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Performer: Jay Johnson GERSHWIN: Summertime (Review by Mike Silverton) | human percussion | GERSHWIN: Summertime (Review by Mike Silverton) | voice | GIBBONS, ORLANDO: What I'm Getting At (Review by Mike Silverton) | human percussion | GIBBONS, ORLANDO: What I'm Getting At (Review by Mike Silverton) | voice | GOLDSTEIN, PERRY: Total Absorption (Review by Mike Silverton) | human percussion | GOLDSTEIN, PERRY: Total Absorption (Review by Mike Silverton) | voice | KITZKE, JEROME: Regina Takes the Holy Road, 3 December 1994 (Review by Mike Silverton) | human percussion | KITZKE, JEROME: Regina Takes the Holy Road, 3 December 1994 (Review by Mike Silverton) | voice | KREIGER, ARTHUR: Joint Session (Review by Mike Silverton) | human percussion | KREIGER, ARTHUR: Joint Session (Review by Mike Silverton) | voice | LOWENSTERN: Spasm. But Would She Remember You (Review by Mike Silverton) | human percussion | LOWENSTERN: Spasm. But Would She Remember You (Review by Mike Silverton) | voice | LUBET, ALEX: Two Octave Etudes, for Piano (Review by John Ditsky) | percussion | LUBET, ALEX: Two Octave Etudes, for Piano (Review by Stephen Ellis) | percussion | MEANS: Future Perfect (Review by Stephen Ellis) | percussion | MEANS: Future Perfect (Review by John Ditsky) | percussion | NEAR: Short Festival Te Deum and Jubilate Deo, for Chorus & Organ (Review by Stephen Ellis) | percussion | NEAR: Short Festival Te Deum and Jubilate, for Soprano, Organ, & Chorus (Review by John Ditsky) | percussion | PASKE: An Open Door, For Voice, Flute, Found Percussion, Electronic Instruments, and tape (Review by John Ditsky) | percussion | PASKE: An Open Door, for Performers, Audience, Outdoor Sounds, and Electronics (Review by Stephen Ellis) | percussion | ROWE: Shells (Review by Mike Silverton) | human percussion | ROWE: Shells (Review by Mike Silverton) | voice | STOKES: Tintinnabulary, for Ringing Percussion (Review by Stephen Ellis) | percussion | STOKES: Tintinnabulary, for Taped Percussion (Review by John Ditsky) | percussion | WINKLER, PETER: Solitaire (Review by Mike Silverton) | human percussion | WINKLER, PETER: Solitaire (Review by Mike Silverton) | voice |
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