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Performer: Beverley Johnston HORVAT: A Little Loopy. What the Walls... (Joseph Phillips) (Review by David DeBoor Canfield) | percussion | OCCHIPINTI: Three Emilys for Solo Voice. Cubist... (Mingjia Chen) (Review by Andrew Desiderio) | marimba | OCCHIPINTI: Three Emilys for Solo Voice. Cubist... (Mingjia Chen) (Review by Andrew Desiderio) | vibraphone | ARCURI: Chronaxie, for Percussion and Tape (Review by John Ditsky) | percussion | ARCURI: Chronaxie, for Percussion and Tape (Review by Stephen Ellis) | percussion | BACH, JOHANN SEBASTIAN: Marimbach (Transcriptions for Marimba) (Review by David Claris) | glockenspiel | BACH, JOHANN SEBASTIAN: Marimbach (Transcriptions for Marimba) (Review by David Claris) | marimba | BACH, JOHANN SEBASTIAN: Marimbach (Transcriptions for Marimba) (Review by David Claris) | orchestral chimes | BACH, JOHANN SEBASTIAN: Marimbach (Transcriptions for Marimba) (Review by David Claris) | vibraphone | BUCZYNSKI: Fantasy on Themes of the Past, for Accordion and String Orchestra (Review by William Zagorski) | percussion | CAMILLERI: Concerto for Accordion and Strings (Review by William Zagorski) | percussion | DANIEL: The Mechanical Advantage (Review by Robert Kirzinger) | percussion | FREEDMAN, HARRY: Bones (Review by Alex Ross) | percussion | HANNÁN: Generic Music (Review by Peter Burwasser) | marimba | HATCH: Lagrime (Review by Peter Burwasser) | marimba | HATCH: When do they Is not the same as why do they (Review by Alex Ross) | percussion | HATZIS: Nadir (Review by Peter Burwasser) | marimba | HORVAT: A Little Loopy. What the Walls Feel As They Stare at Rob Ford Sitting In His Office. Wood & Metal Bars. Sunken Carousel. 7 Pianos. I Love You (Review by Karl F. Miller) | glockenspiel | HORVAT: A Little Loopy. What the Walls Feel As They Stare at Rob Ford Sitting In His Office. Wood & Metal Bars. Sunken Carousel. 7 Pianos. I Love You (Review by Karl F. Miller) | marimba | HORVAT: A Little Loopy. What the Walls Feel As They Stare at Rob Ford Sitting In His Office. Wood & Metal Bars. Sunken Carousel. 7 Pianos. I Love You (Review by Karl F. Miller) | vibraphone | HORVAT: A Little Loopy. What the Walls Feel As They Stare at Rob Ford Sitting In His Office. Wood & Metal Bars. Sunken Carousel. 7 Pianos. I Love You (Review by Karl F. Miller) | xylophone | HORVAT: A Little Loopy. What the Walls Feel As They Stare at Rob Ford Sitting in His Office. Wood & Metal Bars. Sunken Carousel. 7 Pianos. I Love You (Review by David DeBoor Canfield) | percussion | JAEGER, DAVID: Lyrics for Solo Marimba (Review by Alex Ross) | percussion | KULESHA: Angels, for Marimba and Tape (Review by John Ditsky) | percussion | KULESHA: Angels, for Marimba and Tape (Review by Stephen Ellis) | percussion | KULESHA: Toccata for Percussion and Tape (Review by Alex Ross) | percussion | LOUIE: Cadenzas, for Percussion and Clarinet (Review by John Ditsky) | percussion | LOUIE: Cadenzas, for Percussion and Clarinet (Review by Stephen Ellis) | percussion | LOUIE: Refuge, for Accordion, Harp, and Vibraphone. Earth Cycles, for Accordion and Pre-recorded Tape (Review by William Zagorski) | percussion | LUNDQUIST: Duell, for Accordion and Percussion (Review by William Zagorski) | percussion | MONAHAN: Piano Mechanics“ (Review by Peter Burwasser) | marimba | MOTT, DAVID: Tiger running... nearer breathing*. Regarding Starlight* (Review by Peter Burwasser) | marimba | PICHE: Steal the Thunder, for Percussionist and Computer (Review by John Ditsky) | percussion | PICHE: Steal the Thunder, for Percussionist and Computer (Review by Stephen Ellis) | percussion | SOUTHAM: Alternate Currents (Review by Alex Ross) | percussion | SYMONDS: Persuasion, for Accordion and Bass Clarinet (Review by William Zagorski) | percussion |
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