BWV 1044 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for Harpsichord and 2 Recorders, BWV 1057 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto for Violin and Oboe, BWV 1060R (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | clavichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | square piano | BACH, JOHANN SEBASTIAN: Concertos for 3 Harpsichords, BWV 1063, 1064 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Concertos for Harpsichord and Strings“ (Review by Brian Robins) | conductor | BACH, JOHANN SEBASTIAN: Concertos for Three Harpsichords, Strings, and Continuo (Review by Heuwell Tircuit) | harpsichord | BACH, JOHANN SEBASTIAN: Concertos for Violin, Strings, and Continuo (Review by Edward Strickland) | director | BACH, JOHANN SEBASTIAN: Concertos for Violin, Strings, and Continuo (Review by George Chien) | director | BACH, JOHANN SEBASTIAN: Concertos (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: Double Concertos (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: French Suites Nos. 1 and 2, BWV 812–813 (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: French Suites Nos. 4–6, BWV 814–817 (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: French Suites, BWV 812-17. Suites (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: Fugue in B Minor on a Theme of Corelli, BWV 579 (arr. Hogwood) (Review by Richard Burke) | conductor | BACH, JOHANN SEBASTIAN: Fugue in b, BWV 579. St Paul Ch O (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Gedenke doch, mein Geist zurücke, BWV 509 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1052, 1054, 1056. Christophe Rousset (hpd) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1053, 1055, 1058. Christophe Rousset (hpd) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Jaap Schröder (vn) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Musical Offering, BWV 1079 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Orchestral Suites Nos. 1 and 3, BWV 1066, 1068 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Orchestral Suites Nos. 2 and 4, BWV 1067, 1069 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Overtures (Orchestral Suites), BWV 1066-1069 (Review by George Chien) | director | BACH, JOHANN SEBASTIAN: Peasant Cantata, BWV 212. Emma Kirkby (sop) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Simon Standage (vn); Rachel Brown (fl); Christophe Rousset (hpd) (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Sinfonia in F, BWV 1046a. Concertos (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: Suite in E♭, BWV 819 (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: The Art of Fugue (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Trio Sonata in G, BWV 1039 (Review by Royal S. Brown) | harpsichord | BACH, JOHANN SEBASTIAN: Trio Sonata in G, BWV 1039. Jane Ryan (vdg); Stephen Preston (fl); Nicholas McGegan (fl) (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Violin Concertos, BWV 1041, 1042 (Review by James A. Altena) | conductor | BACH, JOHANN SEBASTIAN: Wedding Cantata, BWV 202 (Review by James A. Altena) | conductor | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | clavichord | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | harpsichord | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | square piano | BACH, WILHELM FRIEDEMANN: Duo in F. Trio in A Minor (Review by Royal S. Brown) | harpsichord | BARBER, SAMUEL: Capricorn Concerto (Review by Alan Swanson) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies (Review by James Miller) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Mortimer H. Frank) | director | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Mortimer H. Frank) | director | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Michael Ullman) | conductor | BEETHOVEN, LUDWIG VAN: Symphony No. 3 in E♭, Op. 55 (“Eroica“) (Review by Mortimer H. Frank) | director | BEETHOVEN, LUDWIG VAN: Symphony No. 6 in F, op. 68 (“Pastorale“). Overtures (Review by Mortimer H. Frank) | director | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral') (Review by William Zagorski) | conductor | BEETHOVEN, LUDWIG VAN: The Five Piano Concertos (Review by Leslie Gerber) | conductor | BIZET: (ed. Hogwood) L’Arlesienne (Review by Ron McDonald) | conductor | BIZET: L'arlésienne (Review by David L. Kirk) | conductor | BOYCE: Eight Symphonies, op. 2 (Review by Nils Anderson) | conductor | BOYCE: Symphonies (Review by Nils Anderson) | conductor | BRITTEN: Sinfonietta, op. 1 (Review by James H. North) | conductor | BULL, JOHN: Fantasia (Review by Edward Strickland) | clavichord | BULL, JOHN: Fantasia (Review by Edward Strickland) | fortepiano | BULL, JOHN: Fantasia (Review by Edward Strickland) | harpsichord | BULL, JOHN: Fantasia (Review by Edward Strickland) | organ | BULL, JOHN: Fantasia (Review by Edward Strickland) | spinet | BULL, JOHN: Fantasia (Review by Edward Strickland) | virginal | BYRD, WILLIAM: La Volta (Review by Edward Strickland) | chamber organ | BYRD, WILLIAM: La Volta (Review by Edward Strickland) | conductor | BYRD, WILLIAM: La Volta (Review by Edward Strickland) | fortepiano | BYRD, WILLIAM: La Volta (Review by Edward Strickland) | harpsichord | BYRD, WILLIAM: La Volta (Review by Edward Strickland) | virginal | BYRD, WILLIAM: My Ladye Nevells Booke (Review by Edward Strickland) | keyboard | BYRD, WILLIAM: O Lord how vain are all our frail delights. Though Amaryllis dance in green (Review by Joel Kasow) | conductor | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | clavichord | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | fortepiano | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | harpsichord | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | organ | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | spinet | BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland) | virginal | BYRD, WILLIAM: The Fourth Pavane and Galliard. Qui Passe. The Battel!. Sellinger's Round. Monsieur's Alman. Hugh Ashton's Ground. A Gailiard's Gigge. The Second Ground. The Fifth Pavane and Galliard. The Carman's Whistle. A Voluntary (Review by Edward Strickland) | keyboard | CAMPION, THOMAS: Never weather-beaten Saile. The Sypres Curten of the Night (Review by Joel Kasow) | conductor | CARISSIMI: Eight Cantatas (Review by J. F. Weber) | harpsichord | CARISSIMI: Eight Cantatas (Review by J. F. Weber) | organ | CASELLA, ALFREDO: Scarlattiana (Review by James H. North) | conductor | COPLAND, AARON: Appalachian Spring (orig. version); Music for the Theatre (Review by Alan Swanson) | conductor | CORELLI, ARCANGELO: Trio Sonata in B Minor, op. 3, no. 4. Concerto Grosso in F, op. 6, no. 2 (Review by Richard Burke) | conductor | COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland) | chamber organ | COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland) | conductor | COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland) | fortepiano | COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland) | virginal | COUPERIN, FRANÇOIS: Sonate “La Françoise.“ The Nations (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Troix Leçons de Ténèbres; Motet pour le jour de Paques, 'Victoria Christo resurgenti (Review by J. F. Weber) | chamber organ | COUPERIN, LOUIS: Suites for Harpsichord (Review by Edward Strickland) | harpsichord | DESTOUCHES: Les Élémens (Review by Barry Brenesal) | conductor | DESTOUCHES: Les Éléments (Review by Edward Strickland) | director | DOWLAND, JOHN: Come again. If my complaints. Away with these self-loving lads. Flow my tears (Review by Joel Kasow) | conductor | DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland) | chamber organ | DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland) | conductor | DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland) | fortepiano | DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland) | harpsichord | DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland) | virginal | DVOŘÁK, ANTONIN: Serenade in D minor for Two Oboes, Two Clarinets, Two Bassoons, Contrabassoon, Three Horns, Cello, and Double Bass, Op. 44. Serenade in E for Strings, Op. 22 (Review by George Chien) | conductor | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | clavichord | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | fortepiano | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | harpsichord | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | organ | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | spinet | FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland) | virginal | FORQUERAY LE FILS, JEAN-BAPTISTE ANTOINE: Suite No. 1 (Review by Edward Strickland) | harpsichord | FRESCOBALDI: Keyboard Music (Review by William H. Youngren) | harpsichord | FRESCOBALDI: Keyboard Music (Review by William H. Youngren) | virginal | FRØHLICH, J. F.: Symphony in E♭ (Review by John Bauman) | conductor | GADE, NIELS W.: In the Highlands (Review by Richard Burke) | conductor | GADE, NIELS W.: Symphonies, Vol. 2 (Review by Martin Anderson) | conductor | GADE, NIELS W.: Symphonies (Review by Robert McColley) | conductor | GADE, NIELS W.: Symphonies (Review by Richard Burke) | conductor | GADE, NIELS W.: Symphonies (Review by Robert McColley) | conductor | GADE, NIELS W.: Symphony No. 4 in B♭ (Review by John Bauman) | conductor | GALLO: Trio Sonata movements (Review by John D. Wiser) | harpsichord | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | clavichord | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | fortepiano | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | harpsichord | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | organ | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | spinet | GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland) | virginal | GLUCK: Orfeo (Review by George Chien) | conductor | GOUNOD, CHARLES: Symphony No. 1 in D. Petite Symphonie pour Instruments à vent (Review by Ron McDonald) | conductor | HANDEL, GEORGE FRIDERIC: (8) Trio Sonatas (Review by Michael Ullman) | harpsichord | HANDEL, GEORGE FRIDERIC: (8) Trio Sonatas (Review by Michael Ullman) | organ | HANDEL, GEORGE FRIDERIC: (arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day (Review by Michael Carter) | conductor | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by James Reel) | conductor | HANDEL, GEORGE FRIDERIC: Alessandro Severo (Review by Ralph V. Lucano) | conductor | HANDEL, GEORGE FRIDERIC: Athalia (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Athalia (Review by Edward Strickland) | director | HANDEL, GEORGE FRIDERIC: Athalia (Review by Lynn René Bayley) | conductor | HANDEL, GEORGE FRIDERIC: Comfort Ye My People; Ev'ry Valley Shall Be Exalted; And the Glory of the Lord; But Who May Abide the Day of His Coming; Behold, a Virgin Shall Conceive; O Thou That Teilest Good Tidings; For unto Us a Child Is Born; Rejoice Greatly, O Daughter ofZion; Why Do the Nations So Furiously Rage Together? Let Us Break Their Bonds Asunder; Hallelujah! I Know That My Redeemer Liveth; Behold I Tell You a Mystery; The Trumpet Shall Sound; Worthy Is the Lamb That Was Slain (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Comfort ye my people; Ev'ry valley shall be exalted; And the glory of the Lord; But who may abide the day of his coming; Behold a virgin shall conceive; O thou that teilest good tidings; For unto us a child is born; Rejoice greatly, 0 daughter of Zion; Why do the nations so furiously rage together? Let us break their bonds asunder; Hallelujah; I know that my redeemer liveth; Behold I tell you a mystery; The trumpet shall sound; Worthy is the Lamb that was slain (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Concerti Grossi (Review by Nils Anderson) | conductor | HANDEL, GEORGE FRIDERIC: Concerti a Due Cori (Review by Edward Strickland) | leader | HANDEL, GEORGE FRIDERIC: Duetto XV (Review by J. F. Weber) | harpsichord | HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Esther (Review by Vincent Alfano) | conductor | HANDEL, GEORGE FRIDERIC: Italian Cantatas (Review by J. F. Weber) | conductor | HANDEL, GEORGE FRIDERIC: Italian Cantatas (Review by Edward Strickland) | director | HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman) | conductor | HANDEL, GEORGE FRIDERIC: La resurrezione (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John W. N. Francis) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John D. Wiser) | director | HANDEL, GEORGE FRIDERIC: Messiah. (Foundling Hospital Version, 1754) (Review by John Bauman) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Orlando (Review by Jonathan Woolf) | conductor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Six Concerti Grossi, op. 3. Movement published by Walsh as second movement of op.3, no. 6 (Review by Nils Anderson) | conductor | HANDEL, GEORGE FRIDERIC: Solomon (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Sonatas for Recorder and Continuo (Review by George Chien) | harpsichord | HANDEL, GEORGE FRIDERIC: Theatre Music, Volume II (Review by George Chien) | conductor | HANDEL, GEORGE FRIDERIC: Tu fedel? tu costante? HWV 171. Mi palpita il cor, HWV132B. Alpestre monte, HWV 81. Tra le fiamme, HWV 1 70 (Review by J. F. Weber) | conductor | HANDEL, GEORGE FRIDERIC: Twelve Concerti Grossi, op. 6 (Review by Nils Anderson) | conductor | HANDEL, GEORGE FRIDERIC: Water Music (Review by Mortimer H. Frank) | director | HANDEL, GEORGE FRIDERIC: Water Music (Review by George Chien) | director | HANDEL, GEORGE FRIDERIC: Water Music (Review by Edward Strickland) | director | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | conductor | HAYDN-SALOMON: Symphonies (Review by John Bauman) | fortepiano | HAYDN, FRANZ JOSEPH: Arias and Cantatas (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Arias and Cantatas (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Berenice, che fai (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Berenice, che fal? Hob. XXIVa.10. Son pietosa, son bonina, Hob. XXXIIb (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Cello Concertos (Review by Michael Carter) | conductor | HAYDN, FRANZ JOSEPH: Cello Concertos (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Concerto in E♭ for Trumpet and Orchestra, H. Vlle (Review by Edward Strickland) | chamber organ | HAYDN, FRANZ JOSEPH: Concerto in E♭ for Trumpet and Orchestra, H. Vlle (Review by Edward Strickland) | harpsichord | HAYDN, FRANZ JOSEPH: Concertos for Cello and Orchestra (Review by William H. Youngren) | conductor | HAYDN, FRANZ JOSEPH: L'anima del filosofo (Orfeo ed Euridice), Hob. XXVIII (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Music for England (Review by William H. Youngren) | director | HAYDN, FRANZ JOSEPH: Music for England (Review by William H. Youngren) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies Nos. 100, 104 (Review by James A. Altena) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies Nos. 1–75, 94, 96, 100, 104, 107, 108 (Review by James A. Altena) | conductor | HAYDN, FRANZ JOSEPH: Symphonies Nos. 82–104. Sinfonia concertante (Review by James A. Altena) | conductor | HAYDN, FRANZ JOSEPH: Symphonies Nos. 82–104. Sinfonia concertante (Review by James A. Altena) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies, Vol. 10 (Review by Bernard Jacobson) | conductor | HAYDN, FRANZ JOSEPH: Symphonies, Volume 7 (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by Mortimer H. Frank) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies (Review by Mortimer H. Frank) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies (Review by John D. Wiser) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Symphonies (Review by Edward Strickland) | fortepiano | HAYDN, FRANZ JOSEPH: Symphonies (Review by John D. Wiser) | director | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Trio in A for Violin, Cello, and Piano, H. XV.18. String Quartet in E-Flat, Op. 71, no. 3. Symphony No. 94 in G (“The Surprise“; arr. Salomon). Assorted songs and shorter works (Review by William H. Youngren) | director | HAYDN, FRANZ JOSEPH: Trio in A for Violin, Cello, and Piano, H. XV.18. String Quartet in E-Flat, Op. 71, no. 3. Symphony No. 94 in G (“The Surprise“; arr. Salomon). Assorted songs and shorter works (Review by William H. Youngren) | fortepiano | HOHENZOLLERN, FREDERICK II VON: Sonata in B (Review by Edward Strickland) | chamber organ | HOHENZOLLERN, FREDERICK II VON: Sonata in B (Review by Edward Strickland) | conductor | HOHENZOLLERN, FREDERICK II VON: Sonata in B (Review by Edward Strickland) | fortepiano | HOHENZOLLERN, FREDERICK II VON: Sonata in B (Review by Edward Strickland) | harpsichord | HOHENZOLLERN, FREDERICK II VON: Sonata in B (Review by Edward Strickland) | virginal | HOLST, GUSTAV: A Fugal Concerto (Review by Richard A. Kaplan) | conductor | HOLST, GUSTAV: St. Paul's Suite, op. 29, no. 2. A Fugal Concerto, op. 40, no. 2 (Review by Richard Burke) | conductor | HONEGGER, ARTHUR: Symphony No. 4, “Deliciae basilienses“ (Review by Paul Ingram) | conductor | IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland) | chamber organ | IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland) | conductor | IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland) | fortepiano | IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland) | harpsichord | IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland) | virginal | JENKINS, JOHN: Fantasy No. 9 (Review by Joel Kasow) | conductor | JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland) | chamber organ | JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland) | conductor | JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland) | fortepiano | JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland) | harpsichord | JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland) | virginal | LAMPE: Britannia (Review by Ralph V. Lucano) | conductor | LANIER: Mark How the Blushful Morn (Review by Edward Strickland) | chamber organ | LANIER: Mark How the Blushful Morn (Review by Edward Strickland) | conductor | LANIER: Mark How the Blushful Morn (Review by Edward Strickland) | fortepiano | LANIER: Mark How the Blushful Morn (Review by Edward Strickland) | harpsichord | LANIER: Mark How the Blushful Morn (Review by Edward Strickland) | virginal | LECLAIR, JEAN-MARIE: Sonata in D (Review by Edward Strickland) | harpsichord | MALIPIERO, GIAN FRANCESCO: Ricercari (Review by James H. North) | conductor | MARAIS: Suite in F. Le Tableau de l'Opération de la Taille. La Sonnerie de Sainte-Geneviève du Mont de Paris (Review by Edward Strickland) | harpsichord | MARCELLO, ALESSANDRO: Concerto in D Minor for Oboe, Strings, and Continuo (Review by Nils Anderson) | conductor | MARTINŮ: Concerto da camera (Review by Barry Brenesal) | conductor | MARTINŮ: Concerto da camera, H285 (Review by Mark Novak) | conductor | MARTINŮ: Concerto for Flute and Violin, H252 (Review by Mark Novak) | conductor | MARTINŮ: Concerto for Flute, Violin, and Orchestra (Review by Barry Brenesal) | conductor | MARTINŮ: Concerto for Violin and Piano (Review by Barry Brenesal) | conductor | MARTINŮ: Concerto for Violin and Piano, H342 (Review by Mark Novak) | conductor | MARTINŮ: Concerto in D for 2 Violins (Review by Barry Brenesal) | conductor | MARTINŮ: Concerto in D for 2 Violins, H329 (Review by Mark Novak) | conductor | MARTINŮ: Czech Rhapsody (orch. ·traus) (Review by Barry Brenesal) | conductor | MARTINŮ: Czech Rhapsody, H307a (Review by Mark Novak) | conductor | MARTINŮ: Duo concertante for 2 Violins, H264 (Review by Mark Novak) | conductor | MARTINŮ: Duo concertante (Review by Barry Brenesal) | conductor | MARTINŮ: Le raid merveilleux. La revue de cuisine. On tourne! (Review by Barry Brenesal) | conductor | MARTINŮ: Rhapsody-Concerto (Review by Barry Brenesal) | conductor | MARTINŮ: Rhapsody-Concerto, H337 (Review by Mark Novak) | conductor | MARTINŮ: Sinfonietta “La Jolla. “ La Revue de cuisine. Toccata e due canzoni. Merry Christmas 1941 (arr. Ruggeri). Tre ricercar! (Review by Peter J. Rabinowitz) | conductor | MARTINŮ: Suite Concertante, First Version, H276; Second Version, H276a (Review by Mark Novak) | conductor | MARTINŮ: Suite concertante (1939 & 1944 versions) (Review by Barry Brenesal) | conductor | MARTINŮ: Suite concertante, Version 2; Violin Concerto No. 1 (Review by Christopher Williams) | conductor | MARTINŮ: Toccata e due canzoni (Review by Paul Ingram) | conductor | MARTINŮ: Violin Concertos (Review by Mark Novak) | conductor | MARTINŮ: Violin Concertos (Review by Barry Brenesal) | conductor | MENDELSSOHN, FELIX: Concertos for 2 Pianos and Orchestra (Review by Scott Noriega) | conductor | MENDELSSOHN, FELIX: Sonata No. 1 in F Minor for Violin and Piano, Op. 4 (Review by John Bauman) | fortepiano | MENDELSSOHN, FELIX: Sonata No. 1 in F Minor for Violin and Piano, Op. 4 (Review by John Bauman) | fortepiano | MONTÉCLAIR: Cantatas (Review by Edward Strickland) | harpsichord | MORLEY: It was a lover and his lass (Review by Joel Kasow) | conductor | MOZART: Adagio for Glass Harmonica, K 356 (Review by Brian Robins) | clavichord | MOZART: Allegro in g, K 312 (Review by Brian Robins) | clavichord | MOZART: Andante and 5 Variations, K 501 (Review by Brian Robins) | clavichord | MOZART: Andante for Flute and Orchestra in C, K 315 (Review by Bernard Jacobson) | conductor | MOZART: Andantino, K 236 (Review by Brian Robins) | clavichord | MOZART: Bassoon Concerto. Clarinet Concerto. Flute Concerto No. 1 in G, K 313 (Review by Bernard Jacobson) | conductor | MOZART: Concerto in A for Clarinet and Orchestra, K. 622. Concerto in C for Oboe and Orchestra, K. 314 (Review by John D. Wiser) | director | MOZART: Concerto in C for Flute, Harp, and Orchestra, K. 299. Andante in C for Flute and Orchestra, K. 315. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313 (Review by Leslie Gerber) | conductor | MOZART: Concertos for Piano and Orchestra (Review by Bernard Jacobson) | conductor | MOZART: Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber) | conductor | MOZART: Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) (Review by Bernard Jacobson) | conductor | MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner) | conductor | MOZART: Epistle Sonatas (Review by Edward Strickland) | chamber organ | MOZART: Epistle Sonatas (Review by Edward Strickland) | conductor | MOZART: Epistle Sonatas (Review by Edward Strickland) | fortepiano | MOZART: Epistle Sonatas (Review by Edward Strickland) | harpsichord | MOZART: Epistle Sonatas (Review by Edward Strickland) | virginal | MOZART: Exsultate jubilate, K 165. Regina coeli, K 108. Ergo interest, K 143. Regina coeli, K 127 (Review by Bob Rose) | conductor | MOZART: Exsultate, Jubilate, K. 165. Regina Coeli, K. 108. Ergo Interest, K. 143. Regina Coeli, K. 127 (Review by J. F. Weber) | conductor | MOZART: Fantasia in d, K 397 (2 versions) (Review by Brian Robins) | clavichord | MOZART: Flute and Harp Concerto. Horn Concertos Nos. 1-4. Rondo for Horn and Orchestra in D, K 514 (Review by Bernard Jacobson) | conductor | MOZART: Horn Concerto No. 2 in E♭, K 417. Oboe Concerto in C, K 314. Clarinet Concerto in A, K 622. Sinfonia Concertante in E♭, K 297b. Serenade No. 10 for 13 Winds in B♭, K 361, “Gran Partita” (Review by Allison Eck) | conductor | MOZART: Il re pastore (Review by Bob Rose) | conductor | MOZART: Keyboard Concertos Nos. 1-4, K 37, 39-41 (Review by Bernard Jacobson) | conductor | MOZART: Klavierstücke in F, K 33b (Review by Brian Robins) | clavichord | MOZART: La clemenza di Tito, K. 621 (Review by James Camner) | conductor | MOZART: La‚t uns mit geschlungen Händen, K 623 (Review by Brian Robins) | clavichord | MOZART: Marche funèbre, K 453a (Review by Brian Robins) | clavichord | MOZART: Mass in C Minor, K. 427 (Review by J. F. Weber) | conductor | MOZART: Minuetto in D, K 355 (Review by Brian Robins) | clavichord | MOZART: No. 6 in F, K. 43; No. 7 in D, K. 45; in F, K. 42a (K. 76); in B-Flat, K. 45b (A. 214); in D, K. 46a (K. 51); in G (“New Lambach“); in B-Flat, K. 74g (A. 216); in G, K. 425a (K. 444); No. 8 in D,K 48; No. 40 in G Minor, K. 550 (2nd version) (Review by Edward Strickland) | harpsichord | MOZART: Oboe Concerto in C, K 314 (Review by Bernard Jacobson) | conductor | MOZART: Piano Concertos (Review by Bernard Jacobson) | conductor | MOZART: Requiem, K. 626. (ed. Maunder) (Review by J. F. Weber) | conductor | MOZART: Rondeau for Horn and Orchestra in E♭, K 371 (Review by Bernard Jacobson) | conductor | MOZART: Rondo in F, K 494 (Review by Brian Robins) | clavichord | MOZART: Rondos (Review by Michael Carter) | conductor | MOZART: Rondos (Review by Michael Carter) | harpsichord | MOZART: Serenade No. 10 in B♭ for 13 Instruments, K. 361 ("Gran Partita") (Review by John D. Wiser) | conductor | MOZART: Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Notturno for Four Orchestras, K. 286 (269a). Serenata notturna, K. 239 (Review by Mortimer H. Frank) | director | MOZART: Serenade in D, K. 185. March in D, K. 189 (Review by Edward Strickland) | conductor | MOZART: Serenade in D, K. 185. March in D, K. 189 (Review by Edward Strickland) | harpsichord | MOZART: Sonata in D, K 381 (Review by Brian Robins) | clavichord | MOZART: Symphonies (Review by John Bauman) | conductor | MOZART: Symphonies (Review by John Bauman) | continuo | MOZART: Symphonies (Review by Edward Strickland) | continuo | MOZART: Symphonies (Review by Elliott Kaback) | conductor | MOZART: Symphonies (Review by Elliott Kaback) | continue | MOZART: Symphonies (Review by Edward Strickland) | conductor | MOZART: Symphonies (Review by Edward Strickland) | harpsichord continuo | MOZART: Symphonies (Review by William H. Youngren) | conductor | MOZART: Symphonies (Review by William H. Youngren) | continue | MOZART: Symphonies (Review by Edward Strickland) | harpsichord | MOZART: Symphonies (Review by Edward Strickland) | violin | MOZART: Symphonies (Review by Edward Strickland) | conductor | MOZART: Symphonies (Review by Edward Strickland) | harpsichord continuo | MOZART: Symphonies (Review by Edward Strickland) | harpsichord | MOZART: Symphonies (Review by Edward Strickland) | harpsichord continuo | MOZART: Symphony No. 25 in G Minor, K. 173dB (K. 183). Symphony in D, K. 213A (K. 204), Symphony No. 30 in D,K. 186b (K. 202).Symphony in D, K. 189b (K. 203). Symphony No. 29 in A, K. 186 (K. 201). Symphony in C, K. 189k (K. 173e-K. 200). Symphony in D, K 207a (K. 196-K. 121) (Review by John Bauman) | director | MOZART: Symphony No. 32 in G, K.318. Symphony No. 33 in B Flat, K. 319. SymphonyNo. 34 in C, K. 338. Symphony No. 35 in D, K. 385 (“Haffner“). March in D, K. 408, no. 2. Symphony No. 36 in C, K. 425 (“Linz“). Symphony in D, K. 248b/K. 250 (Symphony after the “Haffner“ Serenade). Symphony in D, K. 320 (Symphony after the “Posthorn“ Serenade). Symphony in C, K. 213c/K. 208 (Symphony after “Il re pastore“) (Review by John Bauman) | conductor | MOZART: Symphony No. 35 in D, K. 385 (“Haffner“). Symphony No. 36 in C, K. 425 (“Linz “) (Review by Edward Strickland) | harpsichord continuo | MOZART: THE SYMPHONIES, Volume Four (Review by Edward Strickland) | director | MOZART: THE SYMPHONIES, Volume Four (Review by Edward Strickland) | harpsichord continuo | MOZART: THE SYMPHONIES, Volume One (Review by Edward Strickland) | harpsichord continuo | MOZART: THE SYMPHONIES, Volume Seven (Review by Edward Strickland) | harpsichord | MOZART: THE SYMPHONIES, Volume Two (Review by Edward Strickland) | conductor | MOZART: THE SYMPHONIES, Volume Two (Review by Edward Strickland) | harpsichord continuo | MOZART: THE SYMPHONIES, (Review by John Bauman) | continuo | MOZART: THE SYMPHONIES, (Review by Edward Strickland) | continuo | MOZART: The Symphonies, Volume 6 (Review by Edward Strickland) | conductor | MOZART: The Symphonies, Volume 6 (Review by Edward Strickland) | harpsichord | MOZART: The Symphonies, Volume Five (Review by Edward Strickland) | conductor | MOZART: The Symphonies, Volume Five (Review by Edward Strickland) | harpsichord continuo | MOZART: The Symphonies, Volume I (Review by John Bauman) | conductor | MOZART: The Symphonies, Volume II (Review by John Bauman) | conductor | MOZART: The Symphonies, Volume IV (Review by John Bauman) | director | MOZART: The Wind Concertos (Review by Bernard Jacobson) | conductor | MOZART: Theme and 2 Variations in A, K 460 (Review by Brian Robins) | clavichord | MOZART: Violin Concertos (Review by Michael Carter) | conductor | MOZART: Violin Concertos (Review by Michael Carter) | harpsichord | MUFFAT: Florilegium Secundum (Review by George Chien) | director | MUFFAT: Sonatas (Review by George Chien) | director | PACHELBEL, JOHANN: Kanon and Gigue (Review by George Chien) | conductor | PERGOLESI: Sinfonia for Cello and Continuo (Review by John D. Wiser) | harpsichord | PERGOLESI: Stabat Mater. Salve Regina in C Minor (Review by J. F. Weber) | conductor | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | clavichord | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | fortepiano | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | harpsichord | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | organ | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | spinet | PHILIPS: Gallarda passamezzo (Review by Edward Strickland) | virginal | PURCELL, HENRY: Birthday Odes for Queen Mary (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Birthday Odes for Queen Mary (Review by Michael Ullman) | organ | PURCELL, HENRY: Dido and Aeneas (Review by James Reel) | conductor | PURCELL, HENRY: Don Quixote. Judith Nelson and Emma Kirkby, sopranos; James Bowman, counter-tenor; Martyn Hill, tenor; David Thomas, bass (Review by Mortimer H. Frank) | director | PURCELL, HENRY: Fairest isle. She loves and she confesses too. Dido and Aeneas (Review by Joel Kasow) | conductor | PURCELL, HENRY: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. plaint 'O, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback) | organ | PURCELL, HENRY: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. plaint 'O, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback) | spinet | PURCELL, HENRY: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman) | organ | PURCELL, HENRY: If music be the food of love. Abdelazer (Review by Joel Kasow) | conductor | PURCELL, HENRY: Music for Strings; Three Elegies. Martyn Hill, tenor; Christopher Keyte, bass (Review by Mortimer H. Frank) | director | PURCELL, HENRY: Overture in G Minor, Z 772. Theodosius or The Force of Love, Z. 606. The Libertine or The Libertine Destroyed, Z. 600. The Massacre of Paris, Z. 604. Oedipus, Z. 583 (Review by Mortimer H. Frank) | conductor | PURCELL, HENRY: Sonatas of Three Parts, 1683 Z790-801 (Review by Robert Maxham) | chamber organ | PURCELL, HENRY: Songs and Airs (Review by Elliott Kaback) | organ | PURCELL, HENRY: Songs and Airs (Review by Elliott Kaback) | spinet | PURCELL, HENRY: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman) | conductor | PURCELL, HENRY: Theatre Music, Vol. IV (Review by Mortimer H. Frank) | director | PURCELL, HENRY: Theatre Music (Review by Mortimer H. Frank) | director | PURCELL, HENRY: Theatre Music (Review by Mortimer H. Frank) | director | PURCELL, HENRY: Theatre Music—Volume 8 (Review by Michael Ullman) | director | RAMSEY, ROBERT: What Tears, Dear Prince, Can Serve (Review by Edward Strickland) | chamber organ | RAMSEY, ROBERT: What Tears, Dear Prince, Can Serve (Review by Edward Strickland) | conductor | RAMSEY, ROBERT: What Tears, Dear Prince, Can Serve (Review by Edward Strickland) | fortepiano | RAMSEY, ROBERT: What Tears, Dear Prince, Can Serve (Review by Edward Strickland) | harpsichord | RAMSEY, ROBERT: What Tears, Dear Prince, Can Serve (Review by Edward Strickland) | virginal | REBEL, J. F.: Les Elements (Review by Edward Strickland) | director | REBEL, J. F.: Les Élémens (Review by Barry Brenesal) | conductor | SCARLATTI, DOMENICO: Sonatas (Review by Edward Strickland) | chamber organ | SCARLATTI, DOMENICO: Sonatas (Review by Edward Strickland) | conductor | SCARLATTI, DOMENICO: Sonatas (Review by Edward Strickland) | fortepiano | SCARLATTI, DOMENICO: Sonatas (Review by Edward Strickland) | harpsichord | SCARLATTI, DOMENICO: Sonatas (Review by Edward Strickland) | virginal | SCHUBERT: Sonata in A for Violin and Piano, D. 574 (Op. 162) (Review by John Bauman) | fortepiano | SCHUBERT: Sonata in A for Violin and Piano, D. 574 (Op. 162) (Review by John Bauman) | fortepiano | SCHUBERT: Three Sonatas for Violin and Piano, Op. 137 (Review by Paul Turok) | fortepiano | SCHUBERT: Violin Sonatas (Review by Robert Maxham) | fortepiano | SCHULZ: Death of Christ. Lord, when I consider your kindness. Allegretto. To Nature. Evening Song. New Year’s Song. Andante sostenuto. May Song. The Harvest Feast—Overture (Review by J. F. Weber) | conductor | SCHULZ: Nine works (Review by J. F. Weber) | conductor | STAMITZ: Sinfonia Pastorale in D, Op. 4, no. 2. Symphony in D, Op. 3, no. 2. Symphony in G. Concerto in B Flat for Clarinet and Orchestra (Review by John Bauman) | conductor | STRAUSS, RICHARD: Le bourgeois gentilhomme (Review by David L. Kirk) | conductor | STRAVINSKY, IGOR: Concerto in D (Review by Paul Ingram) | conductor | STRAVINSKY, IGOR: Pulcinella (Complete Ballet). Concerto in Eb (“Dumbarton Oaks“)- (Review by John D. Wiser) | harpsichord | STRAVINSKY, IGOR: Pulcinella. Fireworks (Review by Ronald E. Grames) | conductor | STRAVINSKY, IGOR: Pulcinella (Review by James H. North) | conductor | STRAVINSKY, IGOR: Suites for Small Orchestra (Review by James H. North) | conductor | TELEMANN, GEORG PHILIPP: Concertos (Review by Nils Anderson) | conductor | TIPPETT, MICHAEL: Divertimento on “Sellinger's Round“ (Review by James H. North) | conductor | TIPPETT, MICHAEL: Fantasia Concertante on a Theme of Corelli (Review by Richard Burke) | conductor | TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland) | chamber organ | TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland) | conductor | TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland) | fortepiano | TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland) | harpsichord | TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland) | virginal | VIVALDI, ANTONIO: 12 Concertos, Op. 3 (L'Estro armonico) (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: 12 Concertos, Op. 8 (“Il Cimento dell' Armonia e dell' Inventione“) (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: 6 Violin Concertos, op. 12 (Review by Robert Maxham) | director | VIVALDI, ANTONIO: Concerto in A Minor for Bassoon, RV 498;Concerto in C Minor for Flute, RV 441;Concerto in F for Oboe, RV 456; Concerto in F for Two Oboes, Bassoon, Two Horns, and Violin, RV 569 (Review by George Chien) | harpsichord | VIVALDI, ANTONIO: Concerto in B Minor for Four Violins and Cello, Op. 3, no. 10. Concerto in C for Two Trumpets and Strings, RV. 537 (Review by George Chien) | conductor | VIVALDI, ANTONIO: Concerto in B Minor for Four Violins, Strings, and Continuo, op. 3, no. 10 (Review by Heuwell Tircuit) | harpsichord | VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson) | harpsichord | VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson) | organ | VIVALDI, ANTONIO: Concertos for Cello, Strings, and Continuo (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concertos for Oboe, Strings, and Continuo (Review by George Chien) | conductor | VIVALDI, ANTONIO: Concertos for Violin, Strings, and Continuo, Op. 4 (“La Stravaganza“) (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concertos for Violin, Strings, and Continuo, Op. 4 (“La Stravaganza“) (Review by Nils Anderson) | harpsichord | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | harpsichord | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Four Concertos, Op. 8, Nos. 1-4(“The Four Seasons“) (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: L'Estro Armonico, Op. 3 (Review by John Bauman) | conductor | VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham) | director | VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham) | harpsichord | VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham) | organ | VIVALDI, ANTONIO: Oboe Concertos (Review by George Chien) | conductor | VIVALDI, ANTONIO: Six Sonatas for Cello and Continuo, "op. 14." (Review by Nils Anderson) | harpsichord | VIVALDI, ANTONIO: Sonata in D Minor for 2 Violins and Continuo, Op. 1, no. 12 (“La Follia “). Cantata for Soprano and Continuo (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Sonatas (Review by Nils Anderson) | harpsichord | VIVALDI, ANTONIO: Trio Sonatas, op. 1/7-12 (Review by Robert Maxham) | harpsichord | VIVALDI, ANTONIO: Trio Sonatas, op. 1/7-12 (Review by Robert Maxham) | organ | VIVALDI, ANTONIO: Twelve Concertos, op. 9 ("La Cetra") (Review by Nils Anderson) | conductor | VIVALDI, ANTONIO: Violin Concerto in A, RV 335, "The Cuckoo" (Review by Robert Maxham) | director | VIVALDI, ANTONIO: Violin Concertos, op. 6 (Review by Robert Maxham) | director | WEBER, CARL MARIA VON: 6 Pieces for Piano Duet, op. 10 (Review by Michael Ullman) | fortepiano | WEBER, CARL MARIA VON: Die Temperamante beim Verluste der Geliebten. Meine Farben. Über die Berge mit Ungestüm. Die gefangenen Sänger. Die freien Sänger. Die Zeit. Das Veilchen im Thale. Mein Schatzerl is hübsch. Ich denke dein. Elfenlied (Review by Raymond Beegle) | fortepiano | WEBER, CARL MARIA VON: Piano Sonata No. 1 in C (Review by Michael Ullman) | fortepiano | WEBER, CARL MARIA VON: Sechs Lieder, op. 15 (Review by Raymond Beegle) | fortepiano | WEBER, CARL MARIA VON: Sechs Lieder, op. 30 (Review by Raymond Beegle) | fortepiano | WEBER, CARL MARIA VON: Songs (Review by John Yohalem) | fortepiano | WEBER, CARL MARIA VON: Symphonies (Review by James H. North) | conductor | WEBER, CARL MARIA VON: Symphonies (Review by James H. North) | natural horn | WEBER, CARL MARIA VON: Variations on an Original Theme, op. 2 (Review by Michael Ullman) | fortepiano |
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