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Performer: Nicholas Isherwood SCELSI: Pranam II... (Luca Pfaff) (Review by Robert Carl) | bass | CAGE, JOHN: Aria with Fontana Mix. A Chant With Claps. Sonnekus². Eight Whiskus. A Flower. The Wonderful Widow of Eighteen Springs. Nowth Upon Nacht. Experiences No. 2. Ryoanji (Review by Raymond Tuttle) | bass baritone | CRUMB, GEORGE: Songs, Drones, and Refrains of Death (Review by Peter Burwasser) | baritone | DASHOW, JAMES: Soundings in Pure Duration Nos. 7, 8, 9, 10 (Review by Colin Clarke) | bass baritone | DASHOW, JAMES: Soundings in Pure Duration Nos. 7, 8, 9, 10 (Review by James H. North) | bass baritone | FELDER, DAVID: Shamayim (Review by Robert Carl) | electronics | FELDER, DAVID: Shamayim (Review by Peter J. Rabinowitz) | electronics | FELDER, DAVID: Shamayim (Review by Robert Carl) | vocal | FELDER, DAVID: Shamayim (Review by Peter J. Rabinowitz) | vocal | GUBAIDULINA, SOFIA: Saint John Easter (Review by James H. North) | bass | GUBAIDULINA, SOFIA: St. John Passion. St. John Easter (Review by Jerry Dubins) | bass | HANDEL, GEORGE FRIDERIC: Agrippina (Review by Nicholas Deutsch) | bass | HANDEL, GEORGE FRIDERIC: Agrippina (Review by Nicholas Deutsch) | Claudio | HENZE, HANS WERNER: El Cimarrón (Review by James H. North) | bass | HOLMES, JEFFREY: Moon of Fate. Hail. Thundering Waters. Rider of Darkness, Path of Light (Review by Colin Clarke) | bass baritone | IVES, CHARLES: Songs (Review by James H. North) | bass | IVES, CHARLES: Tom Sails Away. Ann Street. Thoreau. Maple Leaves. The Cage. 1,2,3. Evening. Serenity. The New River. The White Gulls. Slugging a Vampire. West London. Incantation. Charles Rutlage. Slow March. The Indians. Walt Whitman. Afterglow. His Exaltation. At the River. In the Mornin'. The Camp Meeting. The Circus Band. Paracelsus. Premonitions. On the Counter. A Sea Dirge. Like a Sick Eagle. Soliloquy'. Memories. The One Way. Remembrance. A Farewell to Land (Review by James H. North) | bass | MEFANO: Micromégas (Review by Lynn René Bayley) | Micromégas | SCELSI: Okanagon (Review by Mike Silverton) | bass | SCELSI: Okanagon, for Harp, Double bass, and Tam-Tam. Uaknongan, for Double bass and Voice. Three Pieces, for Trombone. Wo Ma, for Bass Voice. C'est bien, la nuit, for Double bass. Le Réveil profond, for Double bass. Uaknongan, for Bb Bass Tuba. Et maintenant, c'est à vous à Jouer, for Cello and Double bass. Mantram, for Double bass (Review by Mike Silverton) | bass | VARÈSE: Densité 21.5. Ionisation. Ecuatorial. Nocturnal. Intégrales. Déserts (Review by Christopher Abbot) | bass baritone | WAGNER, SIEGFRIED: Der Kobold (Review by Colin Fleming) | der Graf | WAGNER, SIEGFRIED: Der Kobold (Review by Christopher Williams) | der Graf |
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